Jean-Paul Belmondo, whose bad-boy presence in Jean-Luc Godard’s new wave masterpiece “Breathless” established him as the French idol of his generation, has died, Variety has confirmed. He was 88.
For more than a decade following the release of “Breathless,” Belmondo reigned as one of France’s top box office stars. The actor was likened alternately to James Dean, Humphrey Bogart and Marlon Brando for his brooding, charismatic persona, and he proved able to work in virtually any genre. After “Breathless,” the cult that formed around him was dubbed le belmondisme by the French media. Unlike Dean, who was a rebel without a cause, Belmondo’s antihero persona was more existential, detached and irredeemable. With such magnetism, an American career could have been his for the asking, but he largely resisted studio-made productions and later in life openly criticized Hollywood for overly dominating film screens in France.
Though most closely associated with Godard,...
For more than a decade following the release of “Breathless,” Belmondo reigned as one of France’s top box office stars. The actor was likened alternately to James Dean, Humphrey Bogart and Marlon Brando for his brooding, charismatic persona, and he proved able to work in virtually any genre. After “Breathless,” the cult that formed around him was dubbed le belmondisme by the French media. Unlike Dean, who was a rebel without a cause, Belmondo’s antihero persona was more existential, detached and irredeemable. With such magnetism, an American career could have been his for the asking, but he largely resisted studio-made productions and later in life openly criticized Hollywood for overly dominating film screens in France.
Though most closely associated with Godard,...
- 9/6/2021
- by Richard Natale
- Variety Film + TV
Director of witty French comedy-thrillers
Since the dawn of cinema, France has simultaneously and uninterruptedly produced good mainstream movies and arthouse films. Georges Lautner, who has died aged 87, unabashedly claimed that the almost 50 films he directed from 1958 to 1992 belong to the former category. Lautner's mainly cops-and-robbers movies were among the most popular films ever made in France.
"I didn't want glory or to make masterpieces but popular films that would please the greatest number," he once explained. "International recognition didn't interest me. I was passionate at what I did with my faithful team. We made the films we wanted as quickly as possible. But with time, my commercial films appear almost intellectual."
Lautner's underestimated films were never invited to Cannes until, in 2012, the festival put together a belated "Homage to Georges Lautner". His death prompted President François Hollande to declare that his films had "become part of the cinematic heritage...
Since the dawn of cinema, France has simultaneously and uninterruptedly produced good mainstream movies and arthouse films. Georges Lautner, who has died aged 87, unabashedly claimed that the almost 50 films he directed from 1958 to 1992 belong to the former category. Lautner's mainly cops-and-robbers movies were among the most popular films ever made in France.
"I didn't want glory or to make masterpieces but popular films that would please the greatest number," he once explained. "International recognition didn't interest me. I was passionate at what I did with my faithful team. We made the films we wanted as quickly as possible. But with time, my commercial films appear almost intellectual."
Lautner's underestimated films were never invited to Cannes until, in 2012, the festival put together a belated "Homage to Georges Lautner". His death prompted President François Hollande to declare that his films had "become part of the cinematic heritage...
- 12/2/2013
- by Ronald Bergan
- The Guardian - Film News
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