Directed by
Marc Rocco | ... | (directed by) |
Writing Credits (WGA)
Daniel Jay Franklin | ... | (story) |
Daniel Jay Franklin | ... | (screenplay) and |
Marc Rocco | ... | (screenplay) & |
Danny Eisenberg | ... | (screenplay) (as D.E. Eisenberg) |
Cast (in credits order) verified as complete
Corey Feldman | ... | Bobby Keller | |
Corey Haim | ... | Dinger | |
Jason Robards | ... | Coleman Ettinger | |
Piper Laurie | ... | Gena Ettinger | |
Harry Dean Stanton | ... | Ike Baker | |
Meredith Salenger | ... | Lainie Diamond | |
William McNamara | ... | Joel | |
Ria Pavia | ... | Maureen | |
Lala Sloatman | ... | Shelley (as Lala) | |
Laura Lee Norton | ... | Marge | |
John Ward | ... | Derek | |
Matt Adler | ... | Dumas | |
Josh Evans | ... | Low Life #1 | |
Jody Smith | ... | Low Life #2 | |
Kent Faulcon | ... | Low Life #3 | |
Alex Rocco | ... | Gus Keller | |
Victoria Jackson | ... | Kit Keller | |
Russell Livingstone | ... | Neighbor Next Door | |
Mickey Thomas | ... | Mr. Pattison | |
Fran Taylor | ... | Sheila Baker | |
Susan Blakely | ... | Cherry Diamond | |
Jon Grissom | ... | P.E. Coach (as John Grissom) | |
John Ford Coley | ... | Ron |
Produced by
Steven I. Celniker | ... | associate producer |
Danny Eisenberg | ... | producer (as D.E. Eisenberg) (produced by) |
Lawrence Kasanoff | ... | executive producer |
Russell Livingstone | ... | associate producer |
Robert G. Magaudda | ... | line producer |
Marc Rocco | ... | producer (produced by) |
Ellen Steloff | ... | executive producer |
Music by
John William Dexter | ... | (original score by) |
Cinematography by
King Baggot | ... | director of photography |
Editing by
Russell Livingstone | ... | (edited by) |
Casting By
Jane Feinberg | ||
Mike Fenton |
Production Design by
Matthew C. Jacobs | ... | (production designed by) |
Art Direction by
Melody Levy |
Costume Design by
Kristine Brown |
Makeup Department
Marie-Gabrielle Clark | ... | makeup artist |
Michelle Johnson | ... | hair stylist |
Production Management
Vincent Agostino | ... | unit manager (as Vinnie Agostino) |
Second Unit Director or Assistant Director
Patrick Leyba | ... | first assistant director |
James P. Liacouras | ... | second assistant director |
Russell Livingstone | ... | second unit director |
Art Department
Mark Barofsky | ... | property master |
Kim Barofsky-Thorpe | ... | set dresser (as Kim Barofsky) |
Peter Battistelli | ... | construction coordinator |
Carmen Herman | ... | assistant property master |
Randall Milazzo | ... | lead man |
Jahmon Reed | ... | swing gang |
John Teitloff | ... | assistant property master |
Sound Department
David W. Alstadter | ... | foley mixer |
Barney Cabral | ... | adr editor / supervising sound editor |
Kelly Cabral | ... | assistant sound editor |
Patrick Cabral | ... | foley artist |
Clayton Collins | ... | foley artist |
Robert W. Glass Jr. | ... | re-recording mixer |
Mark Hollingsworth | ... | sound editor |
Elizabeth Kenton | ... | assistant sound editor |
Leonard Marcel | ... | additional dream sound effects |
Robert Thirlwell | ... | re-recording mixer |
Blake Wilcox | ... | production sound mixer |
Chris Wilcox | ... | boom operator |
Asher Yates | ... | sound editor |
Tim Chilton | ... | foley artist (uncredited) |
Stunts
John Cade | ... | stunt coordinator |
Diane Dalmonte | ... | stunts |
James Wiggins | ... | stunts |
Camera and Electrical Department
Danny Buck | ... | gaffer |
Phillip V. Caruso | ... | still photographer |
Joe D'Alessandro | ... | second assistant camera |
John Findlater | ... | still photographer |
Roy-Lee Gittens | ... | electrician |
Tony Hardmon | ... | assistant camera |
Chas Hinton | ... | best boy |
Kyle T. MacDowell | ... | electrician |
Russell McElhatton | ... | director of photography: second unit / first assistant camera (as Russ McElhatton) |
Anastas N. Michos | ... | camera operator / steadicam operator |
George Palmer | ... | key grip |
Riko Schatke | ... | grip |
Gregory W. Smith | ... | second assistant camera (as Gregory Smith) |
Steve Spier | ... | electrician |
David W. Strong | ... | best boy lighting/genny operator / best boy |
Rich Sutherland | ... | best boy grip (as Rick Sutherland) |
Dog Thomas | ... | dolly grip (as 'Dog' Thomas) |
Durk Tyndall | ... | grip |
Troy Upster | ... | electrician |
Oliver Whipple III | ... | grip |
Tim Woods | ... | electrician (as Timothy Woods) |
Casting Department
Craig Fincannon | ... | extras casting / local casting |
Mark Fincannon | ... | local casting |
Costume and Wardrobe Department
Ron Gross | ... | wardrobe assistant (as Ronald Gross) |
Christina Svoboda | ... | wardrobe supervisor |
Editorial Department
Anthony J. Ciccolini III | ... | post-production consultant |
Syd Cole | ... | negative cutter |
Jimbob | ... | color timer |
Stine Kjar | ... | additional assistant editor |
Ken Schretzmann | ... | assistant editor |
Location Management
Stephanie Adams | ... | assistant location manager |
Sheila Allen | ... | location manager |
Shaw Burney | ... | assistant location manager |
Music Department
Derek Alpert | ... | music supervisor |
Martin J. Bram | ... | music editor |
John William Dexter | ... | soundtrack producer |
Elliot Groffman | ... | music counsel (as Elliot J. Groffman) |
Marc Rocco | ... | supervising soundtrack producer |
Script and Continuity Department
Merry Lowry-Donner | ... | script supervisor (as Merry Lowry) |
Transportation Department
Mike Burton | ... | driver |
Michael Foster | ... | driver |
Vernon W. Harrell | ... | driver |
Neil Hyman | ... | transportation captain |
A. Welch Lambeth | ... | transportation coordinator |
Walter Lambeth | ... | driver |
Steve Malliard | ... | driver |
John Moore | ... | driver |
Bill Pitts | ... | driver |
Tom Rainey | ... | driver |
Lee Siler | ... | driver |
Greg Stancil | ... | driver |
Additional Crew
Kathie Broyles | ... | title designer |
Kathryn Chalk | ... | production secretary |
Kathryn Colbert | ... | production coordinator |
Betty Conway | ... | production banking |
Anne Damato | ... | production associate (as Anne D'Amato) |
Phil Dupont | ... | production assistant (as Philippe DuPont) |
Sidney Eisenberg | ... | accounting assistant |
Corey Feldman | ... | choreographer |
Tony Fields | ... | choreographer |
John Grissom | ... | production assistant |
George Hesse | ... | production assistant |
Jill Johnston | ... | assistant coordinator |
James P. Liacouras | ... | production associate |
Robert G. Magaudda | ... | production accountant |
Dan Mandiher | ... | production assistant |
Ethan Marten | ... | production assistant |
Robert Mintz | ... | completion guarantor |
Erin L. O'Donnell | ... | production assistant (as Erin O'Donnell) |
Steve Readmond | ... | production accountant |
Barbara Rubin | ... | studio teacher |
Julie Smith | ... | assistant: Mr. Rocco |
Lorri F. Sumner | ... | production assistant |
Shelley Surpin | ... | production counsel |
Razor Tongue | ... | production assistant |
Cyndie Williams Young | ... | production assistant (as Cindie Williams) |
Adam Lee Freeman | ... | production assistant (uncredited) |
Thanks
Christopher Black | ... | very special thanks |
Byron Buckley Jr. | ... | acknowledgement of the special effects of |
Cameron Dye | ... | acknowledgement of the special effects of |
Chip Garamella | ... | acknowledgement of the special effects of |
Gail Gordon | ... | acknowledgement of the special effects of |
Judy Haim | ... | acknowledgement of the special effects of |
June Horton | ... | acknowledgement of the special effects of |
Jimmy Ienner | ... | special thanks |
Bruce Kaufman | ... | acknowledgement of the special effects of |
Jeff Krask | ... | acknowledgement of the special effects of |
Julie Lorensh | ... | acknowledgement of the special effects of |
Kim Millimaki | ... | acknowledgement of the special effects of |
Jim Morrison | ... | acknowledgement of the special effects of |
Adam Platnick | ... | very special thanks |
Jennifer Rocco | ... | special thanks |
Lisa Rocco | ... | very special thanks (as Lisa) |
Jeffrey Rubin | ... | acknowledgement of the special effects of |
Richard Rush | ... | acknowledgement of the special effects of |
Heile Thirlwell | ... | acknowledgement of the special effects of |