Get in touch to send in cinephile news and discoveries. To keep up with our latest features, sign up for the Weekly Edit newsletter and follow us @mubinotebook.NEWSNostalgia.Industry experts warn that digital cinema files are not being properly maintained (“You have an entire era of cinema that’s in severe danger of being lost”), emphasizing the importance of amateur preservation efforts like Rarefilmm, recently profiled on Notebook.After a caucus week of intra-union meetings, negotiations between IATSE and the Alliance of Motion Picture and Television Producers continued, with their current contract set to expire on July 31. This week’s discussions focused on specific proposals from each of the 13 West Coast locals, starting with the International Cinematographers Guild, Local 600.Vision du Réel has announced the full program for its 55th edition, running April 12 to 21 in Nyon, Switzerland. The competition slate includes mostly first features.In PRODUCTIONLittle Shop of Horrors.
- 3/20/2024
- MUBI
American Cinematheque Launches Major New L.A. Documentary Festival This Is Not a Fiction (Exclusive)
The American Cinematheque is kicking off a robust new Los Angeles nonfiction film festival dubbed This Is Not a Fiction, running from April 10-18. The festival opens with docuseries “Thank You, Good Night: The Bon Jovi Story,” with Jon Bon Jovi in-person at the Aero Theatre for the L.A. premiere screening.
The event will include in-person tributes to distinguished documentary filmmakers including Barbara Kopple, Joe Berlinger, Brett Morgen, Bill Morrison, Kirsten Johnson, Terry Zwigoff, Jeff Tremaine and Véréna Paravel and Lucien Castaing-Taylor, as well as a virtual Q&a with Frederick Wiseman.
Other premieres will include “Ryuichi Sakamoto: Opus,” “Power,” “Strong Island,” “Catching Fire: The Story of Anita Pallenberg,” a restoration of “Lumumba: Death of a Prophet” and “Incident,” plus special presentations of Morgan Neville’s “Steve! (Martin) A Documentary in 2 Pieces” and “Girls State.” A celebration of the 15th anniversary of “30 for 30” will feature a panel...
The event will include in-person tributes to distinguished documentary filmmakers including Barbara Kopple, Joe Berlinger, Brett Morgen, Bill Morrison, Kirsten Johnson, Terry Zwigoff, Jeff Tremaine and Véréna Paravel and Lucien Castaing-Taylor, as well as a virtual Q&a with Frederick Wiseman.
Other premieres will include “Ryuichi Sakamoto: Opus,” “Power,” “Strong Island,” “Catching Fire: The Story of Anita Pallenberg,” a restoration of “Lumumba: Death of a Prophet” and “Incident,” plus special presentations of Morgan Neville’s “Steve! (Martin) A Documentary in 2 Pieces” and “Girls State.” A celebration of the 15th anniversary of “30 for 30” will feature a panel...
- 3/19/2024
- by Pat Saperstein
- Variety Film + TV
As various critics groups and awards bodies dole out their top films of the year, it can be hard to parse which ones are actually worth paying attention to. Following our top 50 films of 2023, one such list has arrived today with Film Comment’s annual end-of-year survey. Revealed at a special live talk last night, Todd Haynes’s May December, Kelly Reichardt’s Showing Up, and Martin Scorsese’s Killers of the Flower Moon grabbed the top three spots, while Eduardo Williams’s The Human Surge 3, Lisandro Alonso’s Eureka, and Víctor Erice’s Close Your Eyes topped the best undistributed films.
“It speaks to the ongoing vitality of cinema as an art form, as well as the discernment of our critics in the year of ‘Barbenheimer,’ that this year’s top films represent some of the most boundary-pushing, complex movies of recent times—three new classics from contemporary masters,...
“It speaks to the ongoing vitality of cinema as an art form, as well as the discernment of our critics in the year of ‘Barbenheimer,’ that this year’s top films represent some of the most boundary-pushing, complex movies of recent times—three new classics from contemporary masters,...
- 12/15/2023
- by Jordan Raup
- The Film Stage
In the comments section of last year’s Best Movie Posters of the Year I got a nice shoutout from an unexpected and most welcome source: the Alhambra Cinema in Keswick, in England’s Lake District. Built in 1913, the Alhambra is apparently the sixth oldest continuously-running cinema in the UK. I’ve been writing introductions to these annual Movie Poster of the Year roundups for fifteen years and so I am quite happy to cede the floor this year to the good folks at the Alhambra, because who better to talk about movie poster design than the people who run one of the cinemas that rely on it?Excellent choices and all great posters. For our cinema in the Lake District, the five quads we have outside make a big difference. When a poster is truly impactful, it definitely draws people in (I would only have added “The Duke” and...
- 12/15/2023
- MUBI
“A cinematographer is a visual psychiatrist–moving an audience through a movie […] making them think the way you want them to think, painting pictures in the dark,” said the late, great Gordon Willis. As our year-end coverage continues, we must pay dues. From talented newcomers to seasoned professionals, we’ve rounded up the examples that have most impressed us this year.
All Dirt Roads Taste of Salt (Jomo Fray)
Raven Jackson’s directorial debut All Dirt Roads Taste of Salt slows down the cycle of life. The camera rests on hands, on backs, on people connected through touch, sound, and smell. There isn’t any rush, any intention to leave these moments. Jackson and cinematographer Jomo Fray find beauty, grace, and life in two people holding hands, dancing, skinning a fish, and the trees passing while a family drives down the road. The film doesn’t just feel like a...
All Dirt Roads Taste of Salt (Jomo Fray)
Raven Jackson’s directorial debut All Dirt Roads Taste of Salt slows down the cycle of life. The camera rests on hands, on backs, on people connected through touch, sound, and smell. There isn’t any rush, any intention to leave these moments. Jackson and cinematographer Jomo Fray find beauty, grace, and life in two people holding hands, dancing, skinning a fish, and the trees passing while a family drives down the road. The film doesn’t just feel like a...
- 12/6/2023
- by The Film Stage
- The Film Stage
Going deep inside the human body, rethinking a Thelonious Monk interview, solitary island life, capturing one of the finest restaurants in the world, exploring the trans experience, and examining how we listen to movies—just a few of the subjects and stories this year’s documentaries brought us. With 2023 wrapping up, we’ve selected the non-fiction features that left us most impressed. If you’re looking for where to stream them, check out our handy guide here.
32 Sounds (Sam Green)
Filmmaker Sam Green captures something so specific here: he makes audio the star of a motion picture. It’s a lovely inclination and a worthwhile escapade. There are funny moments, clever moments, plenty that are heartfelt. Sound can do so many different things! This is an exceedingly well-produced work, its perfect length and the audible narrative it designs building succinctly to a lovely finale. Toss on those headphones and get...
32 Sounds (Sam Green)
Filmmaker Sam Green captures something so specific here: he makes audio the star of a motion picture. It’s a lovely inclination and a worthwhile escapade. There are funny moments, clever moments, plenty that are heartfelt. Sound can do so many different things! This is an exceedingly well-produced work, its perfect length and the audible narrative it designs building succinctly to a lovely finale. Toss on those headphones and get...
- 12/4/2023
- by The Film Stage
- The Film Stage
The 2024 Cinema Eye Honors has officially announced its full list of nominees, with D. Smith’s debut feature “Kokomo City” topping the awards contenders.
The Sundance breakout film about Black trans sex workers has six nominations for the 17th annual awards ceremony which spotlights achievements in nonfiction and documentary films and series. The 2024 Cinema Eye Honors will take place January 12 at the New York Academy of Medicine in East Harlem, New York.
Following “Kokomo City” are Mstyslav Chernov’s “20 Days in Mariupol,” Sam Green’s “32 Sounds,” and Maite Alberdi’s “The Eternal Memory,” each with five nominations. All four films are nominated for Outstanding Nonfiction Feature with the respective directors all nominated for Outstanding Direction.
This year’s Cinema Eye Honors also marks a history-making first with directors Joe Brewster and Michèle Stephenson being the first filmmakers to be nominated for Nonfiction Feature and Nonfiction Short in the same year,...
The Sundance breakout film about Black trans sex workers has six nominations for the 17th annual awards ceremony which spotlights achievements in nonfiction and documentary films and series. The 2024 Cinema Eye Honors will take place January 12 at the New York Academy of Medicine in East Harlem, New York.
Following “Kokomo City” are Mstyslav Chernov’s “20 Days in Mariupol,” Sam Green’s “32 Sounds,” and Maite Alberdi’s “The Eternal Memory,” each with five nominations. All four films are nominated for Outstanding Nonfiction Feature with the respective directors all nominated for Outstanding Direction.
This year’s Cinema Eye Honors also marks a history-making first with directors Joe Brewster and Michèle Stephenson being the first filmmakers to be nominated for Nonfiction Feature and Nonfiction Short in the same year,...
- 11/16/2023
- by Samantha Bergeson
- Indiewire
“Kokomo City,” D. Smith’s documentary about four trans Black women in New York and Georgia, led all films in nominations for the 17th annual Cinema Eye Honors, the New York-based awards designed to spotlight all facets of nonfiction filmmaking.
The film received six nominations, including Outstanding Nonfiction Feature and Outstanding Direction. Mstyslav Chernov’s “20 Days in Mariupol,” Maite Alberdi’s “The Eternal Memory” and Sam Green’s “32 Sounds” followed with five nominations each.
In the Outstanding Nonfiction Feature category, “Kokomo City,” “The Eternal Memory,” “20 Days in Mariupol” and “32 Sounds” were joined by “Four Daughters,” “Going to Mars: The Nikki Giovanni Project” and “Still: A Michael J. Fox Movie.”
Matthew Heineman’s “American Symphony” received nominations for Outstanding Production and Outstanding Score, making Heineman the third-most-nominated filmmaker in Cinema Eye history. With 12 nominations overall, he now trails Steve James and Laura Poitras by one.
While many...
The film received six nominations, including Outstanding Nonfiction Feature and Outstanding Direction. Mstyslav Chernov’s “20 Days in Mariupol,” Maite Alberdi’s “The Eternal Memory” and Sam Green’s “32 Sounds” followed with five nominations each.
In the Outstanding Nonfiction Feature category, “Kokomo City,” “The Eternal Memory,” “20 Days in Mariupol” and “32 Sounds” were joined by “Four Daughters,” “Going to Mars: The Nikki Giovanni Project” and “Still: A Michael J. Fox Movie.”
Matthew Heineman’s “American Symphony” received nominations for Outstanding Production and Outstanding Score, making Heineman the third-most-nominated filmmaker in Cinema Eye history. With 12 nominations overall, he now trails Steve James and Laura Poitras by one.
While many...
- 11/16/2023
- by Steve Pond
- The Wrap
The Cinema Eye Honors for achievement in nonfiction and documentary films and series has announced nominees for the 17th awards ceremony. “Kokomo City” from D. Smith led the nominees with six. “20 Days in Mariupol,” “32 Sounds” and “The Eternal Memory” each received five nominations. The nominees for outstanding fiction feature also include “Four Daughters,” “Going to Mars: The Nikki Giovanni Project” and “Still: A Michael J. Fox Movie.”
Outstanding direction nominees include Maite Alberdi for “The Eternal Memory,” Sam Green for “32 Sounds,” Kaouther Ben Hania for “Four Daughters,” Smith for “Kokomo City,” Claire Simon for “Our Body” and Wim Wenders for “Anselm.”
The Cinema Eye 2024 Awards Ceremony takes place on Jan. 12 at the New York Academy of Medicine in East Harlem.
Full list of nominees follows.
2024 Cinema Eye Honors Nominations
Outstanding Nonfiction Feature
20 Days in Mariupol
Directed by Mstyslav Chernov
Produced by Mstyslav Chernov, Michelle Mizner, Raney Aronson Rath...
Outstanding direction nominees include Maite Alberdi for “The Eternal Memory,” Sam Green for “32 Sounds,” Kaouther Ben Hania for “Four Daughters,” Smith for “Kokomo City,” Claire Simon for “Our Body” and Wim Wenders for “Anselm.”
The Cinema Eye 2024 Awards Ceremony takes place on Jan. 12 at the New York Academy of Medicine in East Harlem.
Full list of nominees follows.
2024 Cinema Eye Honors Nominations
Outstanding Nonfiction Feature
20 Days in Mariupol
Directed by Mstyslav Chernov
Produced by Mstyslav Chernov, Michelle Mizner, Raney Aronson Rath...
- 11/16/2023
- by Pat Saperstein
- Variety Film + TV
The International Documentary Association announced its shortlists of features and shorts in the running for the 39th IDA Documentary Awards, a list as notable for what was left out as for what films made the cut.
A total of 17 feature docs earned a place on the shortlist, including Sundance Grand Jury Prize Winner Going to Mars: The Nikki Giovanni Project, directed by Michèle Stephenson and Joe Brewster, National Geographic’s Bobi Wine: The People’s President, Cannes winner The Mother of All Lies, and the Ukraine-themed film In the Rearview.
Among notable films left off the list: The Errol Morris documentary The Pigeon Tunnel, Kokomo City, Sundance winner The Eternal Memory, Roger Ross Williams’ Stamped From the Beginning from Netflix, and another Netflix title, American Symphony — the Matthew Heineman documentary about musician Jon Batiste. Scroll for the full list of nominated films.
Up to 10 nominees in the feature and short documentary...
A total of 17 feature docs earned a place on the shortlist, including Sundance Grand Jury Prize Winner Going to Mars: The Nikki Giovanni Project, directed by Michèle Stephenson and Joe Brewster, National Geographic’s Bobi Wine: The People’s President, Cannes winner The Mother of All Lies, and the Ukraine-themed film In the Rearview.
Among notable films left off the list: The Errol Morris documentary The Pigeon Tunnel, Kokomo City, Sundance winner The Eternal Memory, Roger Ross Williams’ Stamped From the Beginning from Netflix, and another Netflix title, American Symphony — the Matthew Heineman documentary about musician Jon Batiste. Scroll for the full list of nominated films.
Up to 10 nominees in the feature and short documentary...
- 10/24/2023
- by Matthew Carey
- Deadline Film + TV
The International Documentary Association announced the 17 feature-length and 25 short documentaries included on the shortlists for the 39th IDA Documentary Awards, which will be held during the week of Dec. 11in Los Angeles.
The nominees will be announced on Nov. 21, and IDA members will vote for Best Feature Documentary and Best Short Documentary until Dec. 5.
“The 39th IDA Documentary Awards continues the tradition of celebrating the best of international nonfiction media of the year,” said Ken Ikeda, IDA’s Interim Executive Director. “This year’s Best Feature Documentary and Best Short Documentary shortlists reflect important work from twenty-one countries. We are excited to celebrate the work of our community and present winners this December in Los Angeles.”
The 2023 shortlists and nominees are selected by independent committees of 280 documentary makers, curators, critics and industry experts from 40 countries. IDA received 669 total submissions in all categories from 48 countries.
Best Feature Documentary Shortlist
Against the Tide...
The nominees will be announced on Nov. 21, and IDA members will vote for Best Feature Documentary and Best Short Documentary until Dec. 5.
“The 39th IDA Documentary Awards continues the tradition of celebrating the best of international nonfiction media of the year,” said Ken Ikeda, IDA’s Interim Executive Director. “This year’s Best Feature Documentary and Best Short Documentary shortlists reflect important work from twenty-one countries. We are excited to celebrate the work of our community and present winners this December in Los Angeles.”
The 2023 shortlists and nominees are selected by independent committees of 280 documentary makers, curators, critics and industry experts from 40 countries. IDA received 669 total submissions in all categories from 48 countries.
Best Feature Documentary Shortlist
Against the Tide...
- 10/24/2023
- by Jordan Moreau
- Variety Film + TV
The International Documentary Association (IDA) on Tuesday announced its best feature and short shortlists for the 2023 IDA Documentary Awards.
The ceremony will be held during the week of Dec. 11 in Los Angeles — venue information is set to follow. Starting Nov. 7, IDA members will be able to view each of the shortlisted films on IDA Virtual Cinema, and up to 10 nominees from each category will be selected. The nominees will be announced on Nov. 21.
“The 39th IDA Documentary Awards continues the tradition of celebrating the best of international nonfiction media of the year,” said Ken Ikeda, IDA’s interim executive director. “This year’s best feature documentary and best short documentary shortlists reflect important work from twenty-one countries. We are excited to celebrate the work of our community and present winners this December in Los Angeles.”
280 documentary filmmakers, curators, critics and industry experts from 40 countries selected the shortlists. IDA received 669 total submissions from 48 countries.
The ceremony will be held during the week of Dec. 11 in Los Angeles — venue information is set to follow. Starting Nov. 7, IDA members will be able to view each of the shortlisted films on IDA Virtual Cinema, and up to 10 nominees from each category will be selected. The nominees will be announced on Nov. 21.
“The 39th IDA Documentary Awards continues the tradition of celebrating the best of international nonfiction media of the year,” said Ken Ikeda, IDA’s interim executive director. “This year’s best feature documentary and best short documentary shortlists reflect important work from twenty-one countries. We are excited to celebrate the work of our community and present winners this December in Los Angeles.”
280 documentary filmmakers, curators, critics and industry experts from 40 countries selected the shortlists. IDA received 669 total submissions from 48 countries.
- 10/24/2023
- by Beatrice Verhoeven
- The Hollywood Reporter - Movie News
The 39th International Documentary Awards have announced their shortlists for the best nonfiction entries of the year, with a ceremony to take place during the week of Dec. 11 in Los Angeles in a venue to be named. The films were selected by independent committees comprised of 280 documentary makers, curators, critics, and industry experts from 40 countries. IDA received 669 total submissions in all categories from 48 countries.
New York Times Op-Docs dominated the Documentary Short category with seven mentions, including entries from the Netherlands (“Neighbour Abdi”), Mexico (“Victoria”) and Hungary (“Away”) among the shortlisted selections. The Documentary Feature category appeared to favor less-buzzy international titles this season.
What is surprising about the IDA shortlist is how many of the year’s presumed top contenders are not included. Of the 21 nonfiction films that have been nominated by the Critics Choice Documentary Awards or placed on the Doc NYC shortlist of likely awards titles, only...
New York Times Op-Docs dominated the Documentary Short category with seven mentions, including entries from the Netherlands (“Neighbour Abdi”), Mexico (“Victoria”) and Hungary (“Away”) among the shortlisted selections. The Documentary Feature category appeared to favor less-buzzy international titles this season.
What is surprising about the IDA shortlist is how many of the year’s presumed top contenders are not included. Of the 21 nonfiction films that have been nominated by the Critics Choice Documentary Awards or placed on the Doc NYC shortlist of likely awards titles, only...
- 10/24/2023
- by Jason Clark
- The Wrap
The International Documentary Association has unveiled their shortlist for their 39th annual award ceremony, celebrating the best in documentary filmmaking.
17 feature-length documentaries — including “Bobi Wine: The People’s President,” “Going to Mars: The Nikki Giovanni Project,” and “Anonymous Sister” — were selected for the shortlist, as were 25 short films. The films hail from over 20 countries, including Canada, India, Cambodia, Denmark, Uganda, France, and South Africa.
From the shortlist, up to 10 nominees in both the Best Feature Documentary and Best Short Documentary categories will be selected by IDA members. In addition, awards will be given to additional films in the following categories: Best Curated Series, Best Episodic Series, Best Multi-Part Documentary, Best TV Feature Documentary or Mini-Series, Best Short Form Series, Best Stand-Alone Audio Documentary, Best Multi-Part Audio Documentary or Series, David L. Wolper Student Documentary Award, Best Music Documentary, Best Director, Best Cinematography, Best Editing, Best Writing, Best Music Score, ABC News VideoSource Award,...
17 feature-length documentaries — including “Bobi Wine: The People’s President,” “Going to Mars: The Nikki Giovanni Project,” and “Anonymous Sister” — were selected for the shortlist, as were 25 short films. The films hail from over 20 countries, including Canada, India, Cambodia, Denmark, Uganda, France, and South Africa.
From the shortlist, up to 10 nominees in both the Best Feature Documentary and Best Short Documentary categories will be selected by IDA members. In addition, awards will be given to additional films in the following categories: Best Curated Series, Best Episodic Series, Best Multi-Part Documentary, Best TV Feature Documentary or Mini-Series, Best Short Form Series, Best Stand-Alone Audio Documentary, Best Multi-Part Audio Documentary or Series, David L. Wolper Student Documentary Award, Best Music Documentary, Best Director, Best Cinematography, Best Editing, Best Writing, Best Music Score, ABC News VideoSource Award,...
- 10/24/2023
- by Wilson Chapman
- Indiewire
As 2023 winds down, like most cinephiles, we’re looking to get our eyes on titles that may have slipped under the radar or simply gone unseen, so—as we do each year—we’re sharing a rundown of the best titles available to watch at home.
Curated from the Best Films of 2023 So Far list we published for the first half of the year, it also includes films we’ve enjoyed the past few months and some we’ve recently caught up with. While our year-end coverage is still to come, including our staff’s top 50 films of 2023, this streaming guide will hopefully be a helpful tool for readers to have a chance to find notable, perhaps underseen, titles of late.
Note that we’re going by U.S. releases and that streaming services are limited solely to the territory as well. If you want to stay up-to-date with new titles being made available,...
Curated from the Best Films of 2023 So Far list we published for the first half of the year, it also includes films we’ve enjoyed the past few months and some we’ve recently caught up with. While our year-end coverage is still to come, including our staff’s top 50 films of 2023, this streaming guide will hopefully be a helpful tool for readers to have a chance to find notable, perhaps underseen, titles of late.
Note that we’re going by U.S. releases and that streaming services are limited solely to the territory as well. If you want to stay up-to-date with new titles being made available,...
- 10/24/2023
- by Jordan Raup
- The Film Stage
In an interview with the Metrograph Journal, Eduardo Williams remembers the first time he ventured into a jungle. Rumor had it the forest teemed with cougars, but the Argentinian director saw none; instead, all he experienced was a curious mix of wonder and terror, poised between “wanting to see the wild animal but also being afraid.” Anyone mildly acquainted with the filmmaker’s oeuvre––a handful of shorts and two features to date––will recognize that as an accurate description of what it means to dive into his cinema. There is something exhilarating about Williams’ films: experimental works in the most literal sense of the word, they combine conceptual audacity with technological virtuosity to stress-test the boundaries of what cinema can still be and mean. To watch them is to be ushered into unmapped universes pullulating with images that feel in turns familiar and perturbing. Each time out, Williams doesn...
- 9/28/2023
- by Leonardo Goi
- The Film Stage
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
Astrakan (David Depesseville)
Astrakhan fur is unique: dark, beautiful, and stripped exclusively from newborn lambs, even ones killed in their mother’s womb. (Stella McCarthy once said it’s like wearing a fetus.) That ruthlessness—a sense of lost innocence; blood sacrifice—runs deep in Astrakan, a new film from France and one of the better in Locarno this year; and if that title isn’t enough to give pause, plenty else in the opening exchanges will. The first act is a procession of flags, both red and false: at the opening the protagonist, Samuel, lightly goads a snake in the reptile house of a zoo; moments later a rabbit is hung and skinned in his kitchen with all the ceremony of...
Astrakan (David Depesseville)
Astrakhan fur is unique: dark, beautiful, and stripped exclusively from newborn lambs, even ones killed in their mother’s womb. (Stella McCarthy once said it’s like wearing a fetus.) That ruthlessness—a sense of lost innocence; blood sacrifice—runs deep in Astrakan, a new film from France and one of the better in Locarno this year; and if that title isn’t enough to give pause, plenty else in the opening exchanges will. The first act is a procession of flags, both red and false: at the opening the protagonist, Samuel, lightly goads a snake in the reptile house of a zoo; moments later a rabbit is hung and skinned in his kitchen with all the ceremony of...
- 9/1/2023
- by Jordan Raup
- The Film Stage
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
Babylon (Damien Chazelle)
Those seeking an insightful exploration of cinema history in Hollywood’s Golden Age or a nuanced, affecting character study on the lives within this early era will mostly like be disappointed by Damien Chazelle’s latest. Babylon is a brash, bombastic, unwieldy comic opera conveyed with enough bad taste and directorial panache that it—refreshingly—registers as a refutation of the well-mannered prestige drama to which these kinds of nostalgic odes often conform. And while there’s a touch of wistfulness in regards to the communal power of big-screen cinema, the film is more defined by an acidic unsentimentality, both when it comes to its characters and the precarious world they inhabit. Capturing the mad, violent clash of high...
Babylon (Damien Chazelle)
Those seeking an insightful exploration of cinema history in Hollywood’s Golden Age or a nuanced, affecting character study on the lives within this early era will mostly like be disappointed by Damien Chazelle’s latest. Babylon is a brash, bombastic, unwieldy comic opera conveyed with enough bad taste and directorial panache that it—refreshingly—registers as a refutation of the well-mannered prestige drama to which these kinds of nostalgic odes often conform. And while there’s a touch of wistfulness in regards to the communal power of big-screen cinema, the film is more defined by an acidic unsentimentality, both when it comes to its characters and the precarious world they inhabit. Capturing the mad, violent clash of high...
- 7/21/2023
- by Jordan Raup
- The Film Stage
After Love
A transcendent chamber piece, Aleem Khan’s feature-length directorial debut is graced with an exceptional lead performance from Joanna Scanlan as an English woman who converted to Islam for marriage years ago — only to discover, when her husband dies, that he was living a shocking double life. It’s a miraculous study of grief, jealousy and ultimately compassion, all executed with very little dialogue. — Leslie Felperin
Are You There God? It’S Me, Margaret
Kelly Fremon Craig’s adaptation of the classic Judy Blume novel about a girl on the cusp of puberty is charming, heartwarming, and beautifully acted and scored. But its magic comes from its respectful reanimation of the source material: The film stays close to Margaret and her emotions, using them to honor an already sturdy narrative while also expanding our understanding of the world around her. — Lovia Gyarkye
De Humani Corporis Fabrica
Véréna Paravel...
A transcendent chamber piece, Aleem Khan’s feature-length directorial debut is graced with an exceptional lead performance from Joanna Scanlan as an English woman who converted to Islam for marriage years ago — only to discover, when her husband dies, that he was living a shocking double life. It’s a miraculous study of grief, jealousy and ultimately compassion, all executed with very little dialogue. — Leslie Felperin
Are You There God? It’S Me, Margaret
Kelly Fremon Craig’s adaptation of the classic Judy Blume novel about a girl on the cusp of puberty is charming, heartwarming, and beautifully acted and scored. But its magic comes from its respectful reanimation of the source material: The film stays close to Margaret and her emotions, using them to honor an already sturdy narrative while also expanding our understanding of the world around her. — Lovia Gyarkye
De Humani Corporis Fabrica
Véréna Paravel...
- 6/26/2023
- by David Rooney, Sheri Linden, Lovia Gyarkye, Jon Frosch, Leslie Felperin and Jordan Mintzer
- The Hollywood Reporter - Movie News
As we approach 2023’s halfway point it’s time to take a temperature of the finest cinema thus far: we’ve rounded up our favorites from the first six months of this year, many of which have flown under the radar. Kindly note that this is based solely on U.S. theatrical and digital releases from 2023.
We should also note a number of stellar films that premiered on the festival circuit last year also had an awards-qualifying run, thus making them 2022 films by our standards––including One Fine Morning, Saint Omer, and Return to Seoul. Check out our picks below, as organized alphabetically, followed by honorable mentions.
Are You There God? It’s Me, Margaret. (Kelly Fremon Craig)
Like Judy Blume’s treasured young adult classic, Kelly Fremon Craig’s Are You There God? It’s Me, Margaret begins in 1970 with 11-year-old Margaret Simon (Abby Ryder Fortson) getting the worst news any...
We should also note a number of stellar films that premiered on the festival circuit last year also had an awards-qualifying run, thus making them 2022 films by our standards––including One Fine Morning, Saint Omer, and Return to Seoul. Check out our picks below, as organized alphabetically, followed by honorable mentions.
Are You There God? It’s Me, Margaret. (Kelly Fremon Craig)
Like Judy Blume’s treasured young adult classic, Kelly Fremon Craig’s Are You There God? It’s Me, Margaret begins in 1970 with 11-year-old Margaret Simon (Abby Ryder Fortson) getting the worst news any...
- 6/13/2023
- by The Film Stage
- The Film Stage
The latest film by the directors of Leviathan combines disorientating, brutal surgery closeups with doctors’ candid chats to powerful effect
Lucien Castaing-Taylor and Véréna Paravel are the French documentary film-makers who in 2012 gave us Leviathan, an experimental and immersively strange account of life on a fishing trawler in the north Atlantic. In 2017 their Somniloquies was a hallucinatory, image-driven film about sleep-talking, while Caniba was about the notorious Japanese murderer and cannibal Issei Sagawa and the strange half-life of his later years, when he was immobilised by a cerebral infarction.
Their new film does for the human body what Leviathan did for the alien world of the sea: an account of surgical and clinical procedures in a number of Paris hospitals, with extreme, disorientating closeups and some deeply disturbing images, including one mortuary scene of a dead body being dressed in the “civilian” clothes of the living. It gives us brutally...
Lucien Castaing-Taylor and Véréna Paravel are the French documentary film-makers who in 2012 gave us Leviathan, an experimental and immersively strange account of life on a fishing trawler in the north Atlantic. In 2017 their Somniloquies was a hallucinatory, image-driven film about sleep-talking, while Caniba was about the notorious Japanese murderer and cannibal Issei Sagawa and the strange half-life of his later years, when he was immobilised by a cerebral infarction.
Their new film does for the human body what Leviathan did for the alien world of the sea: an account of surgical and clinical procedures in a number of Paris hospitals, with extreme, disorientating closeups and some deeply disturbing images, including one mortuary scene of a dead body being dressed in the “civilian” clothes of the living. It gives us brutally...
- 5/15/2023
- by Peter Bradshaw
- The Guardian - Film News
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI, and sign up for our weekly email newsletter by clicking here.NEWSThe Cannes Classics lineup was announced last week, and with it comes news of the premiere of Jean-Luc Godard’s posthumous, 20-minute-long short Phony Wars. Dubbed “a trailer of the film that will never exist,” the film has a short teaser courtesy of Saint Laurent Productions.Adèle Haenel (Portrait of a Lady on Fire) wrote a letter to the magazine Telerama about her decision to retire from acting. In an English-language excerpt, via the Guardian, she writes: “I decided to politicize my retirement from cinema to denounce the general complacency of the profession towards sexual aggressors and more generally the way in which this sphere collaborates with the mortal, ecocidal, racist order of the world such as it is.”Harmony Korine will receive the Pardo d’onore Manor,...
- 5/10/2023
- MUBI
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI, and sign up for our weekly email newsletter by clicking here.NEWSLast Summer.The first round of Cannes-centric announcements has arrived (full selections linked): on Thursday, the festival unveiled the Competition, Un Certain Regard, and Special Screenings lineups. The Directors’ Fortnight and Critics’ Week slates followed on Monday and Tuesday.Applications are now open for this year’s edition of the Locarno Critics Academy. Participating critics will be able to cover the festival and attend workshops with critics, programmers, and filmmakers. Some Notebook samples by a few of last year's critics: Dini Adanurani covered Locarno's experimental 24-hour panel, and Laura Staab contributed interviews with Helena Wittmann and Kelly Reichardt (the latter cowritten with Christopher Small).Jim Jarmusch is planning to shoot his next film in the autumn—characteristically, it will be “quiet, funny,...
- 4/19/2023
- MUBI
It’s nearly 30 years since the global franchise of Body Worlds exhibitions — collections of dissected and plastinated human cadavers, equal parts science lesson and carnival attraction — racked up ticket sales and stoked controversy in multiple international markets. Anatomist (or ringmaster) Gunther von Hagens professed to display the body as it had never been publicly viewed before, and there was certainly a lurid fascination to Body Worlds’ vision of what we look like under the skin. That sense of revelation is recalled in Véréna Paravel and Lucien Castaing-Taylor’s extraordinary new documentary “De Humani Corporis Fabrica,” which likewise delves dizzyingly beneath the flesh to show organs, systems and actions that we know are inside us, but tend to keep tidily out of mind.
But where the Body Worlds exhibits were lifelessly embalmed, missing the crucial dimension granted by breath and motion, “De Humani Corporis Fabrica” — named for Andreas Vesalius’ landmark 16th-century anatomy books,...
But where the Body Worlds exhibits were lifelessly embalmed, missing the crucial dimension granted by breath and motion, “De Humani Corporis Fabrica” — named for Andreas Vesalius’ landmark 16th-century anatomy books,...
- 4/14/2023
- by Guy Lodge
- Variety Film + TV
Above: Original French release poster for Jeanne Dielman, 23, Quai du Commerce, 1080 Bruxelles. Designer unknown.Jeanne Dielman wins again! Posted on the day that Chantal Akerman’s masterpiece was announced as the surprise come-from-behind winner of Sight and Sound’s decennial Greatest Films of All Time poll, the original poster for the film racked up close to 3,000 likes on my Movie Poster of the Day Instagram (helped perhaps by being paired with this photo of Akerman pensively smoking in front of the same poster back in the day). I have no doubt that any poster for the film posted on that day would have gotten a lot of attention, but I’d like to believe that some of the likes were for the poster itself: unassuming yet elegant (like Jd herself), foregrounding that radically mundane title, and containing nothing surplus to requirements, just Mrs. Dielman at her dining room table, waiting patiently,...
- 4/6/2023
- MUBI
There are very, very few filmmakers who’ve rethought and shaken possibilities for the moving image as much as Harvard’s Sensory Ethnography Lab, whose résumé––Leviathan, Sweetgrass, Manakamana, Caniba––almost reads like a syllabus for innovation in 21st-century filmmaking. This is all a preamble to admitting I can never, ever, under any possible circumstances see De Humani Corporis Fabrica, which applies Verena Paravel & Lucien Castaing-Taylor’s state-of-the-art approach to a surgeon’s ward and the necessary, disgusting work therein. I have heard from more than one person (including our review) it contains things cameras only recently became able to capture, and my response to each is “no, no, no, No.”
This being said: likely you’re less squeamish than me and will want to see De Humani when it opens at the IFC Center on April 14, Laemmle Glendale on April 28, elsewhere for months to come, and ahead of which...
This being said: likely you’re less squeamish than me and will want to see De Humani when it opens at the IFC Center on April 14, Laemmle Glendale on April 28, elsewhere for months to come, and ahead of which...
- 3/24/2023
- by Nick Newman
- The Film Stage
"What will be will be." Grasshopper Film has revealed an official US trailer for a strange, disgusting, eerie film titled De Humani Corporis Fabrica, made by the acclaimed doc directors Verena Paravel & Lucien Castaing-Taylor. The title is Latin for "The Structure of the Human Body", and the film is described as "an immersive experience from the Harvard Sensory Ethnography Lab, an exhilarating and profound odyssey through the landscape of the human body." They pull footage from macro cameras placed on various medical instruments that go inside the human body. This doc first premiered at the 2022 Cannes Film Festival in the Directors' Fortnight sidebar, which means it should be taken seriously, not as some exploitative, gross film. It focuses on five hospitals in northern Paris neighborhoods. It reveals that human flesh is an extraordinary landscape that exists only through the gaze & attention of others. It seems crazy fascinating, and not just for medical students.
- 3/24/2023
- by Alex Billington
- firstshowing.net
Over the past decade, Verena Paravel & Lucien Castaing-Taylor have made some of the most mesmerizing documentary films through Harvard University‘s Sensory Ethnography Lab. Count 2012’s “Leviathan” and 2017’s “Caniba” among the duo’s best works–two films that explore the viscerality of human life in distinctly different ways.
Read More: ‘De Humani Corporis Fabrica’ Review: Unflinching Medical Doc Zooms In On Life & Death [Cannes]
Now the pair return with their latest film, “De Humani Corporis Fabrica,” fresh off its world premiere at the Cannes Film Festival last year.
Continue reading ‘De Humani Corporis Fabrica’ Trailer: Verena Paravel & Lucien Castaing-Taylor Return With Another Immersive Look At The Human Body at The Playlist.
Read More: ‘De Humani Corporis Fabrica’ Review: Unflinching Medical Doc Zooms In On Life & Death [Cannes]
Now the pair return with their latest film, “De Humani Corporis Fabrica,” fresh off its world premiere at the Cannes Film Festival last year.
Continue reading ‘De Humani Corporis Fabrica’ Trailer: Verena Paravel & Lucien Castaing-Taylor Return With Another Immersive Look At The Human Body at The Playlist.
- 3/24/2023
- by Ned Booth
- The Playlist
A squirm-inducing sensation on the festival circuit, Harvard Sensory Lab leaders Lucien Castaing-Tayler and Véréna Paravel’s De Humani Corporis Fabrica has a new trailer ahead of its limited release next month. The film consists of raw medical footage—eye surgery, genital drilling and an assortment of equally unsettling internal procedures—shot between eight different French hospitals. Vadim Rizov covered De Humani during its Cannes premiere last year, writing: …Fabrica toggles between something like Fantastic Voyage and a particularly grody Wiseman documentary. Defamiliarizing images on the former front include a camera being inserted deep inside….whatever (I don’t want to know) that made me wonder why I’ve never […]
The post Trailer Watch: Verena Paravel and Lucien Castaing-Taylor’s De Humani Corporis Fabrica first appeared on Filmmaker Magazine.
The post Trailer Watch: Verena Paravel and Lucien Castaing-Taylor’s De Humani Corporis Fabrica first appeared on Filmmaker Magazine.
- 3/24/2023
- by Filmmaker Staff
- Filmmaker Magazine-Director Interviews
A squirm-inducing sensation on the festival circuit, Harvard Sensory Lab leaders Lucien Castaing-Tayler and Véréna Paravel’s De Humani Corporis Fabrica has a new trailer ahead of its limited release next month. The film consists of raw medical footage—eye surgery, genital drilling and an assortment of equally unsettling internal procedures—shot between eight different French hospitals. Vadim Rizov covered De Humani during its Cannes premiere last year, writing: …Fabrica toggles between something like Fantastic Voyage and a particularly grody Wiseman documentary. Defamiliarizing images on the former front include a camera being inserted deep inside….whatever (I don’t want to know) that made me wonder why I’ve never […]
The post Trailer Watch: Verena Paravel and Lucien Castaing-Taylor’s De Humani Corporis Fabrica first appeared on Filmmaker Magazine.
The post Trailer Watch: Verena Paravel and Lucien Castaing-Taylor’s De Humani Corporis Fabrica first appeared on Filmmaker Magazine.
- 3/24/2023
- by Filmmaker Staff
- Filmmaker Magazine - Blog
The phrase “turning the camera inward” takes on a new literal meaning in true body horror film “De Humani Corporis Fabrica.”
Not for the squeamish, the immersive experience from the Harvard Sensory Ethnography Lab is co-directed by “Leviathan” filmmakers Verena Paravel and Lucien Castaing-Taylor. The film debuted at 2022 Cannes and played at TIFF and NYFF.
Five centuries ago, anatomist André Vésale opened up the human body to science for the first time in history. Today, “De Humani Corporis Fabrica” opens the human body to the cinema. It reveals that human flesh is an extraordinary landscape that exists only through the gaze and attention of others. As places of care, suffering and hope, hospitals are laboratories that connect everybody in the world.
Valentina Novati, Charles Gillibert, Pauline Gygax, Max Karli, Verena Paravel, and Lucien Castaing-Taylor produce the film.
“Thinking about how modern medicine has used the tools of cinema to develop its own powers of seeing,...
Not for the squeamish, the immersive experience from the Harvard Sensory Ethnography Lab is co-directed by “Leviathan” filmmakers Verena Paravel and Lucien Castaing-Taylor. The film debuted at 2022 Cannes and played at TIFF and NYFF.
Five centuries ago, anatomist André Vésale opened up the human body to science for the first time in history. Today, “De Humani Corporis Fabrica” opens the human body to the cinema. It reveals that human flesh is an extraordinary landscape that exists only through the gaze and attention of others. As places of care, suffering and hope, hospitals are laboratories that connect everybody in the world.
Valentina Novati, Charles Gillibert, Pauline Gygax, Max Karli, Verena Paravel, and Lucien Castaing-Taylor produce the film.
“Thinking about how modern medicine has used the tools of cinema to develop its own powers of seeing,...
- 3/24/2023
- by Samantha Bergeson
- Indiewire
Documentary world premieres in Berlin.
Les Films du Losange has sold Nicolas Philibert’s Berlinale competition title On The Adamant to key territories including Adok Films in Switzerland and to I Wonder Pictures in Italy.
The documentary market premiered at Unifrance’s Rendez-Vous in Paris and Les Films du Losange will continue sales at February’s EFM.
On The Adamant follows patients and caregivers at a psychiatric centre with a unique floating structure located in the middle of the Seine river in central Paris.
Philibert’s Être Et Avoir (To Be And To Have) premiered in Cannes in 2002, La Maison...
Les Films du Losange has sold Nicolas Philibert’s Berlinale competition title On The Adamant to key territories including Adok Films in Switzerland and to I Wonder Pictures in Italy.
The documentary market premiered at Unifrance’s Rendez-Vous in Paris and Les Films du Losange will continue sales at February’s EFM.
On The Adamant follows patients and caregivers at a psychiatric centre with a unique floating structure located in the middle of the Seine river in central Paris.
Philibert’s Être Et Avoir (To Be And To Have) premiered in Cannes in 2002, La Maison...
- 1/27/2023
- by Rebecca Leffler
- ScreenDaily
Banned feature #LookAtMe remains in the line-up.
Satircal thriller Assault by Kazakh director Adilkhan Yerzhanov is set to open the Singapore International Film Festival (Sgiff), marking the first time a film from Central Asia has been selected to lead the event.
The full programme of 101 films from 54 countries – including nine titles for its main competition (see below) – were unveiled today for the festival’s 33rd edition, which will run from November 24 to December 4 and marks Sgiff’s first fully in-person event since the outbreak of the Covid-19 pandemic in 2020.
Yerzhanov is a leading figure in Kazakh cinema with several features...
Satircal thriller Assault by Kazakh director Adilkhan Yerzhanov is set to open the Singapore International Film Festival (Sgiff), marking the first time a film from Central Asia has been selected to lead the event.
The full programme of 101 films from 54 countries – including nine titles for its main competition (see below) – were unveiled today for the festival’s 33rd edition, which will run from November 24 to December 4 and marks Sgiff’s first fully in-person event since the outbreak of the Covid-19 pandemic in 2020.
Yerzhanov is a leading figure in Kazakh cinema with several features...
- 10/26/2022
- by Silvia Wong
- ScreenDaily
The Swiss festival runs November 4-13.
The Geneva International Film Festival has unveiled the line-up for its 28th edition, as well as an honorary award for Danish director Nicolas Winding Refn.
The Swiss festival’s international competition includes Alice Diop’s Saint Omer which previously picked up the Silver Lion jury prize at Venice and is France’s Oscar submission for best international feature.
Also competing for the Reflet d’Or award for best film, worth CHF10,000 , is Japanese animation Inu-oh from Masaaki Yuasa. The Japan-China co-production premiered in Venice’s Horizons strand before screening as a special presentation at Toronto.
The Geneva International Film Festival has unveiled the line-up for its 28th edition, as well as an honorary award for Danish director Nicolas Winding Refn.
The Swiss festival’s international competition includes Alice Diop’s Saint Omer which previously picked up the Silver Lion jury prize at Venice and is France’s Oscar submission for best international feature.
Also competing for the Reflet d’Or award for best film, worth CHF10,000 , is Japanese animation Inu-oh from Masaaki Yuasa. The Japan-China co-production premiered in Venice’s Horizons strand before screening as a special presentation at Toronto.
- 10/13/2022
- by Ellie Calnan
- ScreenDaily
The 60th New York Film Festival kicks off on September 30th! Below you'll find all of Notebook's coverage of the films in the selection, gathered in one convenient place. As we cover more titles, this page will be updated with new essays and interviews, so check back frequently for updates.Main SLATEFilmmaker Interviews:De Humani Corporis Fabrica (Véréna Paravel and Lucien Castaing-Taylor)Pacifiction (Albert Serra)Trenque Lauquen (Laura Citarella)Showing Up (Kelly Reichardt)Dispatch Coverage:All the Beauty and the Bloodshed (Laura Poitras)Armageddon Time (James Gray)Corsage (Marie Kreutzer)A Couple (Frederick Wiseman)Decision to Leave (Park Chan-wook)Enys Men (Mark Jenkin)Eo (Jerzy Skolimowski)The Eternal Daughter (Joanna Hogg)Master Gardener (Paul Schrader)No Bears (Jafar Panahi)The Novelist's Film (Hong Sang-soo)One Fine Morning (Mia Hansen-Løve)R.M.N. (Cristian Mungiu)Saint Omer (Alice Diop)Scarlet (Pietro Marcello)Showing Up (Kelly Reichardt)Stars at Noon (Claire Denis)TÁR...
- 10/11/2022
- MUBI
by Jason Adams
Do you ever find yourself zoning out to one of those surgery shows they sometimes have on basic cable? Titles like Botched or Plastic Surgery: Before and After where they stick their reality-show cameras into people’s literal guts and poke around? Yeah me neither. A lurid dramatization like the series Nip/Tuck I could handle, but the real stuff’s always been a bridge too far. But then I’ve always had that line drawn in the sand when it came to Horror Movies as well – I’ll watch all sorts of gruesomeness as long as I know it’s fake but you’d have to tie me down to get me to watch one of those Faces of Death videos.
So why then did I find myself so lulled into hypnotic contemplation by directors Véréna Paravel and Lucien Castaing-Taylor’s surreal-ish surgery documentary De Humani Corporis...
Do you ever find yourself zoning out to one of those surgery shows they sometimes have on basic cable? Titles like Botched or Plastic Surgery: Before and After where they stick their reality-show cameras into people’s literal guts and poke around? Yeah me neither. A lurid dramatization like the series Nip/Tuck I could handle, but the real stuff’s always been a bridge too far. But then I’ve always had that line drawn in the sand when it came to Horror Movies as well – I’ll watch all sorts of gruesomeness as long as I know it’s fake but you’d have to tie me down to get me to watch one of those Faces of Death videos.
So why then did I find myself so lulled into hypnotic contemplation by directors Véréna Paravel and Lucien Castaing-Taylor’s surreal-ish surgery documentary De Humani Corporis...
- 10/4/2022
- by JA
- FilmExperience
With the opening night of the 60th New York Film Festival upon us, Filmmaker would like to recommend 14 titles to catch during the 17-day engagement, which runs from September 30 through October 16 in-person at Film at Lincoln Center. Over the course of our previous festival coverage from this year—including Sundance, Cannes, Venice and TIFF—many of these films have been featured on our site in critical dispatches and reviews. Below, we share links and excerpts from these director interviews and festival dispatches, highlighting Jerzy Skolimowski’s Eo, Véréna Paravel and Lucien Castaing-Taylor’s De Humani Corporis Fabrica, Kelly Reichardt’s Showing Up […]
The post 14 Films (and Other Recommendations) at the 60th New York Film Festival first appeared on Filmmaker Magazine.
The post 14 Films (and Other Recommendations) at the 60th New York Film Festival first appeared on Filmmaker Magazine.
- 9/30/2022
- by Scott Macaulay
- Filmmaker Magazine - Blog
Grasshopper Film has acquired the North American distribution rights to “Rewind & Play,” Alain Gomis’ feature documentary on the late jazz pianist Thelonious Monk.
The film is set to screen at the 60th annual New York Film Festival later this month, and will open in theaters early next year. The doc uses an interview with Monk in France from 1969, which many would now consider to be deeply problematic, as its centrepiece.
In December 1969, Monk arrived in Paris for a concert at the tail end of a European tour. While there, he was invited to appear on a television interview program, where he was to answer questions in an intimate, one-on-one studio stage.
Using newly discovered footage from the recording of the interview, French-Senegalese filmmaker Gomis reveals a troubling dynamic between Monk and his white interviewer, Henri Renaud — who was an avowed admirer of Monk — and how the musician stands his ground...
The film is set to screen at the 60th annual New York Film Festival later this month, and will open in theaters early next year. The doc uses an interview with Monk in France from 1969, which many would now consider to be deeply problematic, as its centrepiece.
In December 1969, Monk arrived in Paris for a concert at the tail end of a European tour. While there, he was invited to appear on a television interview program, where he was to answer questions in an intimate, one-on-one studio stage.
Using newly discovered footage from the recording of the interview, French-Senegalese filmmaker Gomis reveals a troubling dynamic between Monk and his white interviewer, Henri Renaud — who was an avowed admirer of Monk — and how the musician stands his ground...
- 9/28/2022
- by Manori Ravindran
- Variety Film + TV
The 60th annual edition of the New York Film Festival kicks off on Friday night with the North American premiere of Netflix’s “White Noise” – the first of many awards contenders set to screen at the Manhattan fest as the season marches forward.
“White Noise,” which actually kicked off the 2022 Venice Film Festival back in August, is Noah Baumbach’s latest project for the streamer and his first since “Marriage Story” landed numerous Oscar nominations in 2020, including Best Picture, Best Original Screenplay for Baumbach, Best Actor for Adam Driver, Best Actress for Scarlett Johansson, and Best Supporting Actress for Laura Dern (Dern was the film’s sole winner). The early reviews for “White Noise” leaned positive – with Baumbach’s adaptation of the Don DeLillo novel holding a 68 rating on Metacritic. That gives “White Noise” an edge, at least from a critical perspective, over a handful of other top awards contenders...
“White Noise,” which actually kicked off the 2022 Venice Film Festival back in August, is Noah Baumbach’s latest project for the streamer and his first since “Marriage Story” landed numerous Oscar nominations in 2020, including Best Picture, Best Original Screenplay for Baumbach, Best Actor for Adam Driver, Best Actress for Scarlett Johansson, and Best Supporting Actress for Laura Dern (Dern was the film’s sole winner). The early reviews for “White Noise” leaned positive – with Baumbach’s adaptation of the Don DeLillo novel holding a 68 rating on Metacritic. That gives “White Noise” an edge, at least from a critical perspective, over a handful of other top awards contenders...
- 9/26/2022
- by Christopher Rosen
- Gold Derby
Hospitals are places of miracles and horrors. They are also places of office politics, temporary domestic spaces, and a kind of body-repair shop. The reason why there are so many television medical dramas, is that everything about these places is physically and emotionally (dramatically) heightened. Life and death and all that, sure, but also the waiting, the processing, and god willing, the healing. Anthropological documentarians Verena Paravel and Lucien Castaing-Taylor offer a grimy and profound (or is it profane?) look into the orifices and arteries —the anatomy— of the modern hospital and the human body. De Humani Corporis Fabrica is not an easy watch, you hear the hospital staff at work, and you see their patient’s bodies under repair. Modern high resolutions cameras can...
[Read the whole post on screenanarchy.com...]...
[Read the whole post on screenanarchy.com...]...
- 9/17/2022
- Screen Anarchy
Jafar Panahi, Joanna Hogg, Park Chan-wook, Kelly Reichardt films in NYFF 60th anniversary Main Slate
Festival runs September 30-October 16.
New York Film Festival (NYFF) has unveiled its 60th anniversary edition Main Slate, a roster that includes latest work by imprisoned Iranian auteur Jafar Panahi, Park Chan-wook, Joanna Hogg, Todd Field, Kelly Reichardt and Claire Denis.
As previously announced, Noah Baumbach’s White Noise and Elegance Bratton’s The Inspection bookend the festival, Laura Poitras’s documentary All The Beauty And The Bloodshed is the Centrepiece screening and James Gray’s Armageddon Time is the NYFF 60th Anniversary Celebration screening.
“If there is one takeaway from this year’s Main Slate, it is cinema’s limitless capacity for renewal,...
New York Film Festival (NYFF) has unveiled its 60th anniversary edition Main Slate, a roster that includes latest work by imprisoned Iranian auteur Jafar Panahi, Park Chan-wook, Joanna Hogg, Todd Field, Kelly Reichardt and Claire Denis.
As previously announced, Noah Baumbach’s White Noise and Elegance Bratton’s The Inspection bookend the festival, Laura Poitras’s documentary All The Beauty And The Bloodshed is the Centrepiece screening and James Gray’s Armageddon Time is the NYFF 60th Anniversary Celebration screening.
“If there is one takeaway from this year’s Main Slate, it is cinema’s limitless capacity for renewal,...
- 8/9/2022
- by Jeremy Kay
- ScreenDaily
Click here to read the full article.
Alice Diop, Kelly Reichardt, Paul Schrader, Park Chan-wook and Ruben Östlund are among the high-profile directors whose films are set to screen during the main slate of the 2022 New York Film Festival.
Park’s Decision to Leave and Östlund’s Triangle of Sadness are among the Cannes prize-winners coming to the annual fall event in Manhattan along with Claire Denis’ Stars at Noon and Charlotte Wells’ debut feature Aftersun.
Filmmakers making their first appearance in the festival’s main slate include Margaret Brown, Davy Chou, Laura Citarella, Alice Diop, Mark Jenkin, Marie Kreutzer, Cyril Schäublin, Ryuji Otsuka and Huang Ji.
Helmers returning to the festival include Todd Field, Mia Hansen-Løve, Hong Sangsoo, Joanna Hogg, Pietro Marcello, Cristian Mungiu, Jafar Panahi, Véréna Paravel and Lucien Castaing-Taylor, Kelly Reichardt, Paul Schrader, Albert Serra, Jerzy Skolimowski and Frederick Wiseman.
NYFF artistic director Dennis Lim said in a statement,...
Alice Diop, Kelly Reichardt, Paul Schrader, Park Chan-wook and Ruben Östlund are among the high-profile directors whose films are set to screen during the main slate of the 2022 New York Film Festival.
Park’s Decision to Leave and Östlund’s Triangle of Sadness are among the Cannes prize-winners coming to the annual fall event in Manhattan along with Claire Denis’ Stars at Noon and Charlotte Wells’ debut feature Aftersun.
Filmmakers making their first appearance in the festival’s main slate include Margaret Brown, Davy Chou, Laura Citarella, Alice Diop, Mark Jenkin, Marie Kreutzer, Cyril Schäublin, Ryuji Otsuka and Huang Ji.
Helmers returning to the festival include Todd Field, Mia Hansen-Løve, Hong Sangsoo, Joanna Hogg, Pietro Marcello, Cristian Mungiu, Jafar Panahi, Véréna Paravel and Lucien Castaing-Taylor, Kelly Reichardt, Paul Schrader, Albert Serra, Jerzy Skolimowski and Frederick Wiseman.
NYFF artistic director Dennis Lim said in a statement,...
- 8/9/2022
- by Hilary Lewis
- The Hollywood Reporter - Movie News
This year’s 60th annual New York Film Festival Main Slate is bursting with can’t-miss auteur titles from festivals around the globe. Presented by Film at Lincoln Center, the festival takes place from September 30 through October 16 at Lincoln Center and in venues across the city.
“If there is one takeaway from this year’s Main Slate, it is cinema’s limitless capacity for renewal,” said Dennis Lim, artistic director, New York Film Festival. “Collectively, the films in the program suggest that this renewal takes many forms: breathtaking debuts, veterans pulling off new tricks, filmmakers of all stripes seeking new and surprising forms of expression and representation. We love the range and eclecticism of this group of films and are excited to share it with audiences.”
This year’s Main Slate showcases films produced in 18 different countries, featuring new titles from renowned auteurs, exceptional work from returning NYFF directors as...
“If there is one takeaway from this year’s Main Slate, it is cinema’s limitless capacity for renewal,” said Dennis Lim, artistic director, New York Film Festival. “Collectively, the films in the program suggest that this renewal takes many forms: breathtaking debuts, veterans pulling off new tricks, filmmakers of all stripes seeking new and surprising forms of expression and representation. We love the range and eclecticism of this group of films and are excited to share it with audiences.”
This year’s Main Slate showcases films produced in 18 different countries, featuring new titles from renowned auteurs, exceptional work from returning NYFF directors as...
- 8/9/2022
- by Ryan Lattanzio
- Indiewire
The 60th New York Film Festival on Tuesday unveiled its main slate of movies from established and upcoming directors including Cannes’ Palme d’Or winner Triangle of Sadness by Ruben Östlund, Claire Denis’ Stars at Noon (tied for Cannes Grand Prize), Park Chan-wook’s Decision to Leave (Cannes Best Director) and Charlotte Wells’ debut feature Aftersun (Cannes’ French Touch Jury Prize).
The list of 32 films from 18 countries also features Shaunak Sen’s All That Breathes, which took the Sundance Grand Jury Prize in World Cinema and the l’Oeil d’Or for best documentary at Cannes. Another selection, Carla Simón’s Alcarràs, was awarded the Golden Bear at the 72nd Berlin Film Festival.
Appearing in the NYFF main slate for the first time are Margaret Brown, Davy Chou (New Directors/New Films 2017), Laura Citarella (Nd/Nf 2015), Alice Diop (Nd/Nf 2021 and Art of the Real 2022), Mark Jenkin (Nd/Nf 2019), Marie Kreutzer,...
The list of 32 films from 18 countries also features Shaunak Sen’s All That Breathes, which took the Sundance Grand Jury Prize in World Cinema and the l’Oeil d’Or for best documentary at Cannes. Another selection, Carla Simón’s Alcarràs, was awarded the Golden Bear at the 72nd Berlin Film Festival.
Appearing in the NYFF main slate for the first time are Margaret Brown, Davy Chou (New Directors/New Films 2017), Laura Citarella (Nd/Nf 2015), Alice Diop (Nd/Nf 2021 and Art of the Real 2022), Mark Jenkin (Nd/Nf 2019), Marie Kreutzer,...
- 8/9/2022
- by Jill Goldsmith
- Deadline Film + TV
New movies from directors Claire Denis, Park Chan-wook, Ruben Östlund, Kelly Reichardt and Paul Schrader will play at the 60th New York Film Festival, which is running from Sept. 30 through Oct. 16.
On Tuesday, Film at Lincoln Center, which hosts the annual Manhattan-based celebration of cinema, unveiled the 32 films that comprise the main slate. The lineup showcases films produced in 18 different countries and spotlights a mix of first-time and returning filmmakers.
Several movies that first screened at Cannes Film Festival, including Claire Denis’s Grand Prix winner “Stars at Noon,” Park Chan-wook’s “Decision to Leave,” Ruben Östlund’s Palme d’Or winner “Triangle of Sadness” and Charlotte Wells’ debut feature “Aftersun,” will play at NYFF. Carla Simón’s “Alcarràs,” which was awarded the Golden Bear at the 72nd Berlinale Festival, and Shaunak Sen’s “All That Breathes,” which took Sundance Film Festival’s grand jury prize in the world cinema documentary competition,...
On Tuesday, Film at Lincoln Center, which hosts the annual Manhattan-based celebration of cinema, unveiled the 32 films that comprise the main slate. The lineup showcases films produced in 18 different countries and spotlights a mix of first-time and returning filmmakers.
Several movies that first screened at Cannes Film Festival, including Claire Denis’s Grand Prix winner “Stars at Noon,” Park Chan-wook’s “Decision to Leave,” Ruben Östlund’s Palme d’Or winner “Triangle of Sadness” and Charlotte Wells’ debut feature “Aftersun,” will play at NYFF. Carla Simón’s “Alcarràs,” which was awarded the Golden Bear at the 72nd Berlinale Festival, and Shaunak Sen’s “All That Breathes,” which took Sundance Film Festival’s grand jury prize in the world cinema documentary competition,...
- 8/9/2022
- by Rebecca Rubin
- Variety Film + TV
The 60th New York Film Festival’s Main Slate will consist of 32 titles from directors such as Claire Denis, Paul Schrader, Margaret Brown, Park Chan-wook, Kelly Reichardt and Mia Hansen-Løve, organizers said Tuesday.
As previously announced, the festival is set to kick off on Sept. 30 with Noah Baumbach’s “White Noise” and close with the Oct. 14 premiere of Elegance Bratton’s “The Inspection.” The Centerpiece selection is “All the Beauty and the Bloodshed,” Laura Poitras’ documentary about photographer Nan Goldin’s fight against the Sackler family and the opioid epidemic. James Gray will make his third NYFF showing with his film “Armageddon Time,” which will also screen at a special event celebrating the festival’s 60th anniversary.
Produced in 18 different countries, the Main Slate will showcase a mixture of new and auteur filmmakers. Among the featured prizewinners from Cannes earlier this year are Claire Denis’s “Stars at Noon,” Park Chan-wook’s “Decision to Leave,...
As previously announced, the festival is set to kick off on Sept. 30 with Noah Baumbach’s “White Noise” and close with the Oct. 14 premiere of Elegance Bratton’s “The Inspection.” The Centerpiece selection is “All the Beauty and the Bloodshed,” Laura Poitras’ documentary about photographer Nan Goldin’s fight against the Sackler family and the opioid epidemic. James Gray will make his third NYFF showing with his film “Armageddon Time,” which will also screen at a special event celebrating the festival’s 60th anniversary.
Produced in 18 different countries, the Main Slate will showcase a mixture of new and auteur filmmakers. Among the featured prizewinners from Cannes earlier this year are Claire Denis’s “Stars at Noon,” Park Chan-wook’s “Decision to Leave,...
- 8/9/2022
- by Harper Lambert
- The Wrap
The WhaleWAVELENGTHS - FEATURESConcrete Valley (Antoine Bourges)De Humani Corporis Fabrica (Véréna Paravel, Lucien Castaing-Taylor)Dry Ground BurningHorse Opera (Moyra Davey)Pacifiction (Albert Serra)Queens of the Qing Dynasty (Ashley McKenzie)Unrest (Cyril Schäublin)Will-o’-the-Wisp (João Pedro Rodrigues)Wavelenghths - SHORTSAfter Work (Céline Condorelli, Ben Rivers)Bigger on the Inside (Angelo Madsen Minax)Eventide (Sharon Lockhart)F1ghting Looks Different 2 Me Now (Fox Maxy)Fata Morgana (Tacita Dean)Hors-titre (Wiame Haddad)I Thought the World of You (Kurt Walker)Moonrise (Vincent Grenier)The Newest Olds (Pablo Mazzolo)Puerta a Puerta (Jessica Sarah Rinland, Luis Arnías )The Time That Separates Us (Parastoo Anoushahpour)What Rules the Invisible (Tiffany Sia)Gala PRESENTATIONSAlice, Darling (Mary Nighy)Black Ice (Hubert Davis)The Greatest Beer Run Ever (Peter Farrelly)Butcher’s Crossing (Gabe Polsky)The Hummingbird (Francesca Archibugi)Hunt (Jung-jae Lee)A Jazzman’s Blues (Tyler Perry)Kacchey Limbu (Shubham Yogi)Moving On (Paul Weitz)Paris Memories...
- 8/4/2022
- MUBI
The Toronto International Film Festival lineup continues to unfold, with TIFF announcing the programs for its Midnight Madness, Discovery, and Wavelengths programs on Thursday. The festival runs September 8 through 18.
“For TIFF audiences in the know, the Discovery, Midnight Madness and Wavelengths programmes are where you’re rewarded for taking risks and being adventurous,” offered Anita Lee, TIFF’s chief programming officer. “Whether it’s the discovery of an audacious new auteur, a brilliant visionary work that reimagines storytelling or the most wicked cinematic experience you will ever have, this is where you will find it.”
Discovery
“TIFF’s Discovery program is a showcase of cinema and talent from around the world — a place to unearth work that is bold, distinctive, and, above all, passionate,” said Dorota Lech, Discovery lead and international programmer, TIFF. “This year’s robust program offers 24 films that shook us to the core, filled us with joy,...
“For TIFF audiences in the know, the Discovery, Midnight Madness and Wavelengths programmes are where you’re rewarded for taking risks and being adventurous,” offered Anita Lee, TIFF’s chief programming officer. “Whether it’s the discovery of an audacious new auteur, a brilliant visionary work that reimagines storytelling or the most wicked cinematic experience you will ever have, this is where you will find it.”
Discovery
“TIFF’s Discovery program is a showcase of cinema and talent from around the world — a place to unearth work that is bold, distinctive, and, above all, passionate,” said Dorota Lech, Discovery lead and international programmer, TIFF. “This year’s robust program offers 24 films that shook us to the core, filled us with joy,...
- 8/4/2022
- by Ryan Lattanzio
- Indiewire
New work from Benjamin Millepied, Kim Hongsun, Tim Story populate latest selections.
The Toronto International FiLm Festival has unveiled its Discovery, Midnight Madness and Wavelengths strands.
Midnight Madness returns to its 10-film format and will screen at new venue the Royal Alexandra Theatre. The section opens with Eric Appel’s US biopic Weird: The Al Yankovic Story featuring Daniel Radcliffe in the title role.
The section presents Finecut’s Project Wolf Hunting (South Korea) by Kim Hongsun, whose genre oeuvre includes Metamorphosis and The Chase. Finland has been stepping up its festival presence of late and Jalmari Helander will premiere...
The Toronto International FiLm Festival has unveiled its Discovery, Midnight Madness and Wavelengths strands.
Midnight Madness returns to its 10-film format and will screen at new venue the Royal Alexandra Theatre. The section opens with Eric Appel’s US biopic Weird: The Al Yankovic Story featuring Daniel Radcliffe in the title role.
The section presents Finecut’s Project Wolf Hunting (South Korea) by Kim Hongsun, whose genre oeuvre includes Metamorphosis and The Chase. Finland has been stepping up its festival presence of late and Jalmari Helander will premiere...
- 8/4/2022
- by Jeremy Kay
- ScreenDaily
Click here to read the full article.
The Toronto Film Festival’s Midnight Madness sidebar will open with Weird: The Al Yankovic Story, with Daniel Radcliffe playing the prolific musician behind humorous songs like “Eat It” and “Amish Paradise.”
Eric Appel directs the biopic for The Roku Channel that also stars Evan Rachel Wood and will have a world premiere Sept. 8 at TIFF at the Royal Alexandra Theater.
“I couldn’t have hoped for a more appropriate opening night film than Weird: The Al Yankovic Story — a beautifully deranged biopic made in the great Midnight movie tradition of challenging conventions and forging one’s own path, no matter how weird,” Midnight Madness curator Peter Kuplowsky said in a statement Thursday.
The latest additions to the Toronto Film Festival also include the lineups for the Discovery and Wavelengths programs unveiled Thursday.
The gore-filled Midnight Madness program has world bows for Tim Story...
The Toronto Film Festival’s Midnight Madness sidebar will open with Weird: The Al Yankovic Story, with Daniel Radcliffe playing the prolific musician behind humorous songs like “Eat It” and “Amish Paradise.”
Eric Appel directs the biopic for The Roku Channel that also stars Evan Rachel Wood and will have a world premiere Sept. 8 at TIFF at the Royal Alexandra Theater.
“I couldn’t have hoped for a more appropriate opening night film than Weird: The Al Yankovic Story — a beautifully deranged biopic made in the great Midnight movie tradition of challenging conventions and forging one’s own path, no matter how weird,” Midnight Madness curator Peter Kuplowsky said in a statement Thursday.
The latest additions to the Toronto Film Festival also include the lineups for the Discovery and Wavelengths programs unveiled Thursday.
The gore-filled Midnight Madness program has world bows for Tim Story...
- 8/4/2022
- by Etan Vlessing
- The Hollywood Reporter - Movie News
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