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Inept porn shot on film by a home-movie no-talent
lor_11 March 2024
Carlos Tobalina had his own film studio (and theaters) but zero filmmaking ability, evidenced by this throwback junker shot during the Porno Chic era. The bad jokes and mechanical sex (often with girls who look like "real women" rather than porn actresses of the '70s) belong to the earliest porn rather than 1979 level.

Crew member Fernando Fortes is thrust into the lead role and can't act. One feels a bit embarrassed for him as director Carlos Tobalina exploits his non-actor status -it's hard to watch. Tobalina, using his fake name Troy Benny as director, also spirnkles in several famous porn actors in bit parts -reading their names in the credits is quite misleading.

Lots of guerrilla filmmaking (silent shoots on location in public) makes it seem like a real film, but the inept diretor can't fool anyone. The finale of the story and fake-ending are both embarrassing.
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8/10
Amiably inane porn comedy romp
Woodyanders26 February 2015
Warning: Spoilers
Bumbling, desperate, and libidinous foreign exchange student Fernando (nicely played to the uproariously awkward hilt by Fernando Fortes) isn't having any luck with the ladies until his best friend Dave (likable Blair Harris) hooks him up with a used book on how to seduce women through using hypnotism. Director Carlos Tobalina, working from a blithely lowbrow script by Tom Anderson, maintains an engaging lighthearted tone throughout, occasionally uses artificially sped-up film for maximum zany effect, milks plenty of belly laughs from the amusing sense of cheerfully crude humor, and delivers a few tasty sexual set pieces that includes a wedding reception which degenerates into a lively orgy. Buxom blonde Connie Peterson totally sizzles as a ditsy pizza delivery girl who gets tag teamed by our two protagonists. Fortunately, this film is way too silly for the potentially distasteful premise to ever become remotely offensive. The funky-grinding score hits the get-down groovy spot. The bright cinematography by J. Paul Ford and William Larson provides a pleasing sunny look. The send-up of "Carrie" at the very end is simply priceless. A real dippy riot.
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