"Thriller" I'm the Girl He Wants to Kill (TV Episode 1974) Poster

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8/10
Why Wasn't This Produced As A Movie ?
Theo Robertson12 September 2013
Warning: Spoilers
Ann Rogers arrives home and on the stairway passes a man on the communal stairway . When she arrives at the front door of her flat she sees a young womans body sprawled next door . The next day on her way to work she passes a jewllers and glancing through the window she recognises the man inside as the man she saw in the stairwell . He too regognises her and gives chase

Along with A Coffin For The Bride this is the best regarded episode of the THRILLER series but in my opinion it's much more outstanding and shows what can be done with a very small budget in creating terror . It says a lot about British television in the 1970s when someone comes up with disposable television and yet it contains much more thrills than you'd see in a hundred Hollywood horror movies in the 21st century . I vaguely remember this episode when it was repeated in the early 1980s but even then I didn't appreciate how well everything was done until seeing it again today . The simple premise of a woman being alone and stalked in a large office building might sound little more than efficient on paper but the way it plays out on screen and is developed is absolutely startling . Much of this is down to the casting of Robert Land as the enigmatic murder called simply The Man who gives the audience an air of spine chilling creepiness just by looking at him

Some things don't work all together successfully . Like so many other British anthology series the lead character Ann Rogers just happens to be American which screams " Please broadcast this show on American television " and lets not forget that the this was broadcast in America complete with specially shot title sequences which also accounts for the rather uncommon running time of 74 minutes which means episodes aren't quite padded but neither were they as streamlined as they could have been so you've got a slightly halfway house . There's also perhaps a feeling the ending should have been ambiguous where the audience can decide for themselves if Ann has died or survived but never the less this a very tense suspense laden thriller that probably deserved to have been a cinema production
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8/10
Perfect setting for an absorbing and thrilling episode
palhud4 June 2023
Warning: Spoilers
I've watched series 1 and 2 of Thriller to date and I'm presently working my way through series 3. For me this episode has been far and away the most tense to date. The story, towards the end, revolves around a potential female witness to a murder, where the murderers only opportunity of preventing her talking to the police is to take her life, whilst she works alone as a secretary, late at night, in a multi storey office.

A suspenseful game of cat and mouse ensues where the secretary has to live on her wits and desperately try to evade the cold blooded killer and get help. The story is not without its flaws, but you can put that to one side as the tension is palpable throughout and you will find yourself on edge as this gripping episode of Thriller moves towards its conclusion. Recommended.
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7/10
High crime and misdemeanour
Lejink27 September 2018
One of the best entries in the excellent "Thriller" anthology shown on the UK ITV channel in the mid 1970's, the "Snakes On a Plane"-type obvious title tells you pretty much what to expect. Written by show-runner and main contributor Brian Clemens, this is a gripping, atmospheric story of a young female American P.A given to working late hours high up in her employer's office block building, who finds herself the quarry of a relentless knife-wielding killer at her deserted place of work.

When she becomes the only witness to a serial killer after he's slain a young girl in a neighbouring flat, she at first takes courage from the romance she starts with the lead detective on the case, played by Tony Selby, more so when he later tells her they've got a man in custody answering the murderer's description. Unfortunately he's the wrong guy and when the real killer trails her to her place of employment, he learns she's working the late shift and apart from the security man on reception duty, will be the only person in the building, giving him the opportunity to silence her for good, once he's taken care of the hapless guard and locked the exit to the building.

A game of hide and seek up, down and round about the tower block then ensues, cat and mouse style with many tense near-miss moments for the poor girl as the plimsoll wearing stalker hunts her down.

A fine exercise in suspense, for the second half there's almost no dialogue and indeed an almost silent soundtrack as the tension is ratcheted up to the nai!biting conclusion.

Robert Lang is very good with almost no dialogue to speak, conveying menace through his staring, piggy eyes. Julia Summars also does well as the girl on the run but most credit must go to writer Clemens and director Shaun O'Riordan for doing more with less and proving you don't need continuous conversation or all-pervading background music to create an effective chiller.
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10/10
Unbelievably gripping
Sleepin_Dragon15 May 2018
Another highlight from the fantastic Thriller series. I'm the Girl he wants to kill follows on from arguably the best episode of the lot, A Coffin for the bride, but this one follows in some style. There is always something particularly nasty about a murderer who's seemingly motiveless, worse still is one who's cunning, perpetually dogged, and totally dead behind the eyes. Huge credit to Robert Lang for portraying The Man the way he did, utterly nasty, a superb performance. Credit also to Julie Sommars, who was terrific, Tony Selby pretty good here, although his character wasn't the brightest of Detectives.

Great use of music, great atmosphere, that building had a massive sense of claustrophobia, great tension. Some great lift action too, plenty of twists. What's not to love. Highlight of the episode had to be the terror on Ann's face when The Man appears from the shadows, 45 years after it was made it gave me goosebumps.

In some ways it reminded me of File it under Fear, an episode I personally loved, but one that had mixed reviews. This was similar but ultimately better.

Fantastic, one of the best. 10/10
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9/10
Amazingly tense
analoguebubblebath29 August 2005
From Thriller's third and strongest series comes a memorable and gripping tale wonderfully known as 'I'm The Girl He Wants To Kill'.

Julie Sommars plays the part of Ann Rogers with just the right mix of feminine helplessness and dogged determination. Robert Lang, simply credited as The Man, is a calculating murderer whom Ann has had the misfortune to meet emerging from her flat building following the killing of one of her neighbours. From that moment on she is in danger....

When her new found boyfriend, Detective Mark (played by Tony Shelby)subsequently assures her that the have found the culprit, she feels that the ordeal is finally over. However as she remains behind in her workplace to catch up on a backlog she soon discovers that the nightmare is only beginning and becomes involved in an unbearably tense game of cat and mouse - revolving around two elevators - which breathlessly leads to a most dramatic climax.

'I'm The Girl He Wants To Kill' is one of Thriller's finest stories and a true credit to the series. Thirty years have not diminished its power and it remains a truly enthralling piece of film-making.
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10/10
If you enjoy Alfred Hitchcock suspense, then look no further!
CollaborativeFilmworks26 February 2021
"I'm the Girl He Wants to Kill" is my personal favorite episode of Brian Clemens' anthology series, "Thriller". Headlining the superb cast for this British produced teleplay was Julie Sommars, who plays Ann Rogers, an American secretary working in England. On her way to her flat one evening after work, Ann discovers her neighbor's dead body (and unknowingly sees the killer as he left her apartment building). Months later, while window shopping at a jewelry store, Ann notices that the jeweler on the other side of the window (played by Robert Lang, in one of the creepiest portrayals of a "silent" killer, I've ever seen) is the same man she witnessed leaving her apartment building the night she found her neighbor had been murdered. What ensues over the next 50 minutes is one of the most suspenseful, cat and mouse chases ever made for television (or the theater for that matter).

Today's younger viewing audience may not have the patience to sit through the buildup of suspense that this episode creates, but please understand the times when this show was created. Back then there were no cell phones for people to call for help, if there was a killer chasing them. Back then there were security doors that would be set to close at a certain hour, and if you were trapped inside the building, without access to a landline telephone, you were stuck there until the next day (if it was a weekend, you'd have to wait until Monday morning...or whenever someone showed up to set you free). Add in the fact that this show took place in England, where no one (including the police) was allowed to own or carry a gun, and you have a recipe for a terrifying "Thriller". It was a different world, in a time when people were more vulnerable, and when technology to help us, wasn't as abundant as it is today.

Great direction, camerawork, editing, a tense-filled musical score by Laurie Johnson (which kept me on the edge of my seat!) and top notch performances by all the actors involved, make "I'm the Girl He Wants to Kill" one of the best entries in the entire "Thriller" series. Truly an excellent, suspenseful piece of entertainment, brought to us by one of the greatest writers of his time, Mr. Brian Clemens!

A TV gem. 10 stars!
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British suspense story beats the tar out of anything Hollywood has done!
rixrex24 November 2006
Every once in a while, I get a chance to view an unheralded, unknown film story that reinvigorates my film viewing habit. Too often, the hyped-up Hollywood "most suspenseful film of the year" stuff is the least suspenseful already-been-done tripe that a studio committee could muster. But it's covered with big-name stars, grandiose special effects, head-hammering incessant soundtrack, to make you forget you've seen it before. This small-budget British feature that I found for $2 at the local thrift store, done as part of the Thriller TV series, is the opposite. Superb acting by relative unknowns, soundtrack that is outstandingly subtle and effective, and not in the way. But the best part of this is the sheer terror of the lone girl locked in the high-rise office with the killer after her, all done in tremendously suspenseful fashion. You will see that somebody, whoever it may be, in this production certainly knew how to create tension in much the same manner as the great Alfred Hitchcock when he was making his series of British suspense dramas before coming to the US. I would have given this a 10 but for a couple of clumsy moments that will not stop you from enjoying this immensely, especially if you are a fan of vintage Hitchcock.
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5/10
Everyone is a moron
galaescobar9 February 2019
There was a decent amount of tension in this episode, but I couldn't get past how unbelievably stupid the three main characters were. The whole time I should have been thinking, "Will she get away?" Instead, I thought she's an idiot, he's the most incompetent cop in history, he could have killed her a dozen times over. It completely took me out of the story.
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9/10
First-class one-villain thriller
ingemar-44 July 2013
This was a masterful gem that had escaped me until now. I have a rule of thumb: The fewer villains, the better the story. Why? Because fewer villains means less pointless high body count shootouts, and you must replace it with something else, which tends to be something better. One such example is the first Dirty Harry movie. This is certainly another one.

Much of the movie's quality and believability is carried by the heroine (Julie Sommars) who reacts perfectly to the claustrophobic situation. The villain (Robert Lang) hardly ever speaks in the whole movie, but that only makes him more spooky.

As a bonus, the first victim (Trisha Hocker?) is extraordinary beautiful, and makes a great performance in the few seconds she gets, transitioning from happy to worried to scared just right. A beautiful death scene, with the only flaw that she couldn't hit the head as hard to the stairs as a dying woman is likely to do. A perfect teaser!

Another high was the elevator mind games, where the two try to outwit each other by guessing what the other is doing.

This is great work for a TV show, done by people who knows suspense better than many modern movie makers.
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2/10
Not everyone is a m____ but...
Wirefan1225 June 2019
Warning: Spoilers
Typical boring Thriller episode as we watch a psycho chase around his hapless victim. The incompetent police grab the wrong man and decide to get the only eye-witness to wait a day (and the arresting officer is the eye-witnesses' boyfriend!). Then we get to witness the killer chase the intended victim around an office building until the end. Tense, gripping???? Not in my opinion. I wouldn't call other reviewers names as that is just plain childish and somewhat angry. If you don't like the episode then just say so. No more needed.
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10/10
Sheer Suspense!!!
kidboots14 March 2011
Warning: Spoilers
Along with "File It Under Fear", this was a "Thriller" episode I found so frightening - I couldn't recall the title, I just remembered the eerie, deserted offices. When "Thriller" was first created, it was made with the American market in mind, so in every other episode, an American "star" of the day pops up - it worked well and they always blended into the sheer Englishness of the series.

So you had American actress, Julie Sommars as Ann and she is terrific - resourceful but human as well. The episode begins with the murder of a party girl, then when the killer strikes again, office worker Ann comes face to face with a "bloke behaving oddly" when she is entering her block of flats. Initially she doesn't see the dead girl lying there in the open door (again the build up of suspense as viewers wonder what her reaction will be)!!! but when she does, she immediately calls the police. Months go by, Ann is now going out with the policeman who first handled the case, but while casually looking in a jeweler's window she sees "the man" again and the chase is literally on. The last half of the episode is set in an office block after hours - Ann's fears have been allayed after boyfriend Mark has convinced her that they have already charged "the man" with murder. Of course they haven't got the right man and now the real "man" is free to roam the empty office block stalking his unsuspecting prey.

Along with the sheer suspense is the claustrophobic atmosphere of a 1970s office, built before open plans and glass partitions, with dimly lit corridors, dark wooden walls and inappropriately placed indoor plants and filing cabinets. Ann seems to be almost one jump ahead (almost) of him and she uses lifts, stairs and an office switchboard to keep him confused. There were a couple of so-so moments - why wasn't Ann asked to identify the suspect immediately and not wait until the next day and why oh why did she "want to be alone" at the episodes end. I thought surely this is would be a time she would want to be comforted but the scriptwriters knew what they were doing.

Robert Lang, who played "the man" seemed right at home as the creepy psychotic and he did have a prolific TV career but strangely he seemed more at home playing Lords ("Four Weddings and a Funeral", "Under the Hammer") and Captains ("The Darling Buds of May") - he also played Swithin in the latest "Forsythe Saga". Anthony Steel, who played Ann's "playboy" boss had been a British matinée idol of the 40s and 50s - it was nice to see he hadn't lost his looks - or his hair!!

Highly, Highly Recommended.
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Unbearably tense slice of horror with excellent leadperformances.
simon-11830 August 1999
This is in fact not a film but an episode of the British television series Thriller from 1974 penned by the prolific Brian Clemens. Unfortunately it has had awful new American titles tacked on to the beginning which were clearly made several years later showing a murder taking place which then contradicts the body count mentioned by the policeman later on! But that aside, this is minor masterpiece. The plot is as miniscule as that of Halloween, the theme has been done to death in dreadful American tv movies, ie young secretary menaced by psychopath, but what really lifts this above similar yarns is its amazing sense of claustrophobia and highly strung performances. Julie Sommars does an admirable job of acting scared out of her wits, whilst Robert Lang is simply stunning as the silent killer who conveys the whole performance through movement and bizarre facial expressions. Clemens was clearly interested in breaking cliches; in a previous and less successful Thriller segment he replaced the old haunted house story with one about a haunted Rolls Royce; here he makes a modern office block after everyone has gone home into a chilling maze of danger and isolation, a "glass cage" as one character describes it. The situation is never stretched too far, the heroine is resourceful without seeming superhuman and the suspense reaches truly unbearable levels, particularly in one petrifying moment of fright near the end that takes one totally unawares, rather like a similar scene in "Wait Until Dark". As a viewer commented in the TVTimes after transmission, "this was bidding for some kind of award. I can't remember any other programme where I was too afraid even to light a cigarette for fear of missing a second of the non-stop action". There's also a superb scene early on when Ann returns home and first encounters the killer; they exchange glances as he walks past her and she feels uneasy. She then goes up the stairs and we see behind her his victim lying on the ground. Great stuff!
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10/10
"Excellent movie. Gripping from start to finish!"
Emmjewels5 May 2005
One of the 'best' made for television movies that I've ever seen. Thrilling, keeps you on the edge of your seat from start to finish. The chase scenes make you feel as if you're right there with the victim, trying to escape this murdering thug. I was so very impressed by this movie, that I've often wondered why it hasn't been repeated on television, in quite a while? Would be nice for a CBS or perhaps NBC late night movie feature. Perhaps cable television could present it sometimes. I really got a kick out of the way that the English bobby handled the whole matter. Very professional if I say so myself. I was glued to my seat the whole time that I watched this movie, and was so taken by it, that I didn't miss even one second of it. That's just how good it was to me. Maybe now that the VHS is out, how about a DVD?
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9/10
She's the girl that wants to live
sherondalewis-205316 March 2023
Warning: Spoilers
Once again, Thriller comes out with another great episode, this one right after another great episode. Seems like back to back great episodes. Robert Lang and Julie Sommars play the man that wants to kill and Ann Rodgers, the woman he wants to kill, after realizing that she saw him coming out of her flat where he just finished murdering a young lady. She knows he has done it..and HE knows this. So, he is trying to silence her one way or the other.

This was a nail bitter of an episode. Because he knows he has been seen, he needs to track her down, and, whilst working on some unfinished business in an office building, unbeknownst to her, the killer comes and kills a guard. When she is ready to leave, and see that the doors are locked, she horrified to find out that Tony the guard is dead. Trying to go back up to the 12th floor, she sees the blood near the elevators...and decides to take the stairs. He sees that no one is there...until he sees her purse. Now he KNOWS she is trapped and it is a game of cat and mouse. Will he catch her? Will she outsmart him? Does the police know where she's at?

The last 10 minutes are really intense to this thriller and you wonder how will they catch him. Now, I understand a couple of people didn't like this episode because the cops took their time, the killer could have not run after her, stayed put and just killed her or, better yet, got the hell out of town, and Ann could have broken the glass doors to get out of there..but, seriously, when you are in this type of situation, sometimes all logic goes out the window. And common sense. Point is, with that being said, this was still a great episode after the previous great episode, A Coffin for the Bride.
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Tense
ivegonemod4 January 2013
Warning: Spoilers
One of the best ones. I'm on season 3 now. This one is so tense I held my breath the entire time. I couldn't stand to even look at the killer, I was hoping he would drop dead of a heart attack; sounded like he would.

I'm still trying to figure out how killer was able to catch up with her after she spotted him in the jewelry shop window. She had way too much of a lead and she even turned a corner and ran across a street. Impossible that he could have even come close.

She should have just locked herself in the elevator, but they hardly ever do that. In the movie P2, I think the female did, but the killer knew the building and tortured her out, maybe in a few other films this happened.

Anyhow, very entertaining. Maybe next time she sees a killer, she won't be so obvious that she's the one.
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Mind-numbing thriller--never watch it alone.
negevoli-4415 June 2000
I don't remember this made-for-TV movie in detail except that it takes place at night in a deserted office building -- I'm pretty sure from the description in the above review that this is the same movie. I didn't realize it had British origins and that explains why it is so excellent. I am thrilled to be able to purchase a copy. I never forgot it but couldn't remember its name or who was in it and assumed I'd never see it again, but then I discovered this Web site and was able to find it. Ta dah! I found it by keying in Andy Griffith because although I couldn't remember the name of his detective show, I knew the actress in this movie had a featured role on it. I found it was named "Matlock," so I clicked on the TV show and when I saw Julie Sommers name, I remember it was she who starred in it. Then I clicked on her name and was able to find the movie. I can't believe Amazon is selling it -- it's so out of character for them...I remember being as tense watching this flick as I have ever been. It is so scary and creepy and, my favorite word, riviting. Sommers could not be better and I doubt even the great Streep could have done a more convincing job. If this doesn't scare the wits out of you, you're not human.
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So surprising for this kind of show
searchanddestroy-125 January 2014
Warning: Spoilers
First, do not misunderstand me. I do not mean that this fantastic TV series - THRILLER made in UK - is usually not Worth watching or boring in any way. No. This show is really powerful in term of suspense and terror, atmospheric stories with unforgettable scenes. I don't talk about the characters and other actor's play, that are also above the usual stuff you may expect in this kind of production.

No, what I mean is this episode written, like all the other ones, by the great Brian Clemens, looks like an US story telling. No matter here about an old mansion, or in the country side, as we often see in UK movies - and also in US ones. But very few UK suspense tales take place in modern buildings. Brian Clemens, one more time surprised me, in a terrific way. It doesn't look like a British piece of work, but American instead. That's all I wanted to point out.

For the rest, I agree with all the users said about this little gem.
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