User Reviews

Shooting Nick stands alone as an example of what independent film making should look and feel like. It quickly deals with the obvious issue of being shot on videotape and needs no explanation for it's jittery look. The story provides the context for the aesthetics. Genius.

The editing is fast paced and clever. The shot setups are unique and feel natural. The organic feel of the actors was what was most impressive. Yost has the style and ability to let the dialog and action flow within the stream of consciousness. This lent the credibility and reality that most indy films lack these days. Most try too hard to do what Yost made look easy.

The writing, if there was any, was simply amazing. The scenes were discussed before they were shot or they only had a predetermined outcome. That is a BOLD and brilliant move that worked perfectly. It is an unpredictable mix of a drama, action anda laugh-out-loud comedy.

The actors along with the locations were without a doubt Yost's greatest accomplishment. Robert Blanche's (Nick) brooding sense of humor and Sarah Rosenburg's (Tess) style, wit and grace combine for some intense on screen chemistry. The emotion and romance are gritty and potent. The intimate moments they share feel real and heart felt. Their spontaneity and respect for the moment is what real romance is all about. Life and love on the verge of insanity. The balance between what is right and what is wrong and never the twain shall meet.

Intending to shoot a documentary about American life, middle-aged loser Dan (director Daniel Yost) is instantly kidnapped by a manic couple (Robert Blanche & Sarah Rosenberg) who demand that he documents their trip to the beach on video. Understandably terrified, Dan accepts their instruction and before long is in the back seat filming their every action, the footage of which constructs the film itself.

Subjected to such humiliating yet side-splitting taunts as introducing his new found friends to his elderly mother (whom he lives with), he remains loyal to his captors; even to the extent of lying to the police. Though firmly sidelined for any drinking and wrongdoing, Dan gradually becomes an essential mediator between the frequently turbulent couple.

While remaining behind the camera for most of the journey, his presence is always prevalent within the scene, eventually blurring the line between victim and friend.

What begins a chaotic comedy progresses into a fascinating character study, where the initially anarchistic and hostile kidnappers are explored to reveal a greater depth. Their frank conversations offer a vibrant social commentary on America, demonstrating two intelligent fun loving people who have become disillusioned with today's society. Shooting Nick plays out like a fascinating holiday home video, only its content far exceeds its form. It is witty, raw, hilarious and often genuinely touching. With a sharp script and a thoroughly independent spirit, it's a must-see.