“Don’t Worry Darling,” “9-1-1” and the forthcoming comedy “80 for Brady” were among the winners at the 27th annual California on Location Awards Sunday night.
The ceremony, hosted by “Family Feud” announcer Rubin Ervin, recognized location managers, location teams and public employees who facilitated on-location productions across the state.
“Don’t Worry Darling” received location team of the year for a studio feature, beating category finalists “The Fabelmans” and “White Men Can’t Jump.” Chris Baugh, who was also nominated for his work on “Babylon,” scored location manager of the year for a studio feature for the psychological thriller.
“It was extremely difficult and challenging. So to pull that off — I can’t even remember it, but we got through it,” Baugh said, referring to his team for “Don’t Worry Darling.” “We were all in the trenches together and I couldn’t have done it without them. It was actually enjoyable,...
The ceremony, hosted by “Family Feud” announcer Rubin Ervin, recognized location managers, location teams and public employees who facilitated on-location productions across the state.
“Don’t Worry Darling” received location team of the year for a studio feature, beating category finalists “The Fabelmans” and “White Men Can’t Jump.” Chris Baugh, who was also nominated for his work on “Babylon,” scored location manager of the year for a studio feature for the psychological thriller.
“It was extremely difficult and challenging. So to pull that off — I can’t even remember it, but we got through it,” Baugh said, referring to his team for “Don’t Worry Darling.” “We were all in the trenches together and I couldn’t have done it without them. It was actually enjoyable,...
- 12/5/2022
- by Michaela Zee
- Variety Film + TV
This year, Youngblood—Ensemble Studio Theatre’s (Est) Obie Award-winning under 30-playwright collective—enters its 20th season. Or 19th depending on whom you ask. “The first year,” 1994, according to Rj Tolan, co-artistic director at Youngblood, “it was actors, directors and playwrights. Truthfully it’s been 19 years as a playwriting group,” he says. The program began as a lab designed to engage younger non-est members in company life. Two decades later, now an official part of Est, Youngblood participants are pumping new blood into the theater scene and receiving recognition for their work. In April, Youngblood scribe Eric Dufault earned himself a John Gassner Award in addition to a Pony fellowship for his play “Year of the Rooster.” Yb’s alumni front brought an Off-Broadway run of Rob Askins’ dark comedy “Hand to God,” as well as a Pulitzer Prize win for Annie Baker and her play “The Flick.” But Est...
- 6/13/2014
- backstage.com
LCT3, Lincoln Center Theater's initiative devoted to producing work of new playwrights, directors and designers, has announced that Opal Alladin, Mia Barron, Marsha Stephanie Blake, Lynn Hawley, Ronete Levenson and Ellen Parker will be featured in its world premiere production of What Once We Felt, a new play by Ann Marie Healy, directed by Ken Rus Schmoll, the first of LCT3's three productions during the 2009-2010 season.
- 9/24/2009
- BroadwayWorld.com
LCT3, Lincoln Center Theater's new initiative devoted to producing work of emerging playwrights, directors and designers, will present the world premiere of What Once We Felt, a new play by Ann Marie Healy, directed by Ken Rus Schmoll, as the first of three productions during the 2009-2010 season. What Once We Felt will be presented Monday, October 26 through Saturday, November 21 at The Duke on 42nd Street, a New 42nd Street® project, (229 W. 42 Street). The second and third LCT3 productions, to be announced, are scheduled for Spring 2010 and will also be presented at The Duke on 42nd Street.
- 7/14/2009
- BroadwayWorld.com
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