It’s been a year of change for the Academy of Motion Picture Arts and Sciences, which has responded not only to the pandemic, pushing back the global ABC Oscars telecast from February 28 to April 25, 2021 — setting a new award season calendar as other award shows have followed suit — but the urgency of the Black Lives Matter movement.
In its continuing push to swell the Academy membership ranks, 819 artists and executives from 68 countries have been invited to join this year. The branches have increasingly actively sought eligible people to become Academy members, but the Board of Governors makes the final call. People from underrepresented ethnic/racial communities (36 percent) and women (45 percent) are among the many invites, as the Academy continues to address its long-term white-male dominance. As always, actors make up the largest branch of the Academy, but many new members (49 percent) also come from overseas.
In 2019, the Academy invited 842 new members,...
In its continuing push to swell the Academy membership ranks, 819 artists and executives from 68 countries have been invited to join this year. The branches have increasingly actively sought eligible people to become Academy members, but the Board of Governors makes the final call. People from underrepresented ethnic/racial communities (36 percent) and women (45 percent) are among the many invites, as the Academy continues to address its long-term white-male dominance. As always, actors make up the largest branch of the Academy, but many new members (49 percent) also come from overseas.
In 2019, the Academy invited 842 new members,...
- 6/30/2020
- by Anne Thompson
- Thompson on Hollywood
It’s been a year of change for the Academy of Motion Picture Arts and Sciences, which has responded not only to the pandemic, pushing back the global ABC Oscars telecast from February 28 to April 25, 2021 — setting a new award season calendar as other award shows have followed suit — but the urgency of the Black Lives Matter movement.
In its continuing push to swell the Academy membership ranks, 819 artists and executives from 68 countries have been invited to join this year. The branches have increasingly actively sought eligible people to become Academy members, but the Board of Governors makes the final call. People from underrepresented ethnic/racial communities (36 percent) and women (45 percent) are among the many invites, as the Academy continues to address its long-term white-male dominance. As always, actors make up the largest branch of the Academy, but many new members (49 percent) also come from overseas.
In 2019, the Academy invited 842 new members,...
In its continuing push to swell the Academy membership ranks, 819 artists and executives from 68 countries have been invited to join this year. The branches have increasingly actively sought eligible people to become Academy members, but the Board of Governors makes the final call. People from underrepresented ethnic/racial communities (36 percent) and women (45 percent) are among the many invites, as the Academy continues to address its long-term white-male dominance. As always, actors make up the largest branch of the Academy, but many new members (49 percent) also come from overseas.
In 2019, the Academy invited 842 new members,...
- 6/30/2020
- by Anne Thompson
- Indiewire
By the time Ezra Edelman’s “O.J.: Made In America” aired on Espn in June, receiving near-universal acclaim from critics, Espn Films—which produced the documentary as part of the network’s popular “30 for 30” series—was already angling for attention from an Academy that, on the face of it, has nothing to do with TV. With one-week qualifying engagements at New York’s Cinema Village and Los Angeles’ Laemmle Monica Film Center, the exhaustive five-part portrait of O.J. Simpson’s life and times entered the campaign for Oscar.
It’s not alone. Of the eight other films Indiewire identifies as frontrunners in the race for Best Documentary Feature besides “O.J.: Made in America,” several have prominent connections to TV networks or streaming services: “Command and Control” (PBS); “Gleason” (Amazon); “Into the Inferno” (Netflix); “The Music of Strangers” (HBO); “Weiner” (Showtime); and “Zero Days” (Showtime). More than ever before, the resources...
It’s not alone. Of the eight other films Indiewire identifies as frontrunners in the race for Best Documentary Feature besides “O.J.: Made in America,” several have prominent connections to TV networks or streaming services: “Command and Control” (PBS); “Gleason” (Amazon); “Into the Inferno” (Netflix); “The Music of Strangers” (HBO); “Weiner” (Showtime); and “Zero Days” (Showtime). More than ever before, the resources...
- 9/21/2016
- by Anne Thompson and Matt Brennan
- Thompson on Hollywood
By the time Ezra Edelman’s “O.J.: Made In America” aired on Espn in June, receiving near-universal acclaim from critics, Espn Films—which produced the documentary as part of the network’s popular “30 for 30” series—was already angling for attention from an Academy that, on the face of it, has nothing to do with TV. With one-week qualifying engagements at New York’s Cinema Village and Los Angeles’ Laemmle Monica Film Center, the exhaustive five-part portrait of O.J. Simpson’s life and times entered the campaign for Oscar.
It’s not alone. Of the eight other films Indiewire identifies as frontrunners in the race for Best Documentary Feature besides “O.J.: Made in America,” several have prominent connections to TV networks or streaming services: “Command and Control” (PBS); “Gleason” (Amazon); “Into the Inferno” (Netflix); “The Music of Strangers” (HBO); “Weiner” (Hulu); and “Zero Days” (Showtime). More than ever before, the resources...
It’s not alone. Of the eight other films Indiewire identifies as frontrunners in the race for Best Documentary Feature besides “O.J.: Made in America,” several have prominent connections to TV networks or streaming services: “Command and Control” (PBS); “Gleason” (Amazon); “Into the Inferno” (Netflix); “The Music of Strangers” (HBO); “Weiner” (Hulu); and “Zero Days” (Showtime). More than ever before, the resources...
- 9/21/2016
- by Anne Thompson and Matt Brennan
- Indiewire
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