Vinessa Vidotto as Special Agent Cameron Vo, Jade Harlow as Paige Taylor, and Heida Reed as Special Agent Jamie Kellett in ‘FBI: International’ season 2 episode 6
Vo helps a friend find a missing family member on CBS’s FBI: International season two episode six. The series has been on a month-long break and will return on Tuesday, November 15, 2022 at 9pm Et/Pt with an episode titled “Call It Anarchy.”
Season two stars Luke Kleintank as Special Agent Scott Forrester, Heida Reed as Special Agent Jamie Kellett, Carter Redwood as Special Agent Andre Raines, Vinessa Vidotto as Special Agent Cameron Vo, and Eva-Jane Willis as Europol Agent Megan “Smitty” Garretson.
Episode six guest stars include Jade Harlow, Jacob Moscovitz, Andreas Karras, Lawrence J. Hughes, Asher Miles Fallica, and Fanos Xenofós.
“Call It Anarchy” Plot: Vo’s friend from the U.S. Navy calls in a favor to help find her missing nephew in Crete.
Vo helps a friend find a missing family member on CBS’s FBI: International season two episode six. The series has been on a month-long break and will return on Tuesday, November 15, 2022 at 9pm Et/Pt with an episode titled “Call It Anarchy.”
Season two stars Luke Kleintank as Special Agent Scott Forrester, Heida Reed as Special Agent Jamie Kellett, Carter Redwood as Special Agent Andre Raines, Vinessa Vidotto as Special Agent Cameron Vo, and Eva-Jane Willis as Europol Agent Megan “Smitty” Garretson.
Episode six guest stars include Jade Harlow, Jacob Moscovitz, Andreas Karras, Lawrence J. Hughes, Asher Miles Fallica, and Fanos Xenofós.
“Call It Anarchy” Plot: Vo’s friend from the U.S. Navy calls in a favor to help find her missing nephew in Crete.
- 11/6/2022
- by Rebecca Murray
- Showbiz Junkies
Network: AMC.
Episodes: 20 (hour).
Seasons: Two.
TV show dates: June 2, 2019 — August 23, 2020.
Series status: Cancelled.
Performers include: Ashleigh Cummings, Zachary Quinto, Olafur Darri Olafsson, Virginia Kull, Ebon Moss-Bacharach, Jahkara Smith, Karen Pittman, Rarmian Newton, Darby Camp, Asher Miles Fallica, Dalton Harrod, Misha Osherovich, and Nicole Ehinger.
TV show description:
From creator Jami O’Brien, the NOS4A2 TV show is based on the 2013 Joe Hill novel of the same name. The supernatural horror drama unfolds in Haverhill, Massachusetts and centers on a young working-class woman named Victoria McQueen (Cummings). An artist, Vic develops the supernatural ability to find missing things. Soon, she is on the trail of the seemingly immortal Charlie Manx who sustains himself on...
Episodes: 20 (hour).
Seasons: Two.
TV show dates: June 2, 2019 — August 23, 2020.
Series status: Cancelled.
Performers include: Ashleigh Cummings, Zachary Quinto, Olafur Darri Olafsson, Virginia Kull, Ebon Moss-Bacharach, Jahkara Smith, Karen Pittman, Rarmian Newton, Darby Camp, Asher Miles Fallica, Dalton Harrod, Misha Osherovich, and Nicole Ehinger.
TV show description:
From creator Jami O’Brien, the NOS4A2 TV show is based on the 2013 Joe Hill novel of the same name. The supernatural horror drama unfolds in Haverhill, Massachusetts and centers on a young working-class woman named Victoria McQueen (Cummings). An artist, Vic develops the supernatural ability to find missing things. Soon, she is on the trail of the seemingly immortal Charlie Manx who sustains himself on...
- 9/2/2020
- by TVSeriesFinale.com
- TVSeriesFinale.com
About 30 minutes into Todd Robinson’s new Pentagon film, “The Last Full Measure,” you begin to fear that it will be just another political office drama centered around powerful men puffing out their chests and stepping on each other to get ahead..
But once it gets past the smug banter between colleagues, the film, inspired by actual events, finally shifts towards something far more meaningful: Vietnam war veterans struggling with Ptsd and their relationship with heroism.
It’s an intriguing bait-and-switch that is first presented through glimpses of staggering combat sequences and explosions breathtakingly shot by Byron Werner (Robinson’s “Phantom”) intercut with tense tête-à-têtes between Carlton Stanton (Bradley Whitford) and Scott Huffman (Sebastian Stan), Pentagon colleagues flailing after the sudden departure of a high-ranking official.
Also Read: Peter Fonda Got Emotional Seeing His Final Film 'The Last Full Measure' A Month Before He Died
“The Last Full Measure...
But once it gets past the smug banter between colleagues, the film, inspired by actual events, finally shifts towards something far more meaningful: Vietnam war veterans struggling with Ptsd and their relationship with heroism.
It’s an intriguing bait-and-switch that is first presented through glimpses of staggering combat sequences and explosions breathtakingly shot by Byron Werner (Robinson’s “Phantom”) intercut with tense tête-à-têtes between Carlton Stanton (Bradley Whitford) and Scott Huffman (Sebastian Stan), Pentagon colleagues flailing after the sudden departure of a high-ranking official.
Also Read: Peter Fonda Got Emotional Seeing His Final Film 'The Last Full Measure' A Month Before He Died
“The Last Full Measure...
- 1/22/2020
- by Candice Frederick
- The Wrap
In an industry increasingly enthused by the possibilities of world-building — or, more appropriately, the creation of worlds expressly for comic book movies that can sustain repeated films and planet-devastating battles while looking oddly familiar to the real world in the process — the ability for any filmmaker to craft something wholly unique and fully realized is still damningly rare. “Greener Grass” does it with two filmmakers. Directed, written by, produced by, and starring Jocelyn DeBoer and Dawn Luebbe, the Not everyone will vibe with the pair’s sharp upbraiding of the modern world, but those that dig what they throw down will love the inventive duo forever.
Based on the pair’s 2015 short film of the same name, DeBoer and Luebbe have further expanded their nutty vision of suburban ennui and the painful consequences of keeping up with the status quo into an unsettling and amusing send-up of human behavior. Set...
Based on the pair’s 2015 short film of the same name, DeBoer and Luebbe have further expanded their nutty vision of suburban ennui and the painful consequences of keeping up with the status quo into an unsettling and amusing send-up of human behavior. Set...
- 10/15/2019
- by Kate Erbland
- Indiewire
What would it take to make you happy: A different house? A different wife? Or maybe an altogether different life? Before you go coveting your neighbor’s fill-in-the-blank, you owe it to yourself to watch “Greener Grass,” an odd and wonderfully upbeat absurdist take on the American dream from improv comedians turned independent filmmakers Jocelyn DeBoer and Dawn Luebbe, who’ve imagined an upper-middle-class community where domestic bliss always seems to be just one lifestyle tweak away.
Just a sample of what that means: In the opening scene, a pair of soccer moms sit chatting on the sidelines of their sons’ match. “Oh, my gosh, I didn’t even notice. You have a new baby!” Lisa Wetbottom (Luebbe) notes appreciatively, to which her friend Jill Davies (DeBoer) beams with pride, revealing ultra-white teeth wired with braces. “Do you want her? She’s great,” Jill says, and cheerily proceeds to hand...
Just a sample of what that means: In the opening scene, a pair of soccer moms sit chatting on the sidelines of their sons’ match. “Oh, my gosh, I didn’t even notice. You have a new baby!” Lisa Wetbottom (Luebbe) notes appreciatively, to which her friend Jill Davies (DeBoer) beams with pride, revealing ultra-white teeth wired with braces. “Do you want her? She’s great,” Jill says, and cheerily proceeds to hand...
- 2/3/2019
- by Peter Debruge
- Variety Film + TV
Beck Bennett (Saturday Night Live), D’Arcy Carden (The Good Place), Neil Casey (Ghostbusters), Dot-Marie Jones (Glee), and Janicza Bravo (Camping) are attached to star in Greener Grass, a film from writing and directing duo Jocelyn DeBoer and Dawn Luebbe. The helmers will also star in the pic, based on their SXSW short film. It’s set in a timeless suburbia and tells the story of soccer moms Jill (DeBoer) and Lisa (Luebbe). While their children compete on the soccer field, the pair competes in the bleachers in this dark comedy where every adult wears braces on their straight teeth, couples coordinate meticulously pressed outfits, and coveted family members become pawns in the ultimate competition for acceptance. Mary Holland (Veep), Jim Cummings (Thunder Road), Lauren Adams (Unbreakable Kimmy Schmidt), Asher Miles Fallica (Ozark), Julian Hilliard (The Haunting of Hill House), and John Milhiser (SNL) co-star. Natalie Metzger is producing Greener Grass,...
- 10/1/2018
- by Amanda N'Duka
- Deadline Film + TV
Stars: Charlize Theron, Mackenzie Davis, Ron Livingston, Asher Miles Fallica, Lia Frankland, Mark Duplass, Elaine Tan, Elaine Tan, Gameela Wright, Tattiawna Jones, Maddie Dixon-Poirier, Joshua Pak | Written by Diablo Cody | Directed by Jason Reitman
Director Jason Reitman, writer Diablo Cody and star Charlize Theron reteam after their semi-successful 2009 drama Young Adult, with another dramatic tale concerning the trials and tribulations of family and motherhood in that of Tully. A film that suffers from a final ten-minute reel that just about derails the interconnected tissue of events leading up to it. A similar issue, depending on one’s opinion that plagued and only affected the final product and initial entertainment of both 10 Cloverfield Lane and Split. Not completely cauterising the first two acts containing a heart wrenching and honest depiction of loneliness within motherhood, but drastically reducing them to a mere juvenile and condescending rebuttal on every single re-watch for all...
Director Jason Reitman, writer Diablo Cody and star Charlize Theron reteam after their semi-successful 2009 drama Young Adult, with another dramatic tale concerning the trials and tribulations of family and motherhood in that of Tully. A film that suffers from a final ten-minute reel that just about derails the interconnected tissue of events leading up to it. A similar issue, depending on one’s opinion that plagued and only affected the final product and initial entertainment of both 10 Cloverfield Lane and Split. Not completely cauterising the first two acts containing a heart wrenching and honest depiction of loneliness within motherhood, but drastically reducing them to a mere juvenile and condescending rebuttal on every single re-watch for all...
- 9/5/2018
- by Jak-Luke Sharp
- Nerdly
Good parents do the best they can, and we forgive them when they make mistakes. Similarly, the parenting comedy “Tully” makes a narrative misstep late in the game — and it’s a spoiler, so I’ll talk around it — but the film is otherwise so intelligent, so uncompromising and so bleakly hilarious in a genuine way that it’s easy to overlook the errors and focus on the good times.
For their third collaboration (after “Juno” and “Young Adult”), screenwriter Diablo Cody and director Jason Reitman are determined to strip away the gauzy sentimentality so often used to portray motherhood in the media. And with their “Young Adult” star Charlize Theron, they have a performer who fearlessly conveys the utter physical and spiritual devastation of constantly giving of yourself to others when all you want is a nap.
Theron stars as Marlo, a New Jersey mother of two who is about to give birth to a third child, one that was very much unplanned. Marlo’s already got her hands full: her younger son Jonah (Asher Miles Fallica, “Ozark”) displays behavior that indicates he’s on the autism spectrum, although his school principal will only refer to him as “quirky,” and her husband Drew (Ron Livingston) is always traveling for work. (And when he’s home, he’s more likely to spend his nights curled up with a video game instead of washing a dish.)
Also Read: 'Avengers: Infinity War' Expected to Assemble $100 Million During 2nd Weekend
Marlo’s wealthy brother Craig (Mark Duplass) makes the offer of a “night nanny,” who will come in and stay up overnight with the new baby so that all Marlo has to do in the night is breast-feed; otherwise, she can get some much-needed sleep. She balks at first, having seen too many “The Hand That Rocks the Cradle”-inspired Lifetime movies, but ultimately, the grind of diaper-changing, breast-pumping and kid-carpooling leaves Marlo so frazzled that she finally calls up the nanny.
Enter Tully (Mackenzie Davis), seemingly the answer to all of Marlo’s prayers. Not only is she great with the baby, but she cleans the house, bakes and has real conversations with Marlo, the kind of deep and meaningful chats that take Marlo back to her carefree single days. What could go wrong?
Also Read: Charlize Theron Says 'Racism' May Drive Her and Her Black Children Out of the Country
Where “Tully” goes from here will be a matter of taste, and while I question some of Cody’s third-act ideas, I applaud her and Theron for pulling no punches about the agony of parenting; the act of tending to an infant is handled with some of the grimmest humor this side of “Eraserhead.” Whether Marlo is stepping on Legos, dealing with Jonah’s school or trying to muster the energy to put a frozen pizza in the oven, Theron gives us a brutally realistic portrait of a woman on the verge of a nervous breakdown.
The film (and the actress) go places we never see in cinematic portrayals of motherhood, whether it’s a close-up of Marlo’s nipple, distended by all that pumping, or a frazzled Marlo attempting to jog, determined to keep pace with the young college girl who breezes past her. Theron’s performance is as sardonically witty as you might expect from her work in “Young Adult,” but she participates, ego-free, in the least flattering angles that Reitman and cinematographer Eric Steelberg (“Baywatch”) can throw her way.
Also Read: Diablo Cody to Write Alanis Morissette's 'Jagged Little Pill' Musical
The performances are strong across the board — all the scenes between Theron and Davis, in particular, overflow with empathy and understanding — and Cody’s writing has never been better. She’s toning down the pop-culture references (although we do learn that the distance between Marlo’s house and Brooklyn is longer than the entire running time of Cyndi Lauper’s “She’s So Unusual”) and making her characters richer and more believable; significant silences are playing a larger role as well, and what Marlo and Drew don’t say to each other always carries more weight than what they do.
Ultimately, the film champions Marlo as a good mother, but it also honors her weariness and her indefatigability. “Tully” is no box of chocolates, to be sure, but it’s a memorable Mother’s Day gift.
Read original story ‘Tully’ Film Review: Charlize Theron Is a Real Mother in Bleakly Hilarious Parenthood Tale At TheWrap...
For their third collaboration (after “Juno” and “Young Adult”), screenwriter Diablo Cody and director Jason Reitman are determined to strip away the gauzy sentimentality so often used to portray motherhood in the media. And with their “Young Adult” star Charlize Theron, they have a performer who fearlessly conveys the utter physical and spiritual devastation of constantly giving of yourself to others when all you want is a nap.
Theron stars as Marlo, a New Jersey mother of two who is about to give birth to a third child, one that was very much unplanned. Marlo’s already got her hands full: her younger son Jonah (Asher Miles Fallica, “Ozark”) displays behavior that indicates he’s on the autism spectrum, although his school principal will only refer to him as “quirky,” and her husband Drew (Ron Livingston) is always traveling for work. (And when he’s home, he’s more likely to spend his nights curled up with a video game instead of washing a dish.)
Also Read: 'Avengers: Infinity War' Expected to Assemble $100 Million During 2nd Weekend
Marlo’s wealthy brother Craig (Mark Duplass) makes the offer of a “night nanny,” who will come in and stay up overnight with the new baby so that all Marlo has to do in the night is breast-feed; otherwise, she can get some much-needed sleep. She balks at first, having seen too many “The Hand That Rocks the Cradle”-inspired Lifetime movies, but ultimately, the grind of diaper-changing, breast-pumping and kid-carpooling leaves Marlo so frazzled that she finally calls up the nanny.
Enter Tully (Mackenzie Davis), seemingly the answer to all of Marlo’s prayers. Not only is she great with the baby, but she cleans the house, bakes and has real conversations with Marlo, the kind of deep and meaningful chats that take Marlo back to her carefree single days. What could go wrong?
Also Read: Charlize Theron Says 'Racism' May Drive Her and Her Black Children Out of the Country
Where “Tully” goes from here will be a matter of taste, and while I question some of Cody’s third-act ideas, I applaud her and Theron for pulling no punches about the agony of parenting; the act of tending to an infant is handled with some of the grimmest humor this side of “Eraserhead.” Whether Marlo is stepping on Legos, dealing with Jonah’s school or trying to muster the energy to put a frozen pizza in the oven, Theron gives us a brutally realistic portrait of a woman on the verge of a nervous breakdown.
The film (and the actress) go places we never see in cinematic portrayals of motherhood, whether it’s a close-up of Marlo’s nipple, distended by all that pumping, or a frazzled Marlo attempting to jog, determined to keep pace with the young college girl who breezes past her. Theron’s performance is as sardonically witty as you might expect from her work in “Young Adult,” but she participates, ego-free, in the least flattering angles that Reitman and cinematographer Eric Steelberg (“Baywatch”) can throw her way.
Also Read: Diablo Cody to Write Alanis Morissette's 'Jagged Little Pill' Musical
The performances are strong across the board — all the scenes between Theron and Davis, in particular, overflow with empathy and understanding — and Cody’s writing has never been better. She’s toning down the pop-culture references (although we do learn that the distance between Marlo’s house and Brooklyn is longer than the entire running time of Cyndi Lauper’s “She’s So Unusual”) and making her characters richer and more believable; significant silences are playing a larger role as well, and what Marlo and Drew don’t say to each other always carries more weight than what they do.
Ultimately, the film champions Marlo as a good mother, but it also honors her weariness and her indefatigability. “Tully” is no box of chocolates, to be sure, but it’s a memorable Mother’s Day gift.
Read original story ‘Tully’ Film Review: Charlize Theron Is a Real Mother in Bleakly Hilarious Parenthood Tale At TheWrap...
- 5/4/2018
- by Alonso Duralde
- The Wrap
After loving their first collaboration (Juno) and disliking their second (Young Adult), I didn’t know what to expect with director Jason Reitman and writer Diablo Cody’s third pairing behind the camera. The best I could do was enter the theater unprejudiced and hopeful for the best since I do like most of their work regardless of that mutual misstep. I can’t say Tully initially made it easy, though. Just because Marlo (Charlize Theron) and Drew (Ron Livingston) aren’t the generic rich, white, suburban couple able to afford a “night nanny” (Mackenzie Davis’ titular Tully), doesn’t mean the premise of needing one to cope after a third pregnancy becomes any less patronizingly elitist. We don’t want parenthood’s messy authenticity sanitized by a diamond prism—especially not in today’s political climate.
The worst thing you could do, however, is give up upon Tully’s bubbly,...
The worst thing you could do, however, is give up upon Tully’s bubbly,...
- 5/4/2018
- by Jared Mobarak
- The Film Stage
There are some filmmaking teams that just seem to bring out the best in each other. In terms of writers who pair with directors, few have the winning bond that scribe Diablo Cody has with auteur Jason Reitman. Between Juno and Young Adult, the pair have crafted some truly memorable cinema. This week, the duo team up again for Tully, which also marks their second union with star Charlize Theron (after the aforementioned Young Adult). This dramedy is a whole new type of flick for the trio, which is a definite compliment. All three have done tremendous work in the past, and this stands right up there with the best of it. In fact, few films in 2018 have been this good. The film is described on IMDb as such: “The film is about Marlo, a mother of three including a newborn, who is gifted a night nanny by her brother.
- 5/3/2018
- by Joey Magidson
- Hollywoodnews.com
Coming from the director Jason Reitman and Diablo Cody, the Oscar-winning Juno writer who also penned Young Adult, we have reason to expect another smart, witty, real and watchable story peering into our everyday lives. With the terrific and unpredictable Tully, you will not be disappointed.
Perfectly timed for Mother’s Day, the pair is re-teamed with their Young Adult star, Oscar winner Charlize Theron, who plays Marlo, a dutiful mother of two who is now nine months pregnant with an unplanned No. 3. Married to a nice guy named Drew (Ron Livingston), who is predictably consumed by his own career and essentially leaves the parental heavy lifting to his wife, Marlo is a real earth mother — whether dealing with the school of her problematic and easily agitated son (Asher Miles Fallica), trying to pay attention to her awkward daughter (Lia Frankland) or plowing through an exhausting pregnancy with no one...
Perfectly timed for Mother’s Day, the pair is re-teamed with their Young Adult star, Oscar winner Charlize Theron, who plays Marlo, a dutiful mother of two who is now nine months pregnant with an unplanned No. 3. Married to a nice guy named Drew (Ron Livingston), who is predictably consumed by his own career and essentially leaves the parental heavy lifting to his wife, Marlo is a real earth mother — whether dealing with the school of her problematic and easily agitated son (Asher Miles Fallica), trying to pay attention to her awkward daughter (Lia Frankland) or plowing through an exhausting pregnancy with no one...
- 5/2/2018
- by Pete Hammond
- Deadline Film + TV
Just in time for Mother's Day comes Tully, starring a firing-on-all-cylinders Charlize Theron as Marlo, a wife and mom of three, including a newborn. She's about to come apart at the seams, and you're about to say that you've seen this before. Think again.
Director Jason Reitman is guided at every turn by a deftly comic but deeply felt script from writer Diablo Cody – it's their third coloration after Juno and Young Adult – that keeps throwing a monkey wrench at our expectations. The movie is too probing, too attuned to...
Director Jason Reitman is guided at every turn by a deftly comic but deeply felt script from writer Diablo Cody – it's their third coloration after Juno and Young Adult – that keeps throwing a monkey wrench at our expectations. The movie is too probing, too attuned to...
- 5/2/2018
- Rollingstone.com
Starring Charlize Theron as a busy mother on the brink of a breakdown and Mackenzie Davis as the young woman who comes to help her out of a tight spot, Tully marks the third collaboration between acclaimed director Jason Reitman and Oscar-winning screenwriter Diablo Cody. Dealing with themes surrounding modern parenthood and postpartum depression, the film is a welcome return to form for the director who has over the last couple years struggled to equal the brilliance of his debut feature Thank You For Smoking (2005) or the brilliance of the critically acclaimed Juno (2007).
Marlo (Theron) is a busy middle-class mother of two who is also on the last stages of a stressful third pregnancy. Struggling to cope with the constant demands from her special needs son Jonah (Asher Miles Fallica) and his bright 8-year-old sister, Marlo has so far opted to suffer in silence unbeknown to her nonplussed husband Drew...
Marlo (Theron) is a busy middle-class mother of two who is also on the last stages of a stressful third pregnancy. Struggling to cope with the constant demands from her special needs son Jonah (Asher Miles Fallica) and his bright 8-year-old sister, Marlo has so far opted to suffer in silence unbeknown to her nonplussed husband Drew...
- 4/30/2018
- by Linda Marric
- HeyUGuys.co.uk
Jason Reitman reteams with screenwriter Diablo Cody for a marvellous movie about a struggling mother saved by a millennial Mary Poppins
In Tully, Jason Reitman’s third comedy with screenwriter Diablo Cody after the one-two gems of Juno and Young Adult, everything about parenthood is a lie. Marlo (Charlize Theron, terrific) is days away from giving birth to her third child, and she tells everyone things are great. “Such a blessing,” she mutters, almost reflectively—isn’t that what she’s supposed to say? Her husband Drew (Ron Livingston) is totally helpful, her special-needs son Jonah (Asher Miles Fallica) is progressing just fine, and as for the postpartum depression she suffered after Jonah’s birth, Marlo doesn’t mention it at all. In truth, Drew plays video games every night, Jonah is close to getting kicked out of his private school kindergarten, and Marlo’s wealthy brother Craig (Mark Duplass...
In Tully, Jason Reitman’s third comedy with screenwriter Diablo Cody after the one-two gems of Juno and Young Adult, everything about parenthood is a lie. Marlo (Charlize Theron, terrific) is days away from giving birth to her third child, and she tells everyone things are great. “Such a blessing,” she mutters, almost reflectively—isn’t that what she’s supposed to say? Her husband Drew (Ron Livingston) is totally helpful, her special-needs son Jonah (Asher Miles Fallica) is progressing just fine, and as for the postpartum depression she suffered after Jonah’s birth, Marlo doesn’t mention it at all. In truth, Drew plays video games every night, Jonah is close to getting kicked out of his private school kindergarten, and Marlo’s wealthy brother Craig (Mark Duplass...
- 1/26/2018
- by Amy Nicholson
- The Guardian - Film News
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