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Directed by | |||
| Bryan Bertino | |||
Writing credits(WGA) | ||
| Bryan Bertino | (written by) | |
Produced by | |||
| Thomas J. Busch | .... | co-producer | |
| Doug Davison | .... | producer | |
| Joseph Drake | .... | executive producer | |
| Marc D. Evans | .... | executive producer | |
| Nathan Kahane | .... | producer | |
| Kelli Konop | .... | executive producer | |
| Roy Lee | .... | producer | |
| Trevor Macy | .... | executive producer | |
| Sonny Mallhi | .... | executive producer | |
Original Music by | |||
| tomandandy | |||
Cinematography by | |||
| Peter Sova | (director of photography) | ||
Film Editing by | |||
| Kevin Greutert | |||
Casting by | |||
| Lindsey Hayes Kroeger | |||
| Tracy Kilpatrick | |||
| David Rapaport | |||
Production Design by | |||
| John D. Kretschmer | |||
Art Direction by | |||
| Linwood Taylor | |||
Set Decoration by | |||
| Missy Berent | |||
Costume Design by | |||
| Susan Kaufmann | |||
Makeup Department | |||
| Coni Andress | .... | head of hair department | |
| Wendy Bell | .... | makeup department head | |
| Jennifer Santiago | .... | key hair stylist | |
| Vincent Schicchi | .... | key makeup & prosthetics | |
| Leigh Ann Yandle | .... | assistant makeup artist | |
Production Management | |||
| Thomas J. Busch | .... | unit production manager | |
| Jason Leib | .... | post-production supervisor | |
| Tom Nicoll | .... | production supervisor | |
Art Department | |||
| Jerry Adderton | .... | set dresser | |
| Gillian V. Albinski | .... | property master | |
| Daniele Auber | .... | storyboard artist | |
| Danielle Couture | .... | buyer | |
| Joshua L. Ellsworth | .... | propmaker | |
| Craig Gilmore | .... | storyboard artist | |
| Geoffrey S. Grimsman | .... | set designer | |
| Chris Holcombe | .... | key leadman | |
| Doug Kelehan | .... | set dresser | |
| Stephanie Macomber Kern | .... | scenic | |
| Kelly Rubottom | .... | assistant property master | |
| Jeffrey Schlatter | .... | construction coordinator | |
| Deanna Tilley | .... | art dayplayer | |
| Helen Williams Ward | .... | storyboard artist | |
| Luci Wilson | .... | prop assistant | |
Sound Department | |||
| Jeffree Bloomer | .... | production sound mixer | |
| Gary A. Hecker | .... | supervising foley artist | |
| Scott Hecker | .... | supervising sound editor | |
| Albert Hedgepeth | .... | second boom operator | |
| Rick Hromadka | .... | sound effects editor | |
| Marti D. Humphrey | .... | sound re-recording mixer | |
| Chris M. Jacobson | .... | sound re-recording mixer | |
| Cliff Latimer | .... | sound editor | |
| Derek Pippert | .... | foley editor | |
| Philip Rogers | .... | adr recordist | |
| Roy Seeger | .... | first assistant sound editor | |
| Brad Semenoff | .... | assistant sound re-recording mixer | |
Special Effects by | |||
| David Hill | .... | special effects supervisor | |
| Michael J. Hudson | .... | special effects technician | |
| William Purcell | .... | special effects director | |
Visual Effects by | |||
| Wilson Tang | .... | digital restoration | |
Stunts | |||
| Cal Johnson | .... | stunt coordinator | |
| Cal Johnson | .... | stunt double: Glenn Howerton | |
Camera and Electrical Department | |||
| Rick Crank | .... | lighting technician | |
| Catherine Cravens | .... | electrician | |
| Lee Donaldson | .... | grip | |
| Brian Gunter | .... | gaffer | |
| Daniel R. Haizlip | .... | best boy grip | |
| Geoff Herbert | .... | dolly grip | |
| W.C. 'Chunky' Huse | .... | key grip | |
| Tony Jenzano | .... | video assist | |
| Gary Johnson | .... | second assistant camera | |
| Brian Johnston | .... | rigging electrician | |
| Roy Knauf | .... | additional assistant camera | |
| Frank McGough | .... | dimmer board operator | |
| David Morenz | .... | first assistant camera | |
| Terry O'Deen | .... | rigging gaffer | |
| Harrison Palmer | .... | electrician | |
| Doug Robinson | .... | electrician | |
| James Selph | .... | dolly grip: "b" camera | |
| Jeff Sterner | .... | electrician | |
| Brian Sullivan | .... | camera operator | |
| John R. Sutton | .... | rigging key grip | |
| Mike Torino | .... | film loader | |
| Glenn Watson | .... | still photographer | |
Casting Department | |||
| Maxann Crotts | .... | casting: stand-ins | |
| Caitlin McKenna-Wilkinson | .... | adr voice casting | |
Costume and Wardrobe Department | |||
| Catherine A. Abreo | .... | set costumer | |
| Emmie Holmes | .... | wardrobe production assistant | |
| Laura Kaminski | .... | wardrobe production assistant | |
| Janet Melody | .... | tailor | |
Editorial Department | |||
| Tony Bacigalupi | .... | assistant editor | |
| Zack Howard | .... | post-production assistant | |
| Kim Roseborough | .... | assistant editor | |
| Akkara Srauy | .... | post-production assistant | |
| Everette Webber | .... | digital intermediate editor (uncredited) | |
Music Department | |||
| Michael Brake | .... | music editor | |
| Peter Fuchs | .... | music scoring engineer | |
| Maarten Hofmeijer | .... | music editor | |
| Season Kent | .... | music supervisor | |
| Dwight Mikkelsen | .... | orchestrator | |
| Sheri Ozeki | .... | music editor | |
| Jamie Steele | .... | assistant to composers | |
| Jamie Steele | .... | score mixer | |
Transportation Department | |||
| Christie Chaplin | .... | driver | |
| Lee Siler | .... | transportation coordinator | |
| Scott Siler | .... | transportation captain | |
Other crew | |||
| Pamela Alessandrelli | .... | assistant production coordinator | |
| Kimberly Bishop | .... | assistant location manager | |
| Susan J. Bonno-Buckner | .... | first assistant accountant | |
| Jen Brett | .... | production assistant | |
| Jennifer D. Corley | .... | production assistant | |
| Betsy Custer | .... | production executive | |
| Genevieve Darr | .... | production assistant | |
| Ashleigh Falls | .... | set production assistant | |
| Randy Gardner | .... | production assistant | |
| Pam Holdridge | .... | production coordinator | |
| Renee Kitterman | .... | second assistant accountant | |
| Robert Labrecque | .... | production accountant | |
| Karen Love | .... | Ms. Tyler's chef | |
| Brandon Lyles | .... | accounting clerk | |
| Jack Munn | .... | key medic | |
| Oak Porcelli | .... | stand-in | |
| Steve Rhea | .... | location manager | |
| Kho Wong | .... | assistant: Mr Mallhi | |
| Tracey Zemitis | .... | unit publicist | |
Thanks | |||
| Elizabeth Rowin | .... | thanks | |
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We all know the plot: young couple, isolated vacation home, people in masks. Yet from the start of 'The Strangers' it's clear that this film is a different. In today's bloodthirsty society, horror films are often reduced to nothing more than gore-filled gross-out fests. While many young teens may rejoice at such films, many of us still long for original, suspenseful, and, yes, terrifying horror movies. 'The Strangers' came so close.
There is plenty here to recommend: Director Bryan Bertino shows himself to be a patient and smart director. Rather than going for just cheap thrills, he wisely builds tension up to near-breaking point. The feeling of suspense and dread that covers the whole film is classic. Both Liv Tyler and Scott Speedman do well in their leading roles, and the strangers themselves are things of pure terror... yet that's where the film loses some of its commendation. The strangers at times seem that they can't possibly be human because they are made to be almost supernatural in their abilities. They appear and disappear seemingly at will and instantly- a power the young couple probably wished they had but don't because they are, after all, HUMANS. It's a simple mistake used to give the audience one of those cheap thrills that were otherwise so wisely avoided. What makes it sad is that in every other aspect, 'The Strangers' is chillingly realistic and terrifyingly possible. Every time those strangers come and go like ghosts of some kind, it makes the audience sit back once more and say, 'Ah, well, it's just a movie." That's too bad.
Still, 'The Strangers' is much better than your average horror fare. It's at last a new movie that realizes what you don't show can be even more scary than what you do. Still, one hopes that Mr. Bertino can touch up the mistakes from this film and , and deliver a really great horror movie next time around. 7/10 stars! Jay Addison