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- After a brutal attack, a young nomad named Sira refuses to surrender to her fate without a fight and instead takes a stand against Islamist terror.
- A small village in Burkina Faso. The story focuses on Bila, a ten year old boy who befriends an old woman, Sana. Everybody calls her 'Witch' but Bila himself calls her 'Yaaba' (grandmother). When Bila's cousin Nopoko gets sick it is Sana's medicine who saves her.
- Set in a pre-colonial African past, Tilai is about an illicit love affair and its consequences. Saga returns to his village after an extended absence to discover that his father has taken Nogma, Saga's promised bride, for himself. Still in love with each other, the two begin an affair, although it would be considered incestuous. When the liaison is discovered, Saga's brother, Koudri, pretends to kill Saga for the honor of the family and village. Saga and Nogma flee to another village, but when Nogma's birth mother dies, he returns home. Having brought ruin on the family, Saga is shot by Koudri, who walks off into exile and probable death.
- Centers on 16-year-old Rasmané, who barely seems like a teenager any more. In Burkina Faso, young men look under the earth for gold - and a better future, follow their journey in a 100-metre abyss of small-scale mining.
- On January 2 1899, starting from the French Soudan, a french column under the commandment of the captains Voulet and Chanoine is send against the black Sultan Rabah in what is now the Cameroun. Those captains and their african mercenary troops destroy and kill everything they find on their path. The French autority try to stop them sending orders and a second troop but the captains even kill the emissaries who are reaching them. Sarraounia, queen of the Aznas, have heared about the exactions. Clever in war tactics and in witchcraft, she decides to resist and stop those mad men.
- We find ourselves in an extravagant garden in Ouagadougou. The French Ambassador's wife dreamt about becoming a famous opera singer. Instead, she is now using the singing as a ventilator to survive her seemingly privileged life surrounded by workers. This film raises questions about power structures, class, intersectionality, post colonialism and feminism in a poetic, subtle and seductive way.
- Samba Traore returns to his village flush with funds. Soon enough he manages to charm the beautiful Saratou into marrying him and, along with another friend, builds the first bar their village has ever seen. But his conscience keeps nagging him and the police are on the lookout for the "gas station murderer."
- Four women from different regions develop friendships during a bus journey across West Africa, as they accomplish an everyday journey while facing the universal challenge of being independent women.
- The residents of Sitabaomba, Madagascar, view French as the language of colonization rather than love. When they give directions to zebu oxen in the field, they speak in French; when they share heartfelt stories, they speak in Malagasy.
- This story unclothes the consequences of some decisions we make in life, probably On A Bench By The Lakeside. Based on true events that occurred somehow somewhere in Burkina Faso.
- In the Mossi culture, one of the rites attending the birth of a child and its induction as a new member of the community involves the burial of the placenta. The space in which the placenta is buried is called 'Zan Boko' - a phrase which connotes the religious, cultural and affective relations that bind the child to the land and that embraces the notions of 'rootedness' and 'belonging'. Kaboré tells the story of Tinga, who resists the encroaching urbanization of his native territory. The specific rhythms and vision of the rural community, including its values, social relationship, and individual & collective destinies, are altered when a city is planted on the edge of an ancient native village.
- Oliver runs the lone independent radio station in the futuristic African State of Emergency. An underground activist girl, Wazema, is the only person who dares to speak with him live on the radio every day.
- In pre-colonial times a peddler crossing the savanna discovers a child lying unconscious in the bush. When the boy comes to, he is mute and cannot explain who he is. The peddler leaves him with a family in the nearest village. After a search for his parents, the family adopts him, giving him the name Wend Kuuni (God's Gift) and a loving sister with whom he bonds. Wend Kuuni regains his speech only after witnessing a tragic event that prompts him to reveal his own painful history.
- In an early 19th century African village, Wend Kuuni - a young man, lives with his adopted family after his mother was killed as a witch. When Pughneere - his adopted sister - becomes ill, the villagers suspect Wend Kuuni. In order to save Pughneere's life (and his own) he must set out on a journey to find a healer. His quest brings him in contact with people around him and is a journey of self-discovery.
- La Nuit de la Vérité is situated in an imaginary West African country. After ten years of civil war between the government army of the Nayak, led by 'Le président', and the Bonande rebels led by Colonel Theo, there is some sign of peace negotiations. But not everyone is in favor of peace and one can feel the tension. The night of truth starts with a festive dinner, but the village idiot Tomoto always seems capable of ruining the attempts for peace with violence and provocation.
- -This is a fable about a woman's right to choose her husband: it tells the story of a princess, who has several suitors. She puts them to the test, and finally chooses the one who has demonstrated the finest moral qualities.
- A man returns to Burkina Faso from Italy and offers to train young people in the skills they will need in order to migrate to Europe. But his aim is not what it seems.
- An African student stranded in Paris after losing his government grant discovers a bag of drugs and money while working as a parking garage attendant.
- A storyteller named Djeliba comes to the town of a young boy named Mabo with promises that he will reveal the origin of the boy's ancestry.
- Poverty and misery are rife in Gourga, a village in the Sahel. The inhabitants must choose: stay and await international assistance or leave for more fertile regions in the country.
- Burkinabè Rising, a new documentary from Cultures of Resistance Films, showcases creative nonviolent resistance in Burkina Faso. A small, landlocked country in West Africa, Burkina Faso is home to a vibrant community of artists and engaged citizens, who provide an example of the type of political change that can be achieved when people come together. It is an inspiration, not only to the rest of Africa but also to the rest of the world. Through music, film, ecology, visual art, and architecture, the people featured in this film are carrying on the revolutionary spirit of Thomas Sankara. After assuming the presidency in 1983, Sankara was killed in a 1987 coup d'état led by his friend and close advisor Blaise Compaoré, who subsequently ruled the country as an autocrat for twenty-seven years. In October 2014 a massive popular insurrection led to his removal. Today, the spirit of resistance is mightier than ever in Burkina Faso. In the fall of 2016, director Iara Lee traveled throughout the country to film Burkinabè Rising. Through this journey, she met a remarkable cast of artists, musicians, and activists who are using the country's artistic traditions to propel forward a message of resistance: Joey le Soldat, a rapper, infuses his lyrics with references to the struggles of the impoverished youth in Ouagadougou, the country's capital, as well as those of the farmers who toil in the country outside. Marto, Burkina Faso's most well-known graffiti artist, turns barren city walls into colorful murals decrying injustice. Malika la Slameuse, a women's rights activist, performs slam poetry that offers a feminist perspective on a male-dominated art form. Serge Aimé Coulibaly uses dance as a form of political resistance, with movement borne from a need to speak out and take action. Burkina FasoIn addition to profiling individual artists, Burkinabè Rising documents a festival of recycled art and interviews groups of farmers who are standing up to the incroachment of corporate agriculture. Displaying a panorama of creative resistance, the film shows how the resurgent Burkinabè pursuit of peace and justice manifests itself through cultural expression, permeating every aspect of daily life.
- An African doctor finds a cure to a deadly virus and decides to mass produce the drug at low cost in Africa. However, a pharmaceutical multinational does not want the doctor to succeed and sends an agent to Africa first to buy the drug then to destroy it.
- A king's son takes over when his father dies.
- A plastic bag lands in the courtyard of Assitan, a young mother. A plastic bag is very useful, especially for daily shopping but she loses the bag. This bag, like thousands of others will circulate from hand to hand and travel with people.
- In the first half of the 1990s, Drissa Touré was an auteur fast on the rise, with his first fiction feature, Laada (1991), celebrating its world premiere in a Cannes sidebar, from whence it went around the world, Rotterdam included. Touré's next narrative project, Haramuya (1995), was again welcomed warmly and seen widely. But what happened then? How could an obviously gifted filmmaker from one of world cinema's true hubs, Burkina Faso, not find the means to continue? How did Touré end up riding a motorcycle, doing deliveries and errands? The fact that only a few years after Haramuya's release, Atria, the organisation where Touré deepened his technical knowledge of filmmaking, was closed down as the last francs of support were cancelled suggests that Touré's story is also a symptom of something more structural and grim.
- Paris is a myth for millions of Africans who hope one day to come and make their fortune there. The myth is maintained by immigrants, who do not want to "lose face" in their family and in their entourage back home, and admit that the money they were able to send is the one that might have allowed them to do not sleep outside. In this documentary, the Burkinabé director presents the "hell" of the decor and dismantles the myth of this Elderado.
- Moctar lives in Mali with his mother Saffi and his ailing grandfather. One day, Saffi receives a letter from France which overwhelms her with happiness. Ibrahim Sow, her husband and Moctar's father, who has emigrated there, can at last accommodate them. Mother and son say farewell to Grandpa, as he cannot follow them. When they arrive in Lyon, where Ibrahim is waiting for them, something strange happens. Moctar sees a hyena in a street... Of course, nobody believes him...
- A blacksmith falls off his bicycle when he tries to avoid a tortoise which crosses his path. He brings the animal home to his twelve year old son, Rabi, who becomes so fascinated that he forgets his chores at this father's shop. When the angry smith removes the tortoise, Rabi's grandfather, Pusga, helps Rabi find a larger one to consol the boy. Rabi wants to tame the animal and this new obsession leads him to defy parental authority. Pusga gently opens the boy's eyes to the visible and invisible ways of nature. Rabi starts to understand liberty, responsibility and respect for life. In turn he awakens long buried sentiments in the grandfather.
- A father and daughter take an impromptu road trip in Ouagadougou.