Adapted from the novel by Jennifer E. Smith, director Michael Lewen’s “Hello, Goodbye and Everything in Between” captures adolescent interactions and intelligence through an empathetic lens. But even though this Netflix original doesn’t condescend to its targeted teen audience, it fails to surmount basic issues dealing with narrative credulity and the outcome’s predictability.
The story centers on two modern-minded teens who enter a 10-month-long dating compact as an obligatory starter romance, agreeing to break up the night before leaving for college. But would real teens remotely act this way? Or are the adult creators transposing their own ideas onto teen turf?
Cautious high school senior Clare (Talia Ryder) thinks she’s risk-averse. All the moving around when she was young, due to her parents’ divorce, made her plunge head first into her textbooks. Determined not to be distracted by boys or friendships, she concentrated instead on securing...
The story centers on two modern-minded teens who enter a 10-month-long dating compact as an obligatory starter romance, agreeing to break up the night before leaving for college. But would real teens remotely act this way? Or are the adult creators transposing their own ideas onto teen turf?
Cautious high school senior Clare (Talia Ryder) thinks she’s risk-averse. All the moving around when she was young, due to her parents’ divorce, made her plunge head first into her textbooks. Determined not to be distracted by boys or friendships, she concentrated instead on securing...
- 7/6/2022
- by Courtney Howard
- Variety Film + TV
The Guild of Music Supervisors held its 12th annual awards ceremony virtually to celebrate outstanding achievement in the craft of music supervision in film, television, documentaries, games, advertising and trailers.
Mandi Collier took home two awards for her work on Sylie’s Love and Zola while the Oscar-nominated original song “Dos Oruguitas” from Encanto by Lin-Manuel Miranda won for Best Song Written and/or Recorded for a Film.
Legendary songwriter and record producer Diane Warren was presented with this year’s Icon Award and music supervisor Mitchell Leib took home the Legacy Award.
Tonight’s presenters included Hollywood luminaries such as Javier Bardem, Jessica Chastain, Lin-Manuel Miranda, Kristen Wiig, Annie Mumolo, Ryan Tedder, Marlon Wayans, Dave Burd aka Lil Dicky, Rickey Minor, Rufus Wainwright and more.
The 12th Annual Guild of Music Supervisors Awards was produced by President Joel C. High, Vice President Madonna Wade-Reed and former Gms President Thomas Golubić.
Mandi Collier took home two awards for her work on Sylie’s Love and Zola while the Oscar-nominated original song “Dos Oruguitas” from Encanto by Lin-Manuel Miranda won for Best Song Written and/or Recorded for a Film.
Legendary songwriter and record producer Diane Warren was presented with this year’s Icon Award and music supervisor Mitchell Leib took home the Legacy Award.
Tonight’s presenters included Hollywood luminaries such as Javier Bardem, Jessica Chastain, Lin-Manuel Miranda, Kristen Wiig, Annie Mumolo, Ryan Tedder, Marlon Wayans, Dave Burd aka Lil Dicky, Rickey Minor, Rufus Wainwright and more.
The 12th Annual Guild of Music Supervisors Awards was produced by President Joel C. High, Vice President Madonna Wade-Reed and former Gms President Thomas Golubić.
- 3/21/2022
- by Brandon Choe
- Deadline Film + TV
HBO’s ‘The White Lotus,’ ‘Lovecraft Country’ Take Top TV Honors at Guild of Music Supervisors Awards
The Guild of Music Supervisors held its 12th annual awards ceremony virtually on March 20.
Recognizing those who excel at the craft of music supervision in film, television, documentaries, games, advertising and trailers, the night’s big winners included HBO’s “The White Lotus,” supervised by Janet Lopez, who gave an impassioned acceptance speech, thanking the music makers of Hawaii for taking her call, and Liza Richardson for “Lovecraft Country” season 1. The Netflix film “Tick, Tick… Boom!,” supervised by Steven Gizicki, took home the prize for film budgeted over $25 million. Mandi Collier won twice for her work on “Sylie’s Love & Zola,” and “Dos Oruguitas” from “Encanto,” by Lin-Manuel Miranda and sung by Sebastian Yatra (and nominated for an Academy Award), won for best song written and/or recorded for a film.
Receiving special honors were Diane Warren (the Icon Award), for her numerous songs to soundtrack major films, and Mitchell Leib...
Recognizing those who excel at the craft of music supervision in film, television, documentaries, games, advertising and trailers, the night’s big winners included HBO’s “The White Lotus,” supervised by Janet Lopez, who gave an impassioned acceptance speech, thanking the music makers of Hawaii for taking her call, and Liza Richardson for “Lovecraft Country” season 1. The Netflix film “Tick, Tick… Boom!,” supervised by Steven Gizicki, took home the prize for film budgeted over $25 million. Mandi Collier won twice for her work on “Sylie’s Love & Zola,” and “Dos Oruguitas” from “Encanto,” by Lin-Manuel Miranda and sung by Sebastian Yatra (and nominated for an Academy Award), won for best song written and/or recorded for a film.
Receiving special honors were Diane Warren (the Icon Award), for her numerous songs to soundtrack major films, and Mitchell Leib...
- 3/21/2022
- by Shirley Halperin
- Variety Film + TV
The “Encanto” song “Dos Oruguitas” and the music supervision of “Zola,” “Sylvie’s Love,” “Barb and Star Go to Vista Del Mar” and “tick, tick…Boom!” have been honored at the 12th annual Guild of Music Supervisors Awards, which took place in a virtual ceremony on Saturday evening.
The music supervisors of “Zola,” “Sylvie’s Love,” “Barb and Star Go to Vista Del Mar” and “tick, tick…Boom!” won for the best supervision of a film at four different budget levels. Songwriter Lin-Manuel Miranda’s “Dos Oruguitas” from “Encanto” won in the Best Song Written and/or Recorded for a Film category, the only GMA category that corresponds to an Oscar music category.
Over the six years in which the guild has been giving out that award, the winner has gone on to take the Oscar only twice, with “City of Stars” from “La La Land” and “Shallow” from “A Star Is Born.
The music supervisors of “Zola,” “Sylvie’s Love,” “Barb and Star Go to Vista Del Mar” and “tick, tick…Boom!” won for the best supervision of a film at four different budget levels. Songwriter Lin-Manuel Miranda’s “Dos Oruguitas” from “Encanto” won in the Best Song Written and/or Recorded for a Film category, the only GMA category that corresponds to an Oscar music category.
Over the six years in which the guild has been giving out that award, the winner has gone on to take the Oscar only twice, with “City of Stars” from “La La Land” and “Shallow” from “A Star Is Born.
- 3/21/2022
- by Steve Pond
- The Wrap
The Guild of Music Supervisors released on Thursday the nominees for the group’s 12th annual awards ceremony, honoring music supervisors in film, television, advertising and video games.
Among the nominees for the film categories are “Being the Ricardos,” “Encanto,” “Barb and Star Go to Vista Del Mar,” “The Harder They Fall,” “The Tender Bar” and “Tick, Tick… Boom.” Meanwhile, some of the Television nominees include “The Crown,” “Cruel Summer,” and “Genius: Aretha.”
Nominees for music supervision in trailers include “The Matrix Resurrections” and “Spencer,” while video game nominees include “Grand Theft Auto: Online — The Contract” and “FIFA 22.”
As previously announced, Diane Warren will receive the Icon Award, while Mitchell Leib will receive the Legacy Award, which honors “music supervisors who have excelled within the craft of music supervision.”
Read the complete list of nominees below:
Film
Best Music Supervision for Film Budgeted Over $25 Million
Mary Ramos – Being The Ricardos...
Among the nominees for the film categories are “Being the Ricardos,” “Encanto,” “Barb and Star Go to Vista Del Mar,” “The Harder They Fall,” “The Tender Bar” and “Tick, Tick… Boom.” Meanwhile, some of the Television nominees include “The Crown,” “Cruel Summer,” and “Genius: Aretha.”
Nominees for music supervision in trailers include “The Matrix Resurrections” and “Spencer,” while video game nominees include “Grand Theft Auto: Online — The Contract” and “FIFA 22.”
As previously announced, Diane Warren will receive the Icon Award, while Mitchell Leib will receive the Legacy Award, which honors “music supervisors who have excelled within the craft of music supervision.”
Read the complete list of nominees below:
Film
Best Music Supervision for Film Budgeted Over $25 Million
Mary Ramos – Being The Ricardos...
- 2/11/2022
- by Ross A. Lincoln
- The Wrap
Nominees for the 12th annual Guild of Music Supervisors (Gms) Awards have been revealed, recognizing the craft of music supervision in film, television, games, advertising and trailers.
Among the film nominees for the 2022 edition of the Gms Awards are “Encanto,” “The Eyes of Tammy Faye” and “Being the Ricardos,” each of which also scored Oscar nominations this week. Television shows that scored nods include “The White Lotus,” “Blindspotting” and “Lovecraft Country.”
Songwriters, artists and music supervisors will be recognized together for the category of best song written and/or recorded for film.
As previously announced, Diane Warren will receive the organization’s prestigious Icon Award, and Mitchell Leib will receive the Legacy Award honoring those music supervisors who have excelled within the craft of music supervision.
The 12th annual ceremony will take place virtually on Sunday, March 20.
Film
Best Music Supervision for Film Budgeted Over $25 Million
Mary Ramos – “Being the Ricardos...
Among the film nominees for the 2022 edition of the Gms Awards are “Encanto,” “The Eyes of Tammy Faye” and “Being the Ricardos,” each of which also scored Oscar nominations this week. Television shows that scored nods include “The White Lotus,” “Blindspotting” and “Lovecraft Country.”
Songwriters, artists and music supervisors will be recognized together for the category of best song written and/or recorded for film.
As previously announced, Diane Warren will receive the organization’s prestigious Icon Award, and Mitchell Leib will receive the Legacy Award honoring those music supervisors who have excelled within the craft of music supervision.
The 12th annual ceremony will take place virtually on Sunday, March 20.
Film
Best Music Supervision for Film Budgeted Over $25 Million
Mary Ramos – “Being the Ricardos...
- 2/10/2022
- by Jazz Tangcay
- Variety Film + TV
The Guild of Music Supervisors held their 11th annual awards virtually today, celebrating outstanding achievement in the craft of music supervision in film, television, documentary, games, advertising and trailers.
Quincy Jones received this year’s Icon Award while Maureen Crowe, the founding President of the Guild of Music Supervisors, accepted the Legacy Award.
Music legend Stevie Wonder made a surprise visit and gave a heartfelt tribute to the accomplishments of Jones.
Pop star Billie Eilish and her brother, Finneas O’Connell, made a cameo appearance to present an award at today’s teleconference show.
The complete winners list for the 11th Annual Guild of Music Supervisors Awards is listed below.
Film
Best Music Supervision for Film Budgeted Over $25 Million
Tom MacDougall – Soul *Winner*
Jonathan Leahy – Bill & Ted Face The Music
Becky Bentham – Eurovision Song Contest: The Story of Fire Saga
Julia Michels – Jingle Jangle: A Christmas Journey
Angela Leus – Trolls World...
Quincy Jones received this year’s Icon Award while Maureen Crowe, the founding President of the Guild of Music Supervisors, accepted the Legacy Award.
Music legend Stevie Wonder made a surprise visit and gave a heartfelt tribute to the accomplishments of Jones.
Pop star Billie Eilish and her brother, Finneas O’Connell, made a cameo appearance to present an award at today’s teleconference show.
The complete winners list for the 11th Annual Guild of Music Supervisors Awards is listed below.
Film
Best Music Supervision for Film Budgeted Over $25 Million
Tom MacDougall – Soul *Winner*
Jonathan Leahy – Bill & Ted Face The Music
Becky Bentham – Eurovision Song Contest: The Story of Fire Saga
Julia Michels – Jingle Jangle: A Christmas Journey
Angela Leus – Trolls World...
- 4/12/2021
- by Brandon Choe
- Deadline Film + TV
“Soul,” “Ma Rainey’s Black Bottom,” “Promising Young Woman,” and “The Trial of the Chicago 7” were the big film winners Sunday at the 11th annual Guild of Music Supervisors Awards.
“Soul” took best supervision for a film budgeted over $25 million, “Ma Rainey’s Black Bottom” for under $25 million, “Promising Young Woman” for under $10 million, “The Cuban” for under $5 million, and “Hear My Voice” took best song honors from “The Trial of the Chicago 7.”
In TV, “Watchmen” won for drama and best song (“The Way It Used To Be”), “To All the Boys: P.S. I Still Love You” scored for movie, and there was a three-way tie for comedy or musical split between “High Fidelity,” “Insecure,” and “The Marvelous Mrs. Maisel.”
The documentary awards went to “Crip Camp” and the docuseries “The Last Dance.”
In addition, the legendary Quincy Jones won the Icon Award and was paid a lovely tribute by Stevie Wonder,...
“Soul” took best supervision for a film budgeted over $25 million, “Ma Rainey’s Black Bottom” for under $25 million, “Promising Young Woman” for under $10 million, “The Cuban” for under $5 million, and “Hear My Voice” took best song honors from “The Trial of the Chicago 7.”
In TV, “Watchmen” won for drama and best song (“The Way It Used To Be”), “To All the Boys: P.S. I Still Love You” scored for movie, and there was a three-way tie for comedy or musical split between “High Fidelity,” “Insecure,” and “The Marvelous Mrs. Maisel.”
The documentary awards went to “Crip Camp” and the docuseries “The Last Dance.”
In addition, the legendary Quincy Jones won the Icon Award and was paid a lovely tribute by Stevie Wonder,...
- 4/12/2021
- by Bill Desowitz
- Indiewire
Oscar contenders “Ma Rainey’s Black Bottom,” “Promising Young Woman” and Pixar’s “Soul” triumphed in their respective categories at the 11th Annual Guild of Music Supervisors Awards.
The ceremony celebrating outstanding achievement in the field of music supervision was held virtually, honoring the unsung heroes of film, television, documentaries, games, advertising and trailers. Despite not being recognized by AMPAS, the wins helped shine a spotlight on the music supervisors who contributed to Academy Award nominated films.
Tom MacDougall snagged best music supervision for film budgeted over $25 million for “Soul”, while the award for under $25 million went to Dawn Sutter Madell for her work on “Ma Rainey’s Black Bottom.” Billie Eilish and Finneas made a surprise appearance to present Best music supervision for film budgeted under $10 million to Susan Jacobs for “Promising Young Woman.”
In the television category, the best music supervision for a television comedy or musical award resulted in a three-way tie,...
The ceremony celebrating outstanding achievement in the field of music supervision was held virtually, honoring the unsung heroes of film, television, documentaries, games, advertising and trailers. Despite not being recognized by AMPAS, the wins helped shine a spotlight on the music supervisors who contributed to Academy Award nominated films.
Tom MacDougall snagged best music supervision for film budgeted over $25 million for “Soul”, while the award for under $25 million went to Dawn Sutter Madell for her work on “Ma Rainey’s Black Bottom.” Billie Eilish and Finneas made a surprise appearance to present Best music supervision for film budgeted under $10 million to Susan Jacobs for “Promising Young Woman.”
In the television category, the best music supervision for a television comedy or musical award resulted in a three-way tie,...
- 4/12/2021
- by Jazz Tangcay
- Variety Film + TV
The music supervisors for “Soul,” “Ma Rainey’s Black Bottom” and “Promising Young Woman” won awards at the 11th annual Guild of Music Supervisors Awards, which took place in a virtual ceremony Sunday evening.
Tom MacDougall won for “Soul” in the Best Music Supervision for Film Budgeted Over $25 Million category. Dawn Sutter Madell won for “Ma Rainey” in the category for films under $25 million, Susan Jacobs won for “Promising Young Woman” for films under $10 million and Dondrea Erauw won for “The Cuban” for films budgeted under $5 million.
Daniel Pemberton and Celeste’s Oscar-nominated song “Hear My Voice” from “The Trial of the Chicago 7” won in the Best Song Written and/or Recorded for a Film category, in which it was not competing against any of the other Oscar song nominees.
In the television categories, winners included the music supervisors of “Watchmen,” “High Fidelity,” “Insecure,” “The Marvelous Mrs. Maisel,” “The Masked Singer...
Tom MacDougall won for “Soul” in the Best Music Supervision for Film Budgeted Over $25 Million category. Dawn Sutter Madell won for “Ma Rainey” in the category for films under $25 million, Susan Jacobs won for “Promising Young Woman” for films under $10 million and Dondrea Erauw won for “The Cuban” for films budgeted under $5 million.
Daniel Pemberton and Celeste’s Oscar-nominated song “Hear My Voice” from “The Trial of the Chicago 7” won in the Best Song Written and/or Recorded for a Film category, in which it was not competing against any of the other Oscar song nominees.
In the television categories, winners included the music supervisors of “Watchmen,” “High Fidelity,” “Insecure,” “The Marvelous Mrs. Maisel,” “The Masked Singer...
- 4/12/2021
- by Steve Pond
- The Wrap
Nominees for the 11th Annual Guild of Music Supervisors (Gms) Awards have been revealed. Recognizing the craft of music supervision in film, television, games, advertising and trailers, previous winners have included such top-of-their-field music supervisors as Mary Ramos (“Once Upon A Time In Hollywood), Robin Urdang (“The Marvelous Mrs. Maisel”) and Kier Lehman (“Queen & Slim”).
Among the film nominees for the 2021 edition of the Gms Awards, which was pushed to April in order to align with the rescheduled Oscars, are frontrunners like “Ma Rainey’s Black Bottom,” “Soul” and “Promising Young Woman.” Television shows that scored nods include “Watchmen,” “Better Call Saul” and “The Marvelous Mrs. Maisel.”
Songwriters, artists and music supervisors will be recognized together for the category of best song written and/or recorded for film.
As previously announced, Quincy Jones will receive the Icon Award. Maureen Crowe, the founding president of the Guild, will receive the organization’s prestigious Legacy Award.
Among the film nominees for the 2021 edition of the Gms Awards, which was pushed to April in order to align with the rescheduled Oscars, are frontrunners like “Ma Rainey’s Black Bottom,” “Soul” and “Promising Young Woman.” Television shows that scored nods include “Watchmen,” “Better Call Saul” and “The Marvelous Mrs. Maisel.”
Songwriters, artists and music supervisors will be recognized together for the category of best song written and/or recorded for film.
As previously announced, Quincy Jones will receive the Icon Award. Maureen Crowe, the founding president of the Guild, will receive the organization’s prestigious Legacy Award.
- 2/25/2021
- by Jazz Tangcay
- Variety Film + TV
Netflix’s surprise 2018 Ya rom-com hit “To All the Boys I’ve Loved Before” spawned a lot of hard-to-duplicate success metrics: star Noah Centineo gained over 12 million Instagram followers in the two months following the film’s premiere, Japanese probiotic milk Yokult saw a surge in sales from its brief product cameo and Norwegian singer-songwriter Anna of the North scored a viral hit and her first-ever U.S. tour after her steamy, synthy song “Lovers” was featured in a fan-favorite hot tub scene between lead characters Lara Jean (Lana Condor) and Peter Kavisnky (Centineo.)
But to ensure that Volume 2, “To All the Boys 2: P.S. I Still Love You” (which premiered on Netflix Feb. 12), is an equally huge cultural smash, Netflix teamed with Capitol Records for the franchise’s first official soundtrack, which dropped Feb. 7 in advance of the film’s debut. The album features five all-new songs, including lead...
But to ensure that Volume 2, “To All the Boys 2: P.S. I Still Love You” (which premiered on Netflix Feb. 12), is an equally huge cultural smash, Netflix teamed with Capitol Records for the franchise’s first official soundtrack, which dropped Feb. 7 in advance of the film’s debut. The album features five all-new songs, including lead...
- 2/19/2020
- by Andrew Hampp
- Variety Film + TV
“A Star Is Born” took home multiple wins at the 9th Annual Guild of Music Supervisors Awards, held tonight at the theater at the Ace Hotel in downtown Los Angeles. The event celebrates the highest achievements in music supervision, recognizing exemplary work in 18 categories across movies, television, games, advertising, and trailers (read Variety‘s Gms Awards preview here.)
See the full list of winners below.
Best Music Supervision for Film Budgeted Over $25 Million
Julia Michels and Julianne Jordan – “A Star Is Born”
Best Music Supervision for Film Budgeted Under 25 Million
Tom Wolfe and Manish Raval – “Green Book”
Best Music Supervision for Film Budgeted Under $10 Million
Margaret Yen and Alison Litton – “Vox Lux”
Best Music Supervision for Film Budgeted Under $5 Milli on
Joe Rudge – “Eighth Grade”
Best Song/Recording Created for a Film
“Shallow” from “A Star Is Born”
Music Supervisors: Julia Michels and Julianne Jordan
Artists: Lady Gaga and Bradley Cooper
Songwriters: Stefani Germanotta,...
See the full list of winners below.
Best Music Supervision for Film Budgeted Over $25 Million
Julia Michels and Julianne Jordan – “A Star Is Born”
Best Music Supervision for Film Budgeted Under 25 Million
Tom Wolfe and Manish Raval – “Green Book”
Best Music Supervision for Film Budgeted Under $10 Million
Margaret Yen and Alison Litton – “Vox Lux”
Best Music Supervision for Film Budgeted Under $5 Milli on
Joe Rudge – “Eighth Grade”
Best Song/Recording Created for a Film
“Shallow” from “A Star Is Born”
Music Supervisors: Julia Michels and Julianne Jordan
Artists: Lady Gaga and Bradley Cooper
Songwriters: Stefani Germanotta,...
- 2/14/2019
- by Variety Staff
- Variety Film + TV
A year ago, Scandinavian pop singer Anna Lotterud, frontwoman of duo Anna of the North, was on her way to quietly becoming Norway’s answer to Bebe Rexha, appearing on buzzy tracks with Frank Ocean, G-Eazy and Tyler, the Creator while carving out her own name with debut album “Lovers,” released last September via Honeymoon/+1 Records.
But it took another co-sign, in the form of Netflix’s viral rom-com “To All the Boys I’ve Loved Before,” for Lotterud’s music to really catch fire stateside. The cult hit’s pivotal hot tub scene between lead characters Peter Kavinsky (Noah Centineo) and Lara Jean Covey (Lana Condor) is scored by the slinky title track from “Lovers,” which instantly became the film’s biggest streaming breakout after its Aug. 17 release. If “To All the Boys“ has become the Netflix generation’s “Pretty in Pink,” then its fans have helped christen “Lovers” as its “If You Leave.
But it took another co-sign, in the form of Netflix’s viral rom-com “To All the Boys I’ve Loved Before,” for Lotterud’s music to really catch fire stateside. The cult hit’s pivotal hot tub scene between lead characters Peter Kavinsky (Noah Centineo) and Lara Jean Covey (Lana Condor) is scored by the slinky title track from “Lovers,” which instantly became the film’s biggest streaming breakout after its Aug. 17 release. If “To All the Boys“ has become the Netflix generation’s “Pretty in Pink,” then its fans have helped christen “Lovers” as its “If You Leave.
- 9/25/2018
- by Andrew Hampp
- Variety Film + TV
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