“Green Border,” Agnieszka Holland’s Venice Special Jury Prize-winning refugee drama, has been acquired by Kino Lorber in the U.S. (“Scrapper”) and Modern Films in the U.K. (“Drive My Car”).
An empathetic tale of migrants caught in Europe’s refugee crisis, “Green Border” has earned widespread critical acclaim, winning several prizes at Venice and playing at key North American festivals such as Toronto, New York Film Festival and AFI Fest. Most recently, “Green Border” was nominated for three European Film Awards, including best film.
Kino Lorber has acquired North American distribution rights and is planning a theatrical release in 2024, followed by a home video, educational and digital rollout on all major platforms. Modern Films, meanwhile, has snapped up U.K. rights and will also back “Green Border” for the European Film Awards and the BAFTAs.
The film explores the injustice and terror perpetrated at the Polish-Belarusian border from the perspective of refugees,...
An empathetic tale of migrants caught in Europe’s refugee crisis, “Green Border” has earned widespread critical acclaim, winning several prizes at Venice and playing at key North American festivals such as Toronto, New York Film Festival and AFI Fest. Most recently, “Green Border” was nominated for three European Film Awards, including best film.
Kino Lorber has acquired North American distribution rights and is planning a theatrical release in 2024, followed by a home video, educational and digital rollout on all major platforms. Modern Films, meanwhile, has snapped up U.K. rights and will also back “Green Border” for the European Film Awards and the BAFTAs.
The film explores the injustice and terror perpetrated at the Polish-Belarusian border from the perspective of refugees,...
- 11/21/2023
- by Elsa Keslassy
- Variety Film + TV
“Absolute Beginners” is a new series created by Nina Lewandowska and Kamila Tarabura, staring Martyna Byczkowska.
It is a series with an immense love for cinema, especially French cinema of the 60s-70s, and in particular the period of the nouvelle vague, which, in a way, introduced us all to a more direct and bold way of making movies.
“Absolute Beginners” is between an homage and a coming-of-age series.
A summer where two generations will be destined to understand each other in the setting of a camp, marking the end of adolescence and, of course, the discovery of love.
It is an intimate and charming series. To reminisce and evoke past, youthful times, to ponder upon them, or simply to enjoy the story being told.
Absolute Beginners About the Series:
A series where everything is flavored with cinema, and nobody bothers to hide it. It is the story of a...
It is a series with an immense love for cinema, especially French cinema of the 60s-70s, and in particular the period of the nouvelle vague, which, in a way, introduced us all to a more direct and bold way of making movies.
“Absolute Beginners” is between an homage and a coming-of-age series.
A summer where two generations will be destined to understand each other in the setting of a camp, marking the end of adolescence and, of course, the discovery of love.
It is an intimate and charming series. To reminisce and evoke past, youthful times, to ponder upon them, or simply to enjoy the story being told.
Absolute Beginners About the Series:
A series where everything is flavored with cinema, and nobody bothers to hide it. It is the story of a...
- 10/26/2023
- by Veronica Loop
- Martin Cid - TV
The medium is the message in Agnieszka Holland’s Green Border, a piece of political cinema so freshly ripped from the headlines that you can still feel the jagged edges. Holland shot the film, which chronicles the wide ripple effects of a 2021 surge of asylum seekers along the Polish-Belarusian border, in just 23 days in March of this year and had it ready for fall festivals mere months later. In the end, her sense of propulsive, incandescent outrage is both the project’s reason for existence and its strongest attribute.
Holland, directing in collaboration with Kamila Tarabura and Katarzyna Warzecha, resists the impulse for urgency to trump all aesthetic considerations. Green Border moves beyond documentary-style realism as a shorthand for authenticity, and it’s at its most gut-wrenching when Tomek Naumiuk’s agile camerawork captures bodies in frequent, frightening motion, as well as the illusory sense of security that those bodies feel in moments of rest.
Holland, directing in collaboration with Kamila Tarabura and Katarzyna Warzecha, resists the impulse for urgency to trump all aesthetic considerations. Green Border moves beyond documentary-style realism as a shorthand for authenticity, and it’s at its most gut-wrenching when Tomek Naumiuk’s agile camerawork captures bodies in frequent, frightening motion, as well as the illusory sense of security that those bodies feel in moments of rest.
- 10/9/2023
- by Marshall Shaffer
- Slant Magazine
While you’re still in the vice-like grip of its multilevel narrative it may not feel like it, but a film like Agnieszka Holland’s bruisingly powerful new refugee drama ultimately comes from a place of optimism. It is optimistic to expect and to nurture a reaction of potentially motivating outrage, when you portray the brutality of which human individuals, at the behest of human institutions, are capable. It is optimistic to believe that, faced with extraordinary cruelty, a viewer’s ordinary decency will be compelled to rise and rebel. “Green Border” is a heart-in-mouth thriller set on the Polish-Belarusian border that wraps its social critique in the razor wire of punchy, intelligent cinematic craft in order to elicit precisely such emotions. If we can feel the horror, perhaps there is hope.
It is 2021 and a Syrian family are fleeing Isis and their ravaged hometown of Harasta on an airplane bound for Belarus.
It is 2021 and a Syrian family are fleeing Isis and their ravaged hometown of Harasta on an airplane bound for Belarus.
- 9/5/2023
- by Jessica Kiang
- Variety Film + TV
As if to come to the aid of her national cinema after the debacle that was Roman Polanski’s The Palace, Poland’s Agnieszka Holland, soon to turn 75, restores some of her homeland’s cultural dignity with a devastating exposé that angrily, and quite brilliantly, questions its humanity and political integrity. At 144 minutes, and in black and white, it is not exactly a Trojan horse, and its moral rigor does not come with a spoonful of sugar. But Green Border earns every second of that running time, and with a focus and energy that belies its director’s age. Awards-wise, this may prove to be the international feature to beat.
It begins in October 2021 with Chapter 1: The Family, in which a Syrian couple, Bashir and Amina, their three children and their grandfather are traveling on a plane from Turkey to Belarus. Their mood is upbeat; they are planning to go from Belarus to Poland,...
It begins in October 2021 with Chapter 1: The Family, in which a Syrian couple, Bashir and Amina, their three children and their grandfather are traveling on a plane from Turkey to Belarus. Their mood is upbeat; they are planning to go from Belarus to Poland,...
- 9/5/2023
- by Damon Wise
- Deadline Film + TV
Netflix has revealed a slate of nine films and nine series that it has commissioned in Poland. Scroll down for the full list.
The series include Detective Forst, from noted Polish writer Remigiusz Mroz, which revolves around a crime-solving journey across the Polish Tatra Mountains. Jakub Żulczyk’s novel Feedback is also being adapted for a series starring Arkadiusz Jakubik, which will be helmed by Leszek Dawid.
On the film side, Anna Szczypczyńska’s romance novel Tonight You Are Sleeping With Me will be adapted for a feature helmed by Robert Wichrowski, while the famed Polish novel Mr. Car & The Knights Templar is also getting the film treatment, with Rafał Skalski directing and Matylda damięcka, Lena Góra, and Aleksandra Domańska starring.
On the genre side, the film Hellhole, directed by Bartosz M. Kowalski, promises to be a play on horror, focusing on the nightmare of a monk who has lost...
The series include Detective Forst, from noted Polish writer Remigiusz Mroz, which revolves around a crime-solving journey across the Polish Tatra Mountains. Jakub Żulczyk’s novel Feedback is also being adapted for a series starring Arkadiusz Jakubik, which will be helmed by Leszek Dawid.
On the film side, Anna Szczypczyńska’s romance novel Tonight You Are Sleeping With Me will be adapted for a feature helmed by Robert Wichrowski, while the famed Polish novel Mr. Car & The Knights Templar is also getting the film treatment, with Rafał Skalski directing and Matylda damięcka, Lena Góra, and Aleksandra Domańska starring.
On the genre side, the film Hellhole, directed by Bartosz M. Kowalski, promises to be a play on horror, focusing on the nightmare of a monk who has lost...
- 4/12/2022
- by Tom Grater
- Deadline Film + TV
Polish Days is the industry event for the Wroclaw-based New Horizons International Film Festival (August 12-22).
Anna Jadowska’s Woman On The Roof was the winner of the third annual Screen International Best Pitch Award presented at this year’s Polish Days, the industry event for the Wroclaw-based New Horizons International Film Festival (August 12-22).
The €1.4m production, by Warsaw-based Donten & Lacroix Films with Paris-based Blick Productions and Sweden’s Garagefilm, is Jadowska’s latest feature film after Touch Me (2003), It’s Me (2005) and Wild Roses (2017).
She directed the Netflix series Ultraviolet 2.0. The Bear and a segment of its mini-series Erotica 2022,...
Anna Jadowska’s Woman On The Roof was the winner of the third annual Screen International Best Pitch Award presented at this year’s Polish Days, the industry event for the Wroclaw-based New Horizons International Film Festival (August 12-22).
The €1.4m production, by Warsaw-based Donten & Lacroix Films with Paris-based Blick Productions and Sweden’s Garagefilm, is Jadowska’s latest feature film after Touch Me (2003), It’s Me (2005) and Wild Roses (2017).
She directed the Netflix series Ultraviolet 2.0. The Bear and a segment of its mini-series Erotica 2022,...
- 8/18/2021
- by Martin Blaney
- ScreenDaily
Programme includes five completed films, six works-in-progress, nine development.
The programme for the 2021 edition of Polish Days industry event includes Lipstick On The Glass, the latest film from Polish director Kuba Czekaj.
Czekaj’s film, which is currently in post-production, is participating as one of six works-in-progress, alongside nine titles in development and five completed films.
The film follows a woman who is induced to abandon her gangster husband to join a feminist sect.
It is produced by Paweł Kosuń and Agnieszka Janowska for Poland’s Centrala Film, and Arek Gielnik for Germany’s Indi Film.
The film will be...
The programme for the 2021 edition of Polish Days industry event includes Lipstick On The Glass, the latest film from Polish director Kuba Czekaj.
Czekaj’s film, which is currently in post-production, is participating as one of six works-in-progress, alongside nine titles in development and five completed films.
The film follows a woman who is induced to abandon her gangster husband to join a feminist sect.
It is produced by Paweł Kosuń and Agnieszka Janowska for Poland’s Centrala Film, and Arek Gielnik for Germany’s Indi Film.
The film will be...
- 7/28/2021
- by Ben Dalton
- ScreenDaily
When we meet Krysia (Agnieska Rajda), she's lying listlessly in a bath as the water spills over its edges. Her mum (Kamilla Baar) is doing her best to gee her up, get her outside, but even as she's taking her to a birthday party, her daughter is virtually supine on the reclined passenger seat.
But that, director Kamila Tarabura and writer Nina Lewandowska soon show us in this winner of the Live Action Short Award at Warsaw Film Festival, is just one of the many moods and energy states of being a teenager. When, on a whim, Krysia swipes the cash from the birthday card she's set to deliver and follows another girl, Majka (Nel Kaczmarek) out of the party house, things are about to get a whole lot more interesting as the pair embark from the afternoon and into the night with rebellion and freedom on their minds.
Key...
But that, director Kamila Tarabura and writer Nina Lewandowska soon show us in this winner of the Live Action Short Award at Warsaw Film Festival, is just one of the many moods and energy states of being a teenager. When, on a whim, Krysia swipes the cash from the birthday card she's set to deliver and follows another girl, Majka (Nel Kaczmarek) out of the party house, things are about to get a whole lot more interesting as the pair embark from the afternoon and into the night with rebellion and freedom on their minds.
Key...
- 12/30/2020
- by Amber Wilkinson
- eyeforfilm.co.uk
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