Directed by
Prano Bailey-Bond | ... | (directed by) |
Writing Credits
Prano Bailey-Bond | ... | (written by) & |
Anthony Fletcher | ... | (written by) |
Cast (in credits order)
Produced by
Daniel Battsek | ... | executive producer |
Mary Burke | ... | executive producer |
Lauren Dark | ... | executive producer |
Helen Jones | ... | producer (produced by) / producer: Silver Salt Films |
Ollie Madden | ... | executive producer |
Kim Newman | ... | executive producer |
Kristyna Sellnerova | ... | line producer |
Andrew Starke | ... | executive producer (as Andy Starke) |
Ant Timpson | ... | executive producer |
Kimberley Warner | ... | executive producer |
Ross Williams | ... | line producer: additional photography - London unit |
Naomi Wright | ... | executive producer |
Music by
Emilie Levienaise-Farrouch | ... | (original music by) |
Cinematography by
Annika Summerson | ... | director of photography |
Editing by
Mark Towns |
Casting By
Nanw Rowlands | ... | (casting) |
Production Design by
Paulina Rzeszowska |
Art Direction by
Philip A. Brown |
Set Decoration by
Bronwyn Franklin |
Costume Design by
Saffron Cullane |
Makeup Department
Hannah Belford | ... | makeup artist |
Kari-Anne Habbershaw | ... | hair assistant: additional photography - London unit / makeup assistant: additional photography - London unit |
Alexandra Jackson | ... | Hair and Makeup daily |
Olivia Jerrard | ... | hair supervisor: additional photography - London unit / makeup supervisor: additional photography - London unit |
Stefanie Kemp | ... | hair designer: additional photography - London unit / makeup designer: additional photography - London unit |
Bethany Lewis | ... | Hair & Makeup Supervisor |
Ruth Pease | ... | hair designer / makeup designer |
Rebecca Powell | ... | daily hair and makeup artist |
Emily Wilcox | ... | hair assistant: additional photography - London unit / makeup assistant: additional photography - London unit |
Production Management
Hashim Alsaraf | ... | post production supervisor |
Sarah Barker | ... | production manager |
Iris Cohen | ... | production manager: BFI |
Ben Coren | ... | head of development: Film4 |
Emma Costello | ... | production manager: Film4 |
Bizzy Day | ... | production executive: Ffilm Cymru Wales |
Emma Duffy | ... | development executive: BFI / production executive: BFI |
Gary French | ... | unit manager: additional photography - London unit |
Roger Harlow | ... | head of production: Cinelab London |
Kristin Irving | ... | development executive: BFI / production executive: BFI |
Emily Leach | ... | production executive: Film4 |
Alasdair Mitchell | ... | production manager: additional photography - London unit |
Fiona Morham | ... | head of production: BFI |
Tori Parry | ... | head of production: Film4 |
Aimee Whelan | ... | production manager |
Matt Wilson | ... | production supervisor: additional photography - London unit |
Second Unit Director or Assistant Director
Jeroen Bogaert | ... | first assistant director |
Graham Drover | ... | first assistant director: additional photography - London unit |
Zak Harney | ... | third assistant director |
Mike Hayes | ... | first assistant director: additional |
Helen Jones | ... | co-director: Silver Salt Films |
Paul Morris | ... | second assistant director |
Dylan Nicholson | ... | crowd third assistant director |
Zoe Tough | ... | second assistant director: additional photography - London unit |
Naomi Wright | ... | co-director: Silver Salt Films |
Art Department
Olita-May Forbes Adam | ... | standby props: additional photography - London unit (as Olita May) |
Julia Bickerstaff | ... | neon maker |
Elinor Birkenhead-Jones | ... | standby props daily |
Alannah Byrne | ... | standby art director: additional photography - London unit |
Christie Cheng | ... | Standby Props: art department |
Craig Jenkins | ... | playback operator |
Rachel Amanda Jones | ... | standby art director |
Video Mat | ... | lead graphic designer |
Samuel Mitchnik | ... | dressing props: additional photography - London unit |
Liam O'Hara | ... | Construction Manager / construction manager |
Micaela Ralph | ... | graphic designer |
Natasha Singh | ... | Art Department Assistant |
Paul Smith | ... | property master |
George Syborn | ... | art department assistant: additional photography - London unit (as Georgina Syborn) |
Mark Towns | ... | title design |
Sound Department
Nick Baldock | ... | ADR mixer |
Baptiste Boiron | ... | additional ADR mixer |
Seb Bruen | ... | sound effects editor |
Brandon Mosquera Caicedo | ... | analogue transfer operator |
Phil Cape | ... | boom operator |
Pär Carlsson | ... | additional sound design / premix |
Chase Coley | ... | sound effects artist |
Adam Daniel | ... | technical manager: Point1Post |
Max Devere | ... | production sound recordist: additional photography - London unit |
Justin Dolby | ... | ADR editor |
Oliver Ferris | ... | foley artist |
Adele Fletcher | ... | supervising dialogue editor |
Richard Formby | ... | additional effects |
Jon Gibson | ... | boom operator: additional photography - London unit |
Jon Gordon | ... | analogue transfer engineer |
Sue Harding | ... | foley artist |
Tim Harrison | ... | sound designer / supervising sound editor |
Andrew Illingworth | ... | sound trainee |
Ruth Knight | ... | assistant dialogue editor |
Robyn Leonard | ... | analogue transfer operator |
Sam Mason | ... | sound effects editor |
Adam Mendez | ... | foley mixer |
David Mitchell | ... | sound mixer |
Paul Richardson | ... | atmos recordist |
Jamie Roden | ... | re-recording mixer |
Karl Sadler | ... | second atmos recordist |
Michael Speers | ... | analogue transfer engineer |
Simon Todkill | ... | additional effects |
Felix Waverley-Hudson | ... | assistant sound designer |
Michele Woods | ... | ADR supervisor |
Special Effects by
Ben Ashmore | ... | special effects supervisor |
Paul Chandler | ... | special effects supervisor |
Connor Grove | ... | special effects technician |
Martin Jones | ... | special effects technician: additional photography, London |
Scott MacIntyre | ... | special effects technician: additional photography, London |
Dan Martin | ... | special effects designer |
Eddy Popplewell | ... | special effects technician: additional photography, London |
Visual Effects by
Miguel Algora | ... | VFX artist: Technicolor VFX |
Gary J. Brown | ... | VFX supervisor: Technicolor VFX (as Gary Brown) |
Danielle Dunster | ... | VFX line producer: Technicolor VFX |
Mark Epstein | ... | Flame Artist / VFX artist: Technicolor VFX |
Conor O'Sullivan | ... | VFX editor: Technicolor VFX |
István V. Molnár | ... | visual effects by: Technicolor VFX |
Kate Warburton | ... | VFX executive producer: Technicolor VFX |
Thora Woodward | ... | VFX editor |
Stunts
Peter Pedrero | ... | stunt coordinator |
Camera and Electrical Department
Elliot Beach | ... | gaffer |
Kal Biggins | ... | playback operator: additional photography - London unit |
Clare Brittain | ... | electrician |
Maria Camilla Piana Brizio | ... | camera trainee: additional photography - London unit (as Camilla Brizio) |
Callum Clements | ... | rigger: additional photography - London unit |
Cade Conetta | ... | electrician: additional photography - London unit |
Cristina Cretu | ... | second assistant camera: additional photography - London unit |
Martyn Culpan | ... | second assistant camera |
Ben Davies | ... | electrician |
Akeel Fleary | ... | electrician: additional photography - London unit |
Billy Gibson | ... | rigger: additional photography - London unit |
Christian Hayes | ... | electrician: additional photography - London unit |
Paul Hill | ... | electrician: additional photography - London unit |
Jade Jenkins | ... | camera trainee |
Christy Kail | ... | digital imaging technician |
Sean Kelly | ... | grip |
Veronica Keszthelyi | ... | second assistant camera: dailies |
Maria Lax | ... | stills photographer |
Matt Markham | ... | electrician: additional photography - London unit |
Kev McFadden | ... | electrician: additional photography - London unit |
Kate Molins | ... | first assistant camera: additional photography - London unit |
Ryan Monteith | ... | electrician: additional photography - London unit |
Junior Agyeman Owusu | ... | electrician: additional photography - London unit (as Junior Agyeman) |
Eilir Pierce | ... | EPK |
Oliver Poole | ... | electrician: additional photography - London unit |
Emilio Schläppi | ... | steadicam operator (as Emilio Schlappi) |
Sunny Singh | ... | electrician: additional photography - London unit |
Martine Skogstad | ... | digital imaging technician: additional photography - London unit |
Chris Stones | ... | electrician: additional photography - London unit |
Aron Sögi | ... | best boy: additional photography - London unit (as Aaron Szogi) |
Jonathan Tomlin | ... | electrician: additional photography - London unit |
Hamza Twomey | ... | electrician: additional photography - London unit |
Tim Walker | ... | additional photography |
Jason Wingrove | ... | first assistant camera |
Kit Wood | ... | electrician: additional photography - London unit |
Naomi Wright | ... | EPK |
Casting Department
Chandra Ruegg | ... | casting assistant |
Costume and Wardrobe Department
Arantxa Bernal | ... | costume: dailies: additional photography - London unit |
Mara Bueno | ... | principal costume standby |
Lapaz Copus | ... | costume: dailies: additional photography - London unit |
Alice Cox-Morton | ... | assistant costume designer: additional photography - London unit |
Ella DiGregorio | ... | costume daily |
Emily Newby | ... | assistant costume designer: additional photography - London unit |
Sarah Lillie Rose | ... | costume assistant |
Editorial Department
Cherri Arpino | ... | head of production: Cinelab |
Tom Balkwill | ... | head of digital intermediate: Dirty Looks |
Gareth Bishop | ... | online editor: Dirty Looks |
Lauren De Rigny | ... | online editor: Dirty Looks |
Paul Dean | ... | colourist: dailies: Cinelab London |
John Gurney | ... | film processing: Cinelab London |
Andy Hudson | ... | Lab Manager Cinelab |
David Lale | ... | post production coordinator: Dirty Looks |
Scott Liddle | ... | film scanning: Cinelab London |
Charlotte Llewelyn | ... | digital intermediate producer: Dirty Looks |
Inigo Manby | ... | assistant editor |
Tony Puzas | ... | film processing: Cinelab London |
Thy Quach | ... | assistant editor |
Steve Sheridan | ... | film processing: Cinelab London |
Luke Slatter | ... | film processing: Cinelab London |
Vanessa Taylor | ... | colourist: Dirty Looks |
Thora Woodward | ... | first assistant editor |
Jim Wren | ... | film scanning: Cinelab London (as James Wren) |
Location Management
Jim Chambers | ... | location manager: additional photography - London unit |
Andrew Edwards | ... | assistant location manager |
Seamus Fitzgerald | ... | location assistant |
Joe Gradwell | ... | location manager |
Mike Krause | ... | locations scout |
Alex Zolghadriha | ... | location assistant: additional photography - London unit |
Music Department
The Black Light Roamers | ... | performed by: "Oedipussy" |
Oswald d'Andrea | ... | written by: "Habatoli Souna" (as Oswald Antoine Marie D'Andrea) |
Irma de Wind | ... | music supervisor |
Jenna Fentimen | ... | music supervisor |
Tim Harrison | ... | performed by: "Brainsplitters" (as Luigi Moreno) / performed by: "Hyde" (as rhythmn) / performed by: "Prospero" (as recur) / performed by: "Rabbit Skin" (as Hetty McPhlee) / written by: "Brainsplitters" (as Luigi Moreno) / written by: "Cabin Fever" (as Hairy Moth) / written by: "Festival of Darkness" (as Frederick North) / written by: "Hyde" (as rhythmn) / written by: "Oedipussy" (as Septoria) / written by: "Prospero" (as recur) / written by: "Rabbit Skin" (as Hetty McPhlee) / written by: "Run Like The Wind" (as Frederick North) |
Johnny Hawksworth | ... | performed by: "Moonshine Rag" (as J.Hawksworth) / written by: "Moonshine Rag" (as J.Hawksworth) |
Emilie Levienaise-Farrouch | ... | original score composed by / original score performed by |
Sam Mason | ... | performed by: "Kerosene Killer 3" (as Francis Silverlake) / written by: "Kerosene Killer 3" (as Francis Silverlake) |
Blanck Mass | ... | performed by: "Chernobyl" / written by: "Chernobyl" (as Benjamin John Power) |
Adam Miller | ... | score mixed by: The Mix Shop |
Ligeti Quartet | ... | performed by: "Festival of Darkness" / performed by: "Run Like The Wind" / written by: "Festival of Darkness" / written by: "Run Like The Wind" |
Is Torn | ... | performed by: "Cabin Fever" |
Script and Continuity Department
Sarah Golding | ... | script editor |
Ciara McIntyre | ... | script supervisor |
Ludo Smolski | ... | script editor |
Transportation Department
Stephen Green | ... | driver: minibus: additional photography - London unit |
Karen Hayter | ... | facilities manager: additional photography - London unit |
Brian Naughton | ... | driver: tracking vehicle: Bickers: additional photography - London unit |
John Richardson | ... | driver: minibus: additional photography - London unit |
Additional Crew
Jake O'Brien Adamson | ... | rushes runner |
James Berkery | ... | movement director |
Rachael Bone | ... | production coordinator |
Mary Brehony | ... | legal services: Brehon & Co: Ffilm Cymru Wales |
Pauline Burt | ... | chief executive: Ffilm Cymru Wales |
Lily Cai | ... | catering manager: additional photography - London unit (as Lilly Cai) |
Phil Cairns | ... | press & publicity manager: Film4 |
Cassandra Carias | ... | head of business affairs: Film4 |
Tom Chesover | ... | sales manager: Protagonist Pictures |
Marlon Saint Clare | ... | security: Location Security: additional photography - London unit |
Sam Clark | ... | director sales: EMEAR: Kodak Motion Picture |
Alice Clenshaw | ... | assistant to head of creative: Film4 |
Chloe Cooke | ... | sales support: Kodak Motion Picture |
Amelia Cox | ... | floor runner |
Gary Darling-Parkes | ... | HOD Medical |
Kate Eldridge | ... | accountant: post production |
Katie Ellen | ... | production finance: BFI |
Jason Elwell | ... | security: Location Security: additional photography - London unit |
Anne-Lise Fernandez | ... | Director of Operations |
Zoe Flower | ... | unit publicist |
Jonathan Fransman | ... | legal & business affairs executive: Film4 |
Jonny Garbutt | ... | Sales Manager: Technicolor UK |
Ruth Halliday | ... | clearances: The Clearing House |
George Hamilton | ... | Head of Sales: Protagonist Pictures |
Yari Hernandez | ... | executive assistant: Film4 |
Paul Hillier | ... | insurance |
Majella Hurley | ... | dialect coach |
Uli Kress | ... | covid-19 supervisor: additional photography - London unit |
Garry Marriott | ... | medic: additional photography - London unit (as Garry Marriot) |
James May | ... | production assistant: additional photography - London unit |
Suby McCarthy | ... | senior finance manager: Film4 |
Dylan Nicholson | ... | floor runner |
Shaunna O'Brien | ... | production assistant |
Linda Pedersen | ... | production coordinator: Kodak Motion Picture |
Rebecca Richardson | ... | production assistant |
David Ross | ... | archive consultant: Getty Images |
Hannah Saunders | ... | marketing & distribution manager: Film4 |
Jamie Sawdon | ... | runner: additional photography - London unit |
Vaida Scepanoviene | ... | Assistant Accountant |
Kristyna Sellnerova | ... | line producer |
Charlotte Sigsworth | ... | production runner |
Vicky Skea | ... | business affairs manager: BFI |
Isabelle Stewart | ... | Head of Acquisitions |
Kit Taylor | ... | rushes runner |
Georgie Ward | ... | floor runner: additional photography - London unit |
Thanks
Claire Louise Amias | ... | thanks: the director would like to thank |
Catherine Anderson | ... | the director would like to thank |
Julian Ansell | ... | the producers wish to thank |
Gabriella Apicella | ... | the producers wish to thank |
Suky Appleby | ... | The Director Would Like To Thank |
Megan Ashcroft | ... | the producers wish to thank |
Ross Ashcroft | ... | the producers wish to thank |
Paul Ashton | ... | the director would like to thank |
Ollie Azis | ... | the producers wish to thank |
Giz Bailey-Bond | ... | the director would like to thank |
Shabdam Bailey-Bond | ... | The Director Would Like to Thank |
Susila Bailey-Bond | ... | the director would like to thank |
Annabel Bates | ... | the director would like to thank |
Lotte Beasley Mestriner | ... | the director would like to thank (as Lotte Beasley) |
Max Bennett | ... | the director would like to thank |
Anna Bertmark | ... | the sound department would like to thank |
Ben Bicknell | ... | the director would like to thank |
Anna Bogutskaya | ... | The Director Would Like to Thank |
Todd Brown | ... | the director would like to thank |
Adrian Bull | ... | the producers wish to thank |
Aideene Burke | ... | the director would like to thank |
Rachael Castell | ... | the producers wish to thank |
Mark Chapman | ... | the director would like to thank |
Lauren Cooney | ... | the director would like to thank |
Damien Creagh | ... | The Director Would Like to Thank |
Tim Dennison | ... | the producers wish to thank |
Hamish Duff | ... | the producers wish to thank |
Giles Edwards | ... | the producers wish to thank |
Filiz-Theres Erel | ... | the producers wish to thank |
Louise Ford | ... | the director would like to thank |
Klaus Fried | ... | the sound department would like to thank |
Michelle Gadsdon | ... | the producers wish to thank |
Rose Glass | ... | The Director Would Like to Thank |
Mike Greenlees | ... | the producers wish to thank |
Meghna Gupta | ... | The Director Would Like To Thank |
Charles Hardaker | ... | the producers wish to thank |
Chris Hewitt | ... | the director would like to thank |
Sally Hewitt | ... | the director would like to thank |
Paul Hillier | ... | the producers wish to thank |
David Hyman | ... | thanks: the director would like to thank |
Fanny James | ... | the director would like to thank |
Jane Jarvis | ... | the producers wish to thank |
Stewart Jell | ... | the producers wish to thank |
William Jersey | ... | the producers wish to thank |
Gareth Jones | ... | the producers wish to thank |
Jessica Jones | ... | the director would like to thank |
Laura Jones | ... | the producers wish to thank |
Sandra Jones | ... | the producers wish to thank |
Richard Juneman | ... | the producers wish to thank |
Richard Knight | ... | the locations department would like to thank |
Sophie Levygaley | ... | the producers wish to thank |
Sophia Adella Luke | ... | The Director Would Like to Thank |
Jonathan Marks | ... | the sound department would like to thank |
Janelle Mason | ... | the producers wish to thank |
Tim Mercier | ... | the director would like to thank |
Anthony Mestriner | ... | The Director Would Like to Thank |
Marc Morris | ... | thanks: the director would like to thank |
Maria Moustaka | ... | The Director would like to thank |
Maria Moustaka | ... | the director would like to thank |
Lydia Muir | ... | the producers wish to thank |
Greg Newman | ... | the producers wish to thank |
Billy O'Brien | ... | the director would like to thank |
Claire Oakley | ... | the director would like to thank |
Samuel Parkin | ... | the producers wish to thank |
Adam Partridge | ... | the director would like to thank |
Martin Pavey | ... | the sound department would like to thank |
Michael Pearce | ... | the director would like to thank |
Darren J. Perry | ... | the director would like to thank (as Darren Perry) |
Lindsay Peters | ... | the producers wish to thank |
Alice Ramsey | ... | the producers wish to thank |
Jonathan Rigby | ... | thanks: the director would like to thank |
Craig Roberts | ... | the director would like to thank |
Rosa Romero | ... | the producers wish to thank |
Clive Shaw | ... | the director would like to thank |
Peter Strickland | ... | The Director Would Like to Thank |
J Milo Taylor | ... | the sound department would like to thank (as Milo Taylor) |
Harry ter Haar | ... | The Director Would Like to Thank |
Carol Topolski | ... | The Director Would Like to Thank |
Joanne Tyler | ... | the sound department would like to thank |
Johnny Vivash | ... | The Director Would Like to Thank |
Erica Walker | ... | the producers wish to thank |