64
Metascore
7 reviews · Provided by Metacritic.com
- 100San Francisco ChronicleSan Francisco Chronicle“Meat’s meat and a man’s gotta eat” is the kind of line that makes this an offbeat horror treat. Some moments are satirical of other horror films, yet they carry a horrific impact, so you may not have much time to laugh before fright sets in.
- 75Chicago Sun-TimesRoger EbertChicago Sun-TimesRoger EbertMotel Hell is a welcome change-of-pace; it's to "The Texas Chainsaw Massacre" as "Airplane!" is to "Airport." It has some great moments.
- 70Chicago ReaderDave KehrChicago ReaderDave KehrThe tone of this 1980 feature is too muddled for it to be really memorable, but it's impressively slick, with intimations of the adult decadence themes that informed Roger Corman's Poe films of the 60s.
- 63Slant MagazineChuck BowenSlant MagazineChuck BowenThis film’s pleasures are extremely mild, but they’re discernable for the curious fan of retro redneck horror, or, far more likely, for the genre critic looking to finish their dissertation pertaining to The Texas Chainsaw Massacre’s vast influence on the 1970s and 1980s grindhouse movie’s vision of gleeful small-town Americana hypocrisy.
- 63TV Guide MagazineTV Guide MagazineMOTEL HELL could have been a great black comedy, but the uneasy direction of Kevin Connor fails to get most of the picture off the ground.
- 60The DissolveKeith PhippsThe DissolveKeith PhippsDirector Kevin Connor, coming off a string of British horror films and Edgar Rice Burroughs adaptations, never turns Motel Hell into an all-out comedy, but humor is always part of the mix.
- 40Washington PostGary ArnoldWashington PostGary ArnoldThe most perfunctory and least imaginative of the recent cycle of horror melodramas, Motel Hell may be credited with a fleeting wry touch, but it wears out its welcome by running a minimum of ghoulish stunts into the ground. [25 Oct 1980, p.F4]