Screen reveals a snapshot of the latest high-end TV and film productions shooting in the UK for the big studios and streamers.
Please contact us here to add or update changes to the following or new productions taking place in the UK.
Films
The Awakening
A worldwide conspiracy threatens to control the globe.
Dir: Matt Routledge
Prod: Camelot Media
Where: Pinewood Studios, London
When: May - ongoing
Distributor: N/A
Cast: Alice Eve, Eddie Hall, Peter Stormare, Steven Berkoff, Matt Hookings
28 Years Later
Plot under wraps. Sequel to 28 Days Later and 28 Weeks Later.
Dir: Danny Boyle
Prod: DNA Films
Where: North east,...
Please contact us here to add or update changes to the following or new productions taking place in the UK.
Films
The Awakening
A worldwide conspiracy threatens to control the globe.
Dir: Matt Routledge
Prod: Camelot Media
Where: Pinewood Studios, London
When: May - ongoing
Distributor: N/A
Cast: Alice Eve, Eddie Hall, Peter Stormare, Steven Berkoff, Matt Hookings
28 Years Later
Plot under wraps. Sequel to 28 Days Later and 28 Weeks Later.
Dir: Danny Boyle
Prod: DNA Films
Where: North east,...
- 6/4/2024
- ScreenDaily
RankFilm (distributor)Three-day gross (May 31-June 2)Total gross to dateWeek 1. If (Paramount) £1.6m £9.6m 3 2. The Garfield Movie (Sony) £1.3m £6.3m 2 3. Kingdom Of The Planet Of The Apes (Disney) £1.1m £13.3m 4 4. Furiosa: A Mad Max Saga (Warner Bros) £963,053 £4.5m 2 5. The Fall Guy (Universal)
£523,218 £11m 5
Gbp to Usd conversion rate: 1.27
Without a hot new tentpole release, this weekend’s UK-Ireland box office has been dominated by holdovers, with Paramount’s If clinching the top spot, and The Garfield Movie overtaking Furiosa: A Mad Max Saga.
John Krasinski’s live action-animation hybrid If has finally broken out of its second place slot in its third weekend on release,...
£523,218 £11m 5
Gbp to Usd conversion rate: 1.27
Without a hot new tentpole release, this weekend’s UK-Ireland box office has been dominated by holdovers, with Paramount’s If clinching the top spot, and The Garfield Movie overtaking Furiosa: A Mad Max Saga.
John Krasinski’s live action-animation hybrid If has finally broken out of its second place slot in its third weekend on release,...
- 6/3/2024
- ScreenDaily
It looks to be a modest weekend at the UK-Ireland box office for new releases, with spider horror Sting crawling into 484 locations for Studiocanal, and the widest release coming from 20th anniversary screenings of Harry Potter And The Prisoner Of Azkaban, out at 524 sites for Warner Bros.
Holdovers including Warner Bros’ Furiosa: A Mad Max Saga, Paramount’s If, Sony’s The Garfield Movie and Disney’s Kingdom Of The Planet Of The Apes will endeavour to dominate the top spots.
Sting is directed by Kiah Roache-Turner. The feature, which shot in Australia, centres on a 12-year-old girl living in...
Holdovers including Warner Bros’ Furiosa: A Mad Max Saga, Paramount’s If, Sony’s The Garfield Movie and Disney’s Kingdom Of The Planet Of The Apes will endeavour to dominate the top spots.
Sting is directed by Kiah Roache-Turner. The feature, which shot in Australia, centres on a 12-year-old girl living in...
- 5/31/2024
- ScreenDaily
Bertrand Bonello on Henry James' The Beast: 'The novella is a masterpiece of melodrama and James is a master of looking at the human soul' Photo: UniFrance There was no easy route for Bertrand Bonello to make what must be his most ambitious and convoluted film to date: The Beast. It unfurls over three time periods: 1910, 1914 and 2044. And the production was delayed twice: first by the tragic death in a ski-ing accident of actor Gaspard Ulliel, who was replaced by British actor George MacKay, and then for a year by scheduling conflicts with one of his favoured collaborators Léa Seydoux.
In the interim his producer suggested he might want to make a short: instead Bonello, never one to shirk a challenge, decided to film another feature Coma, which dealt with a teenage girl in lockdown amid a global health crisis and was the last film Ulliel worked on before the accident.
In the interim his producer suggested he might want to make a short: instead Bonello, never one to shirk a challenge, decided to film another feature Coma, which dealt with a teenage girl in lockdown amid a global health crisis and was the last film Ulliel worked on before the accident.
- 5/30/2024
- by Richard Mowe
- eyeforfilm.co.uk
Exclusive: Signature Entertainment has picked up UK & Irish rights to the roller coaster thriller Thrill Ride from Film Bridge International.
The deal was hashed out at the Cannes Market. The feature is directed by Ryuhei Kitamura, best known for the Bradley Cooper thriller The Midnight Meat Train, The Doorman, and Japanese genre actioner Godzilla: Final Wars. Producers are United Film’s Gabriel Georgiev, Ellen Wander, and Jordan Dykstra.
The pic tells the story of a group of people who are trapped upside down on a roller coaster taken over by a mysterious saboteur threatening to drop them all one by one to their deaths.
The deal was negotiated between Signature Entertainment’s Acquisitions and Development Executive Max Hart and Film Bridge International’s Managing Director Jordan Dykstra.
“Thrill Ride is one of the most eye-catching genre propositions the market has had to offer since our very own Fall,” Hart said.
The deal was hashed out at the Cannes Market. The feature is directed by Ryuhei Kitamura, best known for the Bradley Cooper thriller The Midnight Meat Train, The Doorman, and Japanese genre actioner Godzilla: Final Wars. Producers are United Film’s Gabriel Georgiev, Ellen Wander, and Jordan Dykstra.
The pic tells the story of a group of people who are trapped upside down on a roller coaster taken over by a mysterious saboteur threatening to drop them all one by one to their deaths.
The deal was negotiated between Signature Entertainment’s Acquisitions and Development Executive Max Hart and Film Bridge International’s Managing Director Jordan Dykstra.
“Thrill Ride is one of the most eye-catching genre propositions the market has had to offer since our very own Fall,” Hart said.
- 5/30/2024
- by Zac Ntim
- Deadline Film + TV
Sony’s “The Garfield Movie” and Warner Bros.’ “Furiosa: A Mad Max Saga” enjoyed a fruitful long May bank holiday weekend at the U.K. and Ireland box office.
“The Garfield Movie” debuted with £2.1 million ($2.7 million) and “Furiosa” with £1.9 million ($2.5 million), per numbers from Comscore.
In its second weekend, Paramount’s “If” collected £1.6 million for a total of £4.6 million. In its third weekend, Disney’s “Kingdom of the Planet of the Apes” earned £1.5 million for a total of £10.4 million.
Rounding off the top five was Universal’s “The Fall Guy” with £752,683 in its fourth weekend for a total of £9.5 million.
There were two other debuts in the top 10. Dream Entertainment’s Malayalam-language “Turbo” debuted in eighth place with £152,295 and Trinity Asia’s “Twilight Of The Warriors: Walled In” in ninth with £106,919.
The upcoming weekend, Disney is releasing “Young Woman and the Sea,” the story of competitive swimmer Trudy Ederle, who,...
“The Garfield Movie” debuted with £2.1 million ($2.7 million) and “Furiosa” with £1.9 million ($2.5 million), per numbers from Comscore.
In its second weekend, Paramount’s “If” collected £1.6 million for a total of £4.6 million. In its third weekend, Disney’s “Kingdom of the Planet of the Apes” earned £1.5 million for a total of £10.4 million.
Rounding off the top five was Universal’s “The Fall Guy” with £752,683 in its fourth weekend for a total of £9.5 million.
There were two other debuts in the top 10. Dream Entertainment’s Malayalam-language “Turbo” debuted in eighth place with £152,295 and Trinity Asia’s “Twilight Of The Warriors: Walled In” in ninth with £106,919.
The upcoming weekend, Disney is releasing “Young Woman and the Sea,” the story of competitive swimmer Trudy Ederle, who,...
- 5/28/2024
- by Naman Ramachandran
- Variety Film + TV
Opening with an actress screaming at an invisible attacker while filming a green-screen scene, The Beast immediately reveals its primary ideas: the eeriness of technological advancement, a feeling of deep anguish at a terror that isn’t really there, and the interaction between the two. Bertrand Bonello’s sci-fi — in which two people, Gabrielle (Léa Seydoux) and Louis (George MacKay), meet in different eras — is an extraordinary excavation of the role technology plays in causing emotional mayhem, and a clarion call to those who would use it as a stand-in during daily human life.
If that sounds complicated, then buckle up: with three timelines and endless recurring symbolism, The Beast is, well, a bit of a beast. We begin in 1910, where Gabrielle is a musician; in 2014, she’s a model and actor house-sitting in Los Angeles; in 2044, she is considering “purifying” her DNA in an attempt to get a job in an AI-riddled society.
If that sounds complicated, then buckle up: with three timelines and endless recurring symbolism, The Beast is, well, a bit of a beast. We begin in 1910, where Gabrielle is a musician; in 2014, she’s a model and actor house-sitting in Los Angeles; in 2044, she is considering “purifying” her DNA in an attempt to get a job in an AI-riddled society.
- 5/28/2024
- by Steph Green
- Empire - Movies
Bertrand Bonello with Anne-Katrin Titze on Romy Schneider’s face in Coma, the camera test by Henri-Georges Clouzot for his unfinished film L’enfer (Inferno): “I was trying to find an image that you could dream of when you’re a young girl.”
Bertrand Bonello’s prophetic Coma (with a haunting score by the director/screenwriter), starring Louise Labèque (of Zombi Child) as the adolescent and Julia Faure as the title character Patricia Coma, was filmed in France during the Covid pandemic lockdown. We hear the voices of Gaspard Ulliel (Yves Saint Laurent in Bonello’s Saint Laurent), Anaïs Demoustier, Laetitia Casta, Louis Garrel, and Vincent Lacoste as the dollhouse figures. We see Romy Schneider’s face in a camera test for Henri-Georges Clouzot’s unfinished Inferno (L’Enfer) and meet a woman in the forest portrayed by Bonnie Banane.
Young girl (Louise Labèque) with Sharon doll in Coma
Theorists Gilles Deleuze,...
Bertrand Bonello’s prophetic Coma (with a haunting score by the director/screenwriter), starring Louise Labèque (of Zombi Child) as the adolescent and Julia Faure as the title character Patricia Coma, was filmed in France during the Covid pandemic lockdown. We hear the voices of Gaspard Ulliel (Yves Saint Laurent in Bonello’s Saint Laurent), Anaïs Demoustier, Laetitia Casta, Louis Garrel, and Vincent Lacoste as the dollhouse figures. We see Romy Schneider’s face in a camera test for Henri-Georges Clouzot’s unfinished Inferno (L’Enfer) and meet a woman in the forest portrayed by Bonnie Banane.
Young girl (Louise Labèque) with Sharon doll in Coma
Theorists Gilles Deleuze,...
- 5/27/2024
- by Anne-Katrin Titze
- eyeforfilm.co.uk
It's no surprise that there isn't a single war movie that's easy to watch. Still, these films are usually adored by both critics and audiences.
First, they require a great deal of technical skill to make. Second, the amount of thought that goes into the set and costume design cannot go unnoticed. And third, the actors tend to shine the brightest in the face of dramatic dialogue and heartbreaking scenes, and there is no shortage of those when it comes to war.
If you're craving a good war movie, but don't have anything specific in mind, Netflix is ready to help with a new addition to its library.
Is 1917 Worth Watching?
Unlike many war movies, 1917 takes viewers back to World War I, not a few decades later. This alone sets 1917 apart from many other films in the genre, giving it a unique setting and rare insight into the events.
First, they require a great deal of technical skill to make. Second, the amount of thought that goes into the set and costume design cannot go unnoticed. And third, the actors tend to shine the brightest in the face of dramatic dialogue and heartbreaking scenes, and there is no shortage of those when it comes to war.
If you're craving a good war movie, but don't have anything specific in mind, Netflix is ready to help with a new addition to its library.
Is 1917 Worth Watching?
Unlike many war movies, 1917 takes viewers back to World War I, not a few decades later. This alone sets 1917 apart from many other films in the genre, giving it a unique setting and rare insight into the events.
- 5/27/2024
- by virginia-singh@startefacts.com (Virginia Singh)
- STartefacts.com
Netflix keeps going on with its permanent mission to give old flicks a second life, and it seems like one of last years’ most successful movies will thrive once again as soon as it lands on the streaming giant’s platform.
Next month will mark the arrival of 1917 at Netflix’s collection of movies thus giving Sam Mendes’ epic war drama a very promising future at the streaming’s top chart.
What Is 1917 About?
Released back in 2019, 1917 became a big phenomenon in the industry upon its release. Starring a whole list of the cinema’s most prominent actors like George MacKay, Dean-Charles Chapman, Andrew Scott, Richard Madden, Mark Strong, Colin Firth, Benedict Cumberbatch and many others, the movie follows two British soldiers, Will Schofield and Tom Blake, portrayed by MacKay and Chapman respectively, who get to outwit death during World War I.
Having received an order to deliver a very...
Next month will mark the arrival of 1917 at Netflix’s collection of movies thus giving Sam Mendes’ epic war drama a very promising future at the streaming’s top chart.
What Is 1917 About?
Released back in 2019, 1917 became a big phenomenon in the industry upon its release. Starring a whole list of the cinema’s most prominent actors like George MacKay, Dean-Charles Chapman, Andrew Scott, Richard Madden, Mark Strong, Colin Firth, Benedict Cumberbatch and many others, the movie follows two British soldiers, Will Schofield and Tom Blake, portrayed by MacKay and Chapman respectively, who get to outwit death during World War I.
Having received an order to deliver a very...
- 5/25/2024
- by benjamin-patel@startefacts.com (Benjamin Patel)
- STartefacts.com
Bertrand Bonello’s The Beast is a mesmerising and thought-provoking cinematic experience that blends elements of intelligent sci-fi, romance, and psychological thriller. Bonello’s distinct directorial style, combined with a compelling narrative and strong performances, makes this a standout in the sci-fi genre.
Set in a dystopian future where emotions have come to be regarded as dangerous liabilities, The Beast stars Léa Seydoux as Gabrielle, a troubled young woman grappling with her intense feelings in a society that prioritises rationality over feelings.
1917 and True History of the Kelly Gang star George MacKay plays Louis, Gabrielle’s enigmatic love interest, whose presence complicates her path to freedom from her own inner turmoil and doubts about her future.
Through a series of scenarios taking place throughout the ages – Paris at the turn of the 20th century and LA, 100 years later – the lovers’ interactions are fraught with tension, desire, and existential dread as...
Set in a dystopian future where emotions have come to be regarded as dangerous liabilities, The Beast stars Léa Seydoux as Gabrielle, a troubled young woman grappling with her intense feelings in a society that prioritises rationality over feelings.
1917 and True History of the Kelly Gang star George MacKay plays Louis, Gabrielle’s enigmatic love interest, whose presence complicates her path to freedom from her own inner turmoil and doubts about her future.
Through a series of scenarios taking place throughout the ages – Paris at the turn of the 20th century and LA, 100 years later – the lovers’ interactions are fraught with tension, desire, and existential dread as...
- 5/22/2024
- by Linda Marric
- HeyUGuys.co.uk
Basado en el best-seller de David Gilbert.
Según anuncia Deadline, Bill Nighy (“Living”), Noah Jupe (“A Quiet Place”), George MacKay y Matt Smith (“The Crown”) protagonizarán el debut en inglés del cineasta argentino Pablo Trapero (“El Clan”) “& Sons”, cuyo guion ha sido escrito por la ganadora del Oscar Sarah Polley (“Women Talking”).
La película “& Sons” está basada en la novela homónima de David Gilbert. Andrew es un novelista más conocido en el mundo como A.N. Dyer. Escribió su primer libro a los 27 años y se convirtió en un clásico instantáneo, vendiendo 45 millones de ejemplares. Andrew se despierta una mañana convencido de que está a punto de morir. Sabe que se le acaba el tiempo y necesita arreglar los vínculos más importantes de su vida, así que reúne a sus hijos para que estén con él. Han pasado casi 20 años desde que un “incidente” destrozó el hogar de los Dyer.
Según anuncia Deadline, Bill Nighy (“Living”), Noah Jupe (“A Quiet Place”), George MacKay y Matt Smith (“The Crown”) protagonizarán el debut en inglés del cineasta argentino Pablo Trapero (“El Clan”) “& Sons”, cuyo guion ha sido escrito por la ganadora del Oscar Sarah Polley (“Women Talking”).
La película “& Sons” está basada en la novela homónima de David Gilbert. Andrew es un novelista más conocido en el mundo como A.N. Dyer. Escribió su primer libro a los 27 años y se convirtió en un clásico instantáneo, vendiendo 45 millones de ejemplares. Andrew se despierta una mañana convencido de que está a punto de morir. Sabe que se le acaba el tiempo y necesita arreglar los vínculos más importantes de su vida, así que reúne a sus hijos para que estén con él. Han pasado casi 20 años desde que un “incidente” destrozó el hogar de los Dyer.
- 5/20/2024
- by Marta Medina
- mundoCine
After breaking out as a wide-eyed soldier in 1917, the actor showed a darker side to masculinity as a closeted thug in Femme. Now he’s gone further, playing an incel in twisted sci-fi The Beast
George MacKay reaches into his backpack and pulls out a squeezy bottle of honey, squirting it into his americano. “It’s a bit eccentric,” he says sheepishly. He picked up the habit years ago on a shoot in Australia; recognising that requesting a pot of honey might be perceived as “a slightly wanky ask”, he carries his own supply instead. This is typical MacKay – charming, discreet, and more than a little concerned about giving others the wrong idea.
On screen, MacKay frequently plays characters who are suffocated by the codes of traditional masculinity, and turned cruel by them, too. The actor’s breakout role was in Sam Mendes’s Oscar-winning war blockbuster 1917, which plays out as one dizzying,...
George MacKay reaches into his backpack and pulls out a squeezy bottle of honey, squirting it into his americano. “It’s a bit eccentric,” he says sheepishly. He picked up the habit years ago on a shoot in Australia; recognising that requesting a pot of honey might be perceived as “a slightly wanky ask”, he carries his own supply instead. This is typical MacKay – charming, discreet, and more than a little concerned about giving others the wrong idea.
On screen, MacKay frequently plays characters who are suffocated by the codes of traditional masculinity, and turned cruel by them, too. The actor’s breakout role was in Sam Mendes’s Oscar-winning war blockbuster 1917, which plays out as one dizzying,...
- 5/20/2024
- by Simran Hans
- The Guardian - Film News
Exclusive: Oscar nominee Bill Nighy (Living), Indie Spirit nominee Noah Jupe (A Quiet Place I & II), BAFTA nominee George MacKay (1917) and BAFTA nominee Matt Smith (The Crown) are set to star in acclaimed Argentinian filmmaker Pablo Trapero’s (El Clan) English-language movie debut & Sons, which is being scripted by Oscar winner Sarah Polley (Women Talking).
Bankside Films is launching world sales on the buzzy project at this week’s Cannes market. Bankside, UTA Independent Film Group and CAA Media Finance are co-repping North American rights.
Pic is based on the novel of the same name by David Gilbert. The official synopsis reads:
“Andrew is a novelist best known to the world as A.N. Dyer. He wrote his first book when he was 27 and it became an instant classic, selling 45M copies and creating a cult around its elusive author. Andrew wakes up one morning convinced that he is about to die.
Bankside Films is launching world sales on the buzzy project at this week’s Cannes market. Bankside, UTA Independent Film Group and CAA Media Finance are co-repping North American rights.
Pic is based on the novel of the same name by David Gilbert. The official synopsis reads:
“Andrew is a novelist best known to the world as A.N. Dyer. He wrote his first book when he was 27 and it became an instant classic, selling 45M copies and creating a cult around its elusive author. Andrew wakes up one morning convinced that he is about to die.
- 5/17/2024
- by Andreas Wiseman
- Deadline Film + TV
Luke Evans, Milla Jovovich Sci-Fi Action Film ‘World-Breaker’ Goes to Signature for U.K. (Exclusive)
U.K. production, sales and distribution outfit Signature Entertainment has acquired the U.K. and Irish rights to action sci-fi movie World-Breaker starring Luke Evans (The Hobbit), Milla Jovovich (Resident Evil), and Billie Boullet (A Small Light) from The Exchange. The news comes as the film wraps production in Northern Ireland and the Cannes Film Festival and market kicked off.
The feature, produced by Bradley Gallo (Wild Mountain Thyme), Michael A. Helfant (The Call), Martin Brennan (One Way), Jib Polhemus (Lara Croft: Tomb Raider), and Tracy Mercer (Madam Secretary), is directed by Brad Anderson (The Machinist) from a script written by Joshua Rollins (Infinite Storm). It follows a father and daughter who must escape a burning city and fight for survival while the human race faces a war with “vicious creatures from another dimension.”
Evans plays the father, Jovovich the mother, and Boullett the daughter.
The deal was negotiated between...
The feature, produced by Bradley Gallo (Wild Mountain Thyme), Michael A. Helfant (The Call), Martin Brennan (One Way), Jib Polhemus (Lara Croft: Tomb Raider), and Tracy Mercer (Madam Secretary), is directed by Brad Anderson (The Machinist) from a script written by Joshua Rollins (Infinite Storm). It follows a father and daughter who must escape a burning city and fight for survival while the human race faces a war with “vicious creatures from another dimension.”
Evans plays the father, Jovovich the mother, and Boullett the daughter.
The deal was negotiated between...
- 5/15/2024
- by Georg Szalai
- The Hollywood Reporter - Movie News
Pedro Almódovar has written a book, described as a “fragmentary autobiography”. It includes a love story between Jesus and Barabbas and a sad vampire.
If you’re looking for the inside scoop on how Pedro Almódovar made Bad Education, Pain & Glory or Strange Way Of Life, you might have to keep waiting. The Spanish director has a new book coming out later this year, and it absolutely, equivocally, demonstrably isn’t an autobiography. Sort of.
The Last Dream brings together twelve unpublished stories from Almodóvar’s personal archive, written between the late sixties and the present day, some of which contain elements of his own life.
The stories include: a love story between Jesus and Barabbas; a cult film director out in search of painkillers on a bank holiday weekend; the primary version of the film Bad Education; a gothic tale of a repentant vampire among monks and a...
If you’re looking for the inside scoop on how Pedro Almódovar made Bad Education, Pain & Glory or Strange Way Of Life, you might have to keep waiting. The Spanish director has a new book coming out later this year, and it absolutely, equivocally, demonstrably isn’t an autobiography. Sort of.
The Last Dream brings together twelve unpublished stories from Almodóvar’s personal archive, written between the late sixties and the present day, some of which contain elements of his own life.
The stories include: a love story between Jesus and Barabbas; a cult film director out in search of painkillers on a bank holiday weekend; the primary version of the film Bad Education; a gothic tale of a repentant vampire among monks and a...
- 5/9/2024
- by James Harvey
- Film Stories
Vertigo Releasing has unleashed the trailer for the visionary sci-fi epic ‘The Beast’.
In a near-future world dominated by artificial intelligence, where human emotions are perceived as a threat, Gabrielle (Lea Seydoux) embarks on a journey to purify her DNA by revisiting her past lives. During this process, she reconnects with Louis (George MacKay), her great love. However, a sense of foreboding and fear grips her as she anticipates an impending catastrophe.
The film had its world premiere at the 2023 Venice Film Festival to great acclaim and was recently showcased at the London Film Festival. The thought-provoking film which spans three time periods, draws inspiration from Henry James’s evocative short story.
Directed by Bertrand Bonello, the movie stars BAFTA-nominated actors Léa Seydoux and George MacKay.
Also in trailers – Stephen Fry & Lena Dunham embark on an emotional journey in trailer for ‘Treasure’
The movie will be released in UK and Irish cinemas 31st May.
In a near-future world dominated by artificial intelligence, where human emotions are perceived as a threat, Gabrielle (Lea Seydoux) embarks on a journey to purify her DNA by revisiting her past lives. During this process, she reconnects with Louis (George MacKay), her great love. However, a sense of foreboding and fear grips her as she anticipates an impending catastrophe.
The film had its world premiere at the 2023 Venice Film Festival to great acclaim and was recently showcased at the London Film Festival. The thought-provoking film which spans three time periods, draws inspiration from Henry James’s evocative short story.
Directed by Bertrand Bonello, the movie stars BAFTA-nominated actors Léa Seydoux and George MacKay.
Also in trailers – Stephen Fry & Lena Dunham embark on an emotional journey in trailer for ‘Treasure’
The movie will be released in UK and Irish cinemas 31st May.
- 5/9/2024
- by Zehra Phelan
- HeyUGuys.co.uk
George MacKay and director Paul Wright are reuniting for Mission, a new drama film filming in Scotland now.
Over 10 years after the pair collaborated on For Those In Peril, George MacKay and writer-director Paul Wright are set to make another film together.
That film is Mission, a new drama that follows Dylan, an alienated man who goes on a journey of self-discovery.
Here’s a proper description:
Mission is a punk exploration of the psyche which follows alienated Dylan (MacKay) as he throws off the shackles of his solitary life in an attempt to experience the highs and lows of existence at its most extreme, embarking on a thrilling journey of self-discovery that proves both inspiring and terrifying.
MacKay was last seen in Sam H. Freeman and Ng Choon Ping’s ambitious and impressive thriller Femme, which we were big fans of. For Wright, Mission will be the first feature...
Over 10 years after the pair collaborated on For Those In Peril, George MacKay and writer-director Paul Wright are set to make another film together.
That film is Mission, a new drama that follows Dylan, an alienated man who goes on a journey of self-discovery.
Here’s a proper description:
Mission is a punk exploration of the psyche which follows alienated Dylan (MacKay) as he throws off the shackles of his solitary life in an attempt to experience the highs and lows of existence at its most extreme, embarking on a thrilling journey of self-discovery that proves both inspiring and terrifying.
MacKay was last seen in Sam H. Freeman and Ng Choon Ping’s ambitious and impressive thriller Femme, which we were big fans of. For Wright, Mission will be the first feature...
- 5/9/2024
- by Maria Lattila
- Film Stories
Actor George MacKay has reunited with his “For Those in Peril” director Paul Wright for “Mission.”
Backed by BBC Film, Screen Scotland and Ffilm Cymru Wales with funding from the U.K. National Lottery, “Mission” is a co-production between Early Day Films (BAFTA winner “Bait”) and 65 Wilding Films (“Baltimore”). The project was developed with Screen Scotland and BBC Film.
The producers describe “Mission” as “a punk exploration of the psyche which follows alienated Dylan (MacKay) as he throws off the shackles of his solitary life in an attempt to experience the highs and lows of existence at its most extreme, embarking on a thrilling journey of self-discovery that proves both inspiring and terrifying.”
Blue Finch Films will be handling worldwide sales on the project.
“Mission” is produced by Kate Byers, Linn Waite (Early Day Films), Alex Thiele (65 Wilding Films), Marie-Elena Dyche (Meraki Films) and Lowri Roberts (Rapt), with Maisie Williams...
Backed by BBC Film, Screen Scotland and Ffilm Cymru Wales with funding from the U.K. National Lottery, “Mission” is a co-production between Early Day Films (BAFTA winner “Bait”) and 65 Wilding Films (“Baltimore”). The project was developed with Screen Scotland and BBC Film.
The producers describe “Mission” as “a punk exploration of the psyche which follows alienated Dylan (MacKay) as he throws off the shackles of his solitary life in an attempt to experience the highs and lows of existence at its most extreme, embarking on a thrilling journey of self-discovery that proves both inspiring and terrifying.”
Blue Finch Films will be handling worldwide sales on the project.
“Mission” is produced by Kate Byers, Linn Waite (Early Day Films), Alex Thiele (65 Wilding Films), Marie-Elena Dyche (Meraki Films) and Lowri Roberts (Rapt), with Maisie Williams...
- 5/9/2024
- by Naman Ramachandran
- Variety Film + TV
(Welcome to Under the Radar, a column where we spotlight specific movies, shows, trends, performances, or scenes that caught our eye and deserved more attention ... but otherwise flew under the radar. In this edition: the haunting genre-bender "The Beast," the farcical indie "Hundreds of Beavers," and HBO's "The Sympathizer" all stand out as clear highlights.)
Buckle up, folks: The theme of this month's edition of "Under the Radar" falls under the category of weird and wild.
More so than in previous years, this past April marked something of an awkward transition point in the overall release calendar. While Oscar season is well and truly behind us, the summer blockbuster season still remains a few weeks away from truly ramping up in earnest. Sure, the one-two punch of "Kingdom of the Planet of the Apes" and "Furiosa" technically kick off the festivities in short order, but June and July are when the real heavy-hitters -- hello,...
Buckle up, folks: The theme of this month's edition of "Under the Radar" falls under the category of weird and wild.
More so than in previous years, this past April marked something of an awkward transition point in the overall release calendar. While Oscar season is well and truly behind us, the summer blockbuster season still remains a few weeks away from truly ramping up in earnest. Sure, the one-two punch of "Kingdom of the Planet of the Apes" and "Furiosa" technically kick off the festivities in short order, but June and July are when the real heavy-hitters -- hello,...
- 5/8/2024
- by Jeremy Mathai
- Slash Film
“The Fall Guy” is swinging into theaters this weekend, as are the indie masterpieces “I Saw the TV Glow” and “Evil Does Not Exist.” Fortunately, a handful of fun and intriguing titles are also hitting digital platforms, including a dynamic documentary about a rock ‘n’ roll linchpin.
The contender to watch this week: “Catching Fire: The Story of Anita Pallenberg”
No, this isn’t a “Hunger Games” sequel. Anita Pallenberg was an actress, a New York It Girl, and a denizen of Andy Warhol’s Factory, but she is best known as an associate of the Rolling Stones. She dated founder Brian Jones and, later, guitarist Keith Richards, with whom she had three children. Some people have called her the band’s muse. Pallenberg’s life was not always as glamorous as it sounds, though, and directors Alexis Bloom and Svetlana Zill mine her highs and lows for a compelling...
The contender to watch this week: “Catching Fire: The Story of Anita Pallenberg”
No, this isn’t a “Hunger Games” sequel. Anita Pallenberg was an actress, a New York It Girl, and a denizen of Andy Warhol’s Factory, but she is best known as an associate of the Rolling Stones. She dated founder Brian Jones and, later, guitarist Keith Richards, with whom she had three children. Some people have called her the band’s muse. Pallenberg’s life was not always as glamorous as it sounds, though, and directors Alexis Bloom and Svetlana Zill mine her highs and lows for a compelling...
- 5/4/2024
- by Matthew Jacobs
- Gold Derby
The Beast.She was there on harder terms than any one; she was there as a consequence of things suffered, one way and another, in the interval of years, and she remembered him very much as she was remembered—only a good deal better.So says John Marcher of May Bartram in Henry James’s novella The Beast in the Jungle (1903). Everything coalesces for John and May to reconnect on an October afternoon, having met years prior. Their meeting again is “the sequel of something of which he had lost at the beginning.” What follows is a strained dalliance, never physically realized. John is transfixed by May’s knowledge of his “secret,” the feeling of an imminent doom that has tailed him his entire life. Something awaits him, like a beast in the jungle. And May—only May, whose illness brings her closer and closer to her own death—knows what it is.
- 5/3/2024
- MUBI
Léa Seydoux, George MacKay in BeastImage: Ad Vitam
There’s an instant urgency in The Beast, the latest film from writer-director Bertrand Bonello, that persists despite its hefty runtime of 145 minutes. Even in its quietest moments, as Bonello’s pacing slows to a crawl and we are asked to consider every gesture,...
There’s an instant urgency in The Beast, the latest film from writer-director Bertrand Bonello, that persists despite its hefty runtime of 145 minutes. Even in its quietest moments, as Bonello’s pacing slows to a crawl and we are asked to consider every gesture,...
- 5/1/2024
- by Matthew Jackson
- avclub.com
2014’s Pride, from director Matthew Warchus, is heading back into cinemas in the UK this June: more details here.
Comfortably one of the best British films of the 2010s is the wonderful Pride, an uproariously funny and really moving ensemble film set in the 1980s. Led by George MacKay, Andrew Scott, Ben Schnetzer, Faye Marsay, Dominic West, Imelda Staunton, a sex toy, Paddy Considine, Bill Nighy and Freddie Fox, it felt like a movie out of nowhere when it first arrived.
Telling the story of the miner’s strike in the UK in the 1980s, and the efforts of a bunch of lesbian and gay activists to support them, it still remains something of a one-off. Penned by Stephen Beresford and directed by Matthew Warchus, the modestly-budgeted film hardly set the box office alight on its initial release, but it’s earned a rich and deserved reputation since for a film that’s well,...
Comfortably one of the best British films of the 2010s is the wonderful Pride, an uproariously funny and really moving ensemble film set in the 1980s. Led by George MacKay, Andrew Scott, Ben Schnetzer, Faye Marsay, Dominic West, Imelda Staunton, a sex toy, Paddy Considine, Bill Nighy and Freddie Fox, it felt like a movie out of nowhere when it first arrived.
Telling the story of the miner’s strike in the UK in the 1980s, and the efforts of a bunch of lesbian and gay activists to support them, it still remains something of a one-off. Penned by Stephen Beresford and directed by Matthew Warchus, the modestly-budgeted film hardly set the box office alight on its initial release, but it’s earned a rich and deserved reputation since for a film that’s well,...
- 4/24/2024
- by Simon Brew
- Film Stories
French director Bertrand Bonello is rightly back in the imaginations of U.S. cinephiles, as his new film “The Beast” is now playing stateside. The time-hopping sci-fi romantic drama starring Léa Seydoux and George MacKay as would-be lovers across centuries had the biggest opening weekend yet for distributor Sideshow/Janus Films earlier this month. Now, Bertrand Bonello’s previously undistributed 2022 film “Coma” is finally joining “The Beast” at theaters beginning in May from Film Movement. Watch the trailer for “Coma,” an IndieWire exclusive, below.
Combining live-action and animation, “Coma” centers on a teenage girl in lockdown amid a global health crisis (cough cough) who develops a disturbing relationship with a YouTuber. The cast features Louise Labèque, Julia Faure, Gaspard Ulliel, Laetitia Casta, Vincent Lacoste, Louis Garrel, and Anaïs Demoustier. This was the last film Ulliel worked on before he died in January 2022 after a skiing accident. Ulliel was meant to...
Combining live-action and animation, “Coma” centers on a teenage girl in lockdown amid a global health crisis (cough cough) who develops a disturbing relationship with a YouTuber. The cast features Louise Labèque, Julia Faure, Gaspard Ulliel, Laetitia Casta, Vincent Lacoste, Louis Garrel, and Anaïs Demoustier. This was the last film Ulliel worked on before he died in January 2022 after a skiing accident. Ulliel was meant to...
- 4/18/2024
- by Ryan Lattanzio
- Indiewire
Exclusive: Idris and Sabrina Elba have set Halfway, a sci-fi thriller podcast at Audible with Lenny Henry, George Mackay, and Sex Education alum Patricia Allison as voice cast leads.
Written by Imeldha Eloni and Michael Honnah and directed by Holly Reddaway, Halfway examines a world in which AI is used to recreate the personalities of deceased loved ones for profit. The cast is rounded out by Arinzé Kene (Been So Long).
Halfway is the first audio drama executive produced by Idris and Sabrina Elba with S’Able Labs, from the scripted development project between the Elbas and Audible, launched to discover and support underrepresented writers.
The series begins with Florence, played by Patricia Allison, who is consumed by grief following the death of her brother, Mark (Arinzé Kene). A year after being declared missing, Mark is uploaded to Halfway, a service that aims to provide closure, consolation, and comfort to those...
Written by Imeldha Eloni and Michael Honnah and directed by Holly Reddaway, Halfway examines a world in which AI is used to recreate the personalities of deceased loved ones for profit. The cast is rounded out by Arinzé Kene (Been So Long).
Halfway is the first audio drama executive produced by Idris and Sabrina Elba with S’Able Labs, from the scripted development project between the Elbas and Audible, launched to discover and support underrepresented writers.
The series begins with Florence, played by Patricia Allison, who is consumed by grief following the death of her brother, Mark (Arinzé Kene). A year after being declared missing, Mark is uploaded to Halfway, a service that aims to provide closure, consolation, and comfort to those...
- 4/18/2024
- by Zac Ntim and Andreas Wiseman
- Deadline Film + TV
Anya Taylor-Joy has become one of the most popular up-and-coming actresses in the past few years. The talented performer has been picking up roles at an exciting rate. In 2024, she will portray the titular character Imperator Furiosa in Furiosa: A Mad Max Saga.
With her dazzling beauty, exceptional grace, and ability to pull off nuanced performances, she’s quickly becoming the talk of Hollywood and beyond.
Anya Taylor-Joy in a white Dior Fall 2022 dress with a gold collar necklace and Tiffany & Co. Schlumberger bracelet, rings, and earrings at the Los Angeles Premiere of “The Northman” at Tcl Chinese Theatre on April 18, 2022, in Hollywood, California (Credit: DFree / Shutterstock)
Although best known for her role in the Netflix series The Queen’s Gambit, Anya Taylor-Joy has also had many parts in feature-length films. Today, we’re looking at this young starlet as we count down our 11 favorite Anya Taylor-Joy movies, ranked in order...
With her dazzling beauty, exceptional grace, and ability to pull off nuanced performances, she’s quickly becoming the talk of Hollywood and beyond.
Anya Taylor-Joy in a white Dior Fall 2022 dress with a gold collar necklace and Tiffany & Co. Schlumberger bracelet, rings, and earrings at the Los Angeles Premiere of “The Northman” at Tcl Chinese Theatre on April 18, 2022, in Hollywood, California (Credit: DFree / Shutterstock)
Although best known for her role in the Netflix series The Queen’s Gambit, Anya Taylor-Joy has also had many parts in feature-length films. Today, we’re looking at this young starlet as we count down our 11 favorite Anya Taylor-Joy movies, ranked in order...
- 4/17/2024
- by Jan Stromsodd
- Your Next Shoes
Chicago – Patrick McDonald of HollywoodChicago.com audio film review for the U.S. release of “The Beast,” a science fiction film about the inherent psychological/emotional carriage within us all, co-written and directed by Bertrand Bonello. In select theaters now (see local listings). At Chicago’s Music Box Theatre on April 12th.
Rating: 5.0/5.0
The film involves a woman named Gabrielle (Léa Seydoux) who in 2044 is about to embark on a “DNA cleansing” to take away the trauma her past lives had endured. While going through the process she meets Louis (George MacKay) who gives her a sense of deja vu. It turns out that this couple has been together in a 1910 sense (Belle Époque Paris) and a 2014 sense (in Los Angeles). As the story of those three encounters play out within her cellular energy, the evolution of Gabrielle seems to have something to do with her connection to Louis.
”The Beast...
Rating: 5.0/5.0
The film involves a woman named Gabrielle (Léa Seydoux) who in 2044 is about to embark on a “DNA cleansing” to take away the trauma her past lives had endured. While going through the process she meets Louis (George MacKay) who gives her a sense of deja vu. It turns out that this couple has been together in a 1910 sense (Belle Époque Paris) and a 2014 sense (in Los Angeles). As the story of those three encounters play out within her cellular energy, the evolution of Gabrielle seems to have something to do with her connection to Louis.
”The Beast...
- 4/12/2024
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
George MacKay became one Hollywood’s most sought after young actors after his starring role as a sweet-faced solider in Sam Mendes’ Oscar-winning “1917.”
But he’s looking much different in his latest film, “Femme.” He stars in the queer revenge thriller from directors Sam H. Freeman and Ng Choon Ping as a closeted street thug who begins a sexual relationship with Jules (Nathan Stewart-Jarrett), a man he doesn’t realize is the drag queen he once brutally gay-bashed.
For the film, MacKay’s body is ripped and covered in tattoos. His hair is shaved and slicked back. He wears tracksuits and garish gold chains and rings, and his working class accent can be hard to decipher.
It took him about eight weeks of “bulking” to get in shape. Even so, MacKay admits he did a lot of push-ups for scenes where he had to be particularly “big and scary.
But he’s looking much different in his latest film, “Femme.” He stars in the queer revenge thriller from directors Sam H. Freeman and Ng Choon Ping as a closeted street thug who begins a sexual relationship with Jules (Nathan Stewart-Jarrett), a man he doesn’t realize is the drag queen he once brutally gay-bashed.
For the film, MacKay’s body is ripped and covered in tattoos. His hair is shaved and slicked back. He wears tracksuits and garish gold chains and rings, and his working class accent can be hard to decipher.
It took him about eight weeks of “bulking” to get in shape. Even so, MacKay admits he did a lot of push-ups for scenes where he had to be particularly “big and scary.
- 4/8/2024
- by Marc Malkin
- Variety Film + TV
There’s little precedent for what George MacKay does in The Beast, a multilingual production that required the English star to learn French for extended sequences. It’s one thing if this were a buttoned-up, altogether bland drama that is never seen on North American screens after its obligatory TIFF premiere; it’s quite another to be the new film by Bertrand Bonello which also requires he play, in the film’s central section, a take on the murderous progenitor of modern incel culture. One imagines many offers since ten-time Oscar nominee 1917 were more commercial.
Thus I wanted to get insight into MacKay’s process. As my interviews with Bertrand Bonello and Léa Seydoux cover, respectively, the film’s creation and its star’s personal philosophy, MacKay and I discussed certain of the practical decision-making that went into his appearing here, some newfound possibilities of French-language productions, and The Beast‘s dark paths.
Thus I wanted to get insight into MacKay’s process. As my interviews with Bertrand Bonello and Léa Seydoux cover, respectively, the film’s creation and its star’s personal philosophy, MacKay and I discussed certain of the practical decision-making that went into his appearing here, some newfound possibilities of French-language productions, and The Beast‘s dark paths.
- 4/8/2024
- by Nick Newman
- The Film Stage
Sony Pictures Classics’ Wicked Little Letters grossed an estimated $1.5+ million in a big second week expansion for the R-rated British period comedy to 1,000 screens from five. The Thea Sharrock-directed film starring Olivia Colman (also a producer) and Jessie Buckley, no. 8 at the domestic weekend box office, has a $1.6+ million cume.
Colman and Buckley have been out actively promoting the film, based on an actual scandal, about a police investigation into the anonymous author of crude letters sent to the residents of a British seaside town.
The number is on the high end of SPC’s expectations, and the Sunday estimate may be conservative.
Audiences for Wicked Little Letters are 60% female, 40% male, with a range of women age 30-plus, unusual for a period film as they skew older. It’s playing especially well in major cities and college towns but also popping in smaller markets like Seattle. Word of mouths is terrific,...
Colman and Buckley have been out actively promoting the film, based on an actual scandal, about a police investigation into the anonymous author of crude letters sent to the residents of a British seaside town.
The number is on the high end of SPC’s expectations, and the Sunday estimate may be conservative.
Audiences for Wicked Little Letters are 60% female, 40% male, with a range of women age 30-plus, unusual for a period film as they skew older. It’s playing especially well in major cities and college towns but also popping in smaller markets like Seattle. Word of mouths is terrific,...
- 4/7/2024
- by Jill Goldsmith
- Deadline Film + TV
“The present came to a halt,” Bertrand Bonello writes in an ode to his teen daughter in his experimental feature Coma, “leaving us with the past and the future.” Much of this subtitled text refers to the specific circumstances of the film’s creation during the pandemic. Yet the French filmmaker’s follow-up, The Beast, which was developed before Coma but shot afterward, feels like a natural extension of his fascination with the scrambled perception of time in a digital era. In Bonello’s time-warping adaptation of Henry James’s 1903 novella The Beast in the Jungle, the present day is the Paris of 2044, where landscape and character have been warped by advances in artificial intelligence.
What’s evergreen, as a repeated aural motif so often reminds, is the twisted relationship of fear and love between Gabrielle (Léa Seydoux) and Louis (George MacKay). Bonello gives us a glance at two of...
What’s evergreen, as a repeated aural motif so often reminds, is the twisted relationship of fear and love between Gabrielle (Léa Seydoux) and Louis (George MacKay). Bonello gives us a glance at two of...
- 4/6/2024
- by Marshall Shaffer
- Slant Magazine
At least stateside, audiences will experience Femme and The Beast, both starring George MacKay, as near-simultaneous releases. The 32-year-old British actor has been a presence for over two decades dating back to his film debut as a Lost Boy in 2003’s adaptation of Peter Pan. He grew up on screen in films like 2008’s Defiance, 2014’s Pride, and 2016’s Captain Fantastic. Twenty nineteen proved a breakthrough year for MacKay as a leading man, playing a heroic soldier on a mission in 1917 and delivering a brooding, brutal interpretation of Australian urban legend Ned Kelly in True History of the Kelly Gang.
MacKay’s latest one-two punch features elements familiar from his previous standout roles and elevates them to new heights. In Sam H. Freeman and Ng Choon Ping’s Femme, he’s electric as Preston, a hardened hypebeast in contemporary London who harbors a secret identity. The character is drawn out...
MacKay’s latest one-two punch features elements familiar from his previous standout roles and elevates them to new heights. In Sam H. Freeman and Ng Choon Ping’s Femme, he’s electric as Preston, a hardened hypebeast in contemporary London who harbors a secret identity. The character is drawn out...
- 4/5/2024
- by Marshall Shaffer
- Slant Magazine
The world is heating up out there, but the gusts and erratic temperature swings of early Spring can often be deceiving. One minute it looks sunny and warm, the next you’re stranded on a long walk in just basketball shorts when a sudden chill descends. Or it looks nasty, and all of a sudden you’re overdressed in 80-degree heat. It might be best to stay safely within the confines of your local art house or home theater with some Don’t-Miss Indies instead.
Monkey Man
When You Can Watch: April 5
Where You Can Watch: Theaters
Directors: Dev Patel
Cast: Dev Patel, Sharlto Copley, Pitobash, Sobhita Dhulipala
Why We’re Excited: Famous for his lead role in the Oscar-winning Slumdog Millionaire, Dev Patel has turned his attention to directing with his debut Monkey Man, which premiered last month at SXSW. Inspired by the Indian legend of Hanuman, Monkey Man...
Monkey Man
When You Can Watch: April 5
Where You Can Watch: Theaters
Directors: Dev Patel
Cast: Dev Patel, Sharlto Copley, Pitobash, Sobhita Dhulipala
Why We’re Excited: Famous for his lead role in the Oscar-winning Slumdog Millionaire, Dev Patel has turned his attention to directing with his debut Monkey Man, which premiered last month at SXSW. Inspired by the Indian legend of Hanuman, Monkey Man...
- 4/3/2024
- by Su Fang Tham
- Film Independent News & More
It’s too bright, the sunshine is monotonous, it’s very isolating. Those were the reasons why Chloë Sevigny, in a recent viral interview, said she will never live in Los Angeles. Anyone who’s lived there can relate to the loneliness that blankets the fragmented city, a collection of neighborhoods strung together by cars in traffic, where nobody walks or talks to each other. And why does everyone flake on plans? What are we afraid of?
That’s much like the central dilemma in Bertrand Bonello’s “The Beast,” a time-hopping sci-fi epic about the existential terrors of unrequited love, green-screen-acting, incel killers, artificial intelligence, and, oh, yes, Los Angeles. Léa Seydoux and George MacKay play reincarnated almost-lovers across time who can never make it work: first, in fin-de-siècle Paris (she’s married); then, in 2014 Los Angeles (he’s a sociopathic virgin inspired by 2014 Isla Vista shooter Elliot Rodger...
That’s much like the central dilemma in Bertrand Bonello’s “The Beast,” a time-hopping sci-fi epic about the existential terrors of unrequited love, green-screen-acting, incel killers, artificial intelligence, and, oh, yes, Los Angeles. Léa Seydoux and George MacKay play reincarnated almost-lovers across time who can never make it work: first, in fin-de-siècle Paris (she’s married); then, in 2014 Los Angeles (he’s a sociopathic virgin inspired by 2014 Isla Vista shooter Elliot Rodger...
- 4/3/2024
- by Ryan Lattanzio
- Indiewire
Easter is behind us, we’re into a new month, and we’re fully into spring … and yet, the box office might be hitting another lull. Read on for Gold Derby’s box office preview.
There aren’t many scenarios where “Godzilla x Kong: The New Empire” doesn’t win its second weekend at #1. Even with a steep drop from its Easter opening, it should still be able to bring in another $30 million this coming weekend, which will be hard to beat.
It might be a coin flip on which of the other two new wide releases might do better, but I have to give a slight edge to “The First Omen,” 20th Century’s prequel to a horror franchise that began all the way back in 1976 with the horror film, “The Omen,” directed by Richard Donner pre-“Superman.” That led to two sequels in 1978 and 1981, even though the original...
There aren’t many scenarios where “Godzilla x Kong: The New Empire” doesn’t win its second weekend at #1. Even with a steep drop from its Easter opening, it should still be able to bring in another $30 million this coming weekend, which will be hard to beat.
It might be a coin flip on which of the other two new wide releases might do better, but I have to give a slight edge to “The First Omen,” 20th Century’s prequel to a horror franchise that began all the way back in 1976 with the horror film, “The Omen,” directed by Richard Donner pre-“Superman.” That led to two sequels in 1978 and 1981, even though the original...
- 4/3/2024
- by Edward Douglas
- Gold Derby
As most connoisseurs of cinema already know, the end credit roll is a relatively recent addition to the medium. The reasons for this are too lengthy to go into here, but suffice to say that films used to end very definitively and, at least for those of us raised in a world where end credits were already a thing, quite abruptly, sending audiences out of the theater with a brusqueness not unlike a train disembarking.
Ever since end credit rolls became commonplace, filmmakers have experimented with finding ways of extending the cinematic experience throughout their duration rather than treating them the way so many moviegoers tend to: as mere legally-mandated appendages to a movie. While even the most basic film includes music during the end credits so as to help keep the roll a part of the movie, some go above and beyond that, including deleted material, bloopers, or entire...
Ever since end credit rolls became commonplace, filmmakers have experimented with finding ways of extending the cinematic experience throughout their duration rather than treating them the way so many moviegoers tend to: as mere legally-mandated appendages to a movie. While even the most basic film includes music during the end credits so as to help keep the roll a part of the movie, some go above and beyond that, including deleted material, bloopers, or entire...
- 4/1/2024
- by Bill Bria
- Slash Film
Léa Seydoux was originally meant to star opposite Gaspard Ulliel in Bertrand Bonello’s audacious sci-fi love story “The Beast.” But the beloved César-winning French actor died at age 37 in January 2022 after a skiing accident while the film was still in pre-production, and he was posthumously replaced by George MacKay.
Seydoux previously starred alongside Ulliel, revered for roles in movies including Jean-Pierre Jeunet’s “A Very Long Engagement” and Bonello’s own “Saint Laurent,” in Xavier Dolan’s 2016 Cannes winner “It’s Only the End of the World.” Seydoux, who recently spoke with IndieWire about her multiple roles in “The Beast” as a woman confronted across centuries by a devastating impossible romance, did not get the chance to talk to Ulliel about “The Beast” before filming. He did, however, leave her a WhatsApp voice message praising her turn in Bruno Dumont’s media satire “France,” a box office hit in France...
Seydoux previously starred alongside Ulliel, revered for roles in movies including Jean-Pierre Jeunet’s “A Very Long Engagement” and Bonello’s own “Saint Laurent,” in Xavier Dolan’s 2016 Cannes winner “It’s Only the End of the World.” Seydoux, who recently spoke with IndieWire about her multiple roles in “The Beast” as a woman confronted across centuries by a devastating impossible romance, did not get the chance to talk to Ulliel about “The Beast” before filming. He did, however, leave her a WhatsApp voice message praising her turn in Bruno Dumont’s media satire “France,” a box office hit in France...
- 3/31/2024
- by Ryan Lattanzio
- Indiewire
“The Beast” is a new science fiction romance, directed by Bertrand Bonello, starring Léa Seydoux, George MacKay, Guslagie Malanda, Dasha Nekrasova, Martin Scalia and Elina Löwensohn, opening April 5, 2024 in theaters:
“…in 2044, ‘AI’ has evolved and determined human emotion as a threat.
“As ‘Gabrielle’ is about to go through a process to ‘purify’ her ‘DNA’ and disconnect from those emotions - she does so by living through past lives.
“But when she begins to connect with a man named ‘Louis’ across history, she realizes her emotions are much stronger than she could anticipate…”
Click the images to enlarge…...
“…in 2044, ‘AI’ has evolved and determined human emotion as a threat.
“As ‘Gabrielle’ is about to go through a process to ‘purify’ her ‘DNA’ and disconnect from those emotions - she does so by living through past lives.
“But when she begins to connect with a man named ‘Louis’ across history, she realizes her emotions are much stronger than she could anticipate…”
Click the images to enlarge…...
- 3/29/2024
- by Unknown
- SneakPeek
You know the gifted actor George MacKay from films like 1917 or True History of The Kelly Gang. Now he has given us two absolutely incredible performances in Femme (in select theaters now) and The Beast (out on April 5th). On this episode, he takes us into his process of inhabiting these two extremely different characters. He explains why context is becoming more and more important to him in his preparation, talks about the actor as storyteller, the secret to appearing truly menacing, those sex scenes in Femme, a lesson about respect that he learned from Eddie Marsan, and much […]
The post “All You Can Do is Give Your Offering” George MacKay, Back To One, Episode 284 first appeared on Filmmaker Magazine.
The post “All You Can Do is Give Your Offering” George MacKay, Back To One, Episode 284 first appeared on Filmmaker Magazine.
- 3/26/2024
- by Peter Rinaldi
- Filmmaker Magazine - Blog
You know the gifted actor George MacKay from films like 1917 or True History of The Kelly Gang. Now he has given us two absolutely incredible performances in Femme (in select theaters now) and The Beast (out on April 5th). On this episode, he takes us into his process of inhabiting these two extremely different characters. He explains why context is becoming more and more important to him in his preparation, talks about the actor as storyteller, the secret to appearing truly menacing, those sex scenes in Femme, a lesson about respect that he learned from Eddie Marsan, and much […]
The post “All You Can Do is Give Your Offering” George MacKay, Back To One, Episode 284 first appeared on Filmmaker Magazine.
The post “All You Can Do is Give Your Offering” George MacKay, Back To One, Episode 284 first appeared on Filmmaker Magazine.
- 3/26/2024
- by Peter Rinaldi
- Filmmaker Magazine-Director Interviews
Following its premiere at the 73rd Berlin International Film Festival last year, “Femme” is finally set for theatrical release in the United States on March 22 in New York and March 29 in Los Angeles. The British thriller from Sam H. Freeman and Ng Choon Ping is adapted from their 2021 BAFTA-nominated short and stars Nathan Stewart-Jarrett and George MacKay. Utopia has acquired stateside distribution rights.
“Femme” follows Jules (Stewart-Jarrett), who is targeted in a horrific homophobic attack, destroying his life and career. Some time after that event he encounters Preston (MacKay), one of his attackers, in a gay sauna. He wants revenge.
With a critics consensus that reads, “Sexually charged and riddled with tension, Femme redresses the noir genre and may leave audiences biting their nails to the nub,” the movie holds fresh at 98% on Rotten Tomatoes. Read our full review round-up below.
See ‘Furiosa’ to premiere at 2024 Cannes Film Festival
Alexandra Heller-Nicholas of AWFJ.
“Femme” follows Jules (Stewart-Jarrett), who is targeted in a horrific homophobic attack, destroying his life and career. Some time after that event he encounters Preston (MacKay), one of his attackers, in a gay sauna. He wants revenge.
With a critics consensus that reads, “Sexually charged and riddled with tension, Femme redresses the noir genre and may leave audiences biting their nails to the nub,” the movie holds fresh at 98% on Rotten Tomatoes. Read our full review round-up below.
See ‘Furiosa’ to premiere at 2024 Cannes Film Festival
Alexandra Heller-Nicholas of AWFJ.
- 3/25/2024
- by Vincent Mandile
- Gold Derby
IFC’s Late Night With The Devil has scared up the distributor’s largest opening weekend ever with an estimated $2.8+ million on 1.043 screens, coming in at no. 6 at the domestic box office.
Prior to this weekend, Watcher was IFC’s top opening film at $827k, followed by Skinamarink with $819k and Blackberry at $801k. Late Night was IFC’s widest opening since The D Train, the distributor said, noting it was IFC’s highest opening day ($437k) since Skinamakink, and its highest Thursday pre-show ($317k). The film by Australian duo Colin and Cameron Cairnes unfolds almost in real-time on the set of a 1977 late-night talk show broadcast that unexpectedly transforms from amusing to sinister, unleashing evil into the nation’s living rooms. Stars David Dastmalchian as talk show host Jack Delroy.
The Image Nation Abu Dhabi and Spooky Pictures pic premiered at SXSW and has since played Fantasia Festival in Montreal,...
Prior to this weekend, Watcher was IFC’s top opening film at $827k, followed by Skinamarink with $819k and Blackberry at $801k. Late Night was IFC’s widest opening since The D Train, the distributor said, noting it was IFC’s highest opening day ($437k) since Skinamakink, and its highest Thursday pre-show ($317k). The film by Australian duo Colin and Cameron Cairnes unfolds almost in real-time on the set of a 1977 late-night talk show broadcast that unexpectedly transforms from amusing to sinister, unleashing evil into the nation’s living rooms. Stars David Dastmalchian as talk show host Jack Delroy.
The Image Nation Abu Dhabi and Spooky Pictures pic premiered at SXSW and has since played Fantasia Festival in Montreal,...
- 3/24/2024
- by Jill Goldsmith
- Deadline Film + TV
An empathy-for-all approach to a queer revenge thriller about the attraction that forms between a Black drag queen and his white attacker after a homophobic assault? That’s the slippery thrust of queer British filmmakers Sam H. Freeman and Ng Choon Ping’s “Femme,” starring Nathan Stewart-Jarrett and George MacKay as East Londoners who share a perverse romantic connection founded on revenge. It’s a movie in revenge noir drag of its own, concealing a sinister love story.
As “Femme” begins, Jules is coming off the high of another fabulous performance under the drag persona Aphrodite Banks. Still in full garb, he stops at a convenience store where he’s at first cruised by Preston, a tatted-up criminal cutting an alluring figure under a streetlamp. But Preston soon after brutally beats Jules to impress his rabbling macho band of friends, leaving Jules naked and collapsed in the street.
But cut to some time later,...
As “Femme” begins, Jules is coming off the high of another fabulous performance under the drag persona Aphrodite Banks. Still in full garb, he stops at a convenience store where he’s at first cruised by Preston, a tatted-up criminal cutting an alluring figure under a streetlamp. But Preston soon after brutally beats Jules to impress his rabbling macho band of friends, leaving Jules naked and collapsed in the street.
But cut to some time later,...
- 3/22/2024
- by Ryan Lattanzio
- Indiewire
Constantin Film and Big Light Productions has tapped Christian Schwochow, whose credits include “The Crown,” “Munich: The Edge of War” and “Bad Banks,” to direct its upcoming high-profile drama series “Nuremberg,” based on the Nuremberg Trials. The show will be written by Frank Spotnitz, whose credits include “The Man in the High Castle,” “Ransom” and “Leonardo.”
The series follows young survivors of World War II who go to work for Allied prosecutors trying Nazi criminals in Nuremberg, only to find their quest for justice undermined by secret efforts to build a new world order based on power, not principle.
Schwochow said: “The Nuremberg Trials marked a pivotal moment in human history, ushering in a new age of responsibility and justice. This is a story of humanity grappling with its deepest shadows. Its relevance has never been greater, and I am filled with a humble sense of duty to tell this story faithfully.
The series follows young survivors of World War II who go to work for Allied prosecutors trying Nazi criminals in Nuremberg, only to find their quest for justice undermined by secret efforts to build a new world order based on power, not principle.
Schwochow said: “The Nuremberg Trials marked a pivotal moment in human history, ushering in a new age of responsibility and justice. This is a story of humanity grappling with its deepest shadows. Its relevance has never been greater, and I am filled with a humble sense of duty to tell this story faithfully.
- 3/20/2024
- by Leo Barraclough
- Variety Film + TV
In our cancel-happy times, there’s hardly room for an empathy-for-all approach to identity-based violence and abuse. Enter Sam H. Freeman and Ng Choon Ping’s “Femme,” a bruiser of a British queer revenge thriller that plunges straight into the gray areas that can form between attacker and victim.
Retrofitting the pages of ‘90s erotic suspense films to a 2023 sensibility, “Femme” stars Nathan Stewart-Jarrett (breakout of “Culprits”) as a Black drag queen who, after being assaulted by a white, closeted street thug played by George MacKay, reaps revenge by seducing his attacker, who later doesn’t recognize him out of drag. But in the process, fraught tenderness and attraction form between Jules (Stewart-Jarrett) and Preston (MacKay), making Jules’ calculated act of vengeance — and the film itself — that much more complicated.
Unfolding almost entirely at night against the neon-dappled backdrop of the East London underground, “Femme” near-fully pulls off its devastating...
Retrofitting the pages of ‘90s erotic suspense films to a 2023 sensibility, “Femme” stars Nathan Stewart-Jarrett (breakout of “Culprits”) as a Black drag queen who, after being assaulted by a white, closeted street thug played by George MacKay, reaps revenge by seducing his attacker, who later doesn’t recognize him out of drag. But in the process, fraught tenderness and attraction form between Jules (Stewart-Jarrett) and Preston (MacKay), making Jules’ calculated act of vengeance — and the film itself — that much more complicated.
Unfolding almost entirely at night against the neon-dappled backdrop of the East London underground, “Femme” near-fully pulls off its devastating...
- 3/19/2024
- by Ryan Lattanzio
- Indiewire
Applications are now open for the 21st edition of Screen International’s Screen Stars of Tomorrow, our annual portfolio of new talent from the UK and Ireland.
The submissions window is open for one month, from March 6 to April 5, 2024.
Applications are open to UK and Irish citizens and long-term residents of either country. There is no upper or lower age limit, but applicants should be at an early stage in their film career, demonstrate exceptional promise and be ready to progress to the next level.
Applicants should use this Google Form and need to attach a brief bio, a headshot...
The submissions window is open for one month, from March 6 to April 5, 2024.
Applications are open to UK and Irish citizens and long-term residents of either country. There is no upper or lower age limit, but applicants should be at an early stage in their film career, demonstrate exceptional promise and be ready to progress to the next level.
Applicants should use this Google Form and need to attach a brief bio, a headshot...
- 3/6/2024
- ScreenDaily
It’s Oscar month. And that means Best Picture alt-poster time.
Four of my favorites are below, courtesy of the usual suspects. I love that some (George Grey and Eileen Steinbach) use a consistent theme to connect their line-up while others (Haley Turnbull and Matt Needle) create whatever that title inspires in them. There’s obviously no wrong direction to head and, regardless of which they choose, we get to enjoy the spoils of extra art long past the actual marketing campaigns.
And despite those nominees not necessarily needing the added boost, it is nice for us to receive another in-road to talk about them again. Because, as is usually the case, the morning after the Oscars unofficially moves everyone’s attention towards next year’s hopefuls (if Sundance praise hasn’t done so already).
Artists: George Grey (Killers of the Flower Moon), Haley Turnbull (Poor Things), Eileen Steinbach (The Zone of Interest...
Four of my favorites are below, courtesy of the usual suspects. I love that some (George Grey and Eileen Steinbach) use a consistent theme to connect their line-up while others (Haley Turnbull and Matt Needle) create whatever that title inspires in them. There’s obviously no wrong direction to head and, regardless of which they choose, we get to enjoy the spoils of extra art long past the actual marketing campaigns.
And despite those nominees not necessarily needing the added boost, it is nice for us to receive another in-road to talk about them again. Because, as is usually the case, the morning after the Oscars unofficially moves everyone’s attention towards next year’s hopefuls (if Sundance praise hasn’t done so already).
Artists: George Grey (Killers of the Flower Moon), Haley Turnbull (Poor Things), Eileen Steinbach (The Zone of Interest...
- 3/1/2024
- by Jared Mobarak
- The Film Stage
Raine Allen Miller’s debut feature Rye Lane, Adjani Salmon’s Dreaming Whilst Black, and Roald Dahl’s Matilda The Musical were among the top winners at the sixth edition of the CDG Casting Awards. Scross down for the full list of winners.
Kharmel Cochrane picked up the Best Casting in an Independent Film award for her work on Rye Lane. Dreaming Whilst Black landed the Best Casting in a TV Comedy Series award for Heather Basten, Peter Noden, and Fran Cattaneo, and Louise Kiely won Best Casting in a Film for The Banshees of Inisherin.
High-profile titles that missed out on honors include Greta Gerwig’s Barbie, which was nominated for Best Casting in a Film alongside Emerald Fennell’s Saltburn. Kharmel Cochrane cast Saltburn and also popped in the noms for Best Casting in a Commercial for her work on Vanish ‘Me, My Autism & I.
The awards were...
Kharmel Cochrane picked up the Best Casting in an Independent Film award for her work on Rye Lane. Dreaming Whilst Black landed the Best Casting in a TV Comedy Series award for Heather Basten, Peter Noden, and Fran Cattaneo, and Louise Kiely won Best Casting in a Film for The Banshees of Inisherin.
High-profile titles that missed out on honors include Greta Gerwig’s Barbie, which was nominated for Best Casting in a Film alongside Emerald Fennell’s Saltburn. Kharmel Cochrane cast Saltburn and also popped in the noms for Best Casting in a Commercial for her work on Vanish ‘Me, My Autism & I.
The awards were...
- 2/22/2024
- by Zac Ntim
- Deadline Film + TV
Pete Davidson Horror ‘The Home’ from ‘The Purge’ Director James DeMonaco Bought for U.K. (Exclusive)
Signature Entertainment has acquired the U.K. and Ireland rights to the Pete Davidson (“The King of Staten Island”) horror film ”The Home” from Miramax.
The feature was produced by Bill Block (“Halloween Kills”) and Sébastian K. Lemercier (“The First Purge”) and is directed by James DeMonaco (“The Purge” franchise) from a script co-written by DeMonaco and Adam Cantor. Last year Lionsgate bought the film for the U.S. after it screened for buyers outside of competition at the Toronto Film Festival.
“The Home” follows former foster child Max, who begins working at a retirement home, where he quickly discovers that its residents and caretakers are harboring sinister secrets.
The deal was negotiated between Signature chief commercial officer Elizabeth Williams and Miramax’s senior vice president of international production and distribution Yvette Zhuang.
“We’re big fans of horror at Signature Entertainment and after seeing ‘The Home,’ we knew this...
The feature was produced by Bill Block (“Halloween Kills”) and Sébastian K. Lemercier (“The First Purge”) and is directed by James DeMonaco (“The Purge” franchise) from a script co-written by DeMonaco and Adam Cantor. Last year Lionsgate bought the film for the U.S. after it screened for buyers outside of competition at the Toronto Film Festival.
“The Home” follows former foster child Max, who begins working at a retirement home, where he quickly discovers that its residents and caretakers are harboring sinister secrets.
The deal was negotiated between Signature chief commercial officer Elizabeth Williams and Miramax’s senior vice president of international production and distribution Yvette Zhuang.
“We’re big fans of horror at Signature Entertainment and after seeing ‘The Home,’ we knew this...
- 2/19/2024
- by Alex Ritman
- Variety Film + TV
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.