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- Actor
- Soundtrack
Jovial, somewhat flamboyant Frank Morgan (born Francis Wuppermann) will forever be remembered as the title character in The Wizard of Oz (1939), but he was a veteran and respected actor long before he played that part, and turned in outstanding performances both before and after that film. One of 11 children of a wealthy manufacturer, Morgan followed his older brother, Ralph Morgan (born Raphael Wuppermann) into the acting profession, making his Broadway debut in 1914 and his film debut two years later. Morgan specialized in playing courtly, sometimes eccentric or befuddled but ultimately sympathetic characters, such as the alcoholic telegraph operator in The Human Comedy (1943) or the shop owner in The Shop Around the Corner (1940). He was nominated for an Academy Award for Best Actor for The Affairs of Cellini (1934). Frank Morgan died at age 59 of a heart attack on September 18, 1949 in Beverly Hills, California.- Actor
- Director
- Writer
In 1902, 16-year-old Wallace Beery joined the Ringling Brothers Circus as an assistant to the elephant trainer. He left two years later after a leopard clawed his arm. Beery next went to New York, where he found work in musical variety shows. He became a leading man in musicals and appeared on Broadway and in traveling stock companies. In 1913 he headed for Hollywood, where he would get his start as the hulking Swedish maid in the Sweedie comedy series for Essanay. In 1915 he would work with young ingénue Gloria Swanson in Sweedie Goes to College (1915). A year later they would marry and be wildly unhappy together. The marriage dissolved when Beery could not control his drinking and Gloria got tired of his abuse. Beery finished with the Sweedie series and worked as the heavy in a number of films. Starting with Patria (1917), he would play the beastly Hun in a number of films. In the 1920s he would be seen in a number of adventures, including The Four Horsemen of the Apocalypse (1921), Robin Hood (1922), The Sea Hawk (1924) and The Pony Express (1925). He would also play the part of Poole in So Big (1924), which was based on the best-selling book of the same name by Edna Ferber. Paramount began to move Beery back into comedies with Behind the Front (1926). When sound came, Beery was one of the victims of the wholesale studio purge. He had a voice that would record well, but his speech was slow and his tone was a deep, folksy, down home-type. While not the handsome hero image, MGM executive Irving Thalberg saw something in Beery and hired him for the studio. Thalberg cast Beery in The Big House (1930), which was a big hit and got Beery an Academy Award nomination. However, Beery would become almost a household word with the release of the sentimental Min and Bill (1930), which would be one of 1930's top money makers. The next year Beery would win the Oscar for Best Actor in The Champ (1931). He would be forever remembered as Long John Silver in Treasure Island (1934) (who says never work with kids?). Beery became one of the top ten stars in Hollywood, as he was cast as the tough, dim-witted, easy-going type (which, in real life, he was anything but). In Flesh (1932) he would be the dim-witted wrestler who did not figure that his wife was unfaithful. In Dinner at Eight (1933) he played a businessman trying to get into society while having trouble with his wife, link=nm0001318]. After Marie Dressler died in 1934, he would not find another partner in the same vein as his early talkies until he teamed with Marjorie Main in the 1940s. He would appear opposite her in such films as Wyoming (1940) and Barnacle Bill (1941). By that time his career was slowing as he was getting up in age. He continued to work, appearing in only one or two pictures a year, until he died from a heart attack in 1949.- Actress
- Soundtrack
Geneva Doris Mitchell was born on February 3, 1908 in Medarysville, Indiana. Her father died in 1909 and her mother Verna Mitchell became a Ziegfeld Follies showgirl. When she was fourteen Geneva was hired to be in the Follies too. Florenz Ziegfeld said she was "the find" of the season. Her nickname was "The Pogo Girl". She also appeared in the show Sally and was chosen to be Marilyn Miller's understudy. Geneva eloped with Robert Savage, a millionaire's son, in March of 1922. They split up just five days later because she was too young. She made headlines again in May when she was fired from the Ziegfeld Follies. Florenz Ziegfeld got mad when she attended a wild party in her pajamas. After a ten day courtship she married Jack Hayes, a publicity agent, on September 22, 1923. The blue-eyed brunette starred on Broadway in the musicals Yours Truly and Take the Air. In 1929 she was offered a contract at Warner Brothers and made her film debut in the comedy Adam's Eve. She had small roles in Safety In Numbers and Her Wedding Night with Clara Bow.
Geneva divorced her husband and fell in love with director Lowell Sherman. The couple announced their engagement but they kept postponing the wedding. Lowell directed her in the 1933 drama Morning Glory. The following year she was signed by Columbia. Geneva costarred with the Three Stooges in several films including Restless Nights and Pop Goes The Weasel. She was heartbroken when Lowell, her longtime fiance, died suddenly in December of 1934. A few months later she married financier Harry J. Bryant. Sadly this marriage also ended in divorce. By the late 1930s her career had stalled and she was suffering from severe alcoholism. Her final film was the 1946 short Andy Plays Hookey. She stopped acting and got a job as a bookkeeper. Geneva married Daniel Sylvester Tuttle in February of 1948. Tragically on March 10, 1949 she died on from acute pancreatitis and cirrhosis of the liver caused by her alcoholism. She was only forty-one years old. Geneva was cremated and her ashes were buried at the Chapel Of The Pines Crematory in Los Angeles, California.- Director
- Cinematographer
- Producer
Victor Fleming entered the film business as a stuntman in 1910, mainly doing stunt driving - which came easy to him, as he had been a mechanic and professional race-car driver. He became interested in working on the other side of the camera, and eventually got a job as a cameraman on many of the films of Douglas Fairbanks. He soon began directing, and his first big hit was The Virginian (1929). It was the movie that turned Gary Cooper into a star (a fact Cooper never forgot; he and Fleming remained friends for life). Fleming's star continued to rise during the '30s, and he was responsible for many of the films that would eventually be considered classics, such as Red Dust (1932), Bombshell (1933), Treasure Island (1934), and the two films that were the high marks of his career: Gone with the Wind (1939) and The Wizard of Oz (1939). Ironically Fleming was brought in on both pictures to replace other directors and smooth out the troubled productions, a feat he accomplished masterfully. His career took somewhat of a downturn in the '40s, and most of his films, with the exception of Dr. Jekyll and Mr. Hyde (1941), weren't particularly successful. He ended his career with the troubled production Joan of Arc (1948), which turned out to be a major critical and financial failure.- Actress
- Soundtrack
The daughter of a lawyer, Ouspenskaya studied singing at the Warsaw Conservatory and acting at Adasheff's School of the Drama in Moscow. She received her practical training as an actress touring in the Russian provinces. She later joined the Moscow Art Theatre. It was here that she first worked under the direction of the great Konstantin Stanislavski, whose "Method" she would go on to promote for the remainder of her life. She came to America with the Art Theatre in 1922 and, upon their return to Moscow, defected to the US to become a dominant Broadway actress for more than a decade until she founded the School of Dramatic Art in New York in 1929. It was to help keep the school funded that she accepted her first Hollywod film, Dodsworth (1936). She had appeared in six silent movies in Russia earlier in her career. This lucrative association, for Ouspenskaya, Hollywood and the viewing public, would last for more than a dozen years and two dozen films. Thanks to her often-superior demeanor and addiction to astrology, she could prove maddening on the set. She remained in nearly daily communication with L.A. Times' astrologer Carroll Righter who would advise her on the best times to appear on camera along with when and where to travel. As a consequence, most casts and crews disliked the over-bearing, wispy 90-pound actress intensely. She bounced between prestigious A-pictures (Love Affair (1939), Waterloo Bridge (1940)) and B-movies (Mystery of Marie Roget (1942), Tarzan and the Amazons (1945)), performing, and behaving, with equal intensity. She is especially notable for having appeared in the last great Universal horror entry, The Wolf Man (1941) and the interesting Frankenstein Meets the Wolf Man (1943). A heavy smoker, she fell asleep in bed with a lit cigarette in late November 1949 and suffered massive burns. She died of a stroke in the Motion Picture & Television Country House and Hospital three days later.- Charles Brown Middleton was born 7th October 1879. His father was a military man with a strong sense of discipline which conflicted with Charles' own outlook on how to live his life so when 12 he ran away to join a circus and looked after the elephants before moving into performing in dramatic vignettes between traditional acts. At 18 he'd formed his own stock company which toured the South performing Shakespeare and self penned melodramas. He worked his way onto the Vaudeville circuit earning a reputation as a good actor which is how he met Stan Laurel. He appeared in some silent films in the 20's but his career took off with sound as stage actors were in demand due to their experience of vocal performance. He had a very distinctive voice which marked him out from the competition.He appeared with 3 great film comedy teams - Laurel and Hardy, The Marx Brothers and the Three Stooges. He was often cast as a 'Heavy' and appeared in a lot of serials - Di ck Tracy, Batman, and Black Raven but is probably best remembered as Ming the Merciless in 3 Flash Gordon serials of the 30's. He was never under contract which allowed him to choose his own roles but a succession of unwise career choices led to less work in his later years so for every good role there were some bad ones. In his final years he took to the stage touring theatres showing clips from his films and talking about his work. On 19th April 1949 he was admitted to hospital and had an operation for gangrene on his right foot and died on the 22nd with cause of death being given as arteriosclerotic heart disease which he'd been suffering from for 20 years.
- Actor
- Director
- Soundtrack
Character fame on film came quite late for long-time stage actor Harry Davenport at age 70, but he made up for lost time in very quick fashion with well over a hundred film roles registered from the advent of sound to the time of his death in 1949. Beloved for his twinkle-eyed avuncular and/or grandfatherly types in both comedy and drama, Davenport also represented a commanding yet comforting wisdom in his more authoritative roles as judge, doctor, minister, senator, etc.
The scion of an acting dynasty, he was born Harold George Bryant Davenport on January 19, 1866, in New York City to actors Edward Loomis Davenport (1815-1877) and Fanny (Elizabeth) Vining (1829-1891). One of nine children, two of his siblings died young while the seven surviving children went on to share their parents' love of the arts, including actress Fanny (1850-1898) and opera singer Lillie Davenport (1851-1927). Harry took his first stage bow in an 1871 production of "Damon and Pythias" in Philadelphia, and by his teen years was playing Shakespeare in stock companies.
Re-settling in New York, Harry began assertively building up his theater credits. In 1893, at age 27, he married actress Alice Shepard (aka Alice Davenport). Their brief marriage of three years produced daughter Dorothy Davenport, who would continue the acting dynasty into a new generation. She earned further recognition as the wife of tragic silent screen star Wallace Reid. Shortly after his divorce from Alice was final in early 1896, Harry married musical comedy star Phyllis Rankin (1875-1934). Their children Kate Davenport, Edward Davenport and Fanny Davenport became actors as well.
Making his Broadway debut with the musical comedy "The Voyage of Suzette" in 1894, Harry continued in the musical vein with Broadway productions of "The Belle of New York" (1897) (with wife Phyllis) (1895), "In Gay Paree" (1899) and "The Rounders" (1899) (again with Phyllis). The new century ushered in more musicals with "The Girl from Up There" (1901), "The Defender" (1901), "The Girl from Kay's" (1903), "It Happened in Nordland" (1904), "My Best Girl" (1912), "Sari" (1914) and "The Dancing Duchess" (1914). On the legit side he played expertly in "A Country Mouse" (opposite Ethel Barrymore), and in "The Next of Kin" (1909) and "Children of Destiny" (1910).
Co-founding the Actor's Equity Association along with vaudeville legend Eddie Foy as a means to confront the deplorable exploitation of actors, Harry was held in high regard as the acting community subsequently came together and executed strikes to protect and guarantee their rights. This dire situation also prompted Harry to seek work elsewhere -- in films. He joined up with Vitragraph in 1914 and made his silent screen debut with the film Too Many Husbands (1914). In the next year he starred in and directed a series of "Jarr Family" shorts, and made his last silent feature with an unbilled part in Among Those Present (1921) before refocusing completely on his first love -- the stage.
He and his actress/wife Phyllis joined forces once again with the Broadway hit comedies "Lightnin'" and "Three Wise Fools", both in 1918. Throughout the 1920s decade he continued to find employment on the stage with "Thank You," Cock O' the Roost, "Hay Fever" and "Julius Caesar". The untimely death of wife Phyllis in 1934 prompted Harry to abandon his stage pursuits and travel to California, at age 69, to again check out the film industry. It proved to be a very smart move.
Harry graced a number of Oscar-caliber films during his character reign: The Life of Emile Zola (1937), You Can't Take It with You (1938), The Hunchback of Notre Dame (1939), Gone with the Wind (1939), All This, and Heaven Too (1940), Foreign Correspondent (1940), One Foot in Heaven (1941), Kings Row (1942) and The Ox-Bow Incident (1942). Several of his films also featured family or extended family members. His brother-in-law Lionel Barrymore appeared in a number of Harry's films and Gone with the Wind (1939) also had a son and grandson in the cast.
Harry maintained his film career right up until his death at age 83 of a heart attack on August 9, 1949, and was buried back in New York (Valhalla).- Actress
Jean was born in Seattle, Washington, in 1923. She graduated from Franklin High School in Los Angeles in 1941. Soon, Jean was working as a model for a local clothing firm. Later, she was a dancer with the Earl Carroll Theatre. Jean got married to Dexter Benner, and they had a daughter, Christine, in 1944. Two years later, in 1946, she had a bitter court battle with her ex-husband regarding the custody of their young daughter. In 1948, ruling a daughter's place is with her mother, a judge awarded full custody to Jean. Sultry and statuesque, Jean, a divorced mother and nightclub dancer, struggled to make it as an actress; she was a bit player and uncredited extra in movies and early television. In 1949, she met Kirk Douglas on the set of Young Man with a Horn (1950), which was released February 9, 1950. On October 7, 1949, when she was 3 months pregnant, she disappeared. A note was found in her purse that read: "Kirk, Can't wait any longer. Going to see Dr. Scott. It will work best this way while mother is away." All the police found was her purse and this cryptic note -- Jean had vanished without a trace. Her disappearance is still an unsolved mystery.- Actor
- Soundtrack
With his lanky frame, big nose, toothbrush moustache and horn-rimmed glasses he looked like someone had decided to cross Groucho Marx with Albert Einstein. The perennial scene-stealer Felix Bressart had two distinct careers as a comic actor: an earlier one, on stage and screen in his native Germany, and a later -- even more prosperous one -- in Hollywood. Trained under Maria Moissi in Berlin, Felix began acting professionally after World War I. He honed his skills in the genres of political parody, musical comedy and slapstick farce in the theatres of Hamburg, Berlin and Vienna (with Max Reinhardt). By 1933, he had established his film acting credentials in popular mainstream movies like Three from the Filling Station (1930) and Die Privatsekretärin (1931). Like so many other distinguished actors he was forced to leave the German realm after the Nazis took power in 1933. Felix moved via Switzerland and France to a new domicile in the United States where his connections to fellow émigrés like Joe Pasternak and Ernst Lubitsch guaranteed him rapid and steady employment.
In Hollywood, Felix joined the regular company of stock players at MGM. He was immediately typecast, his stock-in-trade being disheveled academics, wistful European philosophers, scientists and music professors of diverse ethnicity. His first major screen success was as one of the Russian commissars in Lubitsch's Ninotchka (1939), a delightful performance which spawned as similar part being created for him in Comrade X (1940). The role which ultimately defined his career, in equal parts comedy and pathos, was in the classic wartime satire To Be or Not to Be (1942), as Greenberg, a Jewish member of an acting troupe with Carole Lombard and Jack Benny. It seemed, that Felix was still underemployed in films, since he managed to practise as a doctor of medicine on the side. Sadly, he died of leukemia in 1949 at the untimely age of 57.- Kiki Palmer was born on 11 July 1907 in Milan, Lombardy, Italy. She was an actress, known for The Wedding March (1936) and La luce del mondo (1935). She died on 11 August 1949 in Rome, Lazio, Italy.
- Director
- Producer
- Actor
Following a two-year apprenticeship under Cecil B. DeMille as assistant director, Samuel Grosvenor Wood had the good fortune to have assigned to him two of the biggest stars at Paramount during their heyday: Wallace Reid (between 1919 and 1920) and Gloria Swanson (from 1921 to 1923). By the time his seven-year contract with Paramount expired, the former real estate dealer had established himself as one of Hollywood's most reliable (if not individualistic) feature directors. Not bad for a former real estate broker and small-time theatrical thesp. In 1927, Wood joined MGM and remained under contract there until 1939. During this tenure he was very much in sync with the studio's prevalent style of production, reliably turning out between two and three films a year (of which the majority were routine subjects).
Most of his films in the 1920s were standard fare and it was not until he directed two gems with The Marx Brothers, A Night at the Opera (1935) and A Day at the Races (1937) that his career picked up again. Looking at the finished product it is difficult to reconcile this to Groucho Marx finding Wood "rigid and humorless". Maybe, this assessment was due to Wood being vociferously right-wing in his personal views which would not have sat well with the famous comedian. His testimonies in 1947 before the House Un-American Activities Committee certainly gained Wood more enemies than friends within the industry.
Regardless of his personality or his habitually having to shoot each scene twenty times over, Wood turned out some very powerful dramatic films during the last ten years of his life, beginning with Goodbye, Mr. Chips (1939). This popular melodrama earned him his first Academy Award nomination. At RKO, he coaxed an Oscar-winning performance out of Ginger Rogers (and was again nominated himself) for Kitty Foyle (1940). Ronald Reagan gave, arguably, his best performance in Kings Row (1942) under Wood's direction. His most expensive (and longest, at 170 minutes) assignment took him back to Paramount. This was Ernest Hemingway's Spanish Civil War drama For Whom the Bell Tolls (1943), bought for $150,000 (De Mille was originally slated as director). In spite of editorial incongruities and the relatively uneven pace, the picture turned out to be the biggest (and last) hit of Wood's career.
Sam Wood died of a heart attack on September 22 1949. He has a star on the Walk of Fame on Hollywood Boulevard.- Fritz Leiber was born on 31 January 1882 in Chicago, Illinois, USA. He was an actor, known for Bagdad (1949), Monsieur Verdoux (1947) and Anthony Adverse (1936). He was married to Virginia Bronson. He died on 14 October 1949 in Pacific Palisades, California, USA.
- Actor
- Writer
- Director
William Thompson Hay was probably one of the most versatile of entertainers. He was not only a character comedian of the first rank, but was also an astronomer of high repute - he discovered the spot on the planet Saturn in 1933 - and a fully qualified air pilot; he was once an engineer. Born in Stockton-on-Tees, County Durham in 1888, he became interested in astronomy at school and carried on his research work in this direction after he had finished his nightly stage entertainments. He was first "on the air" in 1922 and his then comedy sketches of "St. Michaels School" (of which he was the headmaster) proved to be one of the most popular comedy characters on radio at that time. This character was transferred to film and became equally successful. He worked at Elstree Studios, then Gainsborough, then Ealing; the Gainsborough period was the most consistently successfully, particularly when he worked with the team of Marcel Varnel (director), Val Guest and Marriott Edgar (writers), and Moore Marriott and Graham Moffatt (supporting cast). By the time he made his first film, he was in his mid forties and his last role came less than a decade later. Between 1934 and 1943, he was a prolific and popular film comedian. He was credited on several films as a writer or co-ordinator, and was arguably the dominant 'author' of all the films in which he appeared, in that they were built around his persona and depended on the character and routines he had developed over years on the stage.- Actor
- Producer
- Soundtrack
Richard Dix was a major leading man at RKO Radio Pictures from 1929 through 1943. He was born Ernest Carlton Brimmer July 18, 1893, in St. Paul, Minnesota. There he was educated, and at the desires of his father, studied to be a surgeon. His obvious acting talent in his school dramatic club led him to leading roles in most of the school plays. At 6' 0" and 180 pounds, Dix excelled in sports, especially football and baseball. These skills would serve him well in the vigorous film roles he would go on to play. After a year at the University of Minnesota he took a position at a bank, spending his evenings training for the stage. His professional start was with a local stock company, and this led to similar work in New York. He then went to Los Angeles, became leading man for the Morosco Stock Company and his success there got him a contract with Paramount Pictures. His rugged good looks and dark features made him a popular player in westerns. His athletic ability led to his starring role in Paramount's Warming Up (1928), a baseball story and also the studio's first feature with synchronized score and sound effects. His deep voice and commanding presence were perfectly suited for the talkies, and he was signed by RKO Radio Pictures in 1929, scoring an early triumph in the all-talking mystery drama, Seven Keys to Baldpate (1929). In 1931 he was nominated for a Best Actor Oscar for his masterful performance in Cimarron (1931), winner of the Best Picture Oscar that year. Throughout the 1930s Dix would be a big box-office draw at RKO, appearing in mystery thrillers, potboilers, westerns and programmers. He appeared in the "Whistler" series of mystery films at Columbia in the mid-40s. He retired from films in 1947. He first married Winifred Coe on October 20, 1931, had a daughter, Martha Mary Ellen, then divorced in 1933. He then married Virginia Webster on June 29, 1934. They had twin boys, Richard Jr. and Robert Dix and an adopted daughter, Sara Sue. Richard Dix the actor, died at age 56 on September 20, 1949.- Writer
- Director
- Actress
Jaddanbai was born in 1892 in Allahabad, North-Western Provinces, British India. She was a writer and director, known for Madam Fashion (1936), Hriday Manthan (1936) and Moti Ka Haar (1937). She died on 8 April 1949.- Actor
- Additional Crew
- Soundtrack
Craig Reynolds was born on 15 July 1907 in Anaheim, California, USA. He was an actor, known for Perils of Pauline (1933), Back in Circulation (1937) and Love Birds (1934). He was married to Barbara Pepper. He died on 22 October 1949 in Los Angeles, California, USA.- Actor
- Additional Crew
- Soundtrack
Bill Robinson quit school at age seven and began work as a professional dancer the following year. Bojangles (the name referred to his happy-go-lucky ebullience) starred in vaudeville, musical stage and movies. He invented the stair tap routine and was considered one of the world's greatest tap dancers. His film debut was in Dixiana (1930). He worked in fifteen movies, but his movie fame came primarily from the films he made with Shirley Temple -- The Little Colonel (1935), The Littlest Rebel (1935), and Rebecca of Sunnybrook Farm (1938). In 1989 the US Congress named his birth date as National Tap Dancing Day.- Oscar Polk was born on 25 December 1899 in Marianna, Arkansas, USA. He was an actor, known for Gone with the Wind (1939), The Green Pastures (1936) and Reap the Wild Wind (1942). He was married to Ivy V. Polk. He died on 4 January 1949 in New York City, New York, USA.
- Music Department
- Writer
- Composer
Richard Strauss was a German composer best known for symphonic poem 'Also sprach Zarathustra' (Thus Spoke Zarathustra, 1896) used as the music score in 2001: A Space Odyssey (1968) by director Stanley Kubrick.
He was born Richard Georg Strauss on June 11, 1864, in Munich, Bavaria (now Germany). His father, named Franz Strauss, was the principal horn player at the Royal Opera in Munich. Young Strauss was taught music by his father. He wrote his first composition at the age of 6. From the age of 10 he studied music theory and orchestration with an assistant conductor of the Munich Court Orchestra. He was also attending orchestral rehearsals. In 1874 Strauss heard operas by Richard Wagner, but his father did not share his son's interest and forbade him to study Wagner's music until the age of 16.
Strauss studied philosophy and art history at Munich University, then at Berlin University. In 1885 he replaced Hans von Bulow as the principal conductor of the Munich Orchestra. Strauss emerged from under his father's influence when he met Alexander Ritter, a composer, and the husband of one of the nieces of Richard Wagner. He abandoned his father's conservative style and began writing symphonic tone poems. In 1894, Strauss married soprano singer Pauline Maria de Ahna. She was famous for being dominant and ill-tempered, but she was also a source of inspiration to Strauss, resulting in the preferred use of the soprano voice in his compositions.
The image of Richard Strauss and his music was abused by the Nazi propaganda machine, to a point of damaging the composer's posthumous reputation. Richard Strauss was trapped in Nazi Germany just as the Russian intellectuals were under Stalin in the Soviet regime. Strauss' name and music was used by the Propaganda Minister Joseph Goebbels, who appointed Strauss, without his consent, to the State Music Bureau, as a mask on the ugly regime. Strauss was commissioned to write the Olympic Hymn for the 1936 Olympics in Berlin. His cautious apolitical position was the only way to survive and to protect his daughter-in-law Alice, who was Jewish.
In 1935 Strauss was fired from his job at the State Music Bureau. He refused to remove from the playbill the name of his friend and opera librettist, the writer Stefan Zweig, who was Jewish. Later Gestapo intercepted a letter from Strauss to Zweig, where Strauss condemned the Nazis. Strauss' daughter-in-law Alice was placed under the house arrest in 1938. In 1942 Strauss managed to move his Jewish relatives to Vienna. There Alice and Strauss's son were later again arrested and imprisoned for two nights. Only Strauss' personal effort saved them. They were returned under house arrest until the end of the Second World War.
Richard Strauss died on September 8, 1949, in Garmish-Partenkirchen, Germany at the age of 85. Strauss' symphonic poem 'Also sprach Zarathustra' (Thus Spoke Zarathustra, 1896) was recorded under the baton of Herbert von Karajan and was used as the music score in '2001: A Space Odyssey' by director Stanley Kubrik, as well as in many other films.- Don Stannard was born in 1916 in Westcliffe-on-Sea, Essex, England, UK. He was an actor, known for Dick Barton, Detective (1948), Dick Barton at Bay (1950) and Dick Barton Strikes Back (1949). He died on 9 July 1949 in Cookham Dean, Berkshire, England, UK.
- Roman Bohnen, known as "Bud" to his family and friends was not only an excellent film actor but also a stage actor of note. As a member of the prestigious Group Theatre from 1934-40, he appeared in such classic productions as "Waiting for Lefty", "Golden Boy", "Awake and Sing" and "The Gentle People". He left for Hollywood in the late '30s to pursue a film career mainly as an effort to earn money for his family and ailing wife, Hilda.
In film, he is perhaps best known for his performances as Candy in Of Mice and Men (1939) with Burgess Meredith and Lon Chaney Jr., as Francois Soubirous in The Song of Bernadette (1943), and as Pat Derry in William Wyler's classic The Best Years of Our Lives (1946). The latter role although a small one is beautifully played. It is a rare opportunity to see a full life artfully created in a few short scenes. Take a look in particular at the scene where "Bud" reads the citations awarded to his son, Fred Derry (ably played by Dana Andrews). It is rich with the feeling and pride of a father, helpless to provide for his son (with beautiful support by the great Gladys George as Hortense).
Roman was also an integral member of "The Actor's Laboratory Theatre" in Hollywood. He was stricken with a heart attack while performing on stage for the Lab Theatre and died shortly after at age 47. A rare talent, an underrated actor who left us too soon. - Actor
- Writer
Largely forgotten today, comic actor Moore Marriott reigned supreme for a time in the 1930s alongside Will Hay and Graham Moffatt in British film farce. The trio came about by happenstance, but it was their audiences who insisted they reappear together again and again.
Born in 1885, Marriott started off on the stage as a youngster with his theatrical family. The dark, curly-haired natural made his debut on film as an infant and reportedly made a number of silent films for the Hepworth Company, but credits are sketchy. By the 1920s he had churned out a number of pictures including By the Shortest of Heads (1915), The Monkey's Paw (1923) and The Gold Cure (1925), sometimes in a lead. By the advent of sound, however, he found his niche playing countrified character folk. He played much, much older than he really was (by at least 20-30 years), and audiences took to his doddering old fool act, and he essayed a host of assorted toothless, muttering coots. Marriott was unbilled in his first Hay comedy, Dandy Dick (1935), but received billing in his next film with Hay, Windbag the Sailor (1936), in which they were joined by the impish, heavyset foil Moffatt. With Marriott playing his famous bald geezer Jeremiah Harbottle, the popular trio continued to put out such wacky, nonsensical films as Oh, Mr. Porter! (1937), often deemed the best of the lot, and Convict 99 (1938). Eventually Hay severed the union, preferring to be thought of as a solo star. Marriott supported other comedians in the ensuing years, including Arthur Askey, but he never matched his earlier success. He died at age 64 without ever harvesting a strong core audience as a solo artist.- Actor
- Director
- Writer
Howard Hickman was born on 9 February 1880 in Columbia, Missouri, USA. He was an actor and director, known for Gone with the Wind (1939), Kitty Kelly, M.D. (1919) and Nobody's Kid (1921). He was married to Bessie Barriscale. He died on 31 December 1949 in San Anselmo, California, USA.- Composer
- Music Department
- Writer
Of Scottish and German ancestry, Herbert Stothart was born in Milwaukee, Wisconsin, in 1885. At first, he was slated for a career as a teacher of history. However, he became enamored with music while singing in a school choir, and again, later, while attending the University of Wisconsin. There, he composed and conducted musicals for the Haresfoot Dramatic Club (the actor Otis Skinner was a noted alumnus). The success of one of these amateur productions, "Manicure Shop", which was staged professionally in Chicago, led to further musical studies in Europe, followed by full-time work as a composer for vaudeville and musical theatre.
In 1914, Stothart was hired by legendary lyricist Oscar Hammerstein II as musical director for the Rudolf Friml operetta "High Jinks". After three years on the road with various shows, Stothart scored his first Broadway musical, the farce "Furs and Frills", in October 1917. During the next decade, he continued a string of successful collaborations with top-flight composers, lyricists and playwrights, including Otto A. Harbach and Vincent Youmans. After 1922, Stothart's own original compositions began to be featured, and, within two years, he was able to celebrate his first major hit with the musical "Rose-Marie". "Rose-Marie" was written in conjunction with Rudolf Friml and ran for an impressive 557 performances at the Imperial Theatre. Stothart followed this success with the opera/ballet "Song of the Flame", co-written with George Gershwin. In 1929, the success of 'talking pictures', combined with the popularity of musicals, prompted studio boss Louis B. Mayer to lure Stothart to Hollywood.
Within just a few years, Stothart established himself as MGM's foremost film composer, working exclusively on the studio's prestige output. Many of his scores were for productions derived from literary classics, such as Mutiny on the Bounty (1935), The Good Earth (1937) and Pride and Prejudice (1940). Stothart's preferred musical style was subtle and melodic, sometimes mournful, often prominently featuring violins. He was prone to use leitmotifs from classical composers, for example in A Tale of Two Cities (1935) and The Picture of Dorian Gray (1945) (Chopin), or Conquest (1937) and Waterloo Bridge (1940) (Tchaikovsky). In his dual capacity as musical director, Stothart also supervised or orchestrated almost all of the popular Nelson Eddy-Jeanette MacDonald operettas. He composed a number of songs, one of the best-known being the 'Donkey Serenade', sung by Allan Jones in The Firefly (1937). Most importantly, perhaps, he became the first composer at MGM to win an Academy Award for a musical score for The Wizard of Oz (1939).
Herbert Stothart spent his entire Hollywood career at MGM. In 1947, he suffered a heart attack while visiting Scotland, and, afterwards, composed an orchestral piece ('Heart Attack: A Symphonic Poem'), based on his tribulations. He worked on another ('The Voice of Liberation'), when he died two years later at the age of 63 from cancer of the spine. He is an inductee in the Songwriters Hall of Fame.- Writer
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Margaret Mitchell was an American historical novelist and a journalist. She published only one completed novel in her lifetime, "Gone with the Wind" (1936), which covered a woman's struggle for survival through the American Civil War and the Reconstruction Era. The novel won the Pulitzer Prize for Fiction in 1937, and it was the top American fiction bestseller in 1936 and 1937. Mitchell had completed the romance novella "Lost Laysen" in her adolescence, but it was only published posthumously in 1996. A collection of Mitchell's newspaper articles was published under the title ""Margaret Mitchell: Reporter" (2000). Several of her writings from her early life have been published under the title "Before Scarlett: Girlhood Writings of Margaret Mitchell." (2000).
In 1900, Mitchell was born in Atlanta, Georgia. Her father was Eugene Mitchell (1866-1944), a prominent lawyer, politician, and historian. He served a term as the President of the Atlanta Board of Education (1911-1912), and co-founded the Atlanta Historical Society. Mitchell's mother was Maybelle Stephens Mitchell (1872-1919), a prominent suffragist leader, and a co-founder of both the League of Women Voters in Georgia and the Catholic Layman's Association of Georgia. Mitchell's paternal ancestors were Scottish-Americans, and her maternal ancestors were Irish-Americans.
During her early childhood, Mitchell lived with her family at a Jackson Street mansion, east of downtown Atlanta. The mansion was owned by Miitchell's maternal grandmother, Annie Stephens (d. 1934) , who lived with them. Stephens was reportedly a tyrant to her family, and had a somewhat adversarial relationship with her granddaughter. But Mitchell went on to interview her for "eye-witness information" about the effects of the Civil War and Reconstruction in Atlanta. Stephen's memories were one of the primary sources for "Gone with the Wind" .
Mitchell's mother had the habit of dressing her daughter in boys' pants, because she thought that they were safer than dresses. Mitchell continued dressing as a boy until she was 14, and her family nicknamed her "Jimmy" (after the comic strip character "Little Jimmy"). Mitchell was a tomboy in her childhood, and her favorite pastime was to ride her Texas plains pony. Aging Confederate soldiers tried to entertain the young girl by narrating to her gritty details of specific battles from the Civil War.
In 1912, the Mitchell family moved to a new residence at the east side of Peachtree Street. The house was located at a short distance from the Chattahoochee River. The family reportedly had concerns about the safety of their Jackson Hill home, due to its proximity to areas affected by the Atlanta Race Riot (1906). The Jackson Hill home was eventually destroyed in the Great Atlanta Fire of 1917.
By the early 1910s , Mitchell was an avid reader. Among her favorite writers were Edith Nesbit and Thomas Dixon. Mitchell started writing fairy tales and adventure stories as a hobby. Among her early works was "The Arrow Brave and the Deer Maiden" (1913), about a mixed-race "Indian" who has to endure pain to win over his love interest. Mitchell's mother kept her daughter's stories in white enamel bread boxes.
In 1914, Mitchell started attending Atlanta's Washington Seminary, a then-fashionable private girls' school. The school had over 300 students. Mitchell joined the school's drama club. She was still a tomboy, and she habitually played the male characters in performances of William Shakespeare's plays. She also joined the school's literary club, and had her stories published in the school's yearbook. Among her first published stories was the revenge-themed "Little Sister", where a little girl shoots her sister's rapist.
In 1918, Mitchell graduated and started preparing for a college education, at the insistence of her mother. Her mother chose which school Mitchell would attend, Smith College in Northampton, Massachusetts. At the time, it was reputedly "the best women's college in the United States". Before her college classes started, Mitchell was engaged to her first serious love interest, the army lieutenant Clifford West Henry. He was send to fight in France in July 1918, and was mortally wounded in October of the same year. Mitchell would continue mourning him for years.
In 1919, Mitchell' mother died from the flu. She was one of the many victims of a flu pandemic that had started in 1918. Mitchell arrived home from college, a day after her mother had died. She found that her mother left a short letter of advise for her, telling her to take care of herself before taking care of other causes.
Later in 1919, Mitchell dropped out of college. She did not excel in any area of academics, and her father expected her to take over the family's household. Mitchell had health problems of her own, and had an appendectomy in the autumn of 1919. Mitchell was feeling increasingly disappointed with her life's direction, as she wrote to a friend. In 1920, Mitchell made her Atlanta society debut. Shortly after, she started dressing as a flapper. In 1921, she shocked the Atlanta high society by performing an Apache dance in a charity ball, and kissing her male partner during the performance. She was consequently blacklisted from the Junior League.
In 1922, Mitchell started dating the bootlegger Berrien ("Red") Kinnard Upshaw (1901-1949). In September 1922. the couple were married against her family's wishes. They both moved in with Mitchell's father. Red was an alcoholic with a violent temper, and Mitchell suffered physical abuse at his hands. They agreed to a period of separation in December 1922, and their divorce was finalized in October 1924. In 1925, Mitchell married her second husband John Robert Marsh (1895-1952). He was Red's former roommate, and another love interest for Mitchell since 1922. Marsh had reportedly secured Mitchell's uncontested divorce, by giving Red a loan. Mitchell and her new husband set their residence at the Crescent Apartments in Atlanta, nicknaming their new home "The Dump". It would later become known as Margaret Mitchell House and Museum.
Between her two marriages, Mitchell had decided that she needed her own source of income. In 1922, she started working as a journalist for "The Atlanta Journal Sunday Magazine". Among her early successes was securing a 1923 interview with the then-popular actor Rudolph Valentino. She continued her journalistic career until May 1926. At the time of her resignation, Mitchell had suffered an ankle injury that would not heal properly. Her mobility problems prevented her from working on assignments.In her four years as a journalist, Mitchell wrote 129 feature articles, 85 news stories, and several book reviews.
Following her resignation from "The Atlanta Journal", Mitchell worked for a few months as a gossip columnist for the "Sunday Magazine". In 1926, Marsh asked his increasingly bored wife why she did not write a book of her own instead of reading thousands of them. By 1928, Mitchell started work on a historical novel of her own. In 1935, her novel was still unfinished. But the book editor Harold Latham of Macmillan read her manuscript and was convinced that it was a potential best-seller. Having secured a publisher, Mitchell spend 6 months in making revisions and checking the novel's historical references. "Gone with the Wind" was published in June 1936.
Her novel turned Mitchell into a literary celebrity, but she had no intention of writing further works. In September 1941, Mitchell christened the light cruiser USS Atlanta (CL-51). During World War II, Mitchell served as a volunteer for the American Red Cross. She raised money for the war effort by selling war bonds. In 1944, she christened the light cruiser USS Atlanta (CL-104).
On August 11, 1949, Mitchell crossed Peachtree Street with her husband. They were on their way to a movie theatre, when Mitchell was struck by a drunk driver. She was hospitalized at Grady Hospital. She died on August 16, without ever regaining consciousness. She was buried at Oakland Cemetery, Georgia. Her husband was buried by her side in 1952. Though Mitchell is long gone, her novel never went out of print. It remains popular into the 21st century. Mitchell was posthumously inducted into the Georgia Writers Hall of Fame in 2000.- Nora Gregor was an operetta diva, stage and film actress. She made her debut in Graz, Austria, and from there went to the Volksbühne an das Raimund-Theater in Vienna. She also worked at the Reinhardt Bühne in Berlin. From 1930 to 1933 she lived in Hollywood and also in Berlin. She made her first silent movie in 1921 and her first talkie in 1930 (Olympia (1930)). In 1937 she worked at the Burgtheater in Vienna and emigrated to Switzerland, France and Chile, where she died in Vina del Mar.
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He acted on the stage from 1907 and worked with D.W. Griffith in various capacities between 1913-22, including appearances in The Birth of a Nation (1915) and Intolerance (1916). He became a director in 1917, with his best-known production probably being the big-budget whaling epic Down to the Sea in Ships (1922), which brought Clara Bow to the attention of audiences. Unfortunately, his career began to wane in the late 1920s; although he occasionally worked for such "major" studios as Columbia or RKO, he spent most of the rest of his career mired in the depths of Poverty Row, writing and/or directing quickie westerns and thrillers for such bottom-of-the-barrel studios as PRC and even lower-budget exploitation pictures for such shoestring producers as J.D. Kendis and the Weiss Brothers.- Producer
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Leon Schlesinger occupies an odd niche in Hollywood history. He was every bit a studio mogul but occupied a narrow, if extremely lucrative corner of the industry, an animation company. He might have shared this corner with Walt Disney but the two men couldn't have been more different in their professional outlook, yet at one time or another each employed many of the same people, shared rabid anti-union attitudes and paid their talented staffs poorly. Unlike Disney, Schlesinger didn't set out to become a producer of animated cartoons, he owned the immodestly-named Leon Schlesinger Productions, which had evolved out of Pacific Art & Title, which was Warner Brothers' title card outfit back in the silent days. The company was not exclusive to Warner's, but Leon developed a particularly close friendship with Jack L. Warner and as legend has it, when the studio was up against the financial ropes, it was Schlesinger who helped finance The Jazz Singer (1927).
In 1929, Leon was approached by two unemployed 25-year old ex-Walt Disney animators, Hugh Harman and Rudolf Ising, who had produced a novel 3-minute talkie cartoon, 'Bosko The Talk-ink Kid,' a plotless exercise made to demonstrate something Disney hadn't accomplished with his talkie-toon Steamboat Willie (1928): Bosko's voice was lip-synchronized. Harman and Ising had shopped the character and technique around town without any bites until they approached Schlesinger, who feared the vast majority of his rapidly dwindling title card business was about to be completely wiped out as studios converted over to sound. Animation was a natural move. On January 28, 1930 Schlesinger signed a contract with Harman and Ising to deliver a single cartoon within 60 days (!) with options for additional cartoons amounting to a year's production based on monthly delivery (!!). Leon then went to work on Jack Warner and landed a distribution deal and exercised his options. This middleman arrangement was to define Leon Schlesinger for the remainder of his career: unlike Disney he was no visionary -- Leon was simply out for money.
At the beginning of his career as a cartoon mogul, he also found time to briefly act as a producer for Warner's B-western unit, devoted to John Wayne low-budget oaters (these films featured plots and canned shots from earlier Ken Maynard films, complete with matching horses and wardrobes). Back on the animation side, with no small amount of conceit, he wanted his name on everything, despite having no creative input. Leon was simply, and often ruthlessly, committed to making the most money based on the artistic genius of others. And to Schlesinger, the obvious way to accomplish this was to keep his overhead costs to an absolute minimum.
Harman and Ising frequently clashed with Schlesinger over production budgets and color production. Leon predictably balked at cutting into his profits for the sake of art. By 1933, the boys had enough of Leon, quit and quickly signed Bosko to a distribution deal with MGM. Leon was left, except for certain copyrights (the names Looney Tunes, and Merrie Melodies, for example) virtually high and dry -- but not without a plan. Schlesinger, free of partners, quickly rallied. He got Warner's to lease him out a suitable space (the claptrap building was nicknamed 'Termite Terrace') and formed his own studio.
At the depth of the Great Depression, talent came cheap and Leon went about poaching select ex-Herman-Ising staff members such as Friz Freleng and Robert Clampett, along with hand-picked former Disney personnel, arguably the most important early key member of the team was Earl Duvall. Duvall created the first identifiable character of Schlesinger's new studio, a bland Caucasian Bosko-like kid named Buddy, who would appeared in 23 cartoons until 1938.
Schlesinger finally caved to color in 1934 with the 42nd Street (1933)-inspired Honeymoon Hotel, starring a variety of bugs. Schlesinger was acutely aware of Disney's domination of the animation industry -- they had 3-strip Technicolor locked up exclusively through 1936 and it was an open secret there was a Disney animated feature in the works. He countered with every asset cheaply available: Warner's excellent music library and outstanding orchestra and his staff was not bound by Disney's rigid policy of realism. By comparison, Schlesinger's individual production units (each headed by legendary directors like Tex Avery, Frank Tashlin and Chuck Jones) could be positively outrageous.
1936 saw the fortuitous hiring of ex-KGW Radio 'Hoot Owl' announcer Mel Blanc (hired to an exclusive contract some 4 years later) and an increasingly popular roster of new animated stars: Daffy Duck, Porky Pig and, especially Bugs Bunny (formally introduced in 1940). Fiercely anti-union, Schlesinger had few qualms over shutting his newly unionized studio down twice in the early 1940's balking at his animator's demands for higher wages.
Surprisingly, Leon didn't work for Warner's exclusively; he assigned units to work for animated segments of films for Paramount, RKO (Disney's distributor!) and Republic. Schlesinger himself remained as arrogant and egotistical as ever, decidedly non-creative while continuing to rail against spiraling costs, so this early golden age essentially happened despite his presence. Leon decided to sell his company to Warner Brothers in July, 1944 for $700,000.00 and in a measure of true Schlesinger generosity, he rewarded each of his directors a gold pen set and invited them to dinner at his mansion for the first and last time to celebrate their years together. The retired mini-mogul died on Christmas Day, 1949, his public reputation forever cemented by the words, 'A Leon Schlesinger Production' plastered on a multitude of classic cartoons.- Philip Barry was born on 18 June 1896 in Rochester, New York, USA. He was a writer, known for The Philadelphia Story (1940), Holiday (1938) and High Society (1956). He was married to Ellen Marshall Semple. He died on 3 December 1949 in New York City, New York, USA.
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British actress Jean Gillie met husband Jack Bernhard while he was stationed in Britain during the war. When they came to Hollywood, he produced and directed Decoy in May 1946 as a vehicle to showcase her talents to American audiences, while Gillie was simultaneously at work in The Macomber Affair (April-June 1946). However, the couple divorced the following year, and she returned to England, never again to appear in front of the motion picture cameras; she died three years later at the age of 33, allegedly as the result of pneumonia.- Actor
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Robert L. Ripley was born on 25 December 1893 in Santa Rosa, California, USA. He was an actor and writer, known for Star Tonight (1955), The Season's Greetings (1931) and Believe It or Not #1 (1930). He was married to Beatrice Roberts. He died on 27 May 1949 in New York City, New York, USA.- Handsome actor William Wright's mid-film 1940s career was pushed with a wave of Columbia Studio publicity promoting him as World War II's answer to Clark Gable. The push ultimately did not work and Wright's rather obscure career faded within a decade.
The Utah-born actor moved to California after his schooling and studied at the Pasadena Playhouse. His film debut came about with the small role of a pilot in China Clipper (1936). Groomed in uncredited and featured roles for both large (Paramount) and small (Monogram) studios, his more visible work in Rookies on Parade (1941), World Premiere (1941), The Devil Pays Off (1941) and Glamour Boy (1941) eventually led to a Columbia contract in 1942.
The handsome, dapper, mustachioed Wright proved reliable and lent a smooth air to his "B" series mixed bag of heroes and villains. Throughout the war-era he supported in such Columbia films as Not a Ladies' Man (1942), Night in New Orleans (1942), Sweetheart of the Fleet (1942) and Lucky Legs (1942) before earning his first co-star role opposite Marguerite Chapman in Parachute Nurse (1942) and A Man's World (1942).
Wright continued reliably in a variety of parts. He was a major suspect in the two of the "Boston Blackie" series entitled Boston Blackie Goes Hollywood (1942) and One Mysterious Night (1944), and romanced Ann Miller in Reveille with Beverly (1943) and, despite she overshadowed him with her dance routines, reteamed with her again in both Eadie Was a Lady (1945) and Eve Knew Her Apples (1945). He also was fourth billed as a detective in Murder in Times Square (1943) which reunited him with Marguerite Chapman, played a slick-haired villain in the western Saddles and Sagebrush (1943) with Ann Savage and played alongside her again in Dancing in Manhattan (1944). Appearing in Escape in the Fog (1945) opposite Nina Foch, he pursued Martha O'Driscoll in the western Down Missouri Way (1946).
Wright's leading man status would wane in the late 1940s with secondary roles for "Poverty Row" studios in Lover Come Back (1946) and The Beginning or the End (1947). What didn't help was a chronic problem with alcohol. Wright did manage to play the lead supersleuth Philo Vance in the cheapjack production of Philo Vance Returns (1947), however, and co-starred in such cheapies as King of the Gamblers (1948)) and Rose of the Yukon (1949). His last release was for Columbia playing a second lead alongside Marjorie Lord in Air Hostess (1949).
Whether Wright could have progressed into unctuous character roles would never be known as he died of cancer at age 38. Although performing right up until the end, his death was generally overlooked. - Director
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Robert N. Bradbury was born on 23 March 1886 in Walla Walla, Washington, USA. He was a director and actor, known for The Lucky Texan (1934), The Star Packer (1934) and West of the Divide (1934). He was married to Nola Bradbury. He died on 24 November 1949 in Glendale, California, USA.- Actor
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Born in Washington, DC, in 1890, screen villain "par excellance" Wheeler Oakman got into films in 1912. He specialized in playing villains, but he wasn't just a one-note, mustache-twirling "bad guy"--a tall, solidly-built, distinguished-looking, almost patrician man, he could effectively play cold-blooded mob bosses, slick-talking crooked businessmen, greedy land barons, gregarious bankers who are secretly the head of the local bandit gang, and everything in between. On the other hand, he could play college professors, heroic army officers and tough big-city detectives with equal aplomb. He worked in all genres for just about every studio in town at one time or another, from high dramas at top-ranked MGM to bottom-of-the-barrel exploitation fare from J.D. Kendis.
At one time married to silent-screen star Priscilla Dean, he worked almost up until his death--his final role was an uncredited bit in the 1948 serial Superman (1948), and he died of a heart attack in Van Nuys, California, in 1949.- Writer
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Richard Connell was born In Dutchess County, New York in 1893. He began covering baseball games for his father's newspaper at age ten and was editing the paper at age sixteen. He served in World War I, and then lived in various European countries. After settling in Beverly Hills, California, Connell began writing short stories. Connell passed away in 1949.- Actress
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Blanca Estela Pavón was born on 21 February 1926 in Minatitlan, Veracruz, Mexico. She was an actress, known for Cuando lloran los valientes (1947), Ustedes, los ricos (1948) and ¡Vuelven los García! (1947). She died on 26 September 1949 in near Popocatépetl, Puebla, Mexico.- Lester Allen was born on 17 November 1891 in Utica, New York, USA. He was an actor, known for The Great Flamarion (1945), The Pirate (1948) and Ma and Pa Kettle (1949). He died on 6 November 1949 in Hollywood, California, USA.
- William Stack has been often mistaken as British in the scant bio information available on him - he could imitate many a British accent. He was actually born in Oregon. But like many Americans who wished to become serious stage actors and seeing New York as overly competitive, he went to London as a young man. Not much is known about his career there, but with many theaters (almost fifty) and companies around, the opportunities for a talented young man were there. From the craze for post cards with the subject of photos - and especially those of actors
- that ensued between about 1890 and 1914, there exist pictures of
But by 1930 Stack was back in America - and not to Broadway (perhaps in a touring company, but at least not on record as a principal), as was a stage actor's usual course. He did end up in early Hollywood sound pictures - those with marginal sound quality - first with Fredric March as the star in Sarah and Son (1930). With a rich stage actor's voice and accents to apply where needed - and appreciated as audio technology improved - he appeared in from four to ramping up to as many as ten pictures per year through the 1930s. Moving into his 50s, bald and dignified, his roles were focused as featured character pieces - assured doctors, lawyers, judges, nobles, and several butlers. He was one of the Crawley clan in Becky Sharp (1935), the first feature-length three-color film. He perhaps gained press from being in one movie of some scandalous notoriety - Tarzan and His Mate (1934) in which Maureen O'Sullivan appeared to swim nude (somebody else in a body stocking). Although he had a few lines as a white hunter, in this and other films (of note, MGM's first and most famous version of Mutiny on the Bounty, 1935), Stack was not credited for his always believable characterizations.
The year 1936 provided Stack with some his most memorable historical roles. He played the French general Montcalm of the French and Indian War in the popular The Last of the Mohicans (1936) with Randolph Scott. The same year he played a much richer character in the film adaptation of the play Mary of Scotland (1936) directed by John Ford. Along with an assemblage of some of the best character actors of Hollywood, Stack played one among a rogues' gallery of self-seeking Scottish lords who included: Robert Barrat, Gavin Muir (another American who spent time in England and was often thought to be British), and Ian Keith. Stack is able to be most Shakespearean, vying in Scottish brogue with his fellow conspirators as the sly Lord Ruthven. Although Stack appeared in many of the best A pictures of the later 1930s, many did not give credit for his great acting skills. There were only a few movies into the 1940s, before he retired - leaving film history all the richer for his screen presence. - Actress
Elinor Troy was born on 15 September 1916 in Washington, District of Columbia, USA. She was an actress. She died on 29 November 1949 in Hollywood, California, USA.- John Tyrrell entered show business at the age of 16 as half of the vaudeville dance team of Tyrrell and Mack. The act became very successful, and for the next ten years they played engagements all over the country and secured billing as featured players in the famous revue "George White's Scandals." As vaudeville began to wane, however, Tyrrell saw the handwriting on the wall and began studying acting, sensing that his future would be in motion pictures. He spent two years with a stock theater company in Connecticut perfecting his craft, then journeyed to Hollywood. He was soon placed under a long-term contract to Columbia Pictures, and appeared in many of the studio's prestige pictures in supporting parts. He was a staple in the studio's comedy shorts, and often appeared with such comics as El Brendel, Andy Clyde and The Three Stooges, specializing in playing con artists, swindlers and other shady types.
- Leyland Hodgson was born on 5 October 1892 in London, England, UK. He was an actor, known for The Ghost of Frankenstein (1942), The Invisible Man's Revenge (1944) and Susannah of the Mounties (1939). He was married to Kathleen Eda. He died on 16 March 1949 in Hollywood, California, USA.
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Seymour Hicks was an extremely successful actor and theatrical impresario who flourished from the late 19th century into the 1930s. He was best remembered for his portrayal of Ebenezer Scrooge in Charles Dickens' "A Christmas Carol".
Born on January 30, 1871 on the Isle of Jersey, he first trod the boards as a professional at the age of sixteen. He became a musical-comedy star in London in 1894 in "The Shop Girl", which he followed up with "The Circus Girl" (1896) and "A Runaway Girl" (1898), both of which co-starred his wife Ellaline Terriss, whom he had married in 1893.
After the turn of the century, Hicks began writing musical comedies that he and his wife appeared in. These efforts were met with great success. With his earnings from his successful career, he built the Aldwych Theatre in 1905 and the Seymour Hicks Theatre in 1906. (The Hicks was renamed the Globe Theatre in 1909 and eventually the Gielgud Theatre in 1994.) The first production at the Aldwych, Hicks' own musical comedy "The Beauty of Bath", was a hit. Jerome Kern was the composer and P.G. Wodehouse gained his first paying job as a writer on the musical. Wodeouse would be credited with the lyrics to two songs on another Hicks musical, "The Gay Gordons", in 1907.
(Hicks also was instrumental in "discovering" the young Alfred Hitchcock. When the director Hugh Croise walked off the set of the 1923 short Always Tell Your Wife (1923), based on a play by Hicks, starring Seymour Hicks, and produced by his Seymour Hicks Productions, the actor enlisted Hitchcock to finish directing it. It was only the second directing gig for Hitchcock, and though he was uncredited, it was his first film to be screened. (Hitch's first movie, Number 13 (1922), was never completed.))
By the time of the "Always Tell Your Wife" movie, Hicks had successfully navigated the change in theatrical tastes brought about by the Great War. He had begun writing and appearing in light, escapist comedies and satiric farces. Many of the farces he put on in the 1920s were adapted from French plays. Eventually, as his star waned, he worked in music halls.
It was in 1901 that Hicks first played the role of Ebenezer Scrooge, the role for which he was most famous. He appeared in "A Christmas Carol" thousands of times on stage and made two movie versions of the Charles Dickens classic, a silent film (Old Scrooge (1913)) in 1913 and a talkie (Scrooge (1935)) in 1935.
By the mid-'30s, he was a well-established and highly respected actor and theatrical impresario. He became the 13th actor to become knighted in 1934, which came three years after the French Republic awarded him the Legion of Honor in recognition of his services in promoting French theater in England. (In 1915, he had won the French Croix de Guerre for entertaining Allied troops in France during in World War One and would win his second Croix de Guerre in World War II for the same service to the Allies.)
Seymour Hicks died on April 6, 1949 in Hampshire, England. He was 78 years old. He had continued appearing on stage and in movies until the year before his death.- Actor
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Arthur Chesney was born on 21 November 1881 in Wandsworth, London, England, UK. He was an actor and writer, known for Fanny Hawthorne (1927), Sorrell and Son (1933) and Colonel Blood (1934). He was married to Estelle Winwood. He died on 27 August 1949 in London, England, UK.- Jack Overman was born on 26 March 1917 in New York, USA. He was an actor, known for Brute Force (1947), Secret Agent X-9 (1945) and The Good Humor Man (1950). He was married to Norma. He died on 24 December 1949 in Burbank, California, USA.
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Cawthorn made his stage debut in 1872 at the age of four. At nine, he went to England and played in music halls for four years. In 1898, Cawthorn made his debut on Broadway and carried on a successful career for some twenty-five years. Moving to Hollywood in 1927, he began a career as a character actor. Married to stage and screen actress Queenie Vassar, Cawthorn passed away following a stroke in his Beverly Hills home.- Actor
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Al Shean was born on 12 May 1868 in Dornum, Province of Hanover, Kingdom of Prussia [now Lower Saxony, Germany]. He was an actor and writer, known for The Blue Bird (1940), Ziegfeld Girl (1941) and Live, Love and Learn (1937). He was married to Johanna Davidson. He died on 12 August 1949 in New York City, New York, USA.- Actor
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Comedy farceur Tom Walls is indelibly associated with the popular Aldwych Theatre farces of the 1920s and 1930s. Born in 1883, this English gent was a former constable and jockey before making his stage debut in 1905. As the star and producer of a succession of witty spoofs typically denigrating society's uppercrust, he often played the slick cad. Written expertly by Ben Travers and in tandem with fellow comic extraordinaires Ralph Lynn and Robertson Hare, the shows were chock full of sight gags, puns, double entendres and slapstick.
With Walls at the helm as director, a number of their successes were transferred to the 30s silver screen, beginning with One Embarrassing Night (1930). The madcap nonsense seemed to be just what the doctor ordered, so an assembly-line of their classic stage shows were filmed, including Plunder (1930), A Night Like This (1932), Thark (1932), Turkey Time (1933), A Cuckoo in the Nest (1933), Dirty Work (1934) (directed only), and A Cup of Kindness (1934), more or less all of them presented as photographed plays. His career waned following the decade, but he was still seen in a number of films, both comedic and touchingly dramatic, until his death in 1949.- Actor
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Charles Hutchison was born on 3 December 1879 in Pittsburgh, Pennsylvania, USA. He was an actor and director, known for Lightning Hutch (1926), The Judgement Book (1935) and Bachelor Mother (1932). He was married to Edith Thornton. He died on 30 May 1949 in Hollywood, California, USA.- George Moran was born on 3 October 1881 in Elwood, Kansas, USA. He was an actor, known for My Little Chickadee (1940), Why Bring That Up? (1929) and Anybody's War (1930). He was married to Claire White. He died on 1 August 1949 in Oakland, California, USA.
- Born in the upstate New York town of Horseheads in 1878, William Desmond began his show business career in vaudeville and on the stage. He had his own theatrical company by the time he made his film debut in Kilmeny (1915). Starting out in dramatic parts, Desmond soon switched to westerns and action serials, and became a major western star. When the sound era began Desmond was almost 50 years old, and was soon relegated to supporting roles. He continued making films into the 1940s.