There are many dozens of classic prison movies, everything from “The Shawshank Redemption” to Robert Bresson’s “A Man Escaped” to several Clint Eastwood movies, and many of them revolve around the human spirit, the will to live beyond the psychological claustrophobia of incarceration. But perhaps there’s been no prison movie like “Sing Sing,” a new A24 drama starring Colman Domingo, about a theatre troupe that finds escape from the realities of incarceration through the creativity of putting on a play.
Continue reading ‘Sing Sing’ Trailer: Colman Domingo Stars In A24’s Acclaimed Prison Drama at The Playlist.
Continue reading ‘Sing Sing’ Trailer: Colman Domingo Stars In A24’s Acclaimed Prison Drama at The Playlist.
- 3/6/2024
- by Edward Davis
- The Playlist
Since Sofia Bohdanowicz introduced Deragh Campbell’s Audrey Brenac in Never Eat Alone, the eye-gravitating protagonist has always been on some inquiry, not unlike a non-criminal investigator. In A Woman Escapes, Audrey ventures into new territory for her fifth film, where she heals from losing her friend Juliane in Paris at her grandmother’s home. Along the path, Williams and Çevik play fictional versions of Audrey to help her in her grief through filmmaking while separated during the pandemic.
Containing dialogue and imagery recalling Robert Bresson’s A Man Escaped, this explicit homage to the French auteur allows the three filmmakers to expand what experimental film could be. Throughout her work, Bohdanowicz seeds a bridge between fact and fiction to evoke the audience’s connection with their existing reality. She, Williams, and Çevik emit a patient, inquisitive approach to gazing at the world: Williams’ 3D layering of subtitles and physical...
Containing dialogue and imagery recalling Robert Bresson’s A Man Escaped, this explicit homage to the French auteur allows the three filmmakers to expand what experimental film could be. Throughout her work, Bohdanowicz seeds a bridge between fact and fiction to evoke the audience’s connection with their existing reality. She, Williams, and Çevik emit a patient, inquisitive approach to gazing at the world: Williams’ 3D layering of subtitles and physical...
- 6/7/2023
- by Edward Frumkin
- The Film Stage
While we’ve known the results of Jeanne Dielman Tops Sight and Sound‘s 2022 Greatest Films of All-Time List”>Sight & Sound’s once-in-a-decade greatest films of all-time poll for a few months now, the recent release of the individual ballots has given data-crunching cinephiles a new opportunity to dive deeper. We have Letterboxd lists detailing all 4,400+ films that received at least one vote and another expanding the directors poll, spreadsheets calculating every entry, and now a list ranking how many votes individual directors received for their films.
Tabulated by Genjuro, the list of 35 directors, with two pairs, puts Alfred Hitchcock back on top, while Chantal Akerman is at number two. Elsewhere in the top ten are David Lynch, Francis Ford Coppola, Jean-Luc Godard, Agnès Varda, Orson Welles, Yasujirō Ozu, and Stanley Kubrick, and tied for the tenth spot is Wong Kar Wai and Ingmar Bergman.
Check out the list below,...
Tabulated by Genjuro, the list of 35 directors, with two pairs, puts Alfred Hitchcock back on top, while Chantal Akerman is at number two. Elsewhere in the top ten are David Lynch, Francis Ford Coppola, Jean-Luc Godard, Agnès Varda, Orson Welles, Yasujirō Ozu, and Stanley Kubrick, and tied for the tenth spot is Wong Kar Wai and Ingmar Bergman.
Check out the list below,...
- 3/5/2023
- by Jordan Raup
- The Film Stage
"This is the best sushi you will ever have." Join director M. Night Shyamalan as he browses through this Paris video store in the latest offering of the "Vidéo Club" series made by Konbini. We've posted videos of Brad Pitt and Terry Gilliam in this classic video store, now it's Shyamalan's turn. At first he talks extensively about his love for Akira Kurosawa films and stories with a moral dilemma, then he raves about Bergman's Persona and Bresson, specifically the 1956 film A Man Escaped. He also goes on to talk about Lynch's Twin Peaks and Hitchcock's Rebecca (one of his favorites in his collection at home) and Julia Ducournau's Raw - saying how this one blew him away and he ended up hiring her to shoot some eps of his TV show "Servant" because of it. He also mentions that he'd like to work with Robert Pattinson one day,...
- 2/6/2023
- by Alex Billington
- firstshowing.net
First things first: Yes, Luca Guadagnino still wants to make a sequel to “Call Me By Your Name” with Timothée Chalamet as the soul-searching Elio, but he wouldn’t put it in those terms. “A sequel is an American concept,” the filmmaker said during an interview at the Telluride Film Festival. “It’s more like the chronicles of Elio, the chronicles of this young boy becoming a man. It is something I want to do.”
For now, though, Guadagnino has already satiated his desire to collaborate with the actor who became a star as a result of that 2017 romance. With “Bones and All,” Guadagnino and screenwriter David Kajganich have transformed Camille DeAngelis’ 2015 cannibal into a gothic plunge into the ’80s-era midwest. Equal parts “Badlands” and “Bonnie and Clyde,” the movie is a sensitive look at the kind of marginalized characters who populate all of Guadagnino’s films.
A scrawny Chalamet plays Lee,...
For now, though, Guadagnino has already satiated his desire to collaborate with the actor who became a star as a result of that 2017 romance. With “Bones and All,” Guadagnino and screenwriter David Kajganich have transformed Camille DeAngelis’ 2015 cannibal into a gothic plunge into the ’80s-era midwest. Equal parts “Badlands” and “Bonnie and Clyde,” the movie is a sensitive look at the kind of marginalized characters who populate all of Guadagnino’s films.
A scrawny Chalamet plays Lee,...
- 9/6/2022
- by Eric Kohn
- Indiewire
An unclassifiable filmic object that sprang out of a long-distance creative partnership, A Woman Escapes brings directors Sofia Bohdanowicz, Burak Çevik, and Blake Williams together in an intimate and playful collaboration that mingles different formats, aesthetics, and experiences. In a nod to Robert Bresson’s classic A Man Escaped (1956), the film accounts the flight of a young woman—Bohdanowicz’s regular persona Audrey Benac, played by Deragh Campbell—from an emotionally paralyzing grieving process. We witness Audrey’s life being deeply impacted by the death of her elderly friend Juliane, whose apartment, along with its souvenirs, shared memories, and some images, are left behind to the devastated young woman. In the minuscule kitchen of this time-worn Parisian apartment, Audrey sits and vainly ruminates on the past while feeling speechless, lethargic, and trapped in an eternal stagnation. When Audrey’s friends Burak and Blake—also fictional personas of Çevik and Williams...
- 8/18/2022
- MUBI
Moviegoing Memories is a series of short interviews with filmmakers about going to the movies. Ramon Zürcher & Silvan Zürcher's The Girl and the Spider is Mubi Go's Film of the Week in the US for April 8, 2022.Notebook: How would you describe your movie in the least amount of words?Ramon ZÜRCHER: A disaster film as a psychological chamber play.Notebook: Where and what is your favorite movie theater? Why is it your favorite?Silvan ZÜRCHER: The Lido cinema in Biel (Switzerland). It isn't particularly beautiful, but we worked there as ushers in our school days and watched a lot of films. I still remember many of the films I have seen back then very vividly. I also like the relation between screen size and auditorium there. And furthermore, the view to the screen is never disturbed by large people sitting in front of you.Ramon: I also...
- 4/8/2022
- MUBI
Rolling off an unpredictable and crowded race, Xavier Giannoli’s period piece “Lost Illusions” and Leos Carax’s musical romance “Annette” scooped the top prizes at the 47th Cesar Awards, France’s equivalent to the Oscars, on Friday evening. “Lost Illusions,” which led the nominations, won seven awards, including best film and best male newcomer. “Annette,” which world premiered on opening night at the Cannes Film Festival, won five awards, including best director and original score for Ron Mael and Russell Mael from the rock band Sparks, who performed live during the Cesar ceremony.
The glitzy in-person event took place at the Olympia theater in Paris with prestigious guests including Adam Driver, who was nominated for his performance in “Annette,” and Cate Blanchett, who received the honorary Cesar Award from the hands of Isabelle Huppert. Celebrated by a long and rowdy standing ovation, Blanchett got up on stage and gave a long hug to Huppert.
The glitzy in-person event took place at the Olympia theater in Paris with prestigious guests including Adam Driver, who was nominated for his performance in “Annette,” and Cate Blanchett, who received the honorary Cesar Award from the hands of Isabelle Huppert. Celebrated by a long and rowdy standing ovation, Blanchett got up on stage and gave a long hug to Huppert.
- 2/25/2022
- by Elsa Keslassy
- Variety Film + TV
Above: 1976 Hungarian poster for The Wizard of Oz. Art by Olga Tövisváry.In the world of East European poster design, Hungary has always been somewhat of a poor relation to Poland and Czechoslovakia, whose artists have been justly celebrated for years. In that indispensable bible of international postwar movie poster design, Art of the Modern Movie Poster, 66 pages are devoted to Polish posters and 40 to the Czechs, but not only is Hungary lumped into a section with Russia, Romania, and Yugoslavia but there are only two Hungarian posters featured. But that dearth of attention is all due to access rather than to the quality of Hungarian design. I recently came across a treasure-trove of Hungarian movie posters on a number of websites that could go a long way to redressing the balance. The posters that I am featuring here were all found on the auction site Bedo and they come...
- 8/23/2020
- MUBI
From the people that brought you Pandemic Parade chapters 1-8, comes yet another thrilling episode featuring Jesse V. Johnson, Casper Kelly, Fred Dekker, Don Coscarelli, Daniel Noah, Elijah Wood and Blaire Bercy.
Please support the Hollywood Food Coalition. Text “Give” to 323.402.5704 or visit https://hofoco.org/donate!
Show Notes: Movies Referenced In This Episode
The Wondrous Story of Birth a.k.a. The Birth of Triplets (1950)
Contagion (2011)
The Omega Man (1971)
Panic In The Streets (1950)
The Last Man On Earth (1964)
Night of the Living Dead (1968)
Fantastic Voyage (1966)
Innerspace (1987)
The Howling (1981)
The Invisible Man (2020)
The Sand Pebbles (1966)
Where Eagles Dare (1969)
Planet of the Apes (1968)
Goldfinger (1964)
The Spy Who Came In From The Cold (1965)
Murder On The Orient Express (1974)
Dr. No (1962)
From Russia With Love (1963)
Bellman and True (1987)
Brimstone and Treacle (1982)
Richard III (1995)
Titanic (1997)
Catch 22 (1970)
Who’s Afraid of Virginia Woolf (1966)
The Graduate (1967)
1941 (1979)
Dr. Strangelove (1964)
Jaws (1975)
The Fortune (1975)
Carnal Knowledge (1970)
Manhattan...
Please support the Hollywood Food Coalition. Text “Give” to 323.402.5704 or visit https://hofoco.org/donate!
Show Notes: Movies Referenced In This Episode
The Wondrous Story of Birth a.k.a. The Birth of Triplets (1950)
Contagion (2011)
The Omega Man (1971)
Panic In The Streets (1950)
The Last Man On Earth (1964)
Night of the Living Dead (1968)
Fantastic Voyage (1966)
Innerspace (1987)
The Howling (1981)
The Invisible Man (2020)
The Sand Pebbles (1966)
Where Eagles Dare (1969)
Planet of the Apes (1968)
Goldfinger (1964)
The Spy Who Came In From The Cold (1965)
Murder On The Orient Express (1974)
Dr. No (1962)
From Russia With Love (1963)
Bellman and True (1987)
Brimstone and Treacle (1982)
Richard III (1995)
Titanic (1997)
Catch 22 (1970)
Who’s Afraid of Virginia Woolf (1966)
The Graduate (1967)
1941 (1979)
Dr. Strangelove (1964)
Jaws (1975)
The Fortune (1975)
Carnal Knowledge (1970)
Manhattan...
- 5/29/2020
- by Kris Millsap
- Trailers from Hell
Spoken today, such a statement might arouse contention and debate, but it is far from unthinkable or even impertinent—as it might have been, say, in 1954, the year that Truffaut penned his politique; or in 1966, when Jean-Pierre Léaud played a man named “Donald Siegel” in Godard’s Made in U.S.A.; or even in 1968, when Siegel was the subject of a career retrospective at London’s National Film Theatre and an entry in the “Expressive Esoterica” section of Andrew Sarris’ landmark The American Cinema. In a 1971 issue of Film Comment, film critic Jim Kitses was still able to dismiss Siegel as “a good commercial director, no more and no less,” relegating the “subversive idea—that the French... consider Siegel to be Hollywood’s most gifted filmmaker” to the purview of gossip columnist Joyce Haber (“nobody really believes that kind of thing in this town”). But the filmmaker’s reputation in the U.
- 4/26/2020
- MUBI
Prison escape movies have long been a staple of cinema. Ranging from Robert Bresson’s minimalist A Man Escaped to the WW2-era A Great Escape, breaking free, evading guards, and managing to stay out offer thrills in spades. The genre speaks to man’s most primal need to live as he pleases, touting the power of the individual — often wrongly imprisoned — over the oppressive state. But its easy to cut a wire-fence or jump over a wall. Today we are celebrating the most convoluted prison escape movies — featuring unique prison geographies, long drawn-out and elaborate plans, and truly novel
The Five Most Convoluted Prison Escape Movies...
The Five Most Convoluted Prison Escape Movies...
- 3/16/2020
- by Redmond Bacon
- TVovermind.com
Berlin — Robert Montgomery’s “Lady in the Lake” posed the question of whether it’s possible to make a complete film from one Pov and yet create a true emotional connection with an audience if it doesn’t have a face to connect with. “Saudi Runaway” delivers a haunting Pov experience via the hands of a woman, most of the times hidden behind a burka, and her willingness to record with her phone the situation that thousands of other women live in Saudi Arabia.
This is the story of Muna, a young designer, whose life has been controlled and determined by a state that gives very few rights to women. When forced into an arranged marriage, she decides to escape. Using her phone as testimony of an archaic and violent patriarchy, Muna and director Susanne Regina Meures create an intuitive and immensely emotional documentary.
Produced by Christian Frei Filmproductions in...
This is the story of Muna, a young designer, whose life has been controlled and determined by a state that gives very few rights to women. When forced into an arranged marriage, she decides to escape. Using her phone as testimony of an archaic and violent patriarchy, Muna and director Susanne Regina Meures create an intuitive and immensely emotional documentary.
Produced by Christian Frei Filmproductions in...
- 2/27/2020
- by Emiliano Granada
- Variety Film + TV
A central figure in French cinema, Bertrand Tavernier has an encyclopedic knowledge of the craft of filmmaking akin to the likes of Martin Scorsese and Quentin Tarantino. The sense of history he possesses is seen in both his narrative and documentary, the latter of which is perhaps best exemplified in his recent film My Journey Through French Cinema. Clocking in at 3.5 hours, that 2016 documentary has now received a follow-up expansion with an eight-part series and we’re pleased to debut the U.S. trailer.
Titled Journeys Through French Cinema, the director-writer-actor-producer explores the filmmakers that most influenced him, how the cinema of France changed when the country was German occupation, the unknown films and filmmakers he admires (with a focus on female directors), and much more. From better-known filmmakers such as Jacques Tati, Robert Bresson, and Jacques Demy to ones in need of (re)discovery such as Raymond Bernard, Maurice Turner,...
Titled Journeys Through French Cinema, the director-writer-actor-producer explores the filmmakers that most influenced him, how the cinema of France changed when the country was German occupation, the unknown films and filmmakers he admires (with a focus on female directors), and much more. From better-known filmmakers such as Jacques Tati, Robert Bresson, and Jacques Demy to ones in need of (re)discovery such as Raymond Bernard, Maurice Turner,...
- 12/27/2019
- by Jordan Raup
- The Film Stage
With Carlos Reygadas‘ admirably bold, intimate new drama Our Time now in theaters and his first three films now streaming on The Criterion Channel (along with a recent extensive conversation), it’s thankfully easier than ever to catch up on the poetic works of the Mexican director. To celebrate, today we’re taking a look at his favorite films of all-time.
As voted on in the latest Sight & Sound poll, the influences of the ten selections can be seen throughout this work, most notably in the spiritual ruminations of Andrei Tarkovsky and Ingmar Bergman, the non-professional acting collaborations of Robert Bresson, as well as the striking patience of Béla Tarr. Speaking to one selection, Aleksandr Sokurov’s Mother and Son, Reygadas has said it would be the one film he’d show an alien if they came to our planet. Surprisingly, however, for those who have seen Silent Light, there is no Ordet.
As voted on in the latest Sight & Sound poll, the influences of the ten selections can be seen throughout this work, most notably in the spiritual ruminations of Andrei Tarkovsky and Ingmar Bergman, the non-professional acting collaborations of Robert Bresson, as well as the striking patience of Béla Tarr. Speaking to one selection, Aleksandr Sokurov’s Mother and Son, Reygadas has said it would be the one film he’d show an alien if they came to our planet. Surprisingly, however, for those who have seen Silent Light, there is no Ordet.
- 6/25/2019
- by Jordan Raup
- The Film Stage
Cinema St. Louis presents the 11th Annual Robert Classic French Film Festival which takes place March 8-10, 15-17, and 22-24, 2019. The location this year is Washington University’s Brown Hall Auditorium, Forsyth & Skinker boulevards.
The 11th Annual Robert Classic French Film Festival — presented by TV5MONDE and produced by Cinema St. Louis — celebrates St. Louis’ Gallic heritage and France’s cinematic legacy. The featured films span the decades from the 1930s through the 1990s, offering a revealing overview of French cinema. The fest annually includes significant restorations, and this year features seven such works: Pierre Schoendoerffer “The 317th Platoon,” Marcel Pagnol’s “The Baker’s Wife,” Olivier Assayas’ “Cold Water,” Jacques Becker’s “The Hole,” Jacques Rivette’s “The Nun,” Agnés Varda’s “One Sings, the Other Doesn’t,” and Diane Kurys’ “Peppermint Soda.” The schedule is rounded out by Robert Bresson’s final film, “L’argent,” and two 1969 films celebrating...
The 11th Annual Robert Classic French Film Festival — presented by TV5MONDE and produced by Cinema St. Louis — celebrates St. Louis’ Gallic heritage and France’s cinematic legacy. The featured films span the decades from the 1930s through the 1990s, offering a revealing overview of French cinema. The fest annually includes significant restorations, and this year features seven such works: Pierre Schoendoerffer “The 317th Platoon,” Marcel Pagnol’s “The Baker’s Wife,” Olivier Assayas’ “Cold Water,” Jacques Becker’s “The Hole,” Jacques Rivette’s “The Nun,” Agnés Varda’s “One Sings, the Other Doesn’t,” and Diane Kurys’ “Peppermint Soda.” The schedule is rounded out by Robert Bresson’s final film, “L’argent,” and two 1969 films celebrating...
- 3/12/2019
- by Tom Stockman
- WeAreMovieGeeks.com
Somehow, it is now late summer 2018. While the release of films like Solo: A Star Wars Story and Avengers: Infinity War seems long ago, they are represented in this latest rundown of books connected to the world cinema. But there is plenty else, including a classic from Paul Schrader, a juicy look at the Sumner Redstone empire, and a must-buy for fans of Clint Eastwood. Note that this summer also saw the release of David Lynch’s Room to Dream, a memoir co-written with journalist/critic Kristine McKenna. Nick Newman covered the insightful and surprisingly comprehensive book in June, and explains why Dream’s “enlightened restlessness” is so appropriate.
Transcendental Style in Film by Paul Schrader (University of California Press)
With First Reformed still making critical waves and Taylor Swift concert pics going viral, we are in the midst of a Paul Schrader renaissance. (A Schrenaissance!) It is an ideal time,...
Transcendental Style in Film by Paul Schrader (University of California Press)
With First Reformed still making critical waves and Taylor Swift concert pics going viral, we are in the midst of a Paul Schrader renaissance. (A Schrenaissance!) It is an ideal time,...
- 8/14/2018
- by Christopher Schobert
- The Film Stage
“Arctic,” a notably quiet and captivating slow-build adventure film, starring Mads Mikkelsen as a researcher-explorer who has crash-landed in the frozen wilderness, is the latest example of a genre we know in our bones, one that feels so familiar it’s almost comforting. It’s another solo-survival movie, one more tale of a shipwrecked soul that derives its spirit and design from the mythic fable of the form, “Robinson Crusoe.”
The challenge of watching a stranded man toil away on his own, of course, is that it seems, on the surface, to be inherently undramatic. That’s why nearly every one of these movies has had a buried hook, a way of turning a barren situation into compulsively watchable and suspenseful storytelling. “Robinson Crusoe” set the template by presenting its tale as one of human ingenuity — in essence, it prophesied the Industrial Revolution in the form of a stripped-down one-man show.
The challenge of watching a stranded man toil away on his own, of course, is that it seems, on the surface, to be inherently undramatic. That’s why nearly every one of these movies has had a buried hook, a way of turning a barren situation into compulsively watchable and suspenseful storytelling. “Robinson Crusoe” set the template by presenting its tale as one of human ingenuity — in essence, it prophesied the Industrial Revolution in the form of a stripped-down one-man show.
- 5/11/2018
- by Owen Gleiberman
- Variety Film + TV
With his nimble means of production resulting in some of the most formally profound, emotionally introspective films of this century thus far, South Korea’s ever-prolific Hong Sang-soo has carved out an impressive following here in the United States. Despite much of his earlier work not being distributed here, in recent years that has changed with Right Now, Wrong Then getting a release and now his deeply personal drama On the Beach at Night Alone will arrive this week, courtesy of Cinema Guild, who will also distribute his two other 2017 films — Claire’s Camera and The Day After — next year.
To celebrate the release, we’ve dug up his poll from the most recent BFI/Sight & Sound poll on the best films of all-time. Hong’s 10 picks range from classics such as L’Atalante, The Green Ray, A Man Escaped, and Ordet to lesser-known works from Jean Renoir and Luis Buñuel.
To celebrate the release, we’ve dug up his poll from the most recent BFI/Sight & Sound poll on the best films of all-time. Hong’s 10 picks range from classics such as L’Atalante, The Green Ray, A Man Escaped, and Ordet to lesser-known works from Jean Renoir and Luis Buñuel.
- 11/13/2017
- by Jordan Raup
- The Film Stage
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