"The Twilight Zone" isn't any old kind of zone. It's a bizarre place where anything can happen. Aliens can invade at any moment, William Shakespeare can get a job as a Hollywood ghostwriter. Heck, the creator of the series, Rod Serling, even got killed by his own creations once. The limits are only those of the human imagination, which are damn near infinite, except maybe without the words "damn near."
Yes, sometimes "The Twilight Zone" shows us things we never expected to see, which are hard to describe without making it seem like you're the one making it up. This is especially true for the less-popular, but still sometimes great reboots, which in the 1980s, early 2000s, and late 2010s allowed a whole new generation of actors, writers, and filmmakers to play in Rod Serling's unusual sandbox. Unlike the 1960s series, which was a cultural phenomenon in the 1960s and...
Yes, sometimes "The Twilight Zone" shows us things we never expected to see, which are hard to describe without making it seem like you're the one making it up. This is especially true for the less-popular, but still sometimes great reboots, which in the 1980s, early 2000s, and late 2010s allowed a whole new generation of actors, writers, and filmmakers to play in Rod Serling's unusual sandbox. Unlike the 1960s series, which was a cultural phenomenon in the 1960s and...
- 12/3/2023
- by William Bibbiani
- Slash Film
“We also all knew one another better, which is always an advantage, because it means you’re straight in with the shorthand and you can be playful,” declares casting director Dixie Chassay about the energy that permeated production on the second season of “The Great.” It allowed cast and crew to push the envelope and take more risks. For our recent webchat she adds, “We knew what this thing was, and although we didn’t know where it could journey to, it felt very alive, it felt like it had been given a really good strong base,” she explains. “The response was excellent and therefore we could really play around.” Watch our exclusive video interview above.
“The Great” returned for an even more outrageous second season late last year to a 100 “fresh” rating at Rotten Tomatoes. Elle Fanning stars as the titular Catherine the Great in the genre-bending Russian royalty satire for Hulu,...
“The Great” returned for an even more outrageous second season late last year to a 100 “fresh” rating at Rotten Tomatoes. Elle Fanning stars as the titular Catherine the Great in the genre-bending Russian royalty satire for Hulu,...
- 6/2/2022
- by Rob Licuria
- Gold Derby
Corsets were an essential undergarment for Victorian women, which lifted and supported the bosom, created a flat front and provided women a form-fitted figure. But they were notoriously restrictive. As essential as corsets are to the 18th century, they are equally as important to period costume design in the 21st century.
However, as period-era dramas filled the air, costume designers of many Emmy-contending shows followed up to dress their cast members in corsets — but with the modern twist of added comfort.
Carrie Coon, who plays wealthy socialite Bertha Russell in HBO’s “The Gilded Age,” is no stranger to wearing corsets. Her theatrical background meant she wore them on stage under heavy, upholstered fabrics that had to withstand all kinds of weather. During a costume fitting for the show’s second season, Coon tells Variety: “Every job is different. No matter what the period and so they’re built differently.
However, as period-era dramas filled the air, costume designers of many Emmy-contending shows followed up to dress their cast members in corsets — but with the modern twist of added comfort.
Carrie Coon, who plays wealthy socialite Bertha Russell in HBO’s “The Gilded Age,” is no stranger to wearing corsets. Her theatrical background meant she wore them on stage under heavy, upholstered fabrics that had to withstand all kinds of weather. During a costume fitting for the show’s second season, Coon tells Variety: “Every job is different. No matter what the period and so they’re built differently.
- 5/26/2022
- by Jazz Tangcay
- Variety Film + TV
Photo: ‘Top Gun: Maverick’ The grand premiere of 'Top Gun: Maverick' at Cannes Film Festival 2022, a surprise Palme d'Or for Tom Cruise, and Cruise walking Katherine, Duchess of Cambridge, up the steps at the London premiere - this film deserves all the accolades and more. A sequel 36 years in waiting, successfully surpasses the first one on many levels - and its entertaining for sure. And more. We live in an era where numerous sequels and remakes of popular Hollywood films reek as desperate cash grabs by major movie studios. These sequels and remakes usually consist of the same ingredients which include cheap callbacks to the original film that typically induce nothing more than an eye roll, a retelling of the same story, as well as an overall lack of anything for the audience to become even remotely attached to on an emotional level. ‘Top Gun: Maverick’ is the...
- 5/20/2022
- by Nader Chamas
- Hollywood Insider - Substance & Meaningful Entertainment
When Jane Schoenbrun’s “We’re All Going to The World’s Fair” debuted at the 2021 Sundance Film Festival, they were not only introduced as a solo filmmaker, but as their true self for the first time. A longtime fixture in New York’s independent film scene, Schoenbrun has worn many hats. They co-created the experimental online variety show “The Eyeslicer,” which featured work from David Lowery, Ari Aster, and Shaka King, among others. They spearheaded the omnibus film “collective:unconscious,” which saw five experimental filmmakers interpreting each other’s dreams. They also launched The Radical Film Fair, an ambitious but short-lived film flea market that connected independent filmmakers, film-lovers, and distributors.
That was all before their “egg cracked,” a shorthand for the moment when a trans person finally comes out to themselves. In true Shoenbrun fashion, “We’re All Going to The World’s Fair” isn’t a straightforward narrative about being trans.
That was all before their “egg cracked,” a shorthand for the moment when a trans person finally comes out to themselves. In true Shoenbrun fashion, “We’re All Going to The World’s Fair” isn’t a straightforward narrative about being trans.
- 4/15/2022
- by Jude Dry
- Indiewire
1986: Bobby was alive and well on Dallas; his death was a dream.
1994: All My Children's Erica visited her mother's grave.
1995: Another World's Grant shot his brother, Ryan, in the back.
1997: Days of our Lives recast the role of Jack...in a shower."History speaks to artists. It changes the artist's thinking and is constantly reshaping it into different and unexpected images."
― Anselm Kiefer
"Today in Soap Opera History" is a collection of the most memorable, interesting and influential events in the history of scripted, serialized programs. From birthdays and anniversaries to scandals and controversies, every day this column celebrates the soap opera in American culture.
On this date in...
1938: Radio soap opera Houseboat Hannah premiered on the NBC Red Network. Hard working Dan O'Leary, who lost an arm in a factory accident, moved his financially strapped family aboard a house boat in Shanty Fish Row on San Francisco Bay.
1994: All My Children's Erica visited her mother's grave.
1995: Another World's Grant shot his brother, Ryan, in the back.
1997: Days of our Lives recast the role of Jack...in a shower."History speaks to artists. It changes the artist's thinking and is constantly reshaping it into different and unexpected images."
― Anselm Kiefer
"Today in Soap Opera History" is a collection of the most memorable, interesting and influential events in the history of scripted, serialized programs. From birthdays and anniversaries to scandals and controversies, every day this column celebrates the soap opera in American culture.
On this date in...
1938: Radio soap opera Houseboat Hannah premiered on the NBC Red Network. Hard working Dan O'Leary, who lost an arm in a factory accident, moved his financially strapped family aboard a house boat in Shanty Fish Row on San Francisco Bay.
- 3/12/2022
- by Unknown
- We Love Soaps
The following post contains spoilers for Love, Victor‘s entire second season.
It’s been two days since Love, Victor‘s second season dropped on Hulu, and the fandom is divided between Team Benji and Team Rahim — but which team is Victor himself going to join?
More from TVLineLove, Victor Season 2 Premiere Recap: Cruel Summer — Plus, Grade It!The Great: Gillian Anderson Joins Season 2 Cast as Catherine's MotherThe Handmaid's Tale Episode 9 Recap: The One That Got Away
The Season 2 finale almost gave us an answer to that question, but stopped agonizingly short of revealing which love interest had won Victor’s heart.
It’s been two days since Love, Victor‘s second season dropped on Hulu, and the fandom is divided between Team Benji and Team Rahim — but which team is Victor himself going to join?
More from TVLineLove, Victor Season 2 Premiere Recap: Cruel Summer — Plus, Grade It!The Great: Gillian Anderson Joins Season 2 Cast as Catherine's MotherThe Handmaid's Tale Episode 9 Recap: The One That Got Away
The Season 2 finale almost gave us an answer to that question, but stopped agonizingly short of revealing which love interest had won Victor’s heart.
- 6/13/2021
- by Rebecca Iannucci
- TVLine.com
Tim Bevan, Alison Owen and Iain Canning were speaking at the Restart conference hosted by Screen International.
The “horrendously expensive” costs of enforcing Covid-19 protocols on film sets have come under the spotlight in a conversation between three of the biggest independent producers in the UK, who said the measures were impacting the kinds of films they were able to make.
Tim Bevan, co-chairman of Working Title Films, said the costs associated with coronavirus safety measures were “horrifically expensive, and that needs to be brought down”.
Working Title, the production company behind Darkest Hour and The Theory Of Everything, shot...
The “horrendously expensive” costs of enforcing Covid-19 protocols on film sets have come under the spotlight in a conversation between three of the biggest independent producers in the UK, who said the measures were impacting the kinds of films they were able to make.
Tim Bevan, co-chairman of Working Title Films, said the costs associated with coronavirus safety measures were “horrifically expensive, and that needs to be brought down”.
Working Title, the production company behind Darkest Hour and The Theory Of Everything, shot...
- 5/20/2021
- by Michael Rosser
- ScreenDaily
Tim Bevan, Alison Owen and Iain Canning were speaking at the Restart conference hosted by Screen International.
The “horrendously expensive” costs of enforcing Covid-19 protocols on film sets have been criticised by three of the biggest independent producers in the UK.
Tim Bevan, co-chairman of Working Title Films, said the costs associated with coronavirus safety measures were “horrifically expensive, and that needs to be brought down”.
Working Title, the production company behind Darkest Hour and The Theory Of Everything, shot Joe Wright’s Cyrano and Lena Dunham’s Catherine, Called Birdy during the pandemic and is in production on Matthew...
The “horrendously expensive” costs of enforcing Covid-19 protocols on film sets have been criticised by three of the biggest independent producers in the UK.
Tim Bevan, co-chairman of Working Title Films, said the costs associated with coronavirus safety measures were “horrifically expensive, and that needs to be brought down”.
Working Title, the production company behind Darkest Hour and The Theory Of Everything, shot Joe Wright’s Cyrano and Lena Dunham’s Catherine, Called Birdy during the pandemic and is in production on Matthew...
- 5/20/2021
- by Michael Rosser
- ScreenDaily
Another film in the Conjuring universe is heading your way this summer, The Conjuring: The Devil Made Me Do It
The Conjuring: The Devil Made Me Do It is the seventh film in the “Conjuring” Universe, the largest horror franchise in history, which has grossed more than $1.8 billion worldwide. It includes the first two “Conjuring” films, as well as “Annabelle” and “Annabelle: Creation,” “The Nun,” and “Annabelle Comes Home.”
The film opens in theatres and IMAX nationwide on June 4, 2021 and will be available on HBO Max for 31 days from theatrical release.
The Conjuring movies, and all haunted house/ghost/evil possesion films, lead me back to Eddie Murphy and his take on scary places as fast as possible. Fyi – the video if Nsfw.
“The Conjuring: The Devil Made Me Do It” reveals a chilling story of terror, murder and unknown evil that shocked even experienced real-life paranormal investigators Ed and Lorraine Warren.
The Conjuring: The Devil Made Me Do It is the seventh film in the “Conjuring” Universe, the largest horror franchise in history, which has grossed more than $1.8 billion worldwide. It includes the first two “Conjuring” films, as well as “Annabelle” and “Annabelle: Creation,” “The Nun,” and “Annabelle Comes Home.”
The film opens in theatres and IMAX nationwide on June 4, 2021 and will be available on HBO Max for 31 days from theatrical release.
The Conjuring movies, and all haunted house/ghost/evil possesion films, lead me back to Eddie Murphy and his take on scary places as fast as possible. Fyi – the video if Nsfw.
“The Conjuring: The Devil Made Me Do It” reveals a chilling story of terror, murder and unknown evil that shocked even experienced real-life paranormal investigators Ed and Lorraine Warren.
- 5/18/2021
- by Michelle Hannett
- WeAreMovieGeeks.com
Exclusive: HBO Max has acquired the film and TV rights to Tina Andrews’ praised historical novel about Queen Charlotte, Charlotte Sophia: Myth, Madness and the Moor. If a project is put into development, Andrews would serve as creator/showrunner and executive producer.
Andrews’ 20 years of major research on Queen Charlotte culminates in the journey of a young German Princess whom the British did not know was a woman of color. She becomes Queen in an arranged marriage to King George III.
BAFTA and Emmy-winning producer, David M. Thompson (HBO’s Catherine the Great) will executive produce alongside Andrews.
“I’m thrilled to be developing this extraordinary story with Tina and HBO Max,” added Thompson. “It’s got all the makings of a very entertaining, distinctive and provocative drama.”
Queen Charlotte also is the subject of a Bridgerton franchise prequel limited series written by Shonda Rhimes, which just received a greenlight at Netflix.
Andrews’ 20 years of major research on Queen Charlotte culminates in the journey of a young German Princess whom the British did not know was a woman of color. She becomes Queen in an arranged marriage to King George III.
BAFTA and Emmy-winning producer, David M. Thompson (HBO’s Catherine the Great) will executive produce alongside Andrews.
“I’m thrilled to be developing this extraordinary story with Tina and HBO Max,” added Thompson. “It’s got all the makings of a very entertaining, distinctive and provocative drama.”
Queen Charlotte also is the subject of a Bridgerton franchise prequel limited series written by Shonda Rhimes, which just received a greenlight at Netflix.
- 5/17/2021
- by Denise Petski
- Deadline Film + TV
1975: Ryan's Hope's Jack visited Sister Mary Joel.
1984: Santa Barbara's Jade ran into David Hasselhoff.
1986: Another World's Reginald had a fire started to stop a story.
2003: The Young and the Restless' John punched Victor."History speaks to artists. It changes the artist's thinking and is constantly reshaping it into different and unexpected images."
― Anselm Kiefer
"Today in Soap Opera History" is a collection of the most memorable, interesting and influential events in the history of scripted, serialized programs. From birthdays and anniversaries to scandals and controversies, every day this column celebrates the soap opera in American culture.
On this date in...
1941: On radio soap opera Life Can Be Beautiful, "Chichi" Conrad (Alice Reinheart) coped with heartbreaking news.
1967: CBS aired the first color broadcast of The Secret Storm.
1972: The Edge of Night began airing at 2:30 p.m. Et, moving from its usual 3:30 p.
1984: Santa Barbara's Jade ran into David Hasselhoff.
1986: Another World's Reginald had a fire started to stop a story.
2003: The Young and the Restless' John punched Victor."History speaks to artists. It changes the artist's thinking and is constantly reshaping it into different and unexpected images."
― Anselm Kiefer
"Today in Soap Opera History" is a collection of the most memorable, interesting and influential events in the history of scripted, serialized programs. From birthdays and anniversaries to scandals and controversies, every day this column celebrates the soap opera in American culture.
On this date in...
1941: On radio soap opera Life Can Be Beautiful, "Chichi" Conrad (Alice Reinheart) coped with heartbreaking news.
1967: CBS aired the first color broadcast of The Secret Storm.
1972: The Edge of Night began airing at 2:30 p.m. Et, moving from its usual 3:30 p.
- 9/12/2019
- by Unknown
- We Love Soaps
'Saint Joan': Constance Cummings as the George Bernard Shaw heroine. Constance Cummings on stage: From sex-change farce and Emma Bovary to Juliet and 'Saint Joan' (See previous post: “Constance Cummings: Frank Capra, Mae West and Columbia Lawsuit.”) In the mid-1930s, Constance Cummings landed the title roles in two of husband Benn W. Levy's stage adaptations: Levy and Hubert Griffith's Young Madame Conti (1936), starring Cummings as a demimondaine who falls in love with a villainous character. She ends up killing him – or does she? Adapted from Bruno Frank's German-language original, Young Madame Conti was presented on both sides of the Atlantic; on Broadway, it had a brief run in spring 1937 at the Music Box Theatre. Based on the Gustave Flaubert novel, the Theatre Guild-produced Madame Bovary (1937) was staged in late fall at Broadway's Broadhurst Theatre. Referring to the London production of Young Madame Conti, The...
- 11/10/2015
- by Andre Soares
- Alt Film Guide
Three-quarters of a decade after its launch, the management firm run by partners David Schiff, Courtney Kivowitz and Christian Donatelli has adopted a new moniker. The Schiff Company henceforth will be known as Mgmt. Entertainment. “The name change is meant as a symbolic acknowledgement of the incredible growth of the company since it’s inception 7 plus years ago, founder and partner David Schiff said in a statement. “The change further reflects the significant contribution from partners Kivowitz and Donatelli.”
Mgmt’s roster continues to include such boldface names as Michael B. Jordan, Katherine McPhee, Ethan Hawke, Keira Knightley, Jeff Bridges, Melissa McCarthy, Kevin Bacon, Dane Dehaan, Sienna Miler Jane Lynch, Helena Bonham Carter, Anna Gunn, Aubrey Plaza, Emmy Rossum, Ben Falcone, Sissy Spacek, Jennifer Connelly, Ellen Burstyn, Maggie Gyllenhaal and Colin Hanks. Its managers include Mimi Ditrani, Adam Isaacs, Risa Shapiro, Kenny Goodman, Michael Diamond, Dianne McGunigle and Kristin Konig.
Mgmt’s roster continues to include such boldface names as Michael B. Jordan, Katherine McPhee, Ethan Hawke, Keira Knightley, Jeff Bridges, Melissa McCarthy, Kevin Bacon, Dane Dehaan, Sienna Miler Jane Lynch, Helena Bonham Carter, Anna Gunn, Aubrey Plaza, Emmy Rossum, Ben Falcone, Sissy Spacek, Jennifer Connelly, Ellen Burstyn, Maggie Gyllenhaal and Colin Hanks. Its managers include Mimi Ditrani, Adam Isaacs, Risa Shapiro, Kenny Goodman, Michael Diamond, Dianne McGunigle and Kristin Konig.
- 1/10/2015
- by The Deadline Team
- Deadline
Chicago – Some people spend the rest of their lives trying to compensate for slights felt in high school – that social jungle is staged in “Carrie: The Musical.” Based on Stephen King’s novel, the story of Carrie White is presented as an adversarial tale by Bailiwick Chicago at Victory Gardens Theater.
Play Rating: 4.0/5.0
Say the words “Carrie: The Musical” and the first reaction might be a preparation for a campy romp. The Stephen King story is best remembered in the Brian De Palma film of 1976, starring Sissy Spacek. Although the film is serious, the disco-era styles and graphic ending of that version could easily be sent up. But this stage adaptation – in what began as a 1988 straightforward Broadway musical – is more interested in exploring the bullying torture of the main character, and the consequences for her persecutors. This Carrie is serious business about high school rejection, and is brought together...
Play Rating: 4.0/5.0
Say the words “Carrie: The Musical” and the first reaction might be a preparation for a campy romp. The Stephen King story is best remembered in the Brian De Palma film of 1976, starring Sissy Spacek. Although the film is serious, the disco-era styles and graphic ending of that version could easily be sent up. But this stage adaptation – in what began as a 1988 straightforward Broadway musical – is more interested in exploring the bullying torture of the main character, and the consequences for her persecutors. This Carrie is serious business about high school rejection, and is brought together...
- 6/5/2014
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
On Friday's 50th anniversary of President John F. Kennedy's assassination, it's only natural to dwell on how the tragedy affected the nation. But while we remember and pay tribute to the charismatic 35th President half a century later, it is also relevant to assess the Kennedy legacy and look forward. The Kennedy family has shaped the politics, news and minds of America. Their power and allure continues with the new generation of Kennedys. JFK's grandchildren, great nieces and great nephews are making names for themselves in a variety of fields. Read on to learn more about the most recent...
- 11/22/2013
- by Kelli Bender
- PEOPLE.com
Boardwalk Empire alum Patrick Kennedy, Dominique McElligott and Laila Robins have been cast opposite Brendan Gleeson in The Money, David Milch‘s new drama pilot for HBO. Written/exec produced by Milch, exec produced by Art and John Linson and directed by Justin Chadwick, The Money is about wealth and corruption among the super elite, focusing on American mogul and patriarch James Castman (Gleeson), who wields power and influence to expand his media empire and control his family. Kennedy, repped by Brillstein and Curtis Brown, will play John Castman, James Castman’s dutiful and ethically strong son who is a key lieutenant in Castman’s empire. McElligott will play James’ beloved daughter Katherine Castman. Robins will play Ruth Castman, James’s wife and mother of his three adult children Katherine, John and Greg.
- 10/3/2013
- by NELLIE ANDREEVA
- Deadline TV
HBO’s Girls is going Instagram-wild in its new promo.
The following teaser for the acclaimed comedy’s upcoming Season 3 (bowing in 2014) is made up of an abundance of behind-the-scenes photos, seemingly pulled from the beloved iPhone app.
Press Play below for tons of little glimpses at Lena Dunham & Co. in action, then hit the comments with your snappy judgements.
Ready for more of today’s TV dish? Well…
• The Young and the Restless will pay tribute to late suds vet Jeanne Cooper’s Genoa City dame Katherine Chancellor with two alumni-packed episodes airing Sept. 3 and 4. Per TV Guide Magazine,...
The following teaser for the acclaimed comedy’s upcoming Season 3 (bowing in 2014) is made up of an abundance of behind-the-scenes photos, seemingly pulled from the beloved iPhone app.
Press Play below for tons of little glimpses at Lena Dunham & Co. in action, then hit the comments with your snappy judgements.
Ready for more of today’s TV dish? Well…
• The Young and the Restless will pay tribute to late suds vet Jeanne Cooper’s Genoa City dame Katherine Chancellor with two alumni-packed episodes airing Sept. 3 and 4. Per TV Guide Magazine,...
- 8/19/2013
- by Megan Masters
- TVLine.com
Photo: Dreamworks Pictures Let me start by saying this article isn't about naming the best film of 2011. That's another discussion for another time. This article isn't even about whether or not I enjoyed The Help, though I did indeed love the film. Instead, this article is to let everyone know I believe The Help is the first Best Picture lock so far this year, and why I even believe it is an early frontrunner to win it all. Bold, I know, but here are my five reasons for such an opinion.
1. Oscar loves period Which period you ask? Shakespearian times, Elizabethan times, the Civil War period, World War 2, the '60s, the '70s. Any time other time than the present.
That's not to say films representing the present day can never win the Best Picture Oscar. Films like The Best Years of Our Lives, Midnight Cowboy, Ordinary People and...
1. Oscar loves period Which period you ask? Shakespearian times, Elizabethan times, the Civil War period, World War 2, the '60s, the '70s. Any time other time than the present.
That's not to say films representing the present day can never win the Best Picture Oscar. Films like The Best Years of Our Lives, Midnight Cowboy, Ordinary People and...
- 8/8/2011
- by Bill Cody
- Rope of Silicon
Jung talks of the anima and animus as the unconscious's ego--a dark figure of our dreams--for men it's an elusive princess, devouring witch, beautiful maiden asleep in a block of ice; for women a werewolf lover, a dark demon wolf with big eyes all the better to drink your essence with, like Twilight. The animus is best exemplified in the Beauty and the Beast myth. The unassimilated animus is a wild beast, untamed and surly. The assimilated is tamed and 'absorbed' into the female consciousness, i.e. once the animus becomes a prince and not a beast, the woman starts to get bossy and surly herself!
Don't we see this all the time in marriages? Before the marriage the man is in charge, tall and dominating... sometime after the wedding the alchemical change occurs and the woman starts bossing him around, making important decisions. In my essay on the Twilight mythos,...
Don't we see this all the time in marriages? Before the marriage the man is in charge, tall and dominating... sometime after the wedding the alchemical change occurs and the woman starts bossing him around, making important decisions. In my essay on the Twilight mythos,...
- 11/16/2010
- by Erich Kuersten
- FilmExperience
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