Elisabeth Moss in ‘The Veil’ (Photo Credit: FX)
FX has set spring 2024 premiere dates for season three of Welcome to Wrexham and the new spy thriller The Veil starring Elisabeth Moss. The network’s spring 2024 lineup also includes part two of American Horror Story: Delicate as well as the debut of The New York Times Presents: Broken Horses documentary film.
FX has changed the name of the six-episode limited The Sterling Affairs to Clipped and announced a June 4th debut.
American Horror Story: Delicate, Part Two – Wednesday, April 3, 2024 at 10pm Et/Pt
American Horror Story returns with Part Two of the 12th installment of the legendary anthology horror drama created and produced by Ryan Murphy and Brad Falchuk. Since 2011, the creators of the limited series have redefined the horror genre with various installments featuring a creepy asylum, a coven of witches, a traveling freak show, a haunted hotel, and the apocalypse itself.
FX has set spring 2024 premiere dates for season three of Welcome to Wrexham and the new spy thriller The Veil starring Elisabeth Moss. The network’s spring 2024 lineup also includes part two of American Horror Story: Delicate as well as the debut of The New York Times Presents: Broken Horses documentary film.
FX has changed the name of the six-episode limited The Sterling Affairs to Clipped and announced a June 4th debut.
American Horror Story: Delicate, Part Two – Wednesday, April 3, 2024 at 10pm Et/Pt
American Horror Story returns with Part Two of the 12th installment of the legendary anthology horror drama created and produced by Ryan Murphy and Brad Falchuk. Since 2011, the creators of the limited series have redefined the horror genre with various installments featuring a creepy asylum, a coven of witches, a traveling freak show, a haunted hotel, and the apocalypse itself.
- 2/9/2024
- by Rebecca Murray
- Showbiz Junkies
FX revealed its spring slate of new and returning series, including the second half of American Horror Story: Delicate, Welcome to Wrexham‘s third season, the new Elisabeth Moss-led spy thriller The Veil, the documentary feature The New York Times Presents: Broken Horses and the limited series Clipped (formerly The Sterling Affairs).
American Horror Story: Delicate Part 2 premieres Wednesday, April 3 at 10 p.m. Et/Pt on FX and streaming the next day on Hulu. The four-episode second half of the anthology horror drama will premiere with one episode, and a new episode each following Wednesday. The series will be available on Star+ in Latin America and Disney+ in all other territories at a later date.
Creators Ryan Murphy and Brad Falchuk executive produce alongside Alexis Martin Woodall, Halley Feiffer, John J. Gray and Scott Robertson. The series, which is renewed for a 13th season, is produced by 20th Television.
American Horror Story: Delicate Part 2 premieres Wednesday, April 3 at 10 p.m. Et/Pt on FX and streaming the next day on Hulu. The four-episode second half of the anthology horror drama will premiere with one episode, and a new episode each following Wednesday. The series will be available on Star+ in Latin America and Disney+ in all other territories at a later date.
Creators Ryan Murphy and Brad Falchuk executive produce alongside Alexis Martin Woodall, Halley Feiffer, John J. Gray and Scott Robertson. The series, which is renewed for a 13th season, is produced by 20th Television.
- 2/9/2024
- by Rosy Cordero
- Deadline Film + TV
As 2023 began, Covid was waning, Top Gun: Maverick was a billion-dollar Oscar Best Picture nominee, and Shari Redstone’s place in the media firmament felt secure after a years-long quest to reunite CBS and Viacom.
At year’s end, the narrative has dramatically changed.
Paramount Global, which Redstone leads as chair and CEO of its controlling shareholder, National Amusements, has hit a prolonged rough patch, and speculation is rampant about its future as a stand-alone company. Film and TV production has been hampered by the WGA and SAG-AFTRA strikes, the company’s streaming operation is bleeding cash, and an advertising slowdown is squeezing cable networks already jeopardized by cord-cutting. What’s more, old questions are resurfacing about whether the company has enough scale to compete, with those doubts reflected in the company’s lagging stock price. As of Friday’s close, the share price of $16.27 gave Paramount a market value of about $10.2 billion.
At year’s end, the narrative has dramatically changed.
Paramount Global, which Redstone leads as chair and CEO of its controlling shareholder, National Amusements, has hit a prolonged rough patch, and speculation is rampant about its future as a stand-alone company. Film and TV production has been hampered by the WGA and SAG-AFTRA strikes, the company’s streaming operation is bleeding cash, and an advertising slowdown is squeezing cable networks already jeopardized by cord-cutting. What’s more, old questions are resurfacing about whether the company has enough scale to compete, with those doubts reflected in the company’s lagging stock price. As of Friday’s close, the share price of $16.27 gave Paramount a market value of about $10.2 billion.
- 12/15/2023
- by Dade Hayes and Jill Goldsmith
- Deadline Film + TV
Get on the phone with Ron Bernstein and he’ll happily share his views on who’s up and down at the studios — and inevitably, he’ll talk about his latest deals. On a recent call, he hyped the Redstone family power saga by James Stewart and Rachel Abrams, “Unscripted: The Epic Battle for a Hollywood Media Empire”; sure enough, within weeks it sold to producer Steven Paul, who’s developing the juicy Shakespearean drama for television.
Bernstein is Hollywood’s most respected media rights agent. He’s repped the source material for the Coen brothers’ Best Picture winner “No Country for Old Men” (Cormac McCarthy), Steven Spielberg’s “Lincoln” (Doris Kearns Goodwin), Danny Boyle’s “Jobs” (Walter Isaacson), and Clint Eastwood’s “Richard Jewell” (Marie Brenner).
Now, he has a new job. After a 23-year run at ICM, which CAA bought in 2022, Bernstein recently joined the Agency for the...
Bernstein is Hollywood’s most respected media rights agent. He’s repped the source material for the Coen brothers’ Best Picture winner “No Country for Old Men” (Cormac McCarthy), Steven Spielberg’s “Lincoln” (Doris Kearns Goodwin), Danny Boyle’s “Jobs” (Walter Isaacson), and Clint Eastwood’s “Richard Jewell” (Marie Brenner).
Now, he has a new job. After a 23-year run at ICM, which CAA bought in 2022, Bernstein recently joined the Agency for the...
- 4/27/2023
- by Anne Thompson
- Indiewire
Producer Steven Paul has optioned the rights to “Unscripted: The Epic Battle for a Media Empire and the Redstone Family Legacy,” with plans to develop the nonfiction bestseller by James B. Stewart and Rachel Abrams as a TV series.
The book, published by Penguin Random House in February, tells the sordid, behind-the-scenes story of the battle for control of Sumner Redstone’s media empire. The book has been the talk of the town in Hollywood as industry insiders learn the unvarnished details behind the recent history of Sumner and Shari Redstone, Viacom, CBS Corp., Leslie Moonves and a host of other prominent figures.
Rachel Abrams, Steven Paul and James B. Stewart
Paul is in the process of recruiting a writer to develop the property as a limited series through his Sp Media Group. The deal was brokered for Stewart and Abrams by CAA’s Ron Bernstein and Sp Media president Scott Karol.
The book, published by Penguin Random House in February, tells the sordid, behind-the-scenes story of the battle for control of Sumner Redstone’s media empire. The book has been the talk of the town in Hollywood as industry insiders learn the unvarnished details behind the recent history of Sumner and Shari Redstone, Viacom, CBS Corp., Leslie Moonves and a host of other prominent figures.
Rachel Abrams, Steven Paul and James B. Stewart
Paul is in the process of recruiting a writer to develop the property as a limited series through his Sp Media Group. The deal was brokered for Stewart and Abrams by CAA’s Ron Bernstein and Sp Media president Scott Karol.
- 4/20/2023
- by Cynthia Littleton
- Variety Film + TV
When news emerged in 2021 that Anthony Pellicano, fresh from serving a 15-year prison sentence, had returned to Hollywood and was working again for a major entertainment figure, the New York Times took notice.
Then-Times reporter and New York Times Presents senior producer Rachel Abrams was intrigued by reports that Pellicano had been hired by mega-producer Joel Silver (Die Hard, The Matrix) after his release from prison in 2019. Pellicano, a former go-to private investigator for the stars — his client list included Chris Rock, Michael Jackson, Brad Grey and Michael Ovitz — came under fire in the 2000s, when the Pi was convicted of wiretapping and racketeering, among other crimes, in legal proceedings that exposed the extent of Pellicano’s surveillance apparatus and the Hollywood figures that knowingly or unknowingly benefited from it. Abrams was joined in her interest by Liz Day, then a reporter and New York Times Presents supervising producer who...
Then-Times reporter and New York Times Presents senior producer Rachel Abrams was intrigued by reports that Pellicano had been hired by mega-producer Joel Silver (Die Hard, The Matrix) after his release from prison in 2019. Pellicano, a former go-to private investigator for the stars — his client list included Chris Rock, Michael Jackson, Brad Grey and Michael Ovitz — came under fire in the 2000s, when the Pi was convicted of wiretapping and racketeering, among other crimes, in legal proceedings that exposed the extent of Pellicano’s surveillance apparatus and the Hollywood figures that knowingly or unknowingly benefited from it. Abrams was joined in her interest by Liz Day, then a reporter and New York Times Presents supervising producer who...
- 3/10/2023
- by Katie Kilkenny
- The Hollywood Reporter - Movie News
Money may very well equal power, but so does information — especially the dirty kind. Hollywood understands this. From The Sweet Smell of Success to L.A. Confidential, the movies are laden with bullying blackmailers and influence-peddlers using muscle and corruption to scrub the tainted and gain an upper hand. The dynamic, of course, is quite real, and the gripping new two-part documentary Sin Eater: The Crimes of Anthony Pellicano provides a fine if troubling look at how it works in contemporary showbiz.
The latest production from FX’s The New York Times Presents series,...
The latest production from FX’s The New York Times Presents series,...
- 3/10/2023
- by Chris Vognar
- Rollingstone.com
Throughout dozens of interviews in FX’s Sin Eater: The Crimes of Anthony Pellicano, one particular description of the whole saga comes up again and again: “It’s like a movie.” And it really is, with its attention-grabbing combination of big money, celebrity scandal and illegal espionage. A drama, perhaps, about the sordid excesses of showbiz. Or one about determined journalists taking a corrupt system to task. Maybe it’s a spy thriller, or a juicy tell-all, or a character study of a villain, or a tragedy about lingering trauma.
Each version of this tale has its undeniable pull, and Sin Eater takes on notes of them all at various points. But if such a multifaceted approach reflects admirable and ambitious intentions, it also scatters its attention — resulting in a gripping docuseries that nevertheless lands more softly than it should.
Directed by John Pappas, Sin Eater is loosely split into two parts.
Each version of this tale has its undeniable pull, and Sin Eater takes on notes of them all at various points. But if such a multifaceted approach reflects admirable and ambitious intentions, it also scatters its attention — resulting in a gripping docuseries that nevertheless lands more softly than it should.
Directed by John Pappas, Sin Eater is loosely split into two parts.
- 3/9/2023
- by Angie Han
- The Hollywood Reporter - Movie News
Paramount Global is unveiling today a corporate image campaign that builds on the sentiment of a popular self-help affirmation: You are loved, and you are enough.
Just in time for media upfront season, the company’s “Popular is Paramount” marketing push is designed to burnish its image within Hollywood and on Wall Street. Paramount Global CEO Bob Bakish wants the town and the Street to know that the company is fielding a new generation of hits – from “Top Gun: Maverick” to “Yellowstone” to “Paw Patrol” — and is not intimidated by having to compete against larger rivals such as Disney, Warner Bros. Discovery and Comcast.
The campaign will include with outdoor advertising in highly trafficked corridors of New York and Los Angeles, as well as on digital and TV platforms, both on and off Paramount’s own air. It also comes as Paramount has opted to not hold a traditional upfront...
Just in time for media upfront season, the company’s “Popular is Paramount” marketing push is designed to burnish its image within Hollywood and on Wall Street. Paramount Global CEO Bob Bakish wants the town and the Street to know that the company is fielding a new generation of hits – from “Top Gun: Maverick” to “Yellowstone” to “Paw Patrol” — and is not intimidated by having to compete against larger rivals such as Disney, Warner Bros. Discovery and Comcast.
The campaign will include with outdoor advertising in highly trafficked corridors of New York and Los Angeles, as well as on digital and TV platforms, both on and off Paramount’s own air. It also comes as Paramount has opted to not hold a traditional upfront...
- 3/8/2023
- by Cynthia Littleton
- Variety Film + TV
Paramount Global has agreed to settle a shareholder lawsuit that claimed that the 2019 CBS-Viacom merger was unfair for shareholders.
According to a securities filing Friday, Paramount will pay the shareholders $122.5 million to settle the claims, subject to a long-form settlement agreement and approval by Delaware’s Chancery Court.
The California Public Employees’ Retirement System (“CalPERS”) was lead plaintiff in the litigation, which also named Shari Redstone and the Redstone family’s National Amusements as defendants. Paramount CEO Bob Bakish was also a defendant, but was removed from the suit in Dec. 2020.
Indeed, Redstone was at the center of the suit, which claimed that Viacom’s board accepted a lower price for the merger in order to secure Redstone’s governance priorities (namely that the company would be led by Bakish and much of his executive team).
“Plaintiffs allege that the willingness of the fiduciaries who served on Viacom...
According to a securities filing Friday, Paramount will pay the shareholders $122.5 million to settle the claims, subject to a long-form settlement agreement and approval by Delaware’s Chancery Court.
The California Public Employees’ Retirement System (“CalPERS”) was lead plaintiff in the litigation, which also named Shari Redstone and the Redstone family’s National Amusements as defendants. Paramount CEO Bob Bakish was also a defendant, but was removed from the suit in Dec. 2020.
Indeed, Redstone was at the center of the suit, which claimed that Viacom’s board accepted a lower price for the merger in order to secure Redstone’s governance priorities (namely that the company would be led by Bakish and much of his executive team).
“Plaintiffs allege that the willingness of the fiduciaries who served on Viacom...
- 3/3/2023
- by Alex Weprin
- The Hollywood Reporter - Movie News
From the outset, Sumner Redstone was a curiosity.
A cluster of power players 50 years ago were suddenly bidding for control of Hollywood’s revered movie studios. Competition was intense but most of the bidders were not even “movie” people. In fact, they’d rarely seen a movie.
Related Story Les Moonves Lies, Shari Pushes, Philippe Dauman Falls, Sumner Steals His Grandson’s Girlfriend And Other Tales In New Book On The Redstones Related Story 'Scream VI' Headed To Franchise Record Opening At Box Office Related Story 'Dungeons & Dragons' John Francis Daley & Jonathan Goldstein's GoldDay Inks First Look With Paramount Pictures
The exception was a cantankerous lawyer from Boston who’d inherited a small chain of theaters. Unlike characters like Steve Ross (funeral business), Kirk Kerkorian (airplanes) or Rupert Murdoch (newspapers), Redstone was passionate about film. He wanted to champion filmmaking and build a media conglomerate around that zeal.
A cluster of power players 50 years ago were suddenly bidding for control of Hollywood’s revered movie studios. Competition was intense but most of the bidders were not even “movie” people. In fact, they’d rarely seen a movie.
Related Story Les Moonves Lies, Shari Pushes, Philippe Dauman Falls, Sumner Steals His Grandson’s Girlfriend And Other Tales In New Book On The Redstones Related Story 'Scream VI' Headed To Franchise Record Opening At Box Office Related Story 'Dungeons & Dragons' John Francis Daley & Jonathan Goldstein's GoldDay Inks First Look With Paramount Pictures
The exception was a cantankerous lawyer from Boston who’d inherited a small chain of theaters. Unlike characters like Steve Ross (funeral business), Kirk Kerkorian (airplanes) or Rupert Murdoch (newspapers), Redstone was passionate about film. He wanted to champion filmmaking and build a media conglomerate around that zeal.
- 2/16/2023
- by Peter Bart
- Deadline Film + TV
As Paramount Global prepares to report quarterly earnings Thursday, with CEO Bob Bakish presiding and Shari Redstone happily ensconced as non-executive chair, a new book is bringing forth some interesting (and at times lurid) revelations about the company’s tortuous journey.
Unscripted: The Epic Battle for a Media Empire and the Redstone Family Legacy, a tale of sex, lies, family drama and boardroom backstabbing, is out this week and is already one of Amazon’s top sellers. Co-authors and New York Times colleagues James Stewart and Rachel Abrams gleefully expand on what has already been known about the epic dysfunction that swirled around late patriarch Sumner Redstone. As their account emphasizes, the mercurial loyalties, sexual obsessions and physical and mental decline of the company’s founder fomented chaos at the former Viacom and CBS Corp. Part salacious soap opera, part business book/legal chronicle, it charts the downward spiral of...
Unscripted: The Epic Battle for a Media Empire and the Redstone Family Legacy, a tale of sex, lies, family drama and boardroom backstabbing, is out this week and is already one of Amazon’s top sellers. Co-authors and New York Times colleagues James Stewart and Rachel Abrams gleefully expand on what has already been known about the epic dysfunction that swirled around late patriarch Sumner Redstone. As their account emphasizes, the mercurial loyalties, sexual obsessions and physical and mental decline of the company’s founder fomented chaos at the former Viacom and CBS Corp. Part salacious soap opera, part business book/legal chronicle, it charts the downward spiral of...
- 2/15/2023
- by Jill Goldsmith
- Deadline Film + TV
In Unscripted: The Epic Battle for a Media Empire and the Redstone Family Legacy, the Pulitzer Prize-winning New York Times journalists James B. Stewart and Rachel Abrams chart the byzantine corporate maneuvering and salacious personal embroilments that brought disgrace to billionaire Viacom owner Sumner Redstone and longtime CBS head Les Moonves — as well as trouble for their allies, sycophants, rivals and shareholders. The book, published Feb. 14, relies on exclusive access to key documents and participants in the soap-operatic drama to examine alleged sexual assault, elder abuse, financial shenanigans, legal negligence, boardroom power politics, executive cover-ups and the doomed dynamic in the relationships between a very wealthy, very old man and two very clever younger women.
Those two women, Sydney Holland and Manuela Herzer, who for a time toward the end of the mogul’s life resided in Redstone’s Beverly Park mansion, ended up rich. By the time he ultimately rid himself of them,...
Those two women, Sydney Holland and Manuela Herzer, who for a time toward the end of the mogul’s life resided in Redstone’s Beverly Park mansion, ended up rich. By the time he ultimately rid himself of them,...
- 2/14/2023
- by Gary Baum
- The Hollywood Reporter - Movie News
FX’s most acclaimed rap-themed comedy series, now that “Atlanta” has ended, returns for its third season this spring. Season 3 of “Dave” premieres April 5 on Fxx, the network announced during the Television Critics Association winter press conference January 12.
In addition, FX set the dates for two new “New York Times Presents” specials. “Sin Eater” premieres March 10 simultaneously on FX and Hulu, while “The Legacy of J Dilla” is set for April 7. A new docuseries about Tupac Shakur, “Dear Mama,” premieres on FX April 21.
Created by and starring comedy rapper David Burd, known by his stage name Lil Dicky, “Dave” presents a fictionalized version of Burd as he attempts to make it as a hip-hop star. Season 3 sees him and his entourage of friends — played by GaTa, Andrew Santino, Travis Bennett, and Christine Ko — as they leave Philadelphia for Dave’s first headlining tour. Burd executive produces the series with his co-creator Jeff Schaffer,...
In addition, FX set the dates for two new “New York Times Presents” specials. “Sin Eater” premieres March 10 simultaneously on FX and Hulu, while “The Legacy of J Dilla” is set for April 7. A new docuseries about Tupac Shakur, “Dear Mama,” premieres on FX April 21.
Created by and starring comedy rapper David Burd, known by his stage name Lil Dicky, “Dave” presents a fictionalized version of Burd as he attempts to make it as a hip-hop star. Season 3 sees him and his entourage of friends — played by GaTa, Andrew Santino, Travis Bennett, and Christine Ko — as they leave Philadelphia for Dave’s first headlining tour. Burd executive produces the series with his co-creator Jeff Schaffer,...
- 1/12/2023
- by Wilson Chapman
- Indiewire
FX has set premiere dates for new docuseries “Dear Mama,” “Dave” Season 3 and two documentaries under the “New York Times Presents” banner.
“Dear Mama,” a new docuseries following the legacies of mother and son, Afeni and Tupac Shakur, premieres Friday, April 21 at 10 p.m. Et/Pt on FX, while “Dave” returns for its third season Wednesday, April 5 at 10 p.m. Et/Pt on FX.
Under “The New York Times Presents” banner, which produces standalone documentary films in collaboration with the legacy news organization, “The New York Times Presents ‘Sin Eater'” will premiere Friday, March 10 at 10 p.m. Et simultaneously on FX and Hulu while “The New York Times Presents: ‘The Legacy of J Dilla'” will air simultaneously on FX and Hulu Friday, April 7 at 10 p.m. Et. The premiere dates join the previously announced sixth and final season of FX’s “Snowfall,” which is slated to hit FX Wednesday, Feb.
“Dear Mama,” a new docuseries following the legacies of mother and son, Afeni and Tupac Shakur, premieres Friday, April 21 at 10 p.m. Et/Pt on FX, while “Dave” returns for its third season Wednesday, April 5 at 10 p.m. Et/Pt on FX.
Under “The New York Times Presents” banner, which produces standalone documentary films in collaboration with the legacy news organization, “The New York Times Presents ‘Sin Eater'” will premiere Friday, March 10 at 10 p.m. Et simultaneously on FX and Hulu while “The New York Times Presents: ‘The Legacy of J Dilla'” will air simultaneously on FX and Hulu Friday, April 7 at 10 p.m. Et. The premiere dates join the previously announced sixth and final season of FX’s “Snowfall,” which is slated to hit FX Wednesday, Feb.
- 1/12/2023
- by Loree Seitz
- The Wrap
During its presentation at the Winter 2023 Television Critics Association Press Tour, FX announced premiere dates for four of its upcoming projects: “Dave” Season 3, “Dear Mama,” “Sin Eater” and “The Legacy of J Dilla.”
“Dave” returns to FX with two episodes on April 5.
In Season 3, Dave (series co-creator Dave Burd aka Lil Dicky) is headlining his first-ever tour, and looking for love along the way. But as he and the gang crisscross America, they discover firsthand how diverse the cultural landscape of the United States really is – and how often fame puts pressure on love and friendship. The cast also includes GaTa, Andrew Santino, Taylor Misiak, Travis Bennett and Christine Ko.
Burd co-created “Dave” with Jeff Schaffer. Both executive produce along with Luvh Rakhe, Vanessa McGee, Kris Eber, Rob Rosell, Kevin Hart via Hartbeat Productions, Scooter Braun, Marty Bowen, Mike Hertz and Sb Projects’ James Shin and Scott Manson. The series is produced by FX Productions.
“Dave” returns to FX with two episodes on April 5.
In Season 3, Dave (series co-creator Dave Burd aka Lil Dicky) is headlining his first-ever tour, and looking for love along the way. But as he and the gang crisscross America, they discover firsthand how diverse the cultural landscape of the United States really is – and how often fame puts pressure on love and friendship. The cast also includes GaTa, Andrew Santino, Taylor Misiak, Travis Bennett and Christine Ko.
Burd co-created “Dave” with Jeff Schaffer. Both executive produce along with Luvh Rakhe, Vanessa McGee, Kris Eber, Rob Rosell, Kevin Hart via Hartbeat Productions, Scooter Braun, Marty Bowen, Mike Hertz and Sb Projects’ James Shin and Scott Manson. The series is produced by FX Productions.
- 1/12/2023
- by Selome Hailu
- Variety Film + TV
Click here to read the full article.
Addicted to Succession? Well, here’s the real thing: An explosive new book will spill all about the power struggle to control Paramount.
Penned by two acclaimed New York Times reporters — James B. Stewart and Rachel Abrams — Unscripted: The Epic Battle for a Media Empire and the Redstone Family Legacy promises a juicy glimpse behind the scenes of the media empire built by Sumner Redstone, the colorful and cutthroat chairman of ViacomCBS (renamed Paramount in February) who died in 2020 at 97.
The Hollywood Reporter can exclusively reveal the cover of the book, on sale Feb. 14, 2023, which features six central figures of the saga seated around a conference table beneath a looming portrait of the late mogul.
Pictured from left are Redstone’s girlfriend Manuela Herzer, former Viacom chief Philippe Dauman, Redstone’s grandson Brandon Korff, ex-Redstone girlfriend Sydney Holland, CBS chairman Les Moonves and Redstone’s daughter Shari Redstone,...
Addicted to Succession? Well, here’s the real thing: An explosive new book will spill all about the power struggle to control Paramount.
Penned by two acclaimed New York Times reporters — James B. Stewart and Rachel Abrams — Unscripted: The Epic Battle for a Media Empire and the Redstone Family Legacy promises a juicy glimpse behind the scenes of the media empire built by Sumner Redstone, the colorful and cutthroat chairman of ViacomCBS (renamed Paramount in February) who died in 2020 at 97.
The Hollywood Reporter can exclusively reveal the cover of the book, on sale Feb. 14, 2023, which features six central figures of the saga seated around a conference table beneath a looming portrait of the late mogul.
Pictured from left are Redstone’s girlfriend Manuela Herzer, former Viacom chief Philippe Dauman, Redstone’s grandson Brandon Korff, ex-Redstone girlfriend Sydney Holland, CBS chairman Les Moonves and Redstone’s daughter Shari Redstone,...
- 10/4/2022
- by Seth Abramovitch
- The Hollywood Reporter - Movie News
FX’s The New York Times Presents has set its latest documentary feature, centered on controversial Tesla CEO Elon Musk.
Revealed on Monday, The New York Times Presents‘ “Elon Musk’s Crash” course will premiere Friday, May 20 at 10 p.m. Pt. The doc comes from producer and director Emma Schwartz and features the work of The New York Times Reporters Cade Metz and Neal Boudette.
The feature will take a deep dive into Tesla vehicles and the issues with its autopilot capabilities. The investigation will reveal the “quixotic nature of Musk’s pursuit of self-driving technology, and the tragic results.”
The official description continues: “Drawing on first-hand accounts, the film traces how Autopilot has been a factor in several deaths and dozens of other accidents that Tesla has not publicly acknowledged. It details pressure Elon Musk put on government officials to quash investigations and features inside stories from several former Tesla employees,...
Revealed on Monday, The New York Times Presents‘ “Elon Musk’s Crash” course will premiere Friday, May 20 at 10 p.m. Pt. The doc comes from producer and director Emma Schwartz and features the work of The New York Times Reporters Cade Metz and Neal Boudette.
The feature will take a deep dive into Tesla vehicles and the issues with its autopilot capabilities. The investigation will reveal the “quixotic nature of Musk’s pursuit of self-driving technology, and the tragic results.”
The official description continues: “Drawing on first-hand accounts, the film traces how Autopilot has been a factor in several deaths and dozens of other accidents that Tesla has not publicly acknowledged. It details pressure Elon Musk put on government officials to quash investigations and features inside stories from several former Tesla employees,...
- 4/25/2022
- by Alexandra Del Rosario
- Deadline Film + TV
Right on the heels of the news that Elon Musk is nearing a deal to buy Twitter, a television documentary about the polarizing businessman has been announced to premiere this May.
Titled “Elon Musk’s Crash Course,” the upcoming film is the latest in FX and The New York Times’ collaborative documentary series “The New York Times Presents,” which provides in depth looks at prominent people and events, ranging from Janet Jackson to Juul to the 2020 Australian bushfire disasters. The series is best known for its two in-depth films about Britney Spears, “Framing Britney Spears” and “Controlling Britney Spears,” which helped contribute to the eventual end of the singer’s conservatorship.
Directed by Emma Schwartz, “Elon Musk’s Crash Course” is an exposé into Musk’s company Tesla, and its work on self-driving cars. Featuring the reporting from Cade Metz and Neal Boudette of The New York Times, the film...
Titled “Elon Musk’s Crash Course,” the upcoming film is the latest in FX and The New York Times’ collaborative documentary series “The New York Times Presents,” which provides in depth looks at prominent people and events, ranging from Janet Jackson to Juul to the 2020 Australian bushfire disasters. The series is best known for its two in-depth films about Britney Spears, “Framing Britney Spears” and “Controlling Britney Spears,” which helped contribute to the eventual end of the singer’s conservatorship.
Directed by Emma Schwartz, “Elon Musk’s Crash Course” is an exposé into Musk’s company Tesla, and its work on self-driving cars. Featuring the reporting from Cade Metz and Neal Boudette of The New York Times, the film...
- 4/25/2022
- by Carson Burton, Wilson Chapman and Sasha Urban
- Variety Film + TV
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