Finally, the Daily Dead “Class Of” series has reached my beloved birth year, 1981. For the genre, 1981 signifies an important moment in the history of horror. With the introduction of two slasher icons, Michael Myers in 1978 and Jason Voorhees in 1980; the beginning of the sequel boom that would dominate the rest of the decade was born in 1981 with Halloween 2 and Friday the 13th Part 2. These two sequels are merely the introduction to the rise of slasher cinema for the 80s, with 1981 providing a variety of examples like The Burning, Graduation Day, The Prowler, Funhouse, Happy Birthday to Me, Final Exam, Night School, Student Bodies, and My Bloody Valentine.
1981 also proved the best year in the history of horror for werewolf movies. The iconic American Werewolf in London set the gold standard in practical transformation effects. The Howling is a demonstration of how horror and humor can coexist perfectly. Wolfen...
1981 also proved the best year in the history of horror for werewolf movies. The iconic American Werewolf in London set the gold standard in practical transformation effects. The Howling is a demonstration of how horror and humor can coexist perfectly. Wolfen...
- 8/16/2021
- by Monte Yazzie
- DailyDead
On top of a mesmerising plot, perfect casting and the greatest comic duo in British cinema, this comedy thriller derives special urgency from the troubled times in which it was made
Hitchcock and railways go together like a locomotive and tender. He loved them, they figure significantly in his work and never more so than in The Lady Vanishes. Much of what happens could only take place on a railway line – passengers delayed together by an avalanche; classes compartmentalised; strangers trapped together as they're transported across a continent; an engine driver killed in crossfire; a carriage disconnected and shunted on to a branch line; an intrepid hero struggling from one carriage to another outside a fast-moving train as other locomotives rush by; clues in the form of a name traced in the steam on a window, and the label on a tea packet briefly adhering to another window; and above...
Hitchcock and railways go together like a locomotive and tender. He loved them, they figure significantly in his work and never more so than in The Lady Vanishes. Much of what happens could only take place on a railway line – passengers delayed together by an avalanche; classes compartmentalised; strangers trapped together as they're transported across a continent; an engine driver killed in crossfire; a carriage disconnected and shunted on to a branch line; an intrepid hero struggling from one carriage to another outside a fast-moving train as other locomotives rush by; clues in the form of a name traced in the steam on a window, and the label on a tea packet briefly adhering to another window; and above...
- 7/24/2012
- by Philip French
- The Guardian - Film News
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