[This story contains spoilers for Echo.]
There are certain television shows that people within the entertainment industry all watch and admire, and one of those shows was Better Call Saul, the celebrated prequel-sequel to the almighty Breaking Bad. The number of influential filmmakers who watched Saul is at least a mile long (Steven Soderbergh, Guillermo del Toro, Darren Aronofsky to name a few), and the brass at Marvel Studios are all included in that group. So it was hardly a surprise when Marvel sought out Saul writer-producer Marion Dayre to lead the writers’ room of Echo, a mature miniseries that’s centered on Maya Lopez/Echo (Alaqua Cox), who was first introduced as Wilson “Kingpin” Fisk’s (Vincent D’Onofrio) deaf enforcer on Hawkeye (2021).
Under the tutelage of Saul co-creators Vince Gilligan and Peter Gould, Dayre became a two-time WGA Award-nominated TV writer. She first co-wrote season two’s “Klick,” which put Mike Ehrmantraut (Jonathan Banks) on...
There are certain television shows that people within the entertainment industry all watch and admire, and one of those shows was Better Call Saul, the celebrated prequel-sequel to the almighty Breaking Bad. The number of influential filmmakers who watched Saul is at least a mile long (Steven Soderbergh, Guillermo del Toro, Darren Aronofsky to name a few), and the brass at Marvel Studios are all included in that group. So it was hardly a surprise when Marvel sought out Saul writer-producer Marion Dayre to lead the writers’ room of Echo, a mature miniseries that’s centered on Maya Lopez/Echo (Alaqua Cox), who was first introduced as Wilson “Kingpin” Fisk’s (Vincent D’Onofrio) deaf enforcer on Hawkeye (2021).
Under the tutelage of Saul co-creators Vince Gilligan and Peter Gould, Dayre became a two-time WGA Award-nominated TV writer. She first co-wrote season two’s “Klick,” which put Mike Ehrmantraut (Jonathan Banks) on...
- 1/25/2024
- by Brian Davids
- The Hollywood Reporter - Movie News
Editor Alan Baumgarten’s work on Aaron Sorkin’s drama “The Trial of the Chicago 7″ topped the American Cinema Editors Awards in a virtual ceremony.
Baumgarten beat out competition from “Sound of Metal,” “Mank,” “Minari” and “Nomadland.”
In other categories, Pixar’s “Soul” continued to collect awards, winning best edited animated feature, while “Palm Springs” won best edited feature film comedy. The Oscar-nominated documentary “My Octopus Teacher” won best edited documentary feature.
Director Spike Lee was honored with the Ace Golden Eddie Filmmaker of the Year Award, recognizing a filmmaker who exemplifies distinguished achievement in the art and business of film. Editors and co-stars who had collaborated with Lee over the years including Barry Alexander Brown, Ace; Adam Gough, Ace; Nancy Novak, Ace, Jodie Foster, Riz Ahmed and Sam Pollard all celebrated Lee in a tribute video.
Double Oscar nominee Leslie Odom Jr. shared: “When I was a little boy,...
Baumgarten beat out competition from “Sound of Metal,” “Mank,” “Minari” and “Nomadland.”
In other categories, Pixar’s “Soul” continued to collect awards, winning best edited animated feature, while “Palm Springs” won best edited feature film comedy. The Oscar-nominated documentary “My Octopus Teacher” won best edited documentary feature.
Director Spike Lee was honored with the Ace Golden Eddie Filmmaker of the Year Award, recognizing a filmmaker who exemplifies distinguished achievement in the art and business of film. Editors and co-stars who had collaborated with Lee over the years including Barry Alexander Brown, Ace; Adam Gough, Ace; Nancy Novak, Ace, Jodie Foster, Riz Ahmed and Sam Pollard all celebrated Lee in a tribute video.
Double Oscar nominee Leslie Odom Jr. shared: “When I was a little boy,...
- 4/17/2021
- by Jazz Tangcay
- Variety Film + TV
Updated with full list of winners: Netflix’s Aaron Sorkin drama The Trial of the Chicago 7 won the marquee Best Edited Feature Film (Dramatic) honor Saturday to cap the American Cinema Editors’ 71st annual Ace Eddie Awards.
Alan Baumgarten, Ace, edited the pic, about the unrest around the 1968 Democratic National Convention. It puts him and the film in frontrunner status in the Best Film Editing Oscar race, where it is competing against fellow Ace nominees Nomadland and Sound of Metal along with Promising Young Woman and The Father.
Baumgarten in his virtual acceptance speech thanked Sorkin for his “enthusiasm for editing — it was a pleasure to collaborate with you.” He also thanks his wife, with a nod to the pandemic: “I think myself, and as everybody understands, I brought the work home literally — thank you for your patience and understanding.”
Chicago 7 is up for six Oscars this year including Best Picture.
Alan Baumgarten, Ace, edited the pic, about the unrest around the 1968 Democratic National Convention. It puts him and the film in frontrunner status in the Best Film Editing Oscar race, where it is competing against fellow Ace nominees Nomadland and Sound of Metal along with Promising Young Woman and The Father.
Baumgarten in his virtual acceptance speech thanked Sorkin for his “enthusiasm for editing — it was a pleasure to collaborate with you.” He also thanks his wife, with a nod to the pandemic: “I think myself, and as everybody understands, I brought the work home literally — thank you for your patience and understanding.”
Chicago 7 is up for six Oscars this year including Best Picture.
- 4/17/2021
- by Patrick Hipes
- Deadline Film + TV
“The Trial of the Chicago 7” and “Palm Springs” have been named the best-edited films of 2020 by the American Cinema Editors, whose 71st annual Ace Eddie Awards took place in a virtual ceremony on Saturday afternoon.
“Chicago 7,” which is nominated for the film-editing Oscar along with “The Father,” “Nomadland,” “Promising Young Woman” and “Sound of Metal,” won in the Best Edited Feature Film (Dramatic) category. “Palm Springs” won in the comedy category.
Since 2000, when Ace splits its film award into separate drama and comedy categories, one of its winners has gone on to win the Oscar for Best Film Editing 15 times in 21 years. All but one of those wins have come in the drama category.
“Soul” won the award for animated film, while “My Octopus Teacher” took the prize in the documentary category.
In the television categories, winners included “Schitt’s Creek,” “Ted Lasso,” “Better Call Saul,” “Ozark” and “The Queen’s Gambit.
“Chicago 7,” which is nominated for the film-editing Oscar along with “The Father,” “Nomadland,” “Promising Young Woman” and “Sound of Metal,” won in the Best Edited Feature Film (Dramatic) category. “Palm Springs” won in the comedy category.
Since 2000, when Ace splits its film award into separate drama and comedy categories, one of its winners has gone on to win the Oscar for Best Film Editing 15 times in 21 years. All but one of those wins have come in the drama category.
“Soul” won the award for animated film, while “My Octopus Teacher” took the prize in the documentary category.
In the television categories, winners included “Schitt’s Creek,” “Ted Lasso,” “Better Call Saul,” “Ozark” and “The Queen’s Gambit.
- 4/17/2021
- by Steve Pond
- The Wrap
“Mank,” “Minari,” “Nomadland,” “Sound of Metal” and “The Trial of the Chicago 7” have been nominated in the dramatic-film category at the American Cinema Editors’ 71st annual Ace Eddie Awards, which honors the best in film and television editing.
In the comedy film category, the nominees are “Borat Subsequent Moviefilm,” “I Care a Lot,” “On the Rocks,” “Palm Springs” and “Promising Young Woman.”
The films that were bypassed in the Ace nominations include “Tenet,” “News of the World,” “The Father,” “Da 5 Bloods” and “Ma Rainey’s Black Bottom.”
Over the past decade, 90% of the Oscar nominees for Best Film Editing have first been nominated by the American Cinema Editors. The Oscar nominees are heavily weighted toward the Ace dramatic category, with 34 nominees coming from that category since 2010, as opposed to 11 nominees from the comedy category.
The Ace Eddies’ animated feature nominations went to “The Croods: A New Age,” “Onward,” “Over the Moon,...
In the comedy film category, the nominees are “Borat Subsequent Moviefilm,” “I Care a Lot,” “On the Rocks,” “Palm Springs” and “Promising Young Woman.”
The films that were bypassed in the Ace nominations include “Tenet,” “News of the World,” “The Father,” “Da 5 Bloods” and “Ma Rainey’s Black Bottom.”
Over the past decade, 90% of the Oscar nominees for Best Film Editing have first been nominated by the American Cinema Editors. The Oscar nominees are heavily weighted toward the Ace dramatic category, with 34 nominees coming from that category since 2010, as opposed to 11 nominees from the comedy category.
The Ace Eddies’ animated feature nominations went to “The Croods: A New Age,” “Onward,” “Over the Moon,...
- 3/11/2021
- by Steve Pond
- The Wrap
This year’s American Cinema Editors (Ace) nominations include “Nomadland,” “Mank,” “Minari,” “Sound of Metal” and “The Trial of Chicago 7.”
The guild, which will hand out its awards in a virtual ceremony on April 17, has a good track record forecasting the Oscar best picture winner — it has predicted 18 out of the last 29 winners. Last year, best edited feature film – dramatic went to “Parasite’s” Yang Jin-mo, and the film went on to win best picture at the Oscars. It also has a good record for predicting who wins the best editing Oscar — 23 out of the last 29 winners.
Nominees in comedy feature include “Borat Subsequent Moviefilm,” “I Care a Lot,” “On The Rocks” “Palm Springs” and “Promising Young Woman.”
As previously announced, Spike Lee will receive the Ace Golden Eddie Filmmaker of the Year Award, recognizing a filmmaker who exemplifies distinguished achievement in the art and business of film. Editors Lynzee Klingman...
The guild, which will hand out its awards in a virtual ceremony on April 17, has a good track record forecasting the Oscar best picture winner — it has predicted 18 out of the last 29 winners. Last year, best edited feature film – dramatic went to “Parasite’s” Yang Jin-mo, and the film went on to win best picture at the Oscars. It also has a good record for predicting who wins the best editing Oscar — 23 out of the last 29 winners.
Nominees in comedy feature include “Borat Subsequent Moviefilm,” “I Care a Lot,” “On The Rocks” “Palm Springs” and “Promising Young Woman.”
As previously announced, Spike Lee will receive the Ace Golden Eddie Filmmaker of the Year Award, recognizing a filmmaker who exemplifies distinguished achievement in the art and business of film. Editors Lynzee Klingman...
- 3/11/2021
- by Jazz Tangcay
- Variety Film + TV
Editors on films ranging from Amazon’s Borat Subsequent Moviefilm to Netflix’s The Trial of the Chicago 7 have been nominated for the 71st annual Ace Eddie Awards, presented by the American Cinema Editors to recognize the year’s best in picture editing in 14 film, TV and documentary categories.
Winners will be announced during a virtual awards ceremony April 17, where Spike Lee will receive the Ace Golden Eddie Filmmaker of the Year Award and Lynzee Klingman and Sidney Wolinsky will receive the group’s Career Achievement Awards.
As for today’s nominees, the marquee film categories are split into Dramatic and Comedy. The former features Chicago 7 along with Netflix’s Mank, A24’s Minari, Searchlight’s Nomadland (edited by writer-director Chloé Zhao) and Amazon’s Sound of Metal. The comedy nominees include Borat, Netflix’s I Care a Lot, Apple’s On the Rocks, Neon/Hulu’s Palm Springs...
Winners will be announced during a virtual awards ceremony April 17, where Spike Lee will receive the Ace Golden Eddie Filmmaker of the Year Award and Lynzee Klingman and Sidney Wolinsky will receive the group’s Career Achievement Awards.
As for today’s nominees, the marquee film categories are split into Dramatic and Comedy. The former features Chicago 7 along with Netflix’s Mank, A24’s Minari, Searchlight’s Nomadland (edited by writer-director Chloé Zhao) and Amazon’s Sound of Metal. The comedy nominees include Borat, Netflix’s I Care a Lot, Apple’s On the Rocks, Neon/Hulu’s Palm Springs...
- 3/11/2021
- by Patrick Hipes
- Deadline Film + TV
Nominees for the 71st annual Ace Eddie Awards include such Best Picture contenders as Chloé Zhao’s “Nomadland,” David Fincher’s monochromatic “Mank,” Aaron Sorkin’s “The Trial of the Chicago 7,” Lee Isaac Chung’s “Minari,” Emerald Fennell’s “Promising Young Woman” (as a comedy), and Darius Marder’s “Sound of Metal.”
The awards show will be held live on April 17 at 11:00 a.m. Pt.
Overlooked, though, were “News of the World” (edited by “Argo” Oscar-winner William Goldenberg) and “Tenet,” as well as three Black-led dramas, “Da 5 Bloods,” “Ma Rainey’s Black Bottom,” and “One Night in Miami.” However, there’s still the possibility of one or two of these making the final Oscar nominations, along with the buzzy “Minari” and “Promising Young Woman.”
In terms of using the Editing win as an Oscar bellwether for predicting Best Picture, the last time the winners coincided was “Argo” in...
The awards show will be held live on April 17 at 11:00 a.m. Pt.
Overlooked, though, were “News of the World” (edited by “Argo” Oscar-winner William Goldenberg) and “Tenet,” as well as three Black-led dramas, “Da 5 Bloods,” “Ma Rainey’s Black Bottom,” and “One Night in Miami.” However, there’s still the possibility of one or two of these making the final Oscar nominations, along with the buzzy “Minari” and “Promising Young Woman.”
In terms of using the Editing win as an Oscar bellwether for predicting Best Picture, the last time the winners coincided was “Argo” in...
- 3/11/2021
- by Bill Desowitz
- Indiewire
It's not often that you hear TV producers proudly describe an aspect of their show as looking terrible — and using much less polite language than that — but then it's not often you have TV producers both as talented and idiosyncratic as "Better Call Saul" creators Vince Gilligan and Peter Gould. The aspect in question is the show's main title sequence (embedded above), featuring various images from Jimmy McGill's future life as Saul Goodman, all of it presented with the same terrible image quality of early VHS or public access television. Late last week, I spoke first with Gilligan and Gould — who, I should say, had trouble controlling the laughter at times when using a certain profane adjective to describe the picture quality of those credits — and then with "Saul" assistant editor Curtis Thurber, who put together the different title sequences, about what they wanted and what was necessary to put them together.
- 3/16/2015
- by Alan Sepinwall
- Hitfix
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