Here’s the latest episode of The Filmmakers Podcast, part of the podcast roster here on Nerdly. If you haven’t heard the show yet, you can check out previous episodes on the official podcast site, whilst we’ll be featuring each and every new episode as it premieres.
For those unfamiliar with the series, The Filmmakers Podcast is a podcast about how to make films from micro-budget indie films to bigger-budget studio films and everything in between. Our hosts Giles Alderson, Dom Lenoir, Dan Richardson, Andrew Rodger and Cristian James talk about how to get films made, how to actually make them and how to try not to f… it up in their very humble opinion. Guests will come on and chat about their filmmaking experiences from directors, writers, producers and screenwriters, to actors, cinematographers and distributors.
The Filmmaker’s Podcast #369: From award winning short to festival feature...
For those unfamiliar with the series, The Filmmakers Podcast is a podcast about how to make films from micro-budget indie films to bigger-budget studio films and everything in between. Our hosts Giles Alderson, Dom Lenoir, Dan Richardson, Andrew Rodger and Cristian James talk about how to get films made, how to actually make them and how to try not to f… it up in their very humble opinion. Guests will come on and chat about their filmmaking experiences from directors, writers, producers and screenwriters, to actors, cinematographers and distributors.
The Filmmaker’s Podcast #369: From award winning short to festival feature...
- 12/11/2023
- by Phil Wheat
- Nerdly
An addition 5% bonus will be granted for “significant Indian content”.
India has increased filming incentives for international productions shooting in the country from 30% to 40% as part of an ongoing bid to attract major projects to film in India.
The cap on qualifying spend has also been substantially increased from $300,000 (INR25m) to $3.6m (INR300m$3.6m) and an additional 5% rebate bonus will be granted to films that feature “significant Indian content”.
International productions eligible for the scheme will need to have been granted shooting permission by India’s Ministry of Information and Broadcasting or the Ministry of External Affairs (for...
India has increased filming incentives for international productions shooting in the country from 30% to 40% as part of an ongoing bid to attract major projects to film in India.
The cap on qualifying spend has also been substantially increased from $300,000 (INR25m) to $3.6m (INR300m$3.6m) and an additional 5% rebate bonus will be granted to films that feature “significant Indian content”.
International productions eligible for the scheme will need to have been granted shooting permission by India’s Ministry of Information and Broadcasting or the Ministry of External Affairs (for...
- 11/21/2023
- by Michael Rosser
- ScreenDaily
Speaking about his film ‘Catching Dust’, British filmmaker Stuart Gatt on Tuesday said that universality of human emotions is wonderful as a story from Texas gets the same reception everywhere. The 54th edition of the International Film Festival of India opened on Monday with the international premiere of ‘Catching Dust’ by director Stuart Gatt.
Stuart Gatt along with co-producers Mark David and Jonathan Katz talking at the interaction program at 54th Iffi in Goa, spoke on various aspects of the film.
While elaborating on the focus of the movie on human emotions, he said that universality of human emotions is wonderful that a story from Texas gets the same reception everywhere.
‘Catching Dust’, which is a United States, UK, Spain co-production is the feature directorial debut of Stuart Gatt who has been making short films on topical social themes till now.
When asked about choosing a dark subject for the debut film,...
Stuart Gatt along with co-producers Mark David and Jonathan Katz talking at the interaction program at 54th Iffi in Goa, spoke on various aspects of the film.
While elaborating on the focus of the movie on human emotions, he said that universality of human emotions is wonderful that a story from Texas gets the same reception everywhere.
‘Catching Dust’, which is a United States, UK, Spain co-production is the feature directorial debut of Stuart Gatt who has been making short films on topical social themes till now.
When asked about choosing a dark subject for the debut film,...
- 11/21/2023
- by Agency News Desk
- GlamSham
Speaking about his film ‘Catching Dust’, British filmmaker Stuart Gatt on Tuesday said that universality of human emotions is wonderful as a story from Texas gets the same reception everywhere. The 54th edition of the International Film Festival of India opened on Monday with the international premiere of ‘Catching Dust’ by director Stuart Gatt.
Stuart Gatt along with co-producers Mark David and Jonathan Katz talking at the interaction program at 54th Iffi in Goa, spoke on various aspects of the film.
While elaborating on the focus of the movie on human emotions, he said that universality of human emotions is wonderful that a story from Texas gets the same reception everywhere.
‘Catching Dust’, which is a United States, UK, Spain co-production is the feature directorial debut of Stuart Gatt who has been making short films on topical social themes till now.
When asked about choosing a dark subject for the debut film,...
Stuart Gatt along with co-producers Mark David and Jonathan Katz talking at the interaction program at 54th Iffi in Goa, spoke on various aspects of the film.
While elaborating on the focus of the movie on human emotions, he said that universality of human emotions is wonderful that a story from Texas gets the same reception everywhere.
‘Catching Dust’, which is a United States, UK, Spain co-production is the feature directorial debut of Stuart Gatt who has been making short films on topical social themes till now.
When asked about choosing a dark subject for the debut film,...
- 11/21/2023
- by Agency News Desk
India’s Ministry for Information and Broadcasting has announced an increase in the country’s production incentive from a 30% to 40% rebate on qualifying spend, with a cap of $3.6M (Rs300m).
In addition, a 5% bonus will be granted for films featuring significant Indian content. In order to be eligible for the increased incentive, international productions must first receive shooting permission from the I&b Ministry (since April 1 this year). Documentaries must also receive clearance from the Ministry of External Affairs.
India’s I&b Minister Anurag Thakur announced the news at the opening ceremony of the International Film Festival of India (Iffi) in Goa.
Thakur said the changes were designed to attract more medium and large-budget international film projects to India, and also aligned with the government’s broader goal of ensuring ‘Ease of Doing Business in India’.
“This paradigm shift in incentivizing film production serves as a testament to...
In addition, a 5% bonus will be granted for films featuring significant Indian content. In order to be eligible for the increased incentive, international productions must first receive shooting permission from the I&b Ministry (since April 1 this year). Documentaries must also receive clearance from the Ministry of External Affairs.
India’s I&b Minister Anurag Thakur announced the news at the opening ceremony of the International Film Festival of India (Iffi) in Goa.
Thakur said the changes were designed to attract more medium and large-budget international film projects to India, and also aligned with the government’s broader goal of ensuring ‘Ease of Doing Business in India’.
“This paradigm shift in incentivizing film production serves as a testament to...
- 11/21/2023
- by Liz Shackleton
- Deadline Film + TV
Stuart Gatt’s “Catching Dust,” which premiered at Tribeca earlier this year, will open the 54th International Film Festival of India (Iffi), Goa.
Robert Kolodny’s “The Featherweight,” which bowed at Venice, will close the festival. Nuri Bilge Ceylan’s “About Dry Grasses,” for which Merve Dizdar won best actress at Cannes, will be the mid-festival gala.
The fiction feature strand of the Indian panorama showcase will open with Anand Ekarshi’s “Aattam” and the documentary strand with Longjam Meena’s “Andro Dream.” The panorama will screen 25 fiction features, including five mainstream films, plus 20 documentaries.
Michael Douglas will deliver the key festival masterclass. The international competition jury will be led by eminent filmmaker Shekhar Kapur (“Elizabeth”) and also includes producers Catherine Dussart (“Silence in the Dust”) and Helen Leake (“Carnifex”), former Cannes market chief Jerome Paillard and Pedro Almodovar’s long-standing cinematographer José Luis Alcaine, P.K. Atre’s “Shyamchi Aai...
Robert Kolodny’s “The Featherweight,” which bowed at Venice, will close the festival. Nuri Bilge Ceylan’s “About Dry Grasses,” for which Merve Dizdar won best actress at Cannes, will be the mid-festival gala.
The fiction feature strand of the Indian panorama showcase will open with Anand Ekarshi’s “Aattam” and the documentary strand with Longjam Meena’s “Andro Dream.” The panorama will screen 25 fiction features, including five mainstream films, plus 20 documentaries.
Michael Douglas will deliver the key festival masterclass. The international competition jury will be led by eminent filmmaker Shekhar Kapur (“Elizabeth”) and also includes producers Catherine Dussart (“Silence in the Dust”) and Helen Leake (“Carnifex”), former Cannes market chief Jerome Paillard and Pedro Almodovar’s long-standing cinematographer José Luis Alcaine, P.K. Atre’s “Shyamchi Aai...
- 11/7/2023
- by Naman Ramachandran
- Variety Film + TV
Exclusive: Erin Moriarty (The Boys), Jai Courtney (Suicide Squad), Dina Shihabi (Archive 81) and Ryan Corr (House of the Dragon) have signed on to star in Catching Dust—an upcoming Texas noir marking the feature debut of writer-director Stuart Gatt, which will enter production in the Canary Islands this month.
The drama is set in the isolation of Texas’ Big Bend, where a lone trailer on an abandoned commune has become the reluctant hideout for Geena (Moriarty), at the behest of her criminal husband, Clyde (Courtney). Geena’s lust for life and desire for interaction with the outside world are quashed by Clyde’s insistence they remain hidden from the law and his former cohorts looking to settle old scores. Exhausted by Clyde’s controlling ways, Geena decides to leave. But then a trailer arrives carrying Amaya (Shihabi) and Andy (Corr), a couple from New York seeking a respite from the city.
The drama is set in the isolation of Texas’ Big Bend, where a lone trailer on an abandoned commune has become the reluctant hideout for Geena (Moriarty), at the behest of her criminal husband, Clyde (Courtney). Geena’s lust for life and desire for interaction with the outside world are quashed by Clyde’s insistence they remain hidden from the law and his former cohorts looking to settle old scores. Exhausted by Clyde’s controlling ways, Geena decides to leave. But then a trailer arrives carrying Amaya (Shihabi) and Andy (Corr), a couple from New York seeking a respite from the city.
- 6/1/2022
- by Matt Grobar
- Deadline Film + TV
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