Directed by
Wesley Ruggles |
Writing Credits
Elliot Paul | ... | (screenplay) and |
Sig Herzig | ... | (screenplay) (as Sigfried Herzig) |
Val Guest | ... | (additional dialogue) |
Wesley Ruggles | ... | (original story) |
Cast (in credits order) complete, awaiting verification
Produced by
Philip Brandon | ... | associate producer (as Phil Brandon) |
William Collier Jr. | ... | associate producer (uncredited) |
Wesley Ruggles | ... | production |
Music by
Jimmy Van Heusen | ... | (original score music) |
Camarata | ... | (uncredited) |
Cinematography by
Erwin Hillier | ... | director of photography |
Editing by
Sidney Stone |
Art Direction by
Ernst Fegté |
Costume Design by
Orry-Kelly | ... | (uncredited) |
Makeup Department
Guy Pearce | ... | director of make up |
Patricia Pearce | ... | hair stylist |
Production Management
George Pitcher | ... | production manager |
Wesley Ruggles | ... | production |
Second Unit Director or Assistant Director
Dicky Leeman | ... | assistant director |
John Bremer | ... | second assistant director (uncredited) |
Clive Midwinter | ... | third assistant director (uncredited) |
Art Department
Ernst Fegté | ... | settings in color |
Ward Richards | ... | associate art director |
W. Simpson Robinson | ... | scenic artist (as Simpson Robinson) |
Sound Department
Carlisle Mounteney | ... | sound recordist (as C.L. Mounteney) |
E.K. Webster | ... | sound recordist |
Leo Wilkins | ... | sound recordist |
Buster Ambler | ... | sound camera operator (uncredited) |
Peter Dukelow | ... | assistant boom operator (uncredited) |
Derek Tate | ... | boom operator (uncredited) |
Camera and Electrical Department
Cecil Cooney | ... | camera operator |
Harold Haysom | ... | camera operator |
Eddie Earp | ... | clapper loader (uncredited) |
Costume and Wardrobe Department
Honoria Plesch | ... | wardrobe supervisor |
Eugene Joseff | ... | costume jeweller (uncredited) |
Editorial Department
Natalie Kalmus | ... | color director: Technicolor |
Betty Orgar | ... | assistant editor |
Audrey Bennett | ... | second assistant editor (uncredited) |
Joan Bridge | ... | associate color director (uncredited) |
George Clark | ... | second assistant editor (uncredited) |
Leonard Trumm | ... | second assistant editor (uncredited) |
Music Department
Johnny Burke | ... | lyrics by |
Camarata | ... | musical director (as Salvador Camarata) / orchestrations (as Salvador Camarata) |
Robert Farnon | ... | music arranger: choir, "If Spring Were Only Here to Stay" (uncredited) |
Ted Heath | ... | orchestra contractor (uncredited) |
Script and Continuity Department
Peggy McClafferty | ... | continuity (as Peggie McClafferty) |
Kate Parker | ... | continuity assistant |
Additional Crew
Freddie Carpenter | ... | dance originated by: Ampstead |
William Collier | ... | personal associate to the producer |
Joan Davis | ... | choreography of second "Trafalgar" |
Agnes de Mille | ... | "Daffodil" ballet by (as Agnes De Mille) |
J. Arthur Rank | ... | presenter (as J.Arthur Rank) |
Joan Davis | ... | assistant choreographer (uncredited) |
Agnes de Mille | ... | choreographer (uncredited) |
Adrian D. Worker | ... | production accountant (uncredited) |