Directed by
Jim Kouf |
Writing Credits (WGA)
Jim Kouf | ... | (written by) & |
Alan DiFiore | ... | (written by) |
Cast (in credits order)
Jaime King | ... | April Dumas | |
Josh Cooke | ... | Will Carson | |
Silas Weir Mitchell | ... | Karl Dumas | |
Missi Pyle | ... | Nola Miller | |
Daniel Roebuck | ... | Martin Cheeder | |
Rick Overton | ... | Sheriff Thompson | |
William Russ | ... | Detective Ross | |
Antonio Lecce | ... | Patrolman | |
Kari Wuhrer | ... | Deputy | |
Dillon Kouf | ... | Fork Boy |
Produced by
C.R. Bartkowski | ... | executive producer |
Clark Bartkowski | ... | executive producer |
Paul F. Bernard | ... | producer (as Paul Bernard) |
Alan DiFiore | ... | co-producer |
Doug Healey | ... | executive producer |
Jim Kouf | ... | producer |
Lynn Kouf | ... | co-producer |
James Scura | ... | producer |
Music by
Richard Marvin |
Cinematography by
Claudio Rocha |
Editing by
Dennis Virkler |
Casting By
Ferne Cassel |
Production Design by
Elvis Strange |
Art Direction by
Sarah Bess |
Costume Design by
Nicole Capasso |
Makeup Department
Sam Debree | ... | key makeup artist |
Melissa Oteri | ... | day player makeup artist (as Melissa Ferreira) |
Holly Remington | ... | key hair stylist |
Production Management
James Scura | ... | unit production manager |
Second Unit Director or Assistant Director
Paul F. Bernard | ... | first assistant director (as Paul Bernard) |
Jay Ostrowski | ... | second assistant director |
Art Department
Ryan Cochran | ... | set dresser |
Sherman Hall | ... | property master |
Caitlin Pashalek | ... | set dresser |
Sound Department
Parker Brown | ... | boom operator |
T.C. Chantler | ... | sound mixer |
Tyrell Elliott | ... | boom operator |
Glen Alger Schricker | ... | dialogue editor / re-recording mixer |
José Serrador Villanueva | ... | sound dubbing mixer (as Jose Serrador) |
Special Effects by
Bobby Brooks | ... | special effects coordinator |
Stunts
Cooper Taylor | ... | stunt coordinator |
Matthew Taylor | ... | stunt coordinator |
Camera and Electrical Department
Stu Brumbaugh | ... | best boy electric |
Bob Bryan | ... | grip |
Tony Demin | ... | still photographer |
Anne Devereux | ... | second assistant camera |
Leslie Frid | ... | second assistant camera |
Jeff Hill | ... | grip |
Chris Horton | ... | electrician |
Jason McKnight | ... | gaffer |
Matt O'Connor | ... | grip |
Scott Patten | ... | grip |
Reid Russell | ... | camera operator: "a" camera |
Logan Schneider | ... | first assistant camera |
Jamie Stephens | ... | first assistant camera |
Chaz Taylor | ... | key grip |
Andrew Thie | ... | electrician |
Nicholas Van Atta | ... | electrician |
Casting Department
Tina Buckingham | ... | extras casting |
Amy De Souza | ... | casting associate |
Costume and Wardrobe Department
Courtney Hess | ... | costumer |
Editorial Department
Michael Cioni | ... | digital intermediate supervisor |
Dave Cory | ... | assistant editor |
Ryan Vega | ... | machinist |
Oscar Velasquez | ... | post-production assistant |
Ian Vertovec | ... | digital intermediate colorist |
Location Management
Jo Young | ... | location manager |
Music Department
Scott Schirle | ... | music editor |
Matthew St. Laurent | ... | music programmer |
Script and Continuity Department
Zena Dell Lowe | ... | script supervisor |
Transportation Department
Christine Schuman | ... | transportation coordinator |
Phil Schuman | ... | driver |
Gene Ungersma | ... | driver |
Additional Crew
Stu Brumbaugh | ... | condor operator |
Deb Cole | ... | product placement executive |
Myke Dixon | ... | data management |
Tyrell Elliott | ... | production assistant |
Marina Filippelli | ... | key set production assistant |
Debi Hampton | ... | production coordinator |
Debra Hogg | ... | production coordinator |
Dixie Jones | ... | production accountant |
Jeri Mcpherson | ... | caterer |
Lou Morris | ... | stand-in: Dan Roebuck |
Frederic Perrin | ... | caterer |
Audra Rodgers | ... | production supervisor |
Dana Wilkey | ... | product placement |
Thanks
John Ansotegui | ... | special thanks |
Sam Eigen | ... | special thanks |
Brandon Paine | ... | special thanks |