It’s been a weekend full of reviews from the Toronto International Film Festival, and along with the premieres, it means producers or (if the film is lucky enough) distributors releasing the first look at footage in an attempt to drum up interest and stand out of the pack of hundreds of others at the festival. Well, it seems to have done the trick as we’re posting a round-up today.
First up, we have the first trailer for Let the Corpses Tan, the latest film from Hélène Cattet and Bruno Forzani, the duo behind Amer and The Strange Colour of Your Body’s Tears. We reviewed it here, and the preview displays some of the visual inventiveness at play. Along with that, there are previews for three other anticipated projects, including the Netflix documentary One of Us, arriving on the platform on October, as well as a pair of...
First up, we have the first trailer for Let the Corpses Tan, the latest film from Hélène Cattet and Bruno Forzani, the duo behind Amer and The Strange Colour of Your Body’s Tears. We reviewed it here, and the preview displays some of the visual inventiveness at play. Along with that, there are previews for three other anticipated projects, including the Netflix documentary One of Us, arriving on the platform on October, as well as a pair of...
- 9/11/2017
- by Jordan Raup
- The Film Stage
This story first appeared in the May 16 issue of The Hollywood Reporter magazine. Almost 75 years ago, Howard Hughes spent nearly $4 million of his own money to make Hell's Angels, upsetting the studio ecosystem. The dusty path he forged has since become a highway for high-net-worth individuals seeking a foothold in Hollywood. Today's rising stars include Molly Smith, whose Black Label Media partially is funded by her father, FedEx founder Fred Smith; Teddy Schwarzman, who scored a $7 million deal in February from Harvey Weinstein for the Benedict Cumberbatch starrer The Imitation Game; and Australian James
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- 5/9/2014
- by Pamela McClintock
- The Hollywood Reporter - Movie News
Exclusive: High net worth individuals have become the life blood of Hollywood, and one to watch is Black Label Media’s Molly Smith. She’s the daughter of Federal Express’s Fred Smith, who backs Alcon. She also was a producer of The Blind Side, before launching the financing/producing shingle. Molly Smith hosted and backed the CAA party at the recent Sundance Film Festival, as well as an exclusive dinner to honor Julie Huntsinger and the Telluride Film Festival held in Park City. Smith has an emerging slate that includes (with Alcon) the Reese Witherspoon pic The Good Lie, Dallas Buyers Club helmer Jean Marc Valle’s next pic Demolition, the Denis Villeneuve-directed Sicario, and the Barry Switzer pic Bootlegger’s Boy. She runs Black Label with Trent and Thad Luckinbill. Black Label Media is also building its brand another way, by empowering new writer voices. The label...
- 2/5/2014
- by MIKE FLEMING JR
- Deadline
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