Dominic Fike scheduled an impromptu release party in West Hollywood on Tuesday night where he unveiled 14 Minutes, a visual project featuring eight new songs that the musician was longing to release. The songs are not yet available on streaming; they appear on YouTube in a long-form video capturing Fike running on the side of the road with his headphones in.
The video was created by Jack Begert with a concept from Reed Bennett. Fike doesn’t mouth along to the songs, make distinct markers of when one ends and another begins,...
The video was created by Jack Begert with a concept from Reed Bennett. Fike doesn’t mouth along to the songs, make distinct markers of when one ends and another begins,...
- 4/24/2024
- by Larisha Paul
- Rollingstone.com
Exclusive: Karl Glusman (Civil War) has been set as the male lead opposite Samara Weaving in 20th Century Studios’ heist thriller Eenie Meanie, from writer-director Shawn Simmons (Wayne).
Produced by the Deadpool franchise’s Rhett Reese and Paul Wernick, the film follows Edie (Weaving), a former teenage getaway driver who is dragged back into her unsavory past when a former employer offers her a chance to save the life of her chronically unreliable ex-boyfriend.
Glusman plays Edie’s on-again-off-again boyfriend, John. Sources tell Deadline the project is likely to premiere on Hulu.
Best known for roles in films including Gaspar Noé’s Love, Nicolas Winding Refn’s The Neon Demon, and Chloe Okuno’s breakout horror Watcher, as well as Alex Garland’s FX series Devs, Glusman has more recently been seen in Netflix’s #1-debuting crime pic Reptile, Nick Cassavetes’ God Is a Bullet, and HBO’s The Idol from creators Sam Levinson,...
Produced by the Deadpool franchise’s Rhett Reese and Paul Wernick, the film follows Edie (Weaving), a former teenage getaway driver who is dragged back into her unsavory past when a former employer offers her a chance to save the life of her chronically unreliable ex-boyfriend.
Glusman plays Edie’s on-again-off-again boyfriend, John. Sources tell Deadline the project is likely to premiere on Hulu.
Best known for roles in films including Gaspar Noé’s Love, Nicolas Winding Refn’s The Neon Demon, and Chloe Okuno’s breakout horror Watcher, as well as Alex Garland’s FX series Devs, Glusman has more recently been seen in Netflix’s #1-debuting crime pic Reptile, Nick Cassavetes’ God Is a Bullet, and HBO’s The Idol from creators Sam Levinson,...
- 3/6/2024
- by Matt Grobar and Andreas Wiseman
- Deadline Film + TV
There’s a make-it-or-break-it moment in writer-director Jack Begert’s boldly unconventional, existential drama/Hollywood satire, Little Death, that will leave audiences cringing in shock, wonder, and maybe awe. Some might even head for the exits. Coming as it does at roughly the halfway mark, the moment in question upends everything the audience knows — or thinks they know — about Little Death and the nominal central character, Martin Solomon (David Schwimmer), a financially comfortable, angst-ridden, middle-aged TV writer obsessed with art, sex, and mortality. And that’s just the half of it. Literally, as it turns out. When we first meet the dour-faced, downbeat Solomon, he’s self-consciously musing via voiceover about his life with a capital L. Despite all...
[Read the whole post on screenanarchy.com...]...
[Read the whole post on screenanarchy.com...]...
- 2/7/2024
- Screen Anarchy
David Schwimmer makes a bold choice with this ambitious, if not entirely seamless psychodrama. Starting out as a hyperactive life-in-crisis movie, like a more melancholy, introspective Fight Club, it swaps horses in midstream with a shocking twist that will likely alienate any viewers seduced by seeing the Friends star’s face on its promo imagery. Those willing to follow first-time director Jack Begert down the rabbit hole into the film’s surprising second half — which may seem completely unrelated at first, but soon reveals the film’s deeper themes of opioid use and the butterfly effects of addiction — will find it strangely satisfying.
In light of recent events involving Schwimmer’s former co-star Matthew Perry, Begert’s film has acquired an unintentionally meta level that, sadly, only underscores its main theme, which is the human cost of the pursuit of happiness in contemporary America. Schwimmer plays Martin Solomon, a screenwriter...
In light of recent events involving Schwimmer’s former co-star Matthew Perry, Begert’s film has acquired an unintentionally meta level that, sadly, only underscores its main theme, which is the human cost of the pursuit of happiness in contemporary America. Schwimmer plays Martin Solomon, a screenwriter...
- 2/1/2024
- by Damon Wise
- Deadline Film + TV
Stars: David Schwimmer, Gaby Hoffmann, Jena Malone | Written by Jack Begert, Dani Goffstein | Directed by Jack Begert
Martin Solomon (David Schwimmer) is a washed-up screenwriter who has no sense of purpose or fulfillment in his life. When the offer to turn one of his dream projects into a film is on the table — but he has to change the male protagonist into a woman — Martin starts to emulate his life through a female lens while pursuing a hallucinatory dream. Meanwhile, two kids get robbed and end up caring for a dog that neither of them knows where it came from.
The moment that viewers realise that Little Death was produced by Darren Aronofsky, all the pieces suddenly click into place. Keeping it lucid while playing it loose, the movie dares to experiment with form and socialised ideas until it abruptly pulls the rug out from under its audience, veering off...
Martin Solomon (David Schwimmer) is a washed-up screenwriter who has no sense of purpose or fulfillment in his life. When the offer to turn one of his dream projects into a film is on the table — but he has to change the male protagonist into a woman — Martin starts to emulate his life through a female lens while pursuing a hallucinatory dream. Meanwhile, two kids get robbed and end up caring for a dog that neither of them knows where it came from.
The moment that viewers realise that Little Death was produced by Darren Aronofsky, all the pieces suddenly click into place. Keeping it lucid while playing it loose, the movie dares to experiment with form and socialised ideas until it abruptly pulls the rug out from under its audience, veering off...
- 1/30/2024
- by Jasmine Valentine
- Nerdly
Maybe you’re vexed by the official description for Little Death, the debut feature from music-video director Jack Begert. Maybe you want to know more than, “A middle-aged filmmaker on the verge of a breakthrough. Two kids in search of a lost backpack. A small dog a long way from home.” Maybe you’re itching to search for a more detailed plot description.
Take my word for it: don’t.
The worst thing about Little Death, which Begert co-wrote with Dani Goffstein, is that the best things about it are all spoilers. Please excuse some vagueness in the interest of your best possible moviegoing experience.
David Schwimmer, fully leaning into the self-pitying act he honed as Ross Geller, plays Martin, the middle-aged filmmaker. Martin’s life is, as he tells his therapist, “meaningless.” A long-suffering TV writer, Martin’s finally got an autobiographical script in the works, but wokeism threatens his masterpiece.
Take my word for it: don’t.
The worst thing about Little Death, which Begert co-wrote with Dani Goffstein, is that the best things about it are all spoilers. Please excuse some vagueness in the interest of your best possible moviegoing experience.
David Schwimmer, fully leaning into the self-pitying act he honed as Ross Geller, plays Martin, the middle-aged filmmaker. Martin’s life is, as he tells his therapist, “meaningless.” A long-suffering TV writer, Martin’s finally got an autobiographical script in the works, but wokeism threatens his masterpiece.
- 1/30/2024
- by Lena Wilson
- The Film Stage
The Sundance Film Festival announced its 2024 winners on January 26, two days before the festival’s end date. The Awards Ceremony took place at The Ray Theater in Park City, Utah. This year marks its 40th annual festival run taking place from January 18 to January 28.
In the Summer, a film director Alessandra Lacorazza, won the top honor, U.S. Grand Jury Prize, starring Lio Mehiel.
Last year, Mehiel told uInterview exclusively about the importance of trans representation.
“Whenever there is an uptick of queer or trans representation in the media, there is an equal and perhaps greater response from the other side … that are looking to suppress trans rights, trans agency [and] queer liberation,” Mehiel told uInterview founder Erik Meers. “While in Hollywood we are seeing trans representation and this film is able to be part of that movement, this film is more important now than ever because even just in Utah,...
In the Summer, a film director Alessandra Lacorazza, won the top honor, U.S. Grand Jury Prize, starring Lio Mehiel.
Last year, Mehiel told uInterview exclusively about the importance of trans representation.
“Whenever there is an uptick of queer or trans representation in the media, there is an equal and perhaps greater response from the other side … that are looking to suppress trans rights, trans agency [and] queer liberation,” Mehiel told uInterview founder Erik Meers. “While in Hollywood we are seeing trans representation and this film is able to be part of that movement, this film is more important now than ever because even just in Utah,...
- 1/27/2024
- by Ann Hoang
- Uinterview
A still from In ‘The Summers’ by Alessandra Lacorazza (Courtesy of Sundance Institute.)
In the Summers took home the U.S. Grand Jury Prize: Dramatic and Porcelain War was named the U.S. Grand Jury Prize: Documentary winner at the 2024 Sundance Film Festival. Sujo and A New Kind of Wilderness were also recognized with Grand Jury Prizes during the awards ceremony held on February 26, 2024 at The Ray Theatre in Park City, Utah.
Daughters, directed by Angela Patton and Natalie Rae, was named the Festival Favorite Award winner and also received the Audience Award: U.S. Documentary.
“This year was especially meaningful to all of us for being the 40th edition of the Sundance Film Festival,” stated Joana Vicente, Sundance Institute CEO. “We congratulate all of our artists in the program this year for their contributions to an incredible slate and Festival experience. Something we were pleasantly surprised by was how...
In the Summers took home the U.S. Grand Jury Prize: Dramatic and Porcelain War was named the U.S. Grand Jury Prize: Documentary winner at the 2024 Sundance Film Festival. Sujo and A New Kind of Wilderness were also recognized with Grand Jury Prizes during the awards ceremony held on February 26, 2024 at The Ray Theatre in Park City, Utah.
Daughters, directed by Angela Patton and Natalie Rae, was named the Festival Favorite Award winner and also received the Audience Award: U.S. Documentary.
“This year was especially meaningful to all of us for being the 40th edition of the Sundance Film Festival,” stated Joana Vicente, Sundance Institute CEO. “We congratulate all of our artists in the program this year for their contributions to an incredible slate and Festival experience. Something we were pleasantly surprised by was how...
- 1/26/2024
- by Rebecca Murray
- Showbiz Junkies
Sundance announced its winners on Friday morning, with Alessandra Lacorazza’s In The Summers took the U.S. Grand Jury Prize: Dramatic and Brendan Bellomo’s Porcelain War the U.S. Grand Jury Prize: Documentary.
Silje Evensmo Jacobsen’s A New Kind Of Wilderness won the World Cinema Grand Jury Prize: Documentary, while Astrid Rondero and Fernanda Valadez earned the corresponding world cinema dramatic prize for Sujo.
The pair collaborated as writers on the 2020 World Cinema – Dramatic prize winner Identifying Features directed by Valadez.
The Festival Favorite Award went to Daughters by Angela Patton and Natalie Rae, whose film also...
Silje Evensmo Jacobsen’s A New Kind Of Wilderness won the World Cinema Grand Jury Prize: Documentary, while Astrid Rondero and Fernanda Valadez earned the corresponding world cinema dramatic prize for Sujo.
The pair collaborated as writers on the 2020 World Cinema – Dramatic prize winner Identifying Features directed by Valadez.
The Festival Favorite Award went to Daughters by Angela Patton and Natalie Rae, whose film also...
- 1/26/2024
- ScreenDaily
Sundance announced its winners on Friday morning, with Alessandra Lacorazza’s In The Summers took the U.S. Grand Jury Prize: Dramatic and Brendan Bellomo’s Porcelain War the U.S. Grand Jury Prize: Documentary.
Silje Evensmo Jacobsen’s A New Kind Of Wilderness won the World Cinema Grand Jury Prize: Documentary, while Astrid Rondero and Fernanda Valadez earned the corresponding world cinema dramatic prize for Sujo.
The pair collaborated as writers on the 2020 World Cinema – Dramatic prize winner Identifying Features directed by Valadez.
The Festival Favorite Award went to Daughters by Angela Patton and Natalie Rae, whose film also...
Silje Evensmo Jacobsen’s A New Kind Of Wilderness won the World Cinema Grand Jury Prize: Documentary, while Astrid Rondero and Fernanda Valadez earned the corresponding world cinema dramatic prize for Sujo.
The pair collaborated as writers on the 2020 World Cinema – Dramatic prize winner Identifying Features directed by Valadez.
The Festival Favorite Award went to Daughters by Angela Patton and Natalie Rae, whose film also...
- 1/26/2024
- ScreenDaily
The 2024 Sundance Film Festival awards ceremony revealed winners Friday honoring the best of this year’s lineup in Park City.
The U.S. Dramatic Grand Jury prize went to Alessandra Lacorazza’s In the Summers, about two sisters who navigate their loving but volatile father during their yearly summer visits to his home in Las Cruces, Nm. Lacorazza also won a special jury prize for directing.
See the full list of winners below.
Other Grand Jury winners unveiled today in the ceremony at the Ray Theatre included Porcelain War in the U.S. Documentary competition, A New Kind of Wilderness in the World Cinema Documentary competition, and Sujo in the World Cinema Dramatic competition.
Angela Patton and Natalie Rae’s documentary Daughters received the Festival Favorite Award, which Park City audiences select across all new feature films presented at the festival, as well as the Audience Award for the U.
The U.S. Dramatic Grand Jury prize went to Alessandra Lacorazza’s In the Summers, about two sisters who navigate their loving but volatile father during their yearly summer visits to his home in Las Cruces, Nm. Lacorazza also won a special jury prize for directing.
See the full list of winners below.
Other Grand Jury winners unveiled today in the ceremony at the Ray Theatre included Porcelain War in the U.S. Documentary competition, A New Kind of Wilderness in the World Cinema Documentary competition, and Sujo in the World Cinema Dramatic competition.
Angela Patton and Natalie Rae’s documentary Daughters received the Festival Favorite Award, which Park City audiences select across all new feature films presented at the festival, as well as the Audience Award for the U.
- 1/26/2024
- by Anthony D'Alessandro and Patrick Hipes
- Deadline Film + TV
The 2024 Sundance Film Festival awards were announced today at The Ray Theatre in Park City, Utah.
See the list of 2024 winners below, and congrats to all the winners.
Festival Favorite Award
Daughters (USA) – Angela Patton and Natalie Rae
U.S. Dramatic Competition
Grand Jury Prize
In the Summers (USA) – Alessandra Lacorazza
Directing Award
In the Summers (USA) – Alessandra Lacorazza
The Waldo Salt Screenwriting Award
A Real Pain – Jesse Eisenberg
Special Jury Award for Breakthrough Performance
Suncoast (USA) – Nico Parker
Special Jury Award for Best Ensemble
Dìdi – Sean Wang
Audience Award
Dìdi – Sean Wang
U.S. Documentary Competition
Grand Jury Prize
Porcelain War – Brendan Bellomo and Slava Leontyev
Directing Award
Sugarcane – Julian Brave NoiseCat and Emily Kassie
Special Jury Award for Sound
Gaucho Gaucho (USA, Argentina) – Michael Dweck and Gregory Kershaw
Special Jury Award for The Art of Change
Union (USA) – Stephen Maing and Brett Story
Jonathan Oppenheim Editing Award
Frida...
See the list of 2024 winners below, and congrats to all the winners.
Festival Favorite Award
Daughters (USA) – Angela Patton and Natalie Rae
U.S. Dramatic Competition
Grand Jury Prize
In the Summers (USA) – Alessandra Lacorazza
Directing Award
In the Summers (USA) – Alessandra Lacorazza
The Waldo Salt Screenwriting Award
A Real Pain – Jesse Eisenberg
Special Jury Award for Breakthrough Performance
Suncoast (USA) – Nico Parker
Special Jury Award for Best Ensemble
Dìdi – Sean Wang
Audience Award
Dìdi – Sean Wang
U.S. Documentary Competition
Grand Jury Prize
Porcelain War – Brendan Bellomo and Slava Leontyev
Directing Award
Sugarcane – Julian Brave NoiseCat and Emily Kassie
Special Jury Award for Sound
Gaucho Gaucho (USA, Argentina) – Michael Dweck and Gregory Kershaw
Special Jury Award for The Art of Change
Union (USA) – Stephen Maing and Brett Story
Jonathan Oppenheim Editing Award
Frida...
- 1/26/2024
- by Prem
- Talking Films
The Sundance Film Festival welcomed a new class of indie film stars on Friday, handing out its annual awards in Park City, Utah.
Taking the festival’s grand jury prize in the U.S. dramatic competition was “In the Summers” from writer-director Alessandra Lacorazza Samudio. The film tells of two daughters who come of age navigating a turbulent but loving father during yearly visits to his home in New Mexico. “Porcelain War” won the U.S. Documentary competition, for its portrait of artists-turned-soldiers in the Ukraine.
Top prizes in the world cinematic category went to “A New Kind of Wilderness” for documentary, the tale of a wild-living family who must return to the modern world after an untimely death; “Sujo” won for narrative feature, about a 4-year-old orphan who may find it impossible to escape a future working for a drug cartel.
Incoming Sundance Film Festival director Eugene Hernandez began...
Taking the festival’s grand jury prize in the U.S. dramatic competition was “In the Summers” from writer-director Alessandra Lacorazza Samudio. The film tells of two daughters who come of age navigating a turbulent but loving father during yearly visits to his home in New Mexico. “Porcelain War” won the U.S. Documentary competition, for its portrait of artists-turned-soldiers in the Ukraine.
Top prizes in the world cinematic category went to “A New Kind of Wilderness” for documentary, the tale of a wild-living family who must return to the modern world after an untimely death; “Sujo” won for narrative feature, about a 4-year-old orphan who may find it impossible to escape a future working for a drug cartel.
Incoming Sundance Film Festival director Eugene Hernandez began...
- 1/26/2024
- by Matt Donnelly
- Variety Film + TV
There’s an admirable ambition to Jack Begert’s directorial debut, Little Death. The film, which premiered at Sundance, announces its intentions with an early scene of communal complaint. At dinner, Martin Solomon (David Schwimmer), a TV writer with directorial aspirations, laments the state of his industry. In addition to their disdain for lazy and too-sensitive audiences, he and his friend, Augustus (Fred Melamed), discuss the limitations of narrative filmmaking. Augustus argues that television allows writers to explore the interiority of multiple characters, whereas films can only really sustain one point of view.
With Little Death, Begert tries to prove Augustus wrong. The director, who co-wrote the film’s screenplay with Dani Goffstein, constructs a story plunging viewers into the ravaged emotional lives of different characters. It tries to stretch the bounds of the narrative form, to upend convention and encourage us to rethink our relationship to storytelling. It aims...
With Little Death, Begert tries to prove Augustus wrong. The director, who co-wrote the film’s screenplay with Dani Goffstein, constructs a story plunging viewers into the ravaged emotional lives of different characters. It tries to stretch the bounds of the narrative form, to upend convention and encourage us to rethink our relationship to storytelling. It aims...
- 1/25/2024
- by Lovia Gyarkye
- The Hollywood Reporter - Movie News
There’s a perplexing choice at the heart of “Little Death,” directed by Jack Begert, best known for his work in music videos. That choice is essentially to make two very different movies and smash them together. If you squint closely, you can see the thematic throughlines between them, both stories about addiction told through different prisms, but while one is grating, the other is deftly told. You just have to make it through the first to get to the one that is more elegantly executed.
Begert is primarily a music video director with credits like Olivia Rodrigo’s recent “get him back!” and Jack Harlow’s Fergie-sampling “First Class” under his belt. The hyperactive visual style of that genre is on full display in the first half of “Little Death,” which is narrated by a depressed, misogynistic television writer named Martin played by David Schwimmer and, eventually, Gaby Hoffmann,...
Begert is primarily a music video director with credits like Olivia Rodrigo’s recent “get him back!” and Jack Harlow’s Fergie-sampling “First Class” under his belt. The hyperactive visual style of that genre is on full display in the first half of “Little Death,” which is narrated by a depressed, misogynistic television writer named Martin played by David Schwimmer and, eventually, Gaby Hoffmann,...
- 1/25/2024
- by Esther Zuckerman
- Indiewire
Being an actor since she was a child, Jena Malone has been on her fair share of film sets. And what she’s learned is that working with first-time filmmakers is what she enjoys the most.
“I think, throughout my career, my number one favorite activity is working with first-time filmmakers that have a very unique vision,” Malone explained. “And [who] support innovation and clumsy emotion, and have just a unique perspective on humanity, you know?”
As his first feature film, Begert admitted at TheWrap’s Sundance Portrait and Interview Studio presented by Nfp that it started “just as a bit of a writing experiment,” and evolved from there into a short film and, eventually, into this feature. For Malone, working on this film was “amazing.”
Malone stars in music video director Jack Begert’s debut feature “Little Death,” running as part of Sundance’s program this year. Begert has become...
“I think, throughout my career, my number one favorite activity is working with first-time filmmakers that have a very unique vision,” Malone explained. “And [who] support innovation and clumsy emotion, and have just a unique perspective on humanity, you know?”
As his first feature film, Begert admitted at TheWrap’s Sundance Portrait and Interview Studio presented by Nfp that it started “just as a bit of a writing experiment,” and evolved from there into a short film and, eventually, into this feature. For Malone, working on this film was “amazing.”
Malone stars in music video director Jack Begert’s debut feature “Little Death,” running as part of Sundance’s program this year. Begert has become...
- 1/20/2024
- by Andi Ortiz
- The Wrap
Dominic Fike appeared at the Variety Studio presented by Audible while attending the Sundance Film Festival and compared his experiences playing a character struggling with drug addiction on HBO’s “Euphoria” and his new Sundance premiere, “Little Death.” The latter title marks the feature directorial debut of music video helmer Jack Begert, who happens to be one of Fike’s friends.
Fike has been open in the past about his real-life addiction struggles, so his proximity to Berget made playing a drug addiction in “Little Death” a bit easier than playing one in “Euphoria.”
“I’ve done that before, like acted like a drug addict,” Fike said. “I actually am a pretty big drug addict myself, believe it or not. When I was on ‘Euphoria,’ they kind of just gave me a coach who would just talk to you. It was just some random lady. Jack is one of my...
Fike has been open in the past about his real-life addiction struggles, so his proximity to Berget made playing a drug addiction in “Little Death” a bit easier than playing one in “Euphoria.”
“I’ve done that before, like acted like a drug addict,” Fike said. “I actually am a pretty big drug addict myself, believe it or not. When I was on ‘Euphoria,’ they kind of just gave me a coach who would just talk to you. It was just some random lady. Jack is one of my...
- 1/20/2024
- by Zack Sharf
- Variety Film + TV
Filmmaker Jack Begert makes his feature debut with the Darren Aronofsky-produced comedic drama Little Death, which premieres at the 2024 Sundance Film Festival on Friday. Ahead of the film’s first showing, The Hollywood Reporter chatted with Begert, as well as the film’s stars Dominic Fike, Jena Malone, Gaby Hoffman and Talia Ryder in THR‘s studio during the festival.
Before Little Death, the ingenue filmmaker was best known for directing music videos for artists like Olivia Rodrigo, Doja Cat, Jack Harlow and Sza. While most of the film’s cast signed on for the indie flick after being impressed with Begert’s script without having worked with him before, Fike decided to join Little Death because of his collaborative past with the writer-director.
“Jack does all my music videos. It’s going to be hard to get another one out of him after this. But it’s easier...
Before Little Death, the ingenue filmmaker was best known for directing music videos for artists like Olivia Rodrigo, Doja Cat, Jack Harlow and Sza. While most of the film’s cast signed on for the indie flick after being impressed with Begert’s script without having worked with him before, Fike decided to join Little Death because of his collaborative past with the writer-director.
“Jack does all my music videos. It’s going to be hard to get another one out of him after this. But it’s easier...
- 1/20/2024
- by Tatiana Tenreyro
- The Hollywood Reporter - Movie News
When setting out to make his feature directorial debut with Little Death, a surreal genre-bender premiering tonight at Sundance, Jack Begert looked to synthesize “two very powerful influences” — a love of “surreal” cinematic stylings, carried over from his work in high-profile music videos, as well as a much more “grounded, authentic, humanistic” mode of filmmaking.
David Schwimmer in Little Death
Produced by Academy Award nominee Darren Aronofsky for his Protozoa Pictures, the film is visually and, to an extent, tonally reminiscent of the director’s early works, Requiem for a Dream and Pi. A formally experimental feature telling a series of interconnected L.A. stories, which makes memorable use of AI-generated art, as well as visual and practical effects, it hones in on a series of dreamer characters on a darkly comic collision course — a middle-aged filmmaker (David Schwimmer) in the midst of a existential crisis (or breakthrough?), and a...
David Schwimmer in Little Death
Produced by Academy Award nominee Darren Aronofsky for his Protozoa Pictures, the film is visually and, to an extent, tonally reminiscent of the director’s early works, Requiem for a Dream and Pi. A formally experimental feature telling a series of interconnected L.A. stories, which makes memorable use of AI-generated art, as well as visual and practical effects, it hones in on a series of dreamer characters on a darkly comic collision course — a middle-aged filmmaker (David Schwimmer) in the midst of a existential crisis (or breakthrough?), and a...
- 1/19/2024
- by Matt Grobar
- Deadline Film + TV
Films are made of and from places: the locations they are filmed in, the settings they are meant to evoke, the geographies where they are imagined and worked on. What place tells its own story about your film, whether a particularly challenging location that required production ingenuity or a map reference that inspired you personally, politically or creatively? I have spent the last decade shooting all over Los Angeles, and wanted to use my first film as an opportunity to show different sides of the city—ones that don’t always get the spotlight in movies. In particular, we had a very important […]
The post “A Section of the LA River Which Is Often Overlooked” | Jack Begert, Little Death first appeared on Filmmaker Magazine.
The post “A Section of the LA River Which Is Often Overlooked” | Jack Begert, Little Death first appeared on Filmmaker Magazine.
- 1/19/2024
- by Filmmaker Staff
- Filmmaker Magazine - Blog
Films are made of and from places: the locations they are filmed in, the settings they are meant to evoke, the geographies where they are imagined and worked on. What place tells its own story about your film, whether a particularly challenging location that required production ingenuity or a map reference that inspired you personally, politically or creatively? I have spent the last decade shooting all over Los Angeles, and wanted to use my first film as an opportunity to show different sides of the city—ones that don’t always get the spotlight in movies. In particular, we had a very important […]
The post “A Section of the LA River Which Is Often Overlooked” | Jack Begert, Little Death first appeared on Filmmaker Magazine.
The post “A Section of the LA River Which Is Often Overlooked” | Jack Begert, Little Death first appeared on Filmmaker Magazine.
- 1/19/2024
- by Filmmaker Staff
- Filmmaker Magazine-Director Interviews
Festival runs January 18-28.
Sundance Film Festival kicks off on Thursday when the industry will gather on the mountain to put the world to rights and buyers will engage in the annual hunt for the festival’s must-have acquisition titles.
Streamers and theatrical buyers will vie for coveted breakouts and while there will almost certainly be a number of on-site deals as there were last year when Netflix swooped on Fair Play in a $20m deal, Apple forked out close to that amount for Flora And Son, and Searchlight Pictures paid $8m for Theater Camp, the post-Covid deal lag will...
Sundance Film Festival kicks off on Thursday when the industry will gather on the mountain to put the world to rights and buyers will engage in the annual hunt for the festival’s must-have acquisition titles.
Streamers and theatrical buyers will vie for coveted breakouts and while there will almost certainly be a number of on-site deals as there were last year when Netflix swooped on Fair Play in a $20m deal, Apple forked out close to that amount for Flora And Son, and Searchlight Pictures paid $8m for Theater Camp, the post-Covid deal lag will...
- 1/17/2024
- by Jeremy Kay
- ScreenDaily
The 2024 edition of the Sundance Film Festival is a little over a week away and it’s time for us to talk about movies that will be the talk of Sundance, movies that should not be missed and lastly underrated movies that are a must watch as well. The list below is not comprehensive and the goal is not to rank order any of the movies in this list. From films by critically acclaimed directors like Steven Soderbergh and Richard Linklater to actors like Pedro Pascal, Kristen Stewart and Jesse Eisenberg, the list also focuses on independent films by new exciting directors and filmmakers for the future. In no particular order, we are listing 20 feature films that are a must watch if you are planning to check out the festival.
Freaky Tales
Pedro Pascal appears in Freaky Tales by Anna Boden and Ryan Fleck,an official selection of the Premieres...
Freaky Tales
Pedro Pascal appears in Freaky Tales by Anna Boden and Ryan Fleck,an official selection of the Premieres...
- 1/11/2024
- by Prem
- Talking Films
Exclusive: Management and production company 2Am is bolstering its finance and sales division with the hire of former Sundance Catalyst executive Julia Nelson.
Nelson will report to former WME & Endeavor Content exec Christine D’Souza Gelb who oversees the sales arm of 2Am.
2Am will be launching sales on two titles at the upcoming Sundance Film Festival: Sam and Andy Zuchero’s Love Me starring Kristen Stewart and Steven Yeun, and produced by 2Am, ShivHans, and AgX; and Haley Elizabeth Anderson’s Tendaberry, produced by Dweck and Flies Collective. 2Am is co-repping worldwide rights on both projects with WME, where the filmmakers are also represented.
The company, which is a producer on Celine Song’s Golden Globe nominee Past Lives, has previously repped Sing J. Lee’s Accidental Getaway Driver, Andrew Semans’ Resurrection, and Christopher Makoto Yogi’s I Was A Simple Man.
Nelson joins the company after six years at...
Nelson will report to former WME & Endeavor Content exec Christine D’Souza Gelb who oversees the sales arm of 2Am.
2Am will be launching sales on two titles at the upcoming Sundance Film Festival: Sam and Andy Zuchero’s Love Me starring Kristen Stewart and Steven Yeun, and produced by 2Am, ShivHans, and AgX; and Haley Elizabeth Anderson’s Tendaberry, produced by Dweck and Flies Collective. 2Am is co-repping worldwide rights on both projects with WME, where the filmmakers are also represented.
The company, which is a producer on Celine Song’s Golden Globe nominee Past Lives, has previously repped Sing J. Lee’s Accidental Getaway Driver, Andrew Semans’ Resurrection, and Christopher Makoto Yogi’s I Was A Simple Man.
Nelson joins the company after six years at...
- 12/15/2023
- by Andreas Wiseman and Anthony D'Alessandro
- Deadline Film + TV
Olivia Rodrigo has dropped the music video for “get him back!,” one of many highlights off her brand-new sophomore album Guts.
“get him back!” is as much about seeking revenge on a former partner as it is about wanting to kiss and make up with them. So, it’s fitting that the tune’s music video features no fewer than eight identical Olivias, almost as if they’re each representing one of the contradicting voices in Rodrigo’s head telling her to key this scumbag’s car — but wait, what if she can fix him?!?!
The surrealist clip was directed by Jack Begert, who’s also behind similarly eye-catching music videos like Doja Cat’s “Juicy” and Amine’s “Blackjack.” This one boasts no shortage of smashed car windows, trashed bedrooms, and thrown steak knives, but the good news it looks like no Olivia Rodrigos were harmed in its making.
“get him back!” is as much about seeking revenge on a former partner as it is about wanting to kiss and make up with them. So, it’s fitting that the tune’s music video features no fewer than eight identical Olivias, almost as if they’re each representing one of the contradicting voices in Rodrigo’s head telling her to key this scumbag’s car — but wait, what if she can fix him?!?!
The surrealist clip was directed by Jack Begert, who’s also behind similarly eye-catching music videos like Doja Cat’s “Juicy” and Amine’s “Blackjack.” This one boasts no shortage of smashed car windows, trashed bedrooms, and thrown steak knives, but the good news it looks like no Olivia Rodrigos were harmed in its making.
- 9/12/2023
- by Abby Jones
- Consequence - Music
Olivia Rodrigo’s Rolling Stone cover story isn’t the only reason today rules: The singer-songwriter has also dropped a new video for her Guts track “Get Him Back!”
Directed by Jack Begert, the video finds Rodrigo casually wreaking havoc wherever she goes, whether trashing a house or causing a wild traffic jam, as she cheerily sings about wanting to win back a bad-but-good ex both because she wants him, and because she wants to make his life miserable. The visual ups the chaos with multiple Rodrigos clones who throw knives,...
Directed by Jack Begert, the video finds Rodrigo casually wreaking havoc wherever she goes, whether trashing a house or causing a wild traffic jam, as she cheerily sings about wanting to win back a bad-but-good ex both because she wants him, and because she wants to make his life miserable. The visual ups the chaos with multiple Rodrigos clones who throw knives,...
- 9/12/2023
- by Jon Blistein
- Rollingstone.com
As a former child dancer, maybe it shouldn’t surprise anyone that 21-year-old Talia Ryder moved so gracefully into singing, directing and acting. But don’t make her choose just one. “I really like making things, whether that’s acting, directing, choreography or all of the above,” she says.
Since her 2020 film debut in the Sundance abortion drama “Never Rarely Sometimes Always,” the Indie Spirit nominee has brought her naturalistic acting to “West Side Story,” “Master,” “Do Revenge” and “Hello, Goodbye and Everything in Between.” She returns to the festival circuit with “Dumb Money,” Craig Gillespie’s comedy about the 2021 GameStop stock craze, which had a TIFF Gala premiere Sept. 8. and begins its theatrical rollout Sept. 15.
“It was such an insane moment in time,” says Ryder, who was interviewed before the SAG-AFTRA strike. “Everyone was on their phones, and I felt involved in that story — a good friend was pretty invested in it,...
Since her 2020 film debut in the Sundance abortion drama “Never Rarely Sometimes Always,” the Indie Spirit nominee has brought her naturalistic acting to “West Side Story,” “Master,” “Do Revenge” and “Hello, Goodbye and Everything in Between.” She returns to the festival circuit with “Dumb Money,” Craig Gillespie’s comedy about the 2021 GameStop stock craze, which had a TIFF Gala premiere Sept. 8. and begins its theatrical rollout Sept. 15.
“It was such an insane moment in time,” says Ryder, who was interviewed before the SAG-AFTRA strike. “Everyone was on their phones, and I felt involved in that story — a good friend was pretty invested in it,...
- 9/9/2023
- by Gregg Goldstein
- Variety Film + TV
Producer Kaytranada and Portland rapper Aminé have paired up for a full-length collaborative project, under the portmanteau KAYTRAMINÉ. Stream it below via Apple Music or Spotify.
The album reunites the two artists after nearly a decade of mutual behind-the-scenes support that resulted in three Kaytranada-produced tracks on Aminé’s 2015 mixtape, Calling Brio. The 11-track effort includes features from Pharrell Williams, Freddie Gibbs, Snoop Dogg, and Big Sean.
Lead single “4Eva” features production and a vocal assist from Williams. Watch the music video, directed by frequent Aminé collaborator Jack Begert, below.
“4Eva” was followed by the second preview “Rebuke.” KAYTRAMINÉ arrives after a similar year-plus release gap for both artists. Aminé’s Twopointfive project and Kaytranada’s Intimidated EP dropped within two weeks of each other in November 2021, and the latter’s 2022 single “Twin Flame” with Anderson. Paak has stood as the sole offering from either ever since.
Kaytranada will embark...
The album reunites the two artists after nearly a decade of mutual behind-the-scenes support that resulted in three Kaytranada-produced tracks on Aminé’s 2015 mixtape, Calling Brio. The 11-track effort includes features from Pharrell Williams, Freddie Gibbs, Snoop Dogg, and Big Sean.
Lead single “4Eva” features production and a vocal assist from Williams. Watch the music video, directed by frequent Aminé collaborator Jack Begert, below.
“4Eva” was followed by the second preview “Rebuke.” KAYTRAMINÉ arrives after a similar year-plus release gap for both artists. Aminé’s Twopointfive project and Kaytranada’s Intimidated EP dropped within two weeks of each other in November 2021, and the latter’s 2022 single “Twin Flame” with Anderson. Paak has stood as the sole offering from either ever since.
Kaytranada will embark...
- 5/19/2023
- by Bryan Kress
- Consequence - Music
Dominic Fike has dropped a new single, “Dancing In The Courthouse,” along with a Florida-set music video directed by Jack Begert.
The song and video reflect on the actor and musician’s upbringing in the state, including his childhood run-ins with the law that ultimately led to him being placed on house arrest and serving a short stint in jail just ahead of the release of his debut EP. Fike has been teasing the track all week on Twitter with clips from the video.
“Dancing in the Courtyard” marks the...
The song and video reflect on the actor and musician’s upbringing in the state, including his childhood run-ins with the law that ultimately led to him being placed on house arrest and serving a short stint in jail just ahead of the release of his debut EP. Fike has been teasing the track all week on Twitter with clips from the video.
“Dancing in the Courtyard” marks the...
- 4/14/2023
- by Emily Zemler
- Rollingstone.com
Nat and Alex Wolff have released a new music video for their song “Glue.” The visual was shot at the brothers’ house in Los Angeles during Covid-19 quarantine, directed by Jack Begert (Kendrick Lamar, Dominic Fike, Lil Uzi Vert), and filmed on Super 8 and 35mm film.
Alex Wolff states that the whimsical video was “super inspired by the styles of early Beatles, but also some of the more psychedelic, colorful spirit of some more sonically experimental and exciting bands like the War on Drugs or Tame Impala.”
“We love the...
Alex Wolff states that the whimsical video was “super inspired by the styles of early Beatles, but also some of the more psychedelic, colorful spirit of some more sonically experimental and exciting bands like the War on Drugs or Tame Impala.”
“We love the...
- 10/22/2020
- by Claire Shaffer
- Rollingstone.com
Nas just dropped a new video for “Spicy,” a collaboration with Fivio Foreign and A$AP Ferg. The track comes from Nas’ latest album King’s Disease.
In the visual, directed by Jack Begert, the three hip-hop stars celebrate New York City with an on-location shoot across the boroughs, performing in a church and in front of well-known marquees like local Southern food chain Sweet Chick. Nas is seen briefly wearing a mask to acknowledge the ongoing Covid-19 pandemic, although you won’t find many references to social distancing in this ensemble video.
In the visual, directed by Jack Begert, the three hip-hop stars celebrate New York City with an on-location shoot across the boroughs, performing in a church and in front of well-known marquees like local Southern food chain Sweet Chick. Nas is seen briefly wearing a mask to acknowledge the ongoing Covid-19 pandemic, although you won’t find many references to social distancing in this ensemble video.
- 10/2/2020
- by Claire Shaffer
- Rollingstone.com
In Aminé’s playful video for “Compensating,” Aminé challenges himself to a tennis match and hangs out with his friends in a luxe Bel Air mansion. The song, which features Young Thug, appears on his sophomore studio album, Limbo. The album drops on Friday via Republic.
In the Aminé and Jack Begert-directed clip, the Portland rapper initially gives a serious look on the tennis court, but as he volleys, the ball sprouts a face and cheekily starts rapping. The clip finds the rapper enjoying a pink bubble bath while...
In the Aminé and Jack Begert-directed clip, the Portland rapper initially gives a serious look on the tennis court, but as he volleys, the ball sprouts a face and cheekily starts rapping. The clip finds the rapper enjoying a pink bubble bath while...
- 8/5/2020
- by Althea Legaspi
- Rollingstone.com
Flying Lotus has shared a new visual for “Black Balloons Reprise,” from his latest album Flamagra. Denzel Curry, who’s featured on the track, stars in the video as he attempts to make his way around a surreal South Los Angeles. The visual completes a music video trilogy that also includes Curry’s own “Black Balloons” and “The Blackest Balloon.”
“This is such a special project to me because it’s rare to work with an artist like Flying Lotus that truly has no creative boundaries,” video director Jack Begert saod.
“This is such a special project to me because it’s rare to work with an artist like Flying Lotus that truly has no creative boundaries,” video director Jack Begert saod.
- 12/3/2019
- by Claire Shaffer
- Rollingstone.com
The collaboration between Jay Rock and Kendrick Lamar on “Wow Freestyle,” from Jay Rock’s Redemption, which came out earlier this year, felt natural from the moment it dropped. It’s a relaxed song, the Tde mainstays trading bars over their longtime producer Sounwave’s pan flute-inflected beat, and the video they dropped on Thursday matches the vibe. It’s an L.A. cruising song with the visuals to match, right up until a guy runs across a baseball field with his feet on fire.
It’s the eighth video...
It’s the eighth video...
- 10/25/2018
- by Brendan Klinkenberg
- Rollingstone.com
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