Completing the accusation-towards-the-system “Resurrection Trilogy”, following “Wolf’s Calling” and “The Day of Destruction”, eloquently titled “Go Seppuku Yourselves” is another audiovisual extravaganza, this time aiming at the samurai system and particularly the Bushido, alongside politicians.
“Go Seppuku Yourselves” is screening at Japan Cuts
The 25-minute short begins with a rather impressive scene, where a geisha is moving in slow motion through the narrow street of a village during the samurai era. The camera follows her from behind, but when it turns to her face, a black oni mask is revealed, before she cuts off her little finger, which is then showed being dropped somewhere. The whereabouts are revealed in the next scene, which changes completely setting, inside the “den” of a pharmacist, where a samurai, Danbe, enters, informing the owner that a well has been contaminated by an oni (a Japanese demon). Danbe also cautions the pharmacist, that the authorities,...
“Go Seppuku Yourselves” is screening at Japan Cuts
The 25-minute short begins with a rather impressive scene, where a geisha is moving in slow motion through the narrow street of a village during the samurai era. The camera follows her from behind, but when it turns to her face, a black oni mask is revealed, before she cuts off her little finger, which is then showed being dropped somewhere. The whereabouts are revealed in the next scene, which changes completely setting, inside the “den” of a pharmacist, where a samurai, Danbe, enters, informing the owner that a well has been contaminated by an oni (a Japanese demon). Danbe also cautions the pharmacist, that the authorities,...
- 8/20/2021
- by Panos Kotzathanasis
- AsianMoviePulse
Following rounds 1 and 2, this one will take us right on through the countdown to Halloween and will surely be the most actively updated of the bunch. Best to begin, then, by grounding it in a classic, so we turn to David Kalat: "Frankenstein isn't a science fiction story about an arrogant scientist who intrudes on God's domain, it's a metaphor about our relationship to God." That's his argument, and I'll let him explain, but I want to pull back to a couple of earlier sentences in his piece. Mary Shelley's novel, "and the 1910 film version, treated the 'science' of Frankenstein as just so much folderol, a MacGuffin to introduce the artificial man into the story. Whale was so good at providing a reasonably convincing visualization of reviving the dead — no, more than that, a stunningly satisfying visualization of reviving the dead — it focused popular attention on that part of...
- 10/27/2011
- MUBI
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