Like with any long-running slasher movie franchise, every horror fan has a favorite Nightmare on Elm Street sequel when asked. The most popular response is Dream Warriors, which, based on anecdotal evidence, many fans prefer even to the first film. Some like its follow-up, the Renny Harlin-directed The Dream Master, best. Very rarely, if ever, do Nightmare fans name the fifth installment, 1989’s The Dream Child, as their favorite. It’s the unloved orphan of the franchise, lacking even the novelty of Freddy’s Dead with its 3-D climax and the fact that it’s designed to end the series for good (even if Wes Craven’s New Nightmare would render said closure impotent just a few years later). For many, The Dream Child represents the franchise overstaying its welcome for one film too many before wrapping up. And, yes, the movie has its share of problems both in...
- 8/23/2017
- by Patrick Bromley
- DailyDead
Three years ago, Julian Gilbey released A Lonely Place To Die, a hybrid of the Most Dangerous Game and Cliffhanger – and a highly inventive, action packed thriller chock full of and suspense. To create this truly relentless action film/gripping crime thriller, director Julian Gilbey spent years practicing to become an avid and experienced climber, in order shoot the film from impossible positions, situated in and around the Scottish mountainsides. Gilbey and cinematographer Ali Adas avoid CG and instead relied on their actors and stunt crew to do provide the thrills. Every frame of this film is in service of keeping the audience at the edge of their seats with it’s breathless nonstop pacing.
Plastic is the latest offering from Gilbey, and follows the fortunes of the young group of students who fall foul to a sadistic crime boss. They are given two weeks to raise £2 million – otherwise they must face the consequences.
Plastic is the latest offering from Gilbey, and follows the fortunes of the young group of students who fall foul to a sadistic crime boss. They are given two weeks to raise £2 million – otherwise they must face the consequences.
- 9/9/2014
- by Ricky
- SoundOnSight
Submit your vote for Reviewer of the Year!
Every year, the Classic Horror Film Board recognizes the best in the horror/sci-fi/fantasy realm with the Rondo Hatton Classic Horror Awards. Fans of the genre can vote for their favorites in over thirty categories, and this year, Cinelinx would like to ask you to vote for one of our own, staff writer Victor Medina, as Reviewer of the Year (Category 29)! We've even included the ballot below so you can vote!
Votes must be submitted by copying and pasting the ballot into your personal email, making your choices, including your name, and sending it in. Votes for Reviewer of the Year are write-in only, so you must be sure to include Vic's name yourself under Category 29 when you vote. Pre-filled ballots are not allowed, so we can't do it for you! Remember, you must write in "Victor Medina, Cinelinx.com" yourself.
Every year, the Classic Horror Film Board recognizes the best in the horror/sci-fi/fantasy realm with the Rondo Hatton Classic Horror Awards. Fans of the genre can vote for their favorites in over thirty categories, and this year, Cinelinx would like to ask you to vote for one of our own, staff writer Victor Medina, as Reviewer of the Year (Category 29)! We've even included the ballot below so you can vote!
Votes must be submitted by copying and pasting the ballot into your personal email, making your choices, including your name, and sending it in. Votes for Reviewer of the Year are write-in only, so you must be sure to include Vic's name yourself under Category 29 when you vote. Pre-filled ballots are not allowed, so we can't do it for you! Remember, you must write in "Victor Medina, Cinelinx.com" yourself.
- 2/26/2013
- by feeds@cinelinx.com (Jordan Maison)
- Cinelinx
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