Almost Human, Season 1, Episode 13: “Straw Man” Written by Alison Schapker & Graham Roland Directed by Sam Hill Airs Mondays at 8 P.M. Et on Fox
Attaining a reputation of originality is the ideal achievement for any form of art or entertainment. Television in itself has reached a state of creative diversity like never before, challenging the traditional television writer to surpass a standard of excellence higher than previously expected or demanded by audiences. Almost Human aspired to the greatness of modern television, offering a stylish new procedural with futuristic cases and explosive twists; however, the immensely appealing visuals and sound comical touches couldn’t quite make up for the scattered character development and inconsistent build-up of the season’s biggest mystery, resulting in an anticlimactic finale that takes for granted the potential that remained untapped for most of the thirteen-episode run.
“Straw Man” marks the end of the show’s uneven first season broadcast.
Attaining a reputation of originality is the ideal achievement for any form of art or entertainment. Television in itself has reached a state of creative diversity like never before, challenging the traditional television writer to surpass a standard of excellence higher than previously expected or demanded by audiences. Almost Human aspired to the greatness of modern television, offering a stylish new procedural with futuristic cases and explosive twists; however, the immensely appealing visuals and sound comical touches couldn’t quite make up for the scattered character development and inconsistent build-up of the season’s biggest mystery, resulting in an anticlimactic finale that takes for granted the potential that remained untapped for most of the thirteen-episode run.
“Straw Man” marks the end of the show’s uneven first season broadcast.
- 3/6/2014
- by Amanda Williams
- SoundOnSight
Almost Human‘s first season run has been an inconsistent series of fun and exciting episodes and moderately satisfying episodes, with the occasional installment of a wholly disappointing episode. “Perception” teeters between the extreme degrees when the spotlight shines on its greatest flaw: the sluggish advancement of its supporting characters and their backstories.
The investigation following the cold-open deaths of two students sets up a perfect opportunity to learn more about Minka Kelly’s character, Detective Stahl, but opts out in favor of exploring Detective Kennex’s past and uncovering more information about the Insyndicate ambush. The case and the events unfolding around it carry themes of revenge and inadequacy throughout the episode, drawing parallels between the murderer and Kennex and the victims and Stahl. Kennex’s search for answers by taking pills for his memory and visiting a shady “recollectionist” and the killer’s arduous efforts to salvage memories...
The investigation following the cold-open deaths of two students sets up a perfect opportunity to learn more about Minka Kelly’s character, Detective Stahl, but opts out in favor of exploring Detective Kennex’s past and uncovering more information about the Insyndicate ambush. The case and the events unfolding around it carry themes of revenge and inadequacy throughout the episode, drawing parallels between the murderer and Kennex and the victims and Stahl. Kennex’s search for answers by taking pills for his memory and visiting a shady “recollectionist” and the killer’s arduous efforts to salvage memories...
- 2/18/2014
- by Amanda Williams
- SoundOnSight
Almost Human, Season 1, Episode 9: “Unbound”
Written by Jeffrey Hunt
Directed by Graham Roland
Airs Mondays at 8 P.M. Et on Fox
“I don’t know if you know what it’s like to be part of something that defines you forever and in a way that you do not wish to be defined.”
It’s easy to see a person for their most prominent attributes- whether it’s their actions, origins, or appearance- and to reduce them to a stereotype. Both Kennex and Dorian have been fighting against the limitations others have placed on them from the start of the show: for Kennex, it’s the physical handicap that resulted from perceived failure and his resentment towards the technology on which he is dependent in order to function; and for Dorian, the unpredictable nature of existing as a man-made creation and the doubt that isolates him from his colleagues.
Written by Jeffrey Hunt
Directed by Graham Roland
Airs Mondays at 8 P.M. Et on Fox
“I don’t know if you know what it’s like to be part of something that defines you forever and in a way that you do not wish to be defined.”
It’s easy to see a person for their most prominent attributes- whether it’s their actions, origins, or appearance- and to reduce them to a stereotype. Both Kennex and Dorian have been fighting against the limitations others have placed on them from the start of the show: for Kennex, it’s the physical handicap that resulted from perceived failure and his resentment towards the technology on which he is dependent in order to function; and for Dorian, the unpredictable nature of existing as a man-made creation and the doubt that isolates him from his colleagues.
- 2/4/2014
- by Amanda Williams
- SoundOnSight
Almost Human, Season 1, Episode 8: “You Are Here”
Written by J. H. Wyman & Naren Shankar
Directed by Sam Hill
Airs Mondays at 8 P.M. Et on Fox
“So close, yet so far away. That must be frustrating…”
In every episode following the pilot, we’ve seen Kennex and Dorian solve case after case with barely a mention of the criminal organization that infiltrated the police department in the show’s premiere. “You Are Here” finally addresses the status of that investigation but taunts viewers by refusing to make any sudden moves.
Unfortunately for those watching eagerly to see the events from the pilot play out in a climactic showdown, the writing chooses to keep focus on a stand-alone case as per the norm, leaving only minutes for the actual Syndicate investigation. The cold open sets up a story with a decent enough premise- the murder of a tech genius leads...
Written by J. H. Wyman & Naren Shankar
Directed by Sam Hill
Airs Mondays at 8 P.M. Et on Fox
“So close, yet so far away. That must be frustrating…”
In every episode following the pilot, we’ve seen Kennex and Dorian solve case after case with barely a mention of the criminal organization that infiltrated the police department in the show’s premiere. “You Are Here” finally addresses the status of that investigation but taunts viewers by refusing to make any sudden moves.
Unfortunately for those watching eagerly to see the events from the pilot play out in a climactic showdown, the writing chooses to keep focus on a stand-alone case as per the norm, leaving only minutes for the actual Syndicate investigation. The cold open sets up a story with a decent enough premise- the murder of a tech genius leads...
- 1/28/2014
- by Amanda Williams
- SoundOnSight
Almost Human, Season 1, Episode 7: “Simon Says”
Written by Alison Schapker
Directed by Jeannot Szwarc
Airs Mondays at 8 P.M. Et on Fox
So far on Almost Human, we’ve navigated urban areas decked out in futuristic tech, established the main setting in the police precinct, toured the android storage facility, and seen neat gadgets used as either weapons or defenses against the ever-evolving threats of the future. All of this provides visual interest to a world wrought with crime and people who are still very much human despite their simplistic characterization.
The case of the week focuses on a mentally and emotionally unstable explosives expert who kidnaps people from his past who he believes have wronged him and equips them with bombs and cameras. The episode is structured with three individual crimes: the abduction of three people and the online broadcast of their performance as the bomber gives them commands via automated messages.
Written by Alison Schapker
Directed by Jeannot Szwarc
Airs Mondays at 8 P.M. Et on Fox
So far on Almost Human, we’ve navigated urban areas decked out in futuristic tech, established the main setting in the police precinct, toured the android storage facility, and seen neat gadgets used as either weapons or defenses against the ever-evolving threats of the future. All of this provides visual interest to a world wrought with crime and people who are still very much human despite their simplistic characterization.
The case of the week focuses on a mentally and emotionally unstable explosives expert who kidnaps people from his past who he believes have wronged him and equips them with bombs and cameras. The episode is structured with three individual crimes: the abduction of three people and the online broadcast of their performance as the bomber gives them commands via automated messages.
- 1/7/2014
- by Amanda Williams
- SoundOnSight
Several shows may be on hiatus, but there’s still plenty of TV to fill the podcast this week. We kick things off with the comedies, including the Psych musical, before moving on to the week’s genre offerings and finishing up with the dramas, including the finales of Homeland and Masters of Sex. Then we welcome back SoS’s Amanda Williams to discuss portrayals of physical disabilities on television in our latest Informed Opinions segment.
Our Week in Comedy (10:14-21:55): Psych Musical, The Wrong Mans season 1, Eagleheart, South Park, Bob’s Burgers
Our Week in Genre (22:38-37:29): Grimm, Ahs Coven, Black Mirror
Our Week in Drama (38:25-58:22): Parenthood, Treme, Homeland finale, Masters of Sex finale
Informed Opinions (1:00:03-end): Physical Disabilities on Television with Amanda Williams
Download the chaptered m4a version in a new window
Download the...
Our Week in Comedy (10:14-21:55): Psych Musical, The Wrong Mans season 1, Eagleheart, South Park, Bob’s Burgers
Our Week in Genre (22:38-37:29): Grimm, Ahs Coven, Black Mirror
Our Week in Drama (38:25-58:22): Parenthood, Treme, Homeland finale, Masters of Sex finale
Informed Opinions (1:00:03-end): Physical Disabilities on Television with Amanda Williams
Download the chaptered m4a version in a new window
Download the...
- 12/18/2013
- by Kate Kulzick
- SoundOnSight
Almost Human, Season 1, Episode 6: “Arrhythmia”
Written by Alison Schapker
Directed by Jeff T. Thomas
Airs Mondays at 8 P.M. Et on Fox
Marketing and advertising never promised that Almost Human wasn’t a cop show and that it wouldn’t touch on clichéd plotlines somewhere along its first season run. What it did promise, however, was that each episode would tackle any subject thrown its way in a unique and original fashion. And so far, it hasn’t disappointed in that respect. Mysterious criminal organizations, human trafficking, bank heists, hostage negotiations, drug trafficking, and compromised murder trials have at one time or another been the focus of every crime drama and cop show in existence, including this show. “Arrhythmia” takes a look at another procedural standby- black market organ operations- and injects its trademark brand of intrigue and humor into the proceedings.
The futuristic twist we get here shows...
Written by Alison Schapker
Directed by Jeff T. Thomas
Airs Mondays at 8 P.M. Et on Fox
Marketing and advertising never promised that Almost Human wasn’t a cop show and that it wouldn’t touch on clichéd plotlines somewhere along its first season run. What it did promise, however, was that each episode would tackle any subject thrown its way in a unique and original fashion. And so far, it hasn’t disappointed in that respect. Mysterious criminal organizations, human trafficking, bank heists, hostage negotiations, drug trafficking, and compromised murder trials have at one time or another been the focus of every crime drama and cop show in existence, including this show. “Arrhythmia” takes a look at another procedural standby- black market organ operations- and injects its trademark brand of intrigue and humor into the proceedings.
The futuristic twist we get here shows...
- 12/17/2013
- by Amanda Williams
- SoundOnSight
Several shows may be on hiatus, but there’s still plenty of TV to fill the podcast this week. We kick things off with the comedies, including the Psych musical, before moving on to the week’s genre offerings and finishing up with the dramas, including the finales of Homeland and Masters of Sex. Then we welcome back SoS’s Amanda Williams to discuss portrayals of physical disabilities on television in our latest Informed Opinions segment.
Our Week in Comedy (10:14-21:55): Psych Musical, The Wrong Mans season 1, Eagleheart, South Park, Bob’s Burgers
Our Week in Genre (22:38-37:29): Grimm, Ahs Coven, Black Mirror
Our Week in Drama (38:25-58:22): Parenthood, Treme, Homeland finale, Masters of Sex finale
Informed Opinions (1:00:03-end): Physical Disabilities on Television with Amanda Williams
Download the chaptered m4a version in a new window
Download the...
Our Week in Comedy (10:14-21:55): Psych Musical, The Wrong Mans season 1, Eagleheart, South Park, Bob’s Burgers
Our Week in Genre (22:38-37:29): Grimm, Ahs Coven, Black Mirror
Our Week in Drama (38:25-58:22): Parenthood, Treme, Homeland finale, Masters of Sex finale
Informed Opinions (1:00:03-end): Physical Disabilities on Television with Amanda Williams
Download the chaptered m4a version in a new window
Download the...
- 12/17/2013
- by Kate Kulzick
- SoundOnSight
Almost Human, Season 1, Episode 5: “Blood Brothers”
Written by Cole Maliska
Directed by Omar Madha
Airs Mondays at 8 P.M. Et on Fox
In its first few episodes since the action-packed series premiere, Almost Human has delivered thrills, humor, and clever integration of technology into the criminal and crime-fighting worlds, and this episode is no exception. “Blood Brothers” takes another step forward in creating memorable characters out of the people on both sides of an increasingly complex investigation and offers some answers to lingering questions.
So far, we’ve gotten to see a glimpse of Kennex’s personal life, which consists of synthetic limb maintenance and solitude. From what we’ve seen, he only interacts freely with Dorian during their morning commute (the highlight of every episode) and directly following the closing of a case. His loner tendencies raise questions about Dorian’s “private life”, such as where Dorian sleeps...
Written by Cole Maliska
Directed by Omar Madha
Airs Mondays at 8 P.M. Et on Fox
In its first few episodes since the action-packed series premiere, Almost Human has delivered thrills, humor, and clever integration of technology into the criminal and crime-fighting worlds, and this episode is no exception. “Blood Brothers” takes another step forward in creating memorable characters out of the people on both sides of an increasingly complex investigation and offers some answers to lingering questions.
So far, we’ve gotten to see a glimpse of Kennex’s personal life, which consists of synthetic limb maintenance and solitude. From what we’ve seen, he only interacts freely with Dorian during their morning commute (the highlight of every episode) and directly following the closing of a case. His loner tendencies raise questions about Dorian’s “private life”, such as where Dorian sleeps...
- 12/10/2013
- by Amanda Williams
- SoundOnSight
Almost Human, Season 1, Episode 4: “The Bends”
Written by Daniel Grindlinger
Directed by Kenneth Fink
Airs Mondays at 8 P.M. Et on Fox
“If you approach your work with reverence and pour your very soul into it, it starts to get a life of its own.”
In one of the best moments from this week’s episode, Mackenzie Crook’s Rudy Lom gains the trust of a drug-dealing dirty cop with an insightful, self-empowering speech detailing a philosophy that the writers seem to be making a conscious effort to learn from.
Seeing Rudy work undercover is a treat since Mackenzie Crook has a reason to stick around for longer than a minute and take on some material that shows off his ability to play unsure and awkward. Rudy is a fun and quirky character to feature, and his presence here doesn’t go to waste. Supported by some spot-on scoring,...
Written by Daniel Grindlinger
Directed by Kenneth Fink
Airs Mondays at 8 P.M. Et on Fox
“If you approach your work with reverence and pour your very soul into it, it starts to get a life of its own.”
In one of the best moments from this week’s episode, Mackenzie Crook’s Rudy Lom gains the trust of a drug-dealing dirty cop with an insightful, self-empowering speech detailing a philosophy that the writers seem to be making a conscious effort to learn from.
Seeing Rudy work undercover is a treat since Mackenzie Crook has a reason to stick around for longer than a minute and take on some material that shows off his ability to play unsure and awkward. Rudy is a fun and quirky character to feature, and his presence here doesn’t go to waste. Supported by some spot-on scoring,...
- 12/6/2013
- by Amanda Williams
- SoundOnSight
Almost Human, Season 1, Episode 3: “Are You Receiving?”
Written by Justin Doble
Directed by Larry Teng
Airs Mondays at 8 P.M. Et on Fox
“Hello. I’m Detective John Kennex. I’m an automated police officer with a very difficult personality.”
Dorian’s summary of his partner serves as a check on the core relationship of the show as seen through the limited perspective of a sentient calculating machine as well as a progress report of Karl Urban’s character’s development thus far.
While the first two episodes acknowledged emotional aspects, this episode explores matters involving Kennex and Dorian’s physical well-being. This presents some interesting scenes for their characters individually as well as contributing to their relationship dynamic. Depicting Kennex’s amputee status as an ongoing issue when his artificial limb (or futuristic prosthetic) begins to squeak is a great continuation of the show’s efforts to map...
Written by Justin Doble
Directed by Larry Teng
Airs Mondays at 8 P.M. Et on Fox
“Hello. I’m Detective John Kennex. I’m an automated police officer with a very difficult personality.”
Dorian’s summary of his partner serves as a check on the core relationship of the show as seen through the limited perspective of a sentient calculating machine as well as a progress report of Karl Urban’s character’s development thus far.
While the first two episodes acknowledged emotional aspects, this episode explores matters involving Kennex and Dorian’s physical well-being. This presents some interesting scenes for their characters individually as well as contributing to their relationship dynamic. Depicting Kennex’s amputee status as an ongoing issue when his artificial limb (or futuristic prosthetic) begins to squeak is a great continuation of the show’s efforts to map...
- 11/27/2013
- by Amanda Williams
- SoundOnSight
Almost Human, Season 1, Episode 2: “Skin”
Written by Cheo Hodari Coker
Directed by Michael Offer
Airs Mondays at 8 P.M. Et on Fox
The problem with crime dramas these days is the fact that there are so many of them. It’s easy for a good story with unique qualities to fall into step with similarly-constructed procedural sameness. Fortunately, “Skin” continues to differentiate Almost Human from the dozens of other network series and provides plenty of hope for the show’s future.
Detective John Kennex and Dorian, his android partner, appear well-adjusted working on the force together. Despite their rough first mission, the two are quickly becoming a great team. Urban and Ealy are a delightful onscreen pairing. From their car ride banter to conversations eliciting more thoughtful responses, their chemistry as buddies and investigators reaches heights that elevate the episode’s writing, which in itself comes across smarter and better overall here.
Written by Cheo Hodari Coker
Directed by Michael Offer
Airs Mondays at 8 P.M. Et on Fox
The problem with crime dramas these days is the fact that there are so many of them. It’s easy for a good story with unique qualities to fall into step with similarly-constructed procedural sameness. Fortunately, “Skin” continues to differentiate Almost Human from the dozens of other network series and provides plenty of hope for the show’s future.
Detective John Kennex and Dorian, his android partner, appear well-adjusted working on the force together. Despite their rough first mission, the two are quickly becoming a great team. Urban and Ealy are a delightful onscreen pairing. From their car ride banter to conversations eliciting more thoughtful responses, their chemistry as buddies and investigators reaches heights that elevate the episode’s writing, which in itself comes across smarter and better overall here.
- 11/20/2013
- by Amanda Williams
- SoundOnSight
Almost Human, Season 1, Episode 1: “Pilot”
Written by J. H. Wyman
Directed by Brad Anderson
Airs Mondays at 8 P.M. Et on Fox
Set in the year 2048, Almost Human takes on an immense challenge by attempting to introduce a cast of characters in a futuristic world and construct a plot that explores the possibilities of technology that fuels fast-paced action and a “big picture” mystery. While it’s not the first series tasked with such a large-scale set-up, it certainly has some distinguishing qualities that help bring its debut hour to life.
The most noteworthy element is the special effects. While the characters are hard at work populating the screen, it is the setting in which they all exist that pulls the viewer into their world and sets a high bar of expectations for the series’ visual aesthetics. The digital gadgets and robotics are not only visible in nearly every frame,...
Written by J. H. Wyman
Directed by Brad Anderson
Airs Mondays at 8 P.M. Et on Fox
Set in the year 2048, Almost Human takes on an immense challenge by attempting to introduce a cast of characters in a futuristic world and construct a plot that explores the possibilities of technology that fuels fast-paced action and a “big picture” mystery. While it’s not the first series tasked with such a large-scale set-up, it certainly has some distinguishing qualities that help bring its debut hour to life.
The most noteworthy element is the special effects. While the characters are hard at work populating the screen, it is the setting in which they all exist that pulls the viewer into their world and sets a high bar of expectations for the series’ visual aesthetics. The digital gadgets and robotics are not only visible in nearly every frame,...
- 11/18/2013
- by Amanda Williams
- SoundOnSight
Freaks
Written by Tod Robbins
Directed by Tod Browning
USA, 1932
“For the love of beauty is a deep-seated urge which dates back to the beginning of civilization. The revulsion with which we view the abnormal, the malformed, and the mutilated is the result of long conditioning by our forefathers.” – Introduction, Freaks
Tod Browning’s cult film depicting the terrors of sideshow performers, both how they are perceived by the public and the acts of violence they are driven to commit, sets an unusual and intriguing precedent for future horror cinema tropes.
Freaks initially portrays the titular troupe with unique deformities as unsuspecting prey to two of the carnival’s “normal” performers and lovers, Cleopatra the trapeze artist (Olga Baclanova) and Hercules the strong man (Henry Victor). Cleopatra’s plan to marry and murder Hans the dwarf man (Harry Earles) for his large inheritance victimizes the condition of the “freaks,” placing...
Written by Tod Robbins
Directed by Tod Browning
USA, 1932
“For the love of beauty is a deep-seated urge which dates back to the beginning of civilization. The revulsion with which we view the abnormal, the malformed, and the mutilated is the result of long conditioning by our forefathers.” – Introduction, Freaks
Tod Browning’s cult film depicting the terrors of sideshow performers, both how they are perceived by the public and the acts of violence they are driven to commit, sets an unusual and intriguing precedent for future horror cinema tropes.
Freaks initially portrays the titular troupe with unique deformities as unsuspecting prey to two of the carnival’s “normal” performers and lovers, Cleopatra the trapeze artist (Olga Baclanova) and Hercules the strong man (Henry Victor). Cleopatra’s plan to marry and murder Hans the dwarf man (Harry Earles) for his large inheritance victimizes the condition of the “freaks,” placing...
- 10/25/2013
- by Amanda Williams
- SoundOnSight
NCIS, Season 10, Episode 21: “Berlin”
Written by Scott Williams and Gina Lucita Monreal
Directed by Terrence O’Hara
Airs Tuesdays at 8pm (Et) on CBS
The hunt for Bodnar continues as Ziva and Tony fly under the radar to follow a lead to Germany while Gibbs gets acquainted with Mossad’s new director, who has some secrets of her own.
This episode picks up steam in more ways than one since it deviates from the show structure to continue the search for Ilan Bodnar overseas, bringing momentum to a tiring chase by giving Tony and Ziva a chance at intimacy as they get closer to Bodnar and increasing the pressure on the team as the newly-appointed Director of Mossad (Marina Sirtis) arrives for a joint investigation. The return of Director Morrow of Homeland Security (special guest Alan Dale) adds even more drama as the three agencies try to solve the murder of a Mossad agent.
Written by Scott Williams and Gina Lucita Monreal
Directed by Terrence O’Hara
Airs Tuesdays at 8pm (Et) on CBS
The hunt for Bodnar continues as Ziva and Tony fly under the radar to follow a lead to Germany while Gibbs gets acquainted with Mossad’s new director, who has some secrets of her own.
This episode picks up steam in more ways than one since it deviates from the show structure to continue the search for Ilan Bodnar overseas, bringing momentum to a tiring chase by giving Tony and Ziva a chance at intimacy as they get closer to Bodnar and increasing the pressure on the team as the newly-appointed Director of Mossad (Marina Sirtis) arrives for a joint investigation. The return of Director Morrow of Homeland Security (special guest Alan Dale) adds even more drama as the three agencies try to solve the murder of a Mossad agent.
- 5/14/2013
- by Amanda Williams
- SoundOnSight
NCIS, Season 10, Episode 20: “Chasing Ghosts”
Written by Nicole Mirante-Matthews
Directed by Arvin Brown
Airs Tuesdays at 8pm (Et) on CBS
Opening with a recap, “Chasing Ghosts” gets back on track by focusing on Ziva’s discreet pursuit of Ilan Bodnar, the man responsible for the deaths of Eli David and Jackie Vance.
The episode deals less with the progress of Ziva’s manhunt and more with Tony’s suspicions of her, flipping the perspective from her grief, to his concern for her. His sleuth mode initiates enjoyable banter between him and McGee, whose deception in the end sets up possible conflict between the two in the future, hopefully further explored as the season reaches its climax. While he’s usually invading his co-worker’s work space with the intent of exposing their secrets, Tony’s loyalty to Ziva on a more personal level suggests that he’s more likely...
Written by Nicole Mirante-Matthews
Directed by Arvin Brown
Airs Tuesdays at 8pm (Et) on CBS
Opening with a recap, “Chasing Ghosts” gets back on track by focusing on Ziva’s discreet pursuit of Ilan Bodnar, the man responsible for the deaths of Eli David and Jackie Vance.
The episode deals less with the progress of Ziva’s manhunt and more with Tony’s suspicions of her, flipping the perspective from her grief, to his concern for her. His sleuth mode initiates enjoyable banter between him and McGee, whose deception in the end sets up possible conflict between the two in the future, hopefully further explored as the season reaches its climax. While he’s usually invading his co-worker’s work space with the intent of exposing their secrets, Tony’s loyalty to Ziva on a more personal level suggests that he’s more likely...
- 5/8/2013
- by Amanda Williams
- SoundOnSight
Sean Murray and Joel Gretsch in “Squall”
NCIS, Season 10, Episode 19: “Squall”
Written by Bill Nuss
Directed by Tom Wright
Airs Tuesdays at 8pm (Et) on CBS
When NCIS reaches family reunion milestones, they usually coincide with an investigation- each agent has suspected every member of their family of murder/espionage at one point or another- so it’s no surprise that the debut appearance of McGee’s estranged father would result in a trip to interrogation, pitting the Admiral against Gibbs.
Admiral John McGee (guest star Jamey Sheridan) has only recently been mentioned as an individual, his character being shaped through comments from McGee over the last two years. He’s known among his peers as an honorable and able naval officer and by his son as a harsh and overly-judgmental father whose absence has made the heart grow bitter. McGee’s reaction to seeing his father again shows...
NCIS, Season 10, Episode 19: “Squall”
Written by Bill Nuss
Directed by Tom Wright
Airs Tuesdays at 8pm (Et) on CBS
When NCIS reaches family reunion milestones, they usually coincide with an investigation- each agent has suspected every member of their family of murder/espionage at one point or another- so it’s no surprise that the debut appearance of McGee’s estranged father would result in a trip to interrogation, pitting the Admiral against Gibbs.
Admiral John McGee (guest star Jamey Sheridan) has only recently been mentioned as an individual, his character being shaped through comments from McGee over the last two years. He’s known among his peers as an honorable and able naval officer and by his son as a harsh and overly-judgmental father whose absence has made the heart grow bitter. McGee’s reaction to seeing his father again shows...
- 4/24/2013
- by Amanda Williams
- SoundOnSight
NCIS, Season 10, Episode 18: “Seek”
Written by Scott Williams
Directed by Michael Weatherly
Airs Tuesdays at 8pm (Et) on CBS
There is no doubt that Michael Weatherly is a showman. Along with acting, singing, and the occasional comical impression, Weatherly is also proving to be a capable director, returning to the helm for the second time, having directed the eighth season episode, “One Last Score”. Once again, Weatherly brings the same energy usually seen onscreen with him behind the camera.
The opening and closing scenes with Dex, a bomb-sniffing labrador, and his handler provide powerful bookend moments, depicting the loyalty of service dogs to their working partners and their families, shown here as one and the same. The handler’s death is made all the more devastating through witness statements that express his love and respect for the dog in his charge. The episode is a testament to the importance...
Written by Scott Williams
Directed by Michael Weatherly
Airs Tuesdays at 8pm (Et) on CBS
There is no doubt that Michael Weatherly is a showman. Along with acting, singing, and the occasional comical impression, Weatherly is also proving to be a capable director, returning to the helm for the second time, having directed the eighth season episode, “One Last Score”. Once again, Weatherly brings the same energy usually seen onscreen with him behind the camera.
The opening and closing scenes with Dex, a bomb-sniffing labrador, and his handler provide powerful bookend moments, depicting the loyalty of service dogs to their working partners and their families, shown here as one and the same. The handler’s death is made all the more devastating through witness statements that express his love and respect for the dog in his charge. The episode is a testament to the importance...
- 3/27/2013
- by Amanda Williams
- SoundOnSight
NCIS, Season 10, Episode 17: “Prime Suspect”
Written by George Schenck and Frank Cardea
Directed by James Whitmore, Jr.
Airs Tuesdays at 8pm (Et) on CBS
The entirety of this episode is a balancing act: maintaining the heart of the matter in the midst of a complex series of constructed events. You have Gibbs juggling two cases, each with its own set of unusual circumstances, Director Vance’s return as head of the agency, the introduction of an “old friend” of Abby’s, but most importantly, the return of Probationary Agent Ned Dorneget.
Because the team is already hard at work on a case when the show opens at Gibbs’ local barbershop, the first case concerning money missing from a military base doesn’t have a chance to present itself in the usual fashion that engages viewers from the start. It simply sets up the scenario that requires Tony and Dorneget...
Written by George Schenck and Frank Cardea
Directed by James Whitmore, Jr.
Airs Tuesdays at 8pm (Et) on CBS
The entirety of this episode is a balancing act: maintaining the heart of the matter in the midst of a complex series of constructed events. You have Gibbs juggling two cases, each with its own set of unusual circumstances, Director Vance’s return as head of the agency, the introduction of an “old friend” of Abby’s, but most importantly, the return of Probationary Agent Ned Dorneget.
Because the team is already hard at work on a case when the show opens at Gibbs’ local barbershop, the first case concerning money missing from a military base doesn’t have a chance to present itself in the usual fashion that engages viewers from the start. It simply sets up the scenario that requires Tony and Dorneget...
- 3/11/2013
- by Amanda Williams
- SoundOnSight
Swim with the fishes? Not quite. In Hampshire, England, a 4-year-old continental giant rabbit named Heidi has taken to hydrotherapy to ease her arthritic pain, which she suffers from in her hips and knees. The treatment is more commonly prescribed for horses and dogs, but Heidi's veterinarian believes the rabbit could benefit from the twice-weekly sessions, as well. With a lifejacket fitted to her for buoyancy and her ears pinned back, the brown-haired furbaby makes her way around a heated pool for seven minutes at a time. "None of us thought she would tolerate one minute in the water, but...
- 3/6/2013
- PEOPLE.com
NCIS, Season 10, Episode 16: “Detour”
Written by Steven D. Binder
Directed by Mario Van Peebles
Airs Tuesdays at 8pm (Et) on CBS
Nine months have passed since the devastating attack on NCIS that coincided with Jimmy Palmer’s wedding date. So far, the season has illuminated the residual effects of the incident on every character to varying degrees except Palmer. “Detour” welcomes back Brian Dietzen as the Autopsy Gremlin after an extended absence with a story that, predictable though it may be, is a respectable addition to this year’s trend of stand-alone episodes that advance character development.
Not long after Dietzen was promoted to series regular, he dropped off the radar when the show neglected to incorporate subplots that justified his recent inclusion in the opening credits. However, acting as a sidekick to David McCallum’s ‘Ducky’, the return of Dietzen’s character is both necessary and endearing. Jimmy...
Written by Steven D. Binder
Directed by Mario Van Peebles
Airs Tuesdays at 8pm (Et) on CBS
Nine months have passed since the devastating attack on NCIS that coincided with Jimmy Palmer’s wedding date. So far, the season has illuminated the residual effects of the incident on every character to varying degrees except Palmer. “Detour” welcomes back Brian Dietzen as the Autopsy Gremlin after an extended absence with a story that, predictable though it may be, is a respectable addition to this year’s trend of stand-alone episodes that advance character development.
Not long after Dietzen was promoted to series regular, he dropped off the radar when the show neglected to incorporate subplots that justified his recent inclusion in the opening credits. However, acting as a sidekick to David McCallum’s ‘Ducky’, the return of Dietzen’s character is both necessary and endearing. Jimmy...
- 3/1/2013
- by Amanda Williams
- SoundOnSight
NCIS, Season 10, Episode 15: “Hereafter”
Written by Nichole Mirante-Matthews
Directed by Tony Wharmby
Airs Tuesdays at 8pm (Et) on CBS
Despite the strengths for which it is praised, NCIS has its share of recurring issues, occasionally exhibited by withdrawn characters, uninspired subject matter, emotionally weightless subplots, and flat attempts at humor. The greatness of a season or a single episode fluctuates depending on the emphasis given to each element. “Hereafter” manages to spotlight the best and the brightest, resulting in a well-rounded episode in spite of brief moments that recall those issues.
The episode assumes the task of dealing with the emotional aftermath of Jackie Vance’s death, allowing Rocky Carroll a shot at all the heavy lifting. He carries the story from beginning to end, though it takes a few undesirable twists. His confrontation with his wife’s lawyer and scenes with his children display the range of emotions...
Written by Nichole Mirante-Matthews
Directed by Tony Wharmby
Airs Tuesdays at 8pm (Et) on CBS
Despite the strengths for which it is praised, NCIS has its share of recurring issues, occasionally exhibited by withdrawn characters, uninspired subject matter, emotionally weightless subplots, and flat attempts at humor. The greatness of a season or a single episode fluctuates depending on the emphasis given to each element. “Hereafter” manages to spotlight the best and the brightest, resulting in a well-rounded episode in spite of brief moments that recall those issues.
The episode assumes the task of dealing with the emotional aftermath of Jackie Vance’s death, allowing Rocky Carroll a shot at all the heavy lifting. He carries the story from beginning to end, though it takes a few undesirable twists. His confrontation with his wife’s lawyer and scenes with his children display the range of emotions...
- 2/21/2013
- by Amanda Williams
- SoundOnSight
One of our recurring segments on The Televerse is The DVD Shelf, where guests come on to talk with us about one of their favorite series no longer on the air. Here is a library of the DVD Shelfs and guest segments we’ve done so far so listeners can catch up with our back catalog. Enjoy!
30 for 30 Season 1 (Make-You-Watch-athon)
Awake with Sean Ingram
Batman: the Animated Series with Gabe Bucsko
Battlestar Galactica (2003) with Josh Spiegel
Better Off Ted with Josh Spiegel
Blackadder with Les Chappell
Brass Eye with Derek Gladu
Buffy the Vampire Slayer with David Bax
Capone’s Horror Picks 1 (Duel, Salem’s Lot)
Cheers with David Bax
Chuck with Shawn Keown
Coupling (UK) with Erik Bondourant
Dead Like Me with Amrie Cunningham
Deadwood with Previously On
Doctor Who (Make-You-Watch-athon)
Fawlty Towers with Michael Rice
Firefly with Justine Smith
Freaks and Geeks with Corey Atad
Friday Night Lights...
30 for 30 Season 1 (Make-You-Watch-athon)
Awake with Sean Ingram
Batman: the Animated Series with Gabe Bucsko
Battlestar Galactica (2003) with Josh Spiegel
Better Off Ted with Josh Spiegel
Blackadder with Les Chappell
Brass Eye with Derek Gladu
Buffy the Vampire Slayer with David Bax
Capone’s Horror Picks 1 (Duel, Salem’s Lot)
Cheers with David Bax
Chuck with Shawn Keown
Coupling (UK) with Erik Bondourant
Dead Like Me with Amrie Cunningham
Deadwood with Previously On
Doctor Who (Make-You-Watch-athon)
Fawlty Towers with Michael Rice
Firefly with Justine Smith
Freaks and Geeks with Corey Atad
Friday Night Lights...
- 2/12/2013
- by Kate Kulzick
- SoundOnSight
NCIS, Season 10, Episode 13: “Hit and Run”
Written by Gary Glasberg and Gina Lucita Monreal
Directed by Dennis Smith
Airs Tuesdays at 8pm (Et) on CBS
Knowing your purpose in life and that you are fulfilling that purpose is not an absolute that can be guaranteed. That uncertainty grabs a hold of Abby as the case of the week mirrors what she considers to have been her “first case”, and her mind begins to assess the role she has played in contributing to the greater good.
When a car wreckage brings back a flood of memories of a similar accident from her childhood, Abby revisits her days as a young investigator in her hometown junkyard. Her flashbacks illustrate how quickly and how passionately Abby has always invested herself in her work, having been devastated when she failed to mend the relationship between estranged relatives. Abby’s humanitarianism and quirky style...
Written by Gary Glasberg and Gina Lucita Monreal
Directed by Dennis Smith
Airs Tuesdays at 8pm (Et) on CBS
Knowing your purpose in life and that you are fulfilling that purpose is not an absolute that can be guaranteed. That uncertainty grabs a hold of Abby as the case of the week mirrors what she considers to have been her “first case”, and her mind begins to assess the role she has played in contributing to the greater good.
When a car wreckage brings back a flood of memories of a similar accident from her childhood, Abby revisits her days as a young investigator in her hometown junkyard. Her flashbacks illustrate how quickly and how passionately Abby has always invested herself in her work, having been devastated when she failed to mend the relationship between estranged relatives. Abby’s humanitarianism and quirky style...
- 2/1/2013
- by Amanda Williams
- SoundOnSight
NCIS, Season 10, Episode 12: “Shiva”
Written by Christopher J. Waild, Gary Glasberg and Scott Williams
Directed by Arvin Brown
Airs Tuesdays at 8pm (Et) on CBS
“Shiva” picks up where “Shabbat Shalom” left off: Ziva is grieving her father’s death, and Director Vance, the death of his wife. Although the shooter is dead, the one responsible for hiring the hitman is still at large, his whereabouts and identity unknown.
The deaths of Eli David and Jackie Vance bring an internal shift of power at NCIS as the Secretary of the Navy (Matt Craven) pays a visit to learn more about the attack along with Deputy Director Jerome Craig (Greg Germann) who arrives to assume daily operational duties in preparation for Vance’s eventual leave of absence. Germann’s NCIS debut as interim Director Craig simultaneously poses and answers the question of what it would be like if McGee (cir.
Written by Christopher J. Waild, Gary Glasberg and Scott Williams
Directed by Arvin Brown
Airs Tuesdays at 8pm (Et) on CBS
“Shiva” picks up where “Shabbat Shalom” left off: Ziva is grieving her father’s death, and Director Vance, the death of his wife. Although the shooter is dead, the one responsible for hiring the hitman is still at large, his whereabouts and identity unknown.
The deaths of Eli David and Jackie Vance bring an internal shift of power at NCIS as the Secretary of the Navy (Matt Craven) pays a visit to learn more about the attack along with Deputy Director Jerome Craig (Greg Germann) who arrives to assume daily operational duties in preparation for Vance’s eventual leave of absence. Germann’s NCIS debut as interim Director Craig simultaneously poses and answers the question of what it would be like if McGee (cir.
- 1/17/2013
- by Amanda Williams
- SoundOnSight
NCIS, Season 10, Episode 11: “Shabbat Shalom”
Written by Christopher J. Waild
Directed by Dennis Smith
Airs Tuesdays at 8pm (Et) on CBS
NCIS returns from its holiday hiatus with “Shabbat Shalom”, an episode that rises above seasonal standards, delivering memorable emotional performances by Cote de Pablo and Michael Nouri, who guest stars in a final appearance as Mossad Director Eli David.
The cold open is the first in a string of scenes which closely resemble any given episode of NCIS. A father and son discover a body in the stream where they are fishing and trying to endure the outing despite a strained relationship. The body found is that of Tyler Wilkes, a reporter who made his way dishing dirt on government agencies and military operations. Impersonating a petty officer, Wilkes was investigating the presence of illegal substances on Navy bases, presumably murdered for getting too close to the truth.
Written by Christopher J. Waild
Directed by Dennis Smith
Airs Tuesdays at 8pm (Et) on CBS
NCIS returns from its holiday hiatus with “Shabbat Shalom”, an episode that rises above seasonal standards, delivering memorable emotional performances by Cote de Pablo and Michael Nouri, who guest stars in a final appearance as Mossad Director Eli David.
The cold open is the first in a string of scenes which closely resemble any given episode of NCIS. A father and son discover a body in the stream where they are fishing and trying to endure the outing despite a strained relationship. The body found is that of Tyler Wilkes, a reporter who made his way dishing dirt on government agencies and military operations. Impersonating a petty officer, Wilkes was investigating the presence of illegal substances on Navy bases, presumably murdered for getting too close to the truth.
- 1/13/2013
- by Amanda Williams
- SoundOnSight
NCIS, Season 10, Episode 10: “You Better Watch Out”
Written by George Schenck & Frank Cardea
Directed by Tony Wharmby
Airs Tuesdays at 8pm (Et) on CBS
No one wants to feel left out, especially during the holiday season. A simple sense of belonging is part of what comprise the Christmas spirit. So it’s only natural that NCIS partakes in the tradition of devoting an episode to the time of year when the desire for unity, grace, and compassion are in the forefront of our minds and the fulfillment of those wishes warm our hearts. Robert Wagner guest stars and kicks off the festivities in a merry fashion, dropping by to make amends and start the new year off right.
It’s hard to tell who is having more fun: Robert Wagner, playing the father to Michael Weatherly’s character, Tony; or the the character Wagner plays, who delights in every visit with the team.
Written by George Schenck & Frank Cardea
Directed by Tony Wharmby
Airs Tuesdays at 8pm (Et) on CBS
No one wants to feel left out, especially during the holiday season. A simple sense of belonging is part of what comprise the Christmas spirit. So it’s only natural that NCIS partakes in the tradition of devoting an episode to the time of year when the desire for unity, grace, and compassion are in the forefront of our minds and the fulfillment of those wishes warm our hearts. Robert Wagner guest stars and kicks off the festivities in a merry fashion, dropping by to make amends and start the new year off right.
It’s hard to tell who is having more fun: Robert Wagner, playing the father to Michael Weatherly’s character, Tony; or the the character Wagner plays, who delights in every visit with the team.
- 12/20/2012
- by Amanda Williams
- SoundOnSight
NCIS, Season 10, Episode 9: “Devil’s Trifecta”
Written by Steven D. Binder
Directed by Arvin Brown
Airs Tuesdays at 8pm (Et) on CBS
“We’re working on an IRS fraud case. You sleeping alone is more interesting.”
Truer words were never spoken. Tony can almost be credited for reading viewers’ minds when he comments on the case-of-the-week and McGee’s love life, comparing the routine procedural to the potentially-riveting “sexual escapades” of his co-worker. The return of Gibbs and Fornell’s ex-wife has brought tension to the squad room and rumors to the mill.
The last time anyone saw Diane Sterling (Melinda McGraw), she was professing her undying affection for Gibbs, realizing that she would never be to him what his first wife was, his one true love. Here she returns with a surprise for all: a badge. Now a member of the IRS crime division and an equal to...
Written by Steven D. Binder
Directed by Arvin Brown
Airs Tuesdays at 8pm (Et) on CBS
“We’re working on an IRS fraud case. You sleeping alone is more interesting.”
Truer words were never spoken. Tony can almost be credited for reading viewers’ minds when he comments on the case-of-the-week and McGee’s love life, comparing the routine procedural to the potentially-riveting “sexual escapades” of his co-worker. The return of Gibbs and Fornell’s ex-wife has brought tension to the squad room and rumors to the mill.
The last time anyone saw Diane Sterling (Melinda McGraw), she was professing her undying affection for Gibbs, realizing that she would never be to him what his first wife was, his one true love. Here she returns with a surprise for all: a badge. Now a member of the IRS crime division and an equal to...
- 12/16/2012
- by Amanda Williams
- SoundOnSight
NCIS, Season 10, Episode 8: “Gone”
Written by Reed Steiner and Scott Williams
Directed by James Whitmore, Jr.
Airs Tuesdays at 8pm (Et) on CBS
When season ten was still shrouded in mystery, a fresh new year waiting to arrive, there was plenty of hopeful speculation concerning possible stories that might unfold throughout the upcoming episodes. One popular hypothetical was the pairing of Abby and Ziva in an undercover mission. While they aren’t technically undercover, Abby and Ziva come the closest to a professional partnership that they will likely ever get for the remainder of the season.
Ziva takes it upon herself to act as a surrogate to Lydia Wade (Kirsten Prout), a teenage girl whose father was murdered during the kidnapping of her best friend, Rosie. Abby and Ziva both work with Lydia to help her identify the men responsible. Where Cote de Pablo’s performance lacked an emotional...
Written by Reed Steiner and Scott Williams
Directed by James Whitmore, Jr.
Airs Tuesdays at 8pm (Et) on CBS
When season ten was still shrouded in mystery, a fresh new year waiting to arrive, there was plenty of hopeful speculation concerning possible stories that might unfold throughout the upcoming episodes. One popular hypothetical was the pairing of Abby and Ziva in an undercover mission. While they aren’t technically undercover, Abby and Ziva come the closest to a professional partnership that they will likely ever get for the remainder of the season.
Ziva takes it upon herself to act as a surrogate to Lydia Wade (Kirsten Prout), a teenage girl whose father was murdered during the kidnapping of her best friend, Rosie. Abby and Ziva both work with Lydia to help her identify the men responsible. Where Cote de Pablo’s performance lacked an emotional...
- 11/30/2012
- by Amanda Williams
- SoundOnSight
NCIS, Season 10, Episode 7: “Shell Shock (Part II)”
Written by Gina Monreal
Directed by Tom Wright
Airs Tuesdays at 8pm (Et) on CBS
Previously on NCIS…
Captain Joe Wescott attacked a man out of paranoia from Post-Traumatic Stress Disorder. NCIS was called in to investigate when Wescott’s best friend ended up dead after the attack. When they took Wescott into custody for the murder of his companion, Gibbs recognized that Wescott is suffering from Ptsd and worked to get the man proper psychiatric help. When it turned out that the other man in the alley on the night of the fight was actually a member of a foreign rebel group, the search for a real killer begins…
Gibbs approaches Wescott (Brad Beyer) with the hope that he will further assist in the investigation as a witness to help track down Randall Kersey (David Hoflin), the man Wescott attacked in the alley.
Written by Gina Monreal
Directed by Tom Wright
Airs Tuesdays at 8pm (Et) on CBS
Previously on NCIS…
Captain Joe Wescott attacked a man out of paranoia from Post-Traumatic Stress Disorder. NCIS was called in to investigate when Wescott’s best friend ended up dead after the attack. When they took Wescott into custody for the murder of his companion, Gibbs recognized that Wescott is suffering from Ptsd and worked to get the man proper psychiatric help. When it turned out that the other man in the alley on the night of the fight was actually a member of a foreign rebel group, the search for a real killer begins…
Gibbs approaches Wescott (Brad Beyer) with the hope that he will further assist in the investigation as a witness to help track down Randall Kersey (David Hoflin), the man Wescott attacked in the alley.
- 11/24/2012
- by Amanda Williams
- SoundOnSight
NCIS, Season 10, Episode 5: “The Namesake”
Written by George Schenck and Frank Cardea
Directed by Arvin Brown
Airs Tuesdays at 8pm (Et) on CBS
NCIS has given its audience numerous glances into the make-up of Agent Leroy Jethro Gibbs, each one brief but hefty with emotional detail (“Heartland” still ranks high on the list). In fact, most viewers can all but read his mind by now. Despite the many episodes that have worked to fill out what started as a blank slate, “The Namesake” offers even more insight with another genuine look into the past. Serving as more than a simple explanation for Gibbs’ name, it steps away from the present to personalize a lifetime of grief and elaborate on the dividing effects of love.
The death of a petty officer in a stolen Ferrari takes center stage as the case of the week. Discovering the murder weapon at the crime scene,...
Written by George Schenck and Frank Cardea
Directed by Arvin Brown
Airs Tuesdays at 8pm (Et) on CBS
NCIS has given its audience numerous glances into the make-up of Agent Leroy Jethro Gibbs, each one brief but hefty with emotional detail (“Heartland” still ranks high on the list). In fact, most viewers can all but read his mind by now. Despite the many episodes that have worked to fill out what started as a blank slate, “The Namesake” offers even more insight with another genuine look into the past. Serving as more than a simple explanation for Gibbs’ name, it steps away from the present to personalize a lifetime of grief and elaborate on the dividing effects of love.
The death of a petty officer in a stolen Ferrari takes center stage as the case of the week. Discovering the murder weapon at the crime scene,...
- 11/1/2012
- by Amanda Williams
- SoundOnSight
NCIS, Season 10, Episode 4: “Lost at Sea”
Written by Christopher J. Waild
Directed by Tony Wharmby
Airs Tuesdays at 8pm (Et) on CBS
Season X continues its run with the return of Diane Neal as the Coast Guard’s equivalent of Leroy Jethro Gibbs, agent Abigail Borin, the “other Abby”.
The case of the week focuses on the disappearance of a helicopter and its crew. NCIS is called in for a joint investigation with Cgis when the flight crew, with the exception of the pilot, reemerge having spent days at sea stranded on a dinghy. Borin’s people have no luck finding a wreckage, but McGee and Tony manage to recover the body of the missing pilot, apparently killed from a gunshot wound. With the mobile crime scene unavailable for forensic analysis, the team must determine if the accident was caused by a treacherous passenger or if the pilot himself was to blame.
Written by Christopher J. Waild
Directed by Tony Wharmby
Airs Tuesdays at 8pm (Et) on CBS
Season X continues its run with the return of Diane Neal as the Coast Guard’s equivalent of Leroy Jethro Gibbs, agent Abigail Borin, the “other Abby”.
The case of the week focuses on the disappearance of a helicopter and its crew. NCIS is called in for a joint investigation with Cgis when the flight crew, with the exception of the pilot, reemerge having spent days at sea stranded on a dinghy. Borin’s people have no luck finding a wreckage, but McGee and Tony manage to recover the body of the missing pilot, apparently killed from a gunshot wound. With the mobile crime scene unavailable for forensic analysis, the team must determine if the accident was caused by a treacherous passenger or if the pilot himself was to blame.
- 10/26/2012
- by Amanda Williams
- SoundOnSight
NCIS, Season 10, Episode 3: “Phoenix”
Written by Steven D. Binder
Directed by Terrence O’Hara
Airs Tuesdays at 8pm (Et) on CBS
For a show that largely prides itself on its character-driven storylines, NCIS has recently produced fewer episodes whose strength results from the focused analysis of a central character, missing the mark of perfection by omitting natural human interaction, floundering with uncharacteristic writing, and needlessly revisiting disposable characters. Fortunately, with “Phoenix”, the show returns to its roots and delivers a highly-entertaining episode brimming with favorable antics and enjoyable guest appearances.
Leading the investigation-of-the-week is Doctor Mallard, who starts off the hour ominously ordering the exhumation of a corpse from a 12-year-old cold case. Unlike in “Recovery”, where his inability to occupy himself while on medical leave made for his unwelcome presence both in autopsy and on screen in general, David McCallum’s insightful doctor is genuinely enjoyable here, fumbling...
Written by Steven D. Binder
Directed by Terrence O’Hara
Airs Tuesdays at 8pm (Et) on CBS
For a show that largely prides itself on its character-driven storylines, NCIS has recently produced fewer episodes whose strength results from the focused analysis of a central character, missing the mark of perfection by omitting natural human interaction, floundering with uncharacteristic writing, and needlessly revisiting disposable characters. Fortunately, with “Phoenix”, the show returns to its roots and delivers a highly-entertaining episode brimming with favorable antics and enjoyable guest appearances.
Leading the investigation-of-the-week is Doctor Mallard, who starts off the hour ominously ordering the exhumation of a corpse from a 12-year-old cold case. Unlike in “Recovery”, where his inability to occupy himself while on medical leave made for his unwelcome presence both in autopsy and on screen in general, David McCallum’s insightful doctor is genuinely enjoyable here, fumbling...
- 10/11/2012
- by Amanda Williams
- SoundOnSight
After last week’s pilotpalooza, things have quieted down a bit as we start to get a picture of what the fall network schedule will settle into. After looks at Wednesday’s Nashville and Chicago Fire pilots, we go through a full week in TV, including Ben and Kate, New Girl, The Mindy Project, Parenthood, 30 for 30, the Supernatural premiere, Key and Peele, the 30 Rock premiere, Parks and Rec, Childrens Hospital, Ntsf:sd:suv::, Last Resort, Grimm, Fringe, The Amazing Race, Call the Midwife, The Good Wife, Treme, The Voice, Alphas, Revolution, we split the spotlight between Bob’s Burgers and Homeland, which each had great episodes this week. Then it’s over to the DVD Shelf, with Sound on Sight’s Amanda Williams joining us to look at the ever entertaining, ever irascible House.
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- 10/10/2012
- by Kate Kulzick
- SoundOnSight
NCIS, Season 10, Episode 2: “Recovery”
Written by Scott Williams
Directed by Dennis Smith
Airs Tuesdays at 8pm (Et) on CBS
The latest installment of the CBS procedural starts off with what may be an intentional reference to the beginning of the Halloween season. Abby Scuito is having nightmares after the bombing, which is not surprising since she has always been the character noted with having the greatest emotional depth. Her feelings about the unsettling apparitions and well-meaning pressure from Gibbs forces her to face her fear of rejection and seek out her biological brother Kyle (the well-cast Daniel Louis Rivera, who appropriately bears an uncanny resemblance to Abby’s alter-ego, Pauley Perrette).
The two initially met last season; however, Kyle was unaware that the woman perusing his pet shop was in fact his own flesh and blood, a long-lost sister. The two high-energy actors play well together, they have enthusiasm to spare,...
Written by Scott Williams
Directed by Dennis Smith
Airs Tuesdays at 8pm (Et) on CBS
The latest installment of the CBS procedural starts off with what may be an intentional reference to the beginning of the Halloween season. Abby Scuito is having nightmares after the bombing, which is not surprising since she has always been the character noted with having the greatest emotional depth. Her feelings about the unsettling apparitions and well-meaning pressure from Gibbs forces her to face her fear of rejection and seek out her biological brother Kyle (the well-cast Daniel Louis Rivera, who appropriately bears an uncanny resemblance to Abby’s alter-ego, Pauley Perrette).
The two initially met last season; however, Kyle was unaware that the woman perusing his pet shop was in fact his own flesh and blood, a long-lost sister. The two high-energy actors play well together, they have enthusiasm to spare,...
- 10/3/2012
- by Amanda Williams
- SoundOnSight
NCIS, Season 10, Episode 1: “Extreme Prejudice”
Written by Gary Glasberg
Directed by Tony Wharmby
Airs Tuesdays at 8pm (Et) on CBS
A bomb blast has wreaked havoc on the U.S. Navy Yard.
The premiere opens right where the show left off last season. Doctor Mallard, who was last seen suffering from a heart attack on the shores of the Atlantic Ocean, is alive. He and his assistant discuss the best way to aid their co-workers, of whom they have heard no news. After ten years, Brian Dietzen has earned his place in the opening credits in the role of assistant medical examiner Jimmy Palmer. The scenes between these two are bittersweet and simple, acting on behalf of the audience, asking the question that everyone wants to know the answer to- Who survived?
The NCIS building has been severely damaged, but not destroyed. Gibbs stands surveying the aftermath with nothing...
Written by Gary Glasberg
Directed by Tony Wharmby
Airs Tuesdays at 8pm (Et) on CBS
A bomb blast has wreaked havoc on the U.S. Navy Yard.
The premiere opens right where the show left off last season. Doctor Mallard, who was last seen suffering from a heart attack on the shores of the Atlantic Ocean, is alive. He and his assistant discuss the best way to aid their co-workers, of whom they have heard no news. After ten years, Brian Dietzen has earned his place in the opening credits in the role of assistant medical examiner Jimmy Palmer. The scenes between these two are bittersweet and simple, acting on behalf of the audience, asking the question that everyone wants to know the answer to- Who survived?
The NCIS building has been severely damaged, but not destroyed. Gibbs stands surveying the aftermath with nothing...
- 9/26/2012
- by Amanda Williams
- SoundOnSight
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