With a title that invokes both the specific (cinema of Godard) and the universal (cinema is Godard), Cyril Leuthy’s Godard Cinema finds itself in conversation with another formulation: Everything is Cinema. Richard Brody’s 2008 study of the filmmaker, is beautifully sentenced, dare-ing criticism; one wonders, sometimes, if his honest contrarianism is the result of a theoretical attempt to widen the possibilities for transmission and reception of image and narrative. Such an attempt finds a natural bedfellow in the mercurial cinema of Jean-Luc Godard. Leuthy’s hagiographic documentary, on the other hand, is an awkward fit for Godard’s polyrhythmic image collisions.
That Brody will be on hand to introduce Leuthy’s film to kick off its New York run at Film Forum speaks, perhaps, to the heart and head-felt intentions of Leuthy, a documentary filmmaker who’s worked as a director and editor of several film histories, including a...
That Brody will be on hand to introduce Leuthy’s film to kick off its New York run at Film Forum speaks, perhaps, to the heart and head-felt intentions of Leuthy, a documentary filmmaker who’s worked as a director and editor of several film histories, including a...
- 12/15/2023
- by Frank Falisi
- The Film Stage
For the fifth year running, Lyon’s Lumière Festival will honor Hungarian cinema and invite guests of the Hungarian National Film Fund to present two classic Hungarian films from important national filmmakers, Márta Mészáros’ “Ők ketten” (“Women”) and Zoltán Fábri’s “Fifth Seal.”
Both films will be presented by Lumière Festival special guest Marina Vlady on Oct 18.
It’s a treat for the Hungarian National Film Fund, coming just one month after hosting their own retrospective film festival, the Budapest Classics Film Marathon. This year’s event saw 100 films screen over seven days with more than 17,000 spectators attending.
1977’s “Women” stars popular Hungarian actors Lili Monori and Golden Globe-nominated Marina Vlady (“The Conjugal Bed”) with an appearance from Vladimir Visotski (“The Duel”). The story turns on two women, Juli and Mari, who are each experiencing marital crisis. Their problems bring the two together in an attempt to help one another put their lives back together.
Both films will be presented by Lumière Festival special guest Marina Vlady on Oct 18.
It’s a treat for the Hungarian National Film Fund, coming just one month after hosting their own retrospective film festival, the Budapest Classics Film Marathon. This year’s event saw 100 films screen over seven days with more than 17,000 spectators attending.
1977’s “Women” stars popular Hungarian actors Lili Monori and Golden Globe-nominated Marina Vlady (“The Conjugal Bed”) with an appearance from Vladimir Visotski (“The Duel”). The story turns on two women, Juli and Mari, who are each experiencing marital crisis. Their problems bring the two together in an attempt to help one another put their lives back together.
- 10/16/2019
- by Jamie Lang
- Variety Film + TV
Martin Scorsese’s eagerly awaited Netflix movie “The Irishman” wasn’t completed on time to be shown at the Cannes Film Festival, but Thierry Fremaux, Cannes’s topper, managed to pin down the high-profile movie and Scorsese himself for the upcoming Lumiere festival in Lyon next month. Dedicated to heritage movies, the Lumiere festival was created 10 years ago by Fremaux and French helmer Bertrand Tavernier.
Following its world premiere at the New York Film Festival and its international premiere at the BFI fest in London, “The Irishman” will screen at the Lumiere fest. Scorsese previously received a sprawling career tribute at this French festival in 2015 and was celebrated by an impressive delegation, including the late Abbas Kiarostami, Matteo Garrone, Elia Suleiman, Pablo Trapero Gaspard Noe and Alice Rohrwacher.
The French premiere of “The Irishman” will take place on Oct.15; it will mark one of rare opportunities to see “The Irishman...
Following its world premiere at the New York Film Festival and its international premiere at the BFI fest in London, “The Irishman” will screen at the Lumiere fest. Scorsese previously received a sprawling career tribute at this French festival in 2015 and was celebrated by an impressive delegation, including the late Abbas Kiarostami, Matteo Garrone, Elia Suleiman, Pablo Trapero Gaspard Noe and Alice Rohrwacher.
The French premiere of “The Irishman” will take place on Oct.15; it will mark one of rare opportunities to see “The Irishman...
- 9/20/2019
- by Elsa Keslassy
- Variety Film + TV
France’s Lumière Festival, which celebrates heritage cinema and auteur filmmakers, is to recognize Francis Ford Coppola with its honorary Lumiere Award. This year’s festival will also screen Coppola’s Godfather trilogy.
As we revealed earlier this year, Coppola is in development on feature Megalopolis.
Previous recipients of the Lumiere accolade include Jane Fonda, Wong Kar-Wai, Martin Scorsese, Pedro Almodovar, Ken Loach, Gérard Depardieu, Clint Eastwood and Quentin Tarantino. The festival, launched by Cannes Film Festival artistic director Thiérry Fremaux and organized by the Insitut Lumière, will take place October 12-20 in Lyon.
The event will also host South-Korean filmmaker Bong Joon-Ho who recently won the Palme d’Or for acclaimed feature Parasite. The film has taken off in its homeland, grossing a remarkable $50M to date. Bong will attend as a guest of honor while British auteur Ken Loach will also be in attendance at the festival to give a masterclass.
As we revealed earlier this year, Coppola is in development on feature Megalopolis.
Previous recipients of the Lumiere accolade include Jane Fonda, Wong Kar-Wai, Martin Scorsese, Pedro Almodovar, Ken Loach, Gérard Depardieu, Clint Eastwood and Quentin Tarantino. The festival, launched by Cannes Film Festival artistic director Thiérry Fremaux and organized by the Insitut Lumière, will take place October 12-20 in Lyon.
The event will also host South-Korean filmmaker Bong Joon-Ho who recently won the Palme d’Or for acclaimed feature Parasite. The film has taken off in its homeland, grossing a remarkable $50M to date. Bong will attend as a guest of honor while British auteur Ken Loach will also be in attendance at the festival to give a masterclass.
- 6/11/2019
- by Andreas Wiseman
- Deadline Film + TV
Francis Ford Coppola will receive the honorary Lumiere Award at the upcoming Lumiere festival, which celebrates heritage movies and film masters every year in Lyon, France.
Previous recipients of the Lumiere Award include Jane Fonda, Wong Kar-Wai, Martin Scorsese, Pedro Almodovar, Clint Eastwood and Quentin Tarantino.
The Lumiere Festival, launched by Cannes Film Festival’s artistic director Thierry Fremaux, and filmmaker Bertrand Tavernier from the Institut Lumière, will take place Oct. 12-20 in Lyon.
As part of the tribute to Coppola, “The Godfather” trilogy will be screened through the night. As he unveiled the lineup inside the packed auditorium of the Institut Lumière, Fremaux described Coppola as a “cinema giant” and a pioneer who dared to venture off the beaten path throughout his career with movies like “The Godfather” and “Apocalypse Now.”
After hosting Alfonso Cuaron with “Roma” last year, the Lumiere festival this year will welcome South Korean filmmaker...
Previous recipients of the Lumiere Award include Jane Fonda, Wong Kar-Wai, Martin Scorsese, Pedro Almodovar, Clint Eastwood and Quentin Tarantino.
The Lumiere Festival, launched by Cannes Film Festival’s artistic director Thierry Fremaux, and filmmaker Bertrand Tavernier from the Institut Lumière, will take place Oct. 12-20 in Lyon.
As part of the tribute to Coppola, “The Godfather” trilogy will be screened through the night. As he unveiled the lineup inside the packed auditorium of the Institut Lumière, Fremaux described Coppola as a “cinema giant” and a pioneer who dared to venture off the beaten path throughout his career with movies like “The Godfather” and “Apocalypse Now.”
After hosting Alfonso Cuaron with “Roma” last year, the Lumiere festival this year will welcome South Korean filmmaker...
- 6/11/2019
- by Elsa Keslassy
- Variety Film + TV
Ken Loach will be in attendance to give a masterclass and there will also be tributes to French actor Daniel Auteuil.
France’s Institut Lumière will honour multi-Oscar winning director Francis Ford Coppola with its prestigious Lumière Award at the 11th edition of its classic cinema festival, running Oct 12-20 this year.
Past recipients include Jane Fonda, Wong Kar-wai, Catherine Deneuve, Martin Scorsese, Pedro Almodovar, Quentin Tarantino, Ken Loach, Gérard Depardieu, Milos Forman and Clint Eastwood.
Thierry Frémaux, who heads up the Lyon-based Institut Lumière alongside his delegate general duties at the Cannes Film Festival, unveiled the choice of Coppola...
France’s Institut Lumière will honour multi-Oscar winning director Francis Ford Coppola with its prestigious Lumière Award at the 11th edition of its classic cinema festival, running Oct 12-20 this year.
Past recipients include Jane Fonda, Wong Kar-wai, Catherine Deneuve, Martin Scorsese, Pedro Almodovar, Quentin Tarantino, Ken Loach, Gérard Depardieu, Milos Forman and Clint Eastwood.
Thierry Frémaux, who heads up the Lyon-based Institut Lumière alongside his delegate general duties at the Cannes Film Festival, unveiled the choice of Coppola...
- 6/11/2019
- by Melanie Goodfellow
- ScreenDaily
One thing that distinguished this year's Il Cinema Ritrovato festival of rare, rediscovered or restored cinema from around the world was the air-conditioning. In previous years, the "cinephile's heaven" had seen people falling asleep at films they'd waited their whole lives to see, struck down by stifling midsummer heat. Now, even that beloved cinematic sweatbox the Jolly can cool its customers enough to mostly stave off somnolence, and if a hardboiled cinephage does pass out, it's more likely to be due to the unforgiving schedule of nine-to-midnight viewings.The doughty traveler can concentrate on seeing everything in one or two strands—retrospectives on the cinema of 1898 and 1918, the work of directors John M. Stahl, Marcello Pagliero, Luciano Emmer and Ylmaz Guney, the studio Fox, the countries China and Russia in the early thirties, and so on... or they can do as I did, sampling almost randomly from across the goodies on offer.
- 7/23/2018
- MUBI
Hard to believe, but December is nearly upon us, and that means we have a brand new batch of Digital and VOD releases to look forward to over the next few weeks. And for those of you looking to indulge in some non-holiday cinematic delights next month, there seems to be quite a variety of films hitting VOD and other digital platforms to keep you cozy inside your home, away from the brutality of winter and its harsh elements.
December’s releases kick off on the 1st with Somebody’s Darling, and December 5th is one of the busiest days of the month with six different titles making their digital bow: The Gatehouse, The Doll Master, Apocalypse Road, Flashburn, K-shop, and The White King. Then, just a few days later, IFC Midnight is releasing the psychological thriller Kaleidoscope, and on December 12th, both The Cutlass and Flatliners (2017) come home.
IFC Midnight...
December’s releases kick off on the 1st with Somebody’s Darling, and December 5th is one of the busiest days of the month with six different titles making their digital bow: The Gatehouse, The Doll Master, Apocalypse Road, Flashburn, K-shop, and The White King. Then, just a few days later, IFC Midnight is releasing the psychological thriller Kaleidoscope, and on December 12th, both The Cutlass and Flatliners (2017) come home.
IFC Midnight...
- 12/1/2017
- by Heather Wixson
- DailyDead
Psycho killers long ago lost their novelty, but in 1956 Budd Boetticher and Wendell Corey gave us Leon ‘Foggy’ Poole, a screen original with limitless appeal. Imagine a time when ‘normalcy’ was so taken for granted that any weird behavior was enough to give us the chills? Foggy carries this crime potboiler with a refreshing new idea: his dangerous maniac looks more normal than normal people.
The Killer Is Loose
Blu-ray
ClassicFlix
1956 / B&W / 1:85 widescreen / 76 min. / Street Date June 13, 2017 / 29.98
Starring: Joseph Cotten, Rhonda Fleming, Wendell Corey, Alan Hale Jr., Michael Pate, John Larch, Dee J. Thompson, Virginia Christine.
Cinematography: Lucien Ballard
Original Music: Lionel Newman
Written by Harold Medford, story by John & Ward Hawkins
Produced by Robert L. Jacks
Directed by Budd Boetticher
A smartly directed mid-fifties noir with a sensational central performance from the overlooked Wendell Corey, The Killer is Loose shows director Budd Boetticher at ease with a modest budget,...
The Killer Is Loose
Blu-ray
ClassicFlix
1956 / B&W / 1:85 widescreen / 76 min. / Street Date June 13, 2017 / 29.98
Starring: Joseph Cotten, Rhonda Fleming, Wendell Corey, Alan Hale Jr., Michael Pate, John Larch, Dee J. Thompson, Virginia Christine.
Cinematography: Lucien Ballard
Original Music: Lionel Newman
Written by Harold Medford, story by John & Ward Hawkins
Produced by Robert L. Jacks
Directed by Budd Boetticher
A smartly directed mid-fifties noir with a sensational central performance from the overlooked Wendell Corey, The Killer is Loose shows director Budd Boetticher at ease with a modest budget,...
- 10/24/2017
- by Glenn Erickson
- Trailers from Hell
He’s fast on his feet, quick with a gun, and faster with the to-die-for beauties that only existed in the swinging ’60s. The superspy exploits of Oss 117 were too big for just one actor, so meet all three iterations of the man they called Hubert Bonisseur de La Bath . . . seriously.
Oss 117 Five Film Collection
Blu-ray
Oss 117 Is Unleashed; Oss 117: Panic in Bangkok; Oss 117: Mission For a Killer; Oss 117: Mission to Tokyo; Oss 117: Double Agent
Kl Studio Classics
1963-1968 / B&W and Color / 1:85 widescreen + 2:35 widescreen / 528 min. / Street Date September 26, 2017 / available through Kino Lorber / 59.95
Starring: Kerwin Matthews, Nadia Sanders, Irina Demick, Daniel Emilfork; Kerwin Matthews, Pier Angeli, Robert Hossein; Frederick Stafford, Mylène Demongeot, Perrette Pradier, Dominique Wilms, Raymond Pellegrin, Annie Anderson; Frederick Stafford, Marina Vlad, Jitsuko Yoshimura; John Gavin, Margaret Lee, Curd Jurgens, Luciana Paluzzi, Rosalba Neri, Robert Hossein, George Eastman.
Cinematography: Raymond Pierre Lemoigne...
Oss 117 Five Film Collection
Blu-ray
Oss 117 Is Unleashed; Oss 117: Panic in Bangkok; Oss 117: Mission For a Killer; Oss 117: Mission to Tokyo; Oss 117: Double Agent
Kl Studio Classics
1963-1968 / B&W and Color / 1:85 widescreen + 2:35 widescreen / 528 min. / Street Date September 26, 2017 / available through Kino Lorber / 59.95
Starring: Kerwin Matthews, Nadia Sanders, Irina Demick, Daniel Emilfork; Kerwin Matthews, Pier Angeli, Robert Hossein; Frederick Stafford, Mylène Demongeot, Perrette Pradier, Dominique Wilms, Raymond Pellegrin, Annie Anderson; Frederick Stafford, Marina Vlad, Jitsuko Yoshimura; John Gavin, Margaret Lee, Curd Jurgens, Luciana Paluzzi, Rosalba Neri, Robert Hossein, George Eastman.
Cinematography: Raymond Pierre Lemoigne...
- 9/16/2017
- by Glenn Erickson
- Trailers from Hell
"You want a glass of Burgundy?" Pamela Adlon asks, encouragingly, as she sits down in a ritzy Beverly Hills restaurant. The multi-hyphenate force behind FX's Better Things then gestures to her full face of makeup, which has been professionally applied for a photo shoot: "By the way, this is not me." She catches a glimpse of her smoky eyes in a nearby mirror, she yanks out a few fake lashes. When the beverages arrive in giant goblets that make the pours look a little stingy, she offers a polite thanks.
- 9/12/2017
- Rollingstone.com
“May you live to be a thousand years old, sir.” Still the most widely unheralded great movie on the books, John Patrick Shanley’s lightweight/profound fable is an unmitigated delight. See Tom Hanks at the end of the first phase of his career plus Meg Ryan in an unacknowledged career highlight. How can a movie be so purposely insubstantial, and yet be ‘heavier’ than a dozen pictures with ‘big things to say?’
Joe Versus the Volcano
Blu-ray
Warner Archive Collection
1990 / Color / 2:35 widescreen / 97 min. / Street Date June 20, 2017 / available through the WBshop / 21.99
Starring Tom Hanks, Meg Ryan, Lloyd Bridges, Robert Stack, Abe Vigoda,
Dan Hedaya, Barry McGovern, Amanda Plummer, Ossie Davis
Cinematography Stephen Goldblatt
Production Designer Bo Welch
Film Editors Richard Halsey, Kenneth Wannberg
Original Music Georges Delerue
Produced by Kathleen Kennedy, Frank Marshall, Steven Spielberg and Teri Schwartz
Written and Directed by John Patrick Shanley
I think I found...
Joe Versus the Volcano
Blu-ray
Warner Archive Collection
1990 / Color / 2:35 widescreen / 97 min. / Street Date June 20, 2017 / available through the WBshop / 21.99
Starring Tom Hanks, Meg Ryan, Lloyd Bridges, Robert Stack, Abe Vigoda,
Dan Hedaya, Barry McGovern, Amanda Plummer, Ossie Davis
Cinematography Stephen Goldblatt
Production Designer Bo Welch
Film Editors Richard Halsey, Kenneth Wannberg
Original Music Georges Delerue
Produced by Kathleen Kennedy, Frank Marshall, Steven Spielberg and Teri Schwartz
Written and Directed by John Patrick Shanley
I think I found...
- 6/6/2017
- by Glenn Erickson
- Trailers from Hell
My Happy Family also wins two awards at Wiesbaden festival.
Bojan Vuletic’s second feature Requiem For Mrs J. has become the first Serbian film in the history of the goEast - Festival of Central and Eastern European Film’s 17 years to win the top award, the €10,000 Golden Lily, for best film in Wiesbaden’s competition.
The co-production between Serbia’s See Film Pro, Bulgaria’s Geopoly Film, Fyr Macedonia’s Skopje Film Studio, France’s Surprise Alley and Russia’s Non-Stop Production had had its world premiere at the Berlinale’s Panorama section in February and is in the sales line-up of Belgrade-based Soul Food Films.
Vuletic, who had attended his film’s screenings and last night’s awards ceremony with lead actress Mirjana Karanovic (both pictured, top, alongside filmmaker Hana Jusic and festival director Gaby Babic), is no stranger to goEast after his feature debut Practical Guide To Belgrade With Singing And Crying had its...
Bojan Vuletic’s second feature Requiem For Mrs J. has become the first Serbian film in the history of the goEast - Festival of Central and Eastern European Film’s 17 years to win the top award, the €10,000 Golden Lily, for best film in Wiesbaden’s competition.
The co-production between Serbia’s See Film Pro, Bulgaria’s Geopoly Film, Fyr Macedonia’s Skopje Film Studio, France’s Surprise Alley and Russia’s Non-Stop Production had had its world premiere at the Berlinale’s Panorama section in February and is in the sales line-up of Belgrade-based Soul Food Films.
Vuletic, who had attended his film’s screenings and last night’s awards ceremony with lead actress Mirjana Karanovic (both pictured, top, alongside filmmaker Hana Jusic and festival director Gaby Babic), is no stranger to goEast after his feature debut Practical Guide To Belgrade With Singing And Crying had its...
- 5/3/2017
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
By Jeremy Carr
It’s easy to see why Orson Welles’ Chimes at Midnight is generally regarded as his finest post-Touch of Evil achievement. This Shakespearean mélange is a dazzling showcase for Welles’ ingenuity, his evident appreciation for the film’s literary foundation, and his relentless aptitude for stylistic inventiveness. However, its haphazard production and its rocky release comprise a backstory as complicated as the movie’s multi-source construction (the script, based on the lengthy play “Five Kings,” written and first performed by Welles in the 1930s, samples scenes and dialogue from at least five of Shakespeare’s works, primarily “Henry IV,” parts one and two, “Richard II,” “Henry V,” and “The Merry Wives of Windsor”). Plagued by what were at this point familiar budgetary constraints, Welles shot Chimes at Midnight over the course of about seven months in Spain, with a break when the financial well went dry.
It’s easy to see why Orson Welles’ Chimes at Midnight is generally regarded as his finest post-Touch of Evil achievement. This Shakespearean mélange is a dazzling showcase for Welles’ ingenuity, his evident appreciation for the film’s literary foundation, and his relentless aptitude for stylistic inventiveness. However, its haphazard production and its rocky release comprise a backstory as complicated as the movie’s multi-source construction (the script, based on the lengthy play “Five Kings,” written and first performed by Welles in the 1930s, samples scenes and dialogue from at least five of Shakespeare’s works, primarily “Henry IV,” parts one and two, “Richard II,” “Henry V,” and “The Merry Wives of Windsor”). Plagued by what were at this point familiar budgetary constraints, Welles shot Chimes at Midnight over the course of about seven months in Spain, with a break when the financial well went dry.
- 4/8/2017
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
A version of this article originally appeared on ew.com.
Emma Watson loves to read.
The actress has that in common with her brainy Harry Potter character Hermione as well as bookish Belle, who she plays in the much-anticipated film Beauty and the Beast, out March 17. In addition to being a bookworm, Watson is also an outspoken feminist and as well as a Un Women Goodwill Ambassador and promoter of the organization’s HeForShe movement, which is dedicated to recruiting men into the movement for gender equality. As a response to her work with the Un, she launched the feminist...
Emma Watson loves to read.
The actress has that in common with her brainy Harry Potter character Hermione as well as bookish Belle, who she plays in the much-anticipated film Beauty and the Beast, out March 17. In addition to being a bookworm, Watson is also an outspoken feminist and as well as a Un Women Goodwill Ambassador and promoter of the organization’s HeForShe movement, which is dedicated to recruiting men into the movement for gender equality. As a response to her work with the Un, she launched the feminist...
- 2/21/2017
- by Madeline Raynor
- PEOPLE.com
Dimitri Kirsanoff's 1926 classic Ménilmontant, which is either a short feature or a very long short, is one of the great things. If you haven't already seen it, you have just been handed an urgent mission.Related to the impressionist school of Epstein, Dulac, amd Delluc, but not actually part of that gang or, seemingly, associated with any school, movement or company, Kirsanoff, an Estonian emigré, fashioned a silent film without intertitles that plays like an unholy mash-up of Chaplin and David Lynch.But little of Kirsanoff's other work is seen or discussed. A few lovely shorts are available on YouTube, but what became of him when he was absorbed into the film industry and had to become a professional?Le crâneur (The Hotshot) is the answer. It's a fifties crime movie inhabiting a world familiar to cinephiles from the movies of Jean-Pierre Melville, only the gangsters don't wear white...
- 2/16/2017
- MUBI
Keep up with the glitzy film awards world with our weekly Awards Roundup column.
-Natalie Portman will receive the Hollywood Actress Award for her role as Jacqueline Kennedy in “Jackie” at the annual Hollywood Film Awards. Comedian James Corden will host the event, which is celebrating its 20th anniversary this year and takes place in Beverly Hills on November 6. Also being honored at the awards are actress Janelle Monáe, who will receive the Hollywood Spotlight Award for her breakout role in “Hidden Figures,” and the cast of the film “Gold,” including Academy Award-winning actor Matthew McConaughey, Golden Globe Award-nominated actress Bryce Dallas Howard, Golden Globe Award-nominated actor Edgar Ramirez and Golden Globe Award-winning actress Stacy Keach, all of whom will receive the Hollywood Ensemble Award.
-The African American Film Critics Association will honor Oscar-Nominated producer-director Lee Daniels with the Aafca Cinema Vanguard award at its Special Achievement Awards ceremony...
-Natalie Portman will receive the Hollywood Actress Award for her role as Jacqueline Kennedy in “Jackie” at the annual Hollywood Film Awards. Comedian James Corden will host the event, which is celebrating its 20th anniversary this year and takes place in Beverly Hills on November 6. Also being honored at the awards are actress Janelle Monáe, who will receive the Hollywood Spotlight Award for her breakout role in “Hidden Figures,” and the cast of the film “Gold,” including Academy Award-winning actor Matthew McConaughey, Golden Globe Award-nominated actress Bryce Dallas Howard, Golden Globe Award-nominated actor Edgar Ramirez and Golden Globe Award-winning actress Stacy Keach, all of whom will receive the Hollywood Ensemble Award.
-The African American Film Critics Association will honor Oscar-Nominated producer-director Lee Daniels with the Aafca Cinema Vanguard award at its Special Achievement Awards ceremony...
- 10/28/2016
- by Graham Winfrey
- Indiewire
Curtis Hanson--Confidentially
By
Alex Simon
Curtis Hanson was my first interview with a fellow film buff and film journalist. He was nice enough to sit down with me twice, first at the Rose Cafe in Venice, then at a lunch spot in the Marina, the name of which has been lost to time. He was then kind enough to invite me to the world premiere of "L.A. Confidential" at the Chinese Theater as his guest, my first time on the red carpet at a real-life Hollywood premiere, and called me after this piece ran to thank me personally. A nice man. Hanson, and co-writer Brian Helgeland, would go on to win Best Adapted Screenplay Oscars for "L.A. Confidential."
Years later, I ran into Hanson at a book signing party for Pat York that was held in Westwood. I approached him and reminded him of our interview a decade or so earlier.
By
Alex Simon
Curtis Hanson was my first interview with a fellow film buff and film journalist. He was nice enough to sit down with me twice, first at the Rose Cafe in Venice, then at a lunch spot in the Marina, the name of which has been lost to time. He was then kind enough to invite me to the world premiere of "L.A. Confidential" at the Chinese Theater as his guest, my first time on the red carpet at a real-life Hollywood premiere, and called me after this piece ran to thank me personally. A nice man. Hanson, and co-writer Brian Helgeland, would go on to win Best Adapted Screenplay Oscars for "L.A. Confidential."
Years later, I ran into Hanson at a book signing party for Pat York that was held in Westwood. I approached him and reminded him of our interview a decade or so earlier.
- 9/21/2016
- by The Hollywood Interview.com
- The Hollywood Interview
Fans that lament Orson Welles' many career frustrations will flip over this Spanish-filmed masterpiece. Not well distributed when new and Mia for decades, its serious audio problems have now mostly been cleared up. It's great -- right up there with Kane and Touch of Evil, and it features what is probably Welles' best acting. Chimes at Midnight Blu-ray The Criterion Collection 830 1966 / B&W / 1:66 widescreen / 116 min. / available through The Criterion Collection / Falstaff, Campanadas a medianoche / Street Date August 30, 2016 / 39.95 Starring Orson Welles, Keith Baxter, Jeanne Moreau, Margaret Rutherford, John Gielgud, Norman Rodway, Marina Vlady, Walter Chiari, Michael Aldridge, Tony Beckley, Alan Webb, José Nieto, Fernando Rey, Beatrice Welles, Ralph Richardson. Cinematography Edmond Richard Film Editor Fritz Mueller Original Music Angelo Francesco Lavagnino Produced by Alessandro Tasca Directed by Orson Welles
Reviewed by Glenn Erickson
It's even better than I remembered. Sometime during film school I went with UCLA friends Clark...
Reviewed by Glenn Erickson
It's even better than I remembered. Sometime during film school I went with UCLA friends Clark...
- 8/26/2016
- by Glenn Erickson
- Trailers from Hell
Headed to Comic-Con 2016 in San Diego this weekend? We're here to help you prepare to tackle it all. From exciting film screenings - like Oliver Stone's Snowden - to movie-centric panels, there's a lot to see and do at the San Diego Convention Center over just four days. Start your week laughing with Seth Rogen about his naughty, animated comedy Sausage Party and finish up by learning how to craft your own, personal R2-D2. Here's a rundown of some of the best film screenings, panels and events to check out at Comic-Con. Thursday, July 2110:00 a.m.: Feed...
- 7/19/2016
- by Lindsay Kimble, @lekimble
- PEOPLE.com
Headed to Comic-Con 2016 in San Diego this weekend? We're here to help you prepare to tackle it all. From exciting film screenings - like Oliver Stone's Snowden - to movie-centric panels, there's a lot to see and do at the San Diego Convention Center over just four days. Start your week laughing with Seth Rogen about his naughty, animated comedy Sausage Party and finish up by learning how to craft your own, personal R2-D2. Here's a rundown of some of the best film screenings, panels and events to check out at Comic-Con. Thursday, July 2110:00 a.m.: Feed...
- 7/19/2016
- by Lindsay Kimble, @lekimble
- PEOPLE.com
Le voyage de Fanny
Director: Lola Doillon
Writer: Lola Doillon
Director Lola Doillon comes from French cinematic royalty, the daughter of director Jacques Doillon and editor Noelle Boisson is half-sister to model/actress Lou Doillon and married to director Cedric Klapisch. She’s about to unveil her third feature le voyage de Fanny (The Voyage of Fanny) in 2016, which concerns the exodus of a group of Jewish children from France to Switzerland as they attempt to evade the Nazis. Excitingly, Doillon has cast Belgian actress Cecile De France in the adult lead role.
Cast: Cecile De France, Marina Vlady, Jeanne Abraham
Production Co./Producers: Bee Films, Origami Films, Scope Pictures
U.S. Distributor: Rights Available. Tbd (domestic) Diaphana Films (international).
Release Date: Doillon nabbed Kristin Scott Thomas for her 2010 sophomore film In Your Hands, which went to the BFI London Film Festival to premiere. Her pedigree paired with De France...
Director: Lola Doillon
Writer: Lola Doillon
Director Lola Doillon comes from French cinematic royalty, the daughter of director Jacques Doillon and editor Noelle Boisson is half-sister to model/actress Lou Doillon and married to director Cedric Klapisch. She’s about to unveil her third feature le voyage de Fanny (The Voyage of Fanny) in 2016, which concerns the exodus of a group of Jewish children from France to Switzerland as they attempt to evade the Nazis. Excitingly, Doillon has cast Belgian actress Cecile De France in the adult lead role.
Cast: Cecile De France, Marina Vlady, Jeanne Abraham
Production Co./Producers: Bee Films, Origami Films, Scope Pictures
U.S. Distributor: Rights Available. Tbd (domestic) Diaphana Films (international).
Release Date: Doillon nabbed Kristin Scott Thomas for her 2010 sophomore film In Your Hands, which went to the BFI London Film Festival to premiere. Her pedigree paired with De France...
- 1/7/2016
- by Nicholas Bell
- IONCINEMA.com
Janus Films' new restoration of Orson Welles's Chimes at Midnight (1965), drawing on several plays by William Shakespeare and starring himself, Jeanne Moreau, Margaret Rutherford, John Gielgud, Marina Vlady, Keith Baxter and Fernando Rey, opens in New York and Los Angeles today and screens tomorrow in Portland before rolling out across North America and eventually seeing a Criterion release on DVD and Blu-ray. Ignatiy Vishnevetsky at the Av Club: "A big chunk of Welles’s body of work could be divided up into movies about power (e.g. Citizen Kane, Macbeth) and movies about powerlessness (e.g. The Lady from Shanghai, The Trial), and Chimes at Midnight fits squarely into the latter category." » - David Hudson...
- 1/1/2016
- Keyframe
Janus Films' new restoration of Orson Welles's Chimes at Midnight (1965), drawing on several plays by William Shakespeare and starring himself, Jeanne Moreau, Margaret Rutherford, John Gielgud, Marina Vlady, Keith Baxter and Fernando Rey, opens in New York and Los Angeles today and screens tomorrow in Portland before rolling out across North America and eventually seeing a Criterion release on DVD and Blu-ray. Ignatiy Vishnevetsky at the Av Club: "A big chunk of Welles’s body of work could be divided up into movies about power (e.g. Citizen Kane, Macbeth) and movies about powerlessness (e.g. The Lady from Shanghai, The Trial), and Chimes at Midnight fits squarely into the latter category." » - David Hudson...
- 1/1/2016
- Fandor: Keyframe
Sweet Creature of Bombast: Welles’ Restored Homage to Shakespeare’s Ultimate Clown
Before the world finally gets a chance to see Orson Welles’ last uncompleted film The Other Side of the Wind, which had been intended to be the troubled auteur’s return to American filmmaking following a decade in Europe, audiences can feast on a restored version of his final narrative masterpiece, Chimes at Midnight. For decades, the 1965 title has been unavailable and now arrives restored on behalf of Janus Films. Playing in competition at the 1966 Cannes Film Festival, Welles homage to one of Shakespeare’s most beloved comic characters, Sir John Falstaff, initially received a chilly reception and stilted marketing campaign upon hitting Us theaters. Despite a throng of critics attempting to recuperate its reputation since then, it has remained an obscure classic.
Taking place from the years 1400 to 1408 in England, a narrator explains King Henry IV (John Gielgud...
Before the world finally gets a chance to see Orson Welles’ last uncompleted film The Other Side of the Wind, which had been intended to be the troubled auteur’s return to American filmmaking following a decade in Europe, audiences can feast on a restored version of his final narrative masterpiece, Chimes at Midnight. For decades, the 1965 title has been unavailable and now arrives restored on behalf of Janus Films. Playing in competition at the 1966 Cannes Film Festival, Welles homage to one of Shakespeare’s most beloved comic characters, Sir John Falstaff, initially received a chilly reception and stilted marketing campaign upon hitting Us theaters. Despite a throng of critics attempting to recuperate its reputation since then, it has remained an obscure classic.
Taking place from the years 1400 to 1408 in England, a narrator explains King Henry IV (John Gielgud...
- 12/31/2015
- by Nicholas Bell
- IONCINEMA.com
Massimo Dallamano may be best known to some as the cinematographer of Sergio Leone’s A Fistful of Dollars (1964) and For a Few Dollars More (1965), credited under the pseudonym Jack Dalmas. Following his collaborations with Leone, Dallamano would only serve as cinematographer twice more (his last credit being French director Michel Deville’s 1966 comedy The Mona Lisa Has Been Stolen starring George Chakiris and Marina Vlady). The explosive popularity of the spaghetti western would allow Dallamano to begin his own career as a director, with 1967 debut Bandidos (credited under another pseudonym, Max Dillman), but he’d soon after turn to the bread and butter of more exploitative genre fare. The director of eleven features, up until his death in 1976, Dallamano’s enduring, fascinating masterpiece stands as the 1972 title What Have You Done to Solange? Credited as a giallo staple, Dallamano’s film is more of a hybrid of subgenres, a mixed giallo and poliziotteschi film.
- 12/22/2015
- by Nicholas Bell
- IONCINEMA.com
Totally and tragically unconventional, Peggy Guggenheim moved through the cultural upheaval of the 20th century collecting not only not only art, but artists. Her sexual life was -- and still today is -- more discussed than the art itself which she collected, not for her own consumption but for the world to enjoy.
Her colorful personal history included such figures as Samuel Beckett, Max Ernst, Jackson Pollock, Alexander Calder, Marcel Duchamp and countless others. Guggenheim helped introduce the world to Pollock, Motherwell, Rothko and scores of others now recognized as key masters of modernism.
In 1921 she moved to Paris and mingled with Picasso, Dali, Joyce, Pound, Stein, Leger, Kandinsky. In 1938 she opened a gallery in London and began showing Cocteau, Tanguy, Magritte, Miro, Brancusi, etc., and then back to Paris and New York after the Nazi invasion, followed by the opening of her NYC gallery Art of This Century, which became one of the premiere avant-garde spaces in the U.S. While fighting through personal tragedy, she maintained her vision to build one of the most important collections of modern art, now enshrined in her Venetian palazzo where she moved in 1947. Since 1951, her collection has become one of the world’s most visited art spaces.
Featuring: Jean Dubuffet, Marcel Duchamp, Max Ernst, Alberto Giacometti, Arshile Gorky, Vasil Kandinsky, Paul Klee, Willem de Kooning, Fernand Leger, Rene Magritte, Man Ray, Jean Miro, Piet Mondrian, Henry Moore, Robert Motherwell, Pablo Picasso, Jackson Pollock, Mark Rothko, Kurt Schwitters, Gino Severini, Clyfford Still and Yves Tanguy.
Lisa Immordino Vreeland (Director and Producer)
Lisa Immordino Vreeland has been immersed in the world of fashion and art for the past 25 years. She started her career in fashion as the Director of Public Relations for Polo Ralph Lauren in Italy and quickly moved on to launch two fashion companies, Pratico, a sportswear line for women, and Mago, a cashmere knitwear collection of her own design. Her first book was accompanied by her directorial debut of the documentary of the same name, "Diana Vreeland: The Eye Has To Travel" (2012). The film about the editor of Harper's Bazaar had its European premiere at the Venice Film Festival and its North American premiere at the Telluride Film Festival, going on to win the Silver Hugo at the Chicago Film Festival and the fashion category for the Design of the Year awards, otherwise known as “The Oscars” of design—at the Design Museum in London.
"Peggy Guggenheim: Art Addict" is Lisa Immordino Vreeland's followup to her acclaimed debut, "Diana Vreeland: The Eye Has to Travel". She is now working on her third doc on Cecil Beaton who Lisa says, "has been circling around all these stories. What's great about him is the creativity: fashion photography, war photography, "My Fair Lady" winning an Oscar."
Sydney Levine: I have read numerous accounts and interviews with you about this film and rather than repeat all that has been said, I refer my readers to Indiewire's Women and Hollywood interview at Tribeca this year, and your Indiewire interview with Aubrey Page, November 6, 2015 .
Let's try to cover new territory here.
First of all, what about you? What is your relationship to Diana Vreeland?
Liv: I am married to her grandson, Alexander Vreeland. (I'm also proud of my name Immordino) I never met Diana but hearing so many family stories about her made me start to wonder about all the talk about her. I worked in fashion and lived in New York like she did.
Sl: In one of your interviews you said that Peggy was not only ahead of her time but she helped to define it. Can you tell me how?
Liv: Peggy grew up in a very traditional family of German Bavarian Jews who had moved to New York City in the 19th century. Already at a young age Peggy felt like there were too many rules around her and she wanted to break out. That alone was something attractive to me — the notion that she knew that she didn't fit in to her family or her times. She lived on her own terms, a very modern approach to life. She decided to abandon her family in New York. Though she always stayed connected to them, she rarely visited New York. Instead she lived in a world without borders. She did not live by "the rules". She believed in creating art and created herself, living on her own terms and not on those of her family.
Sl: Is there a link between her and your previous doc on Diana Vreeland?
Liv: The link between Vreeland and Guggenheim is their mutual sense of reinvention and transformation. That made something click inside of me as I too reinvented myself when I began writing the book on Diana Vreeland .
Can you talk about the process of putting this one together and how it differed from its predecessor?
Liv: The most challenging thing about this one was the vast amount of material we had at our disposal. We had a lot of media to go through — instead of fashion spreads, which informed The Eye Has To Travel, we had art, which was fantastic. I was spoiled by the access we had to these incredible archives and footage. I'm still new to this, but it's the storytelling aspect that I loved in both projects. One thing about Peggy that Mrs. Vreeland didn't have was a very tragic personal life. There was so much that happened in Peggy's life before you even got to what she actually accomplished. And so we had to tell a very dense story about her childhood, her father dying on the Titanic, her beloved sister dying — the tragic events that fundamentally shaped her in a way. It was about making sure we had enough of the personal story to go along with her later accomplishments.
World War II alone was such a huge part of her story, opening an important art gallery in London, where she showed Kandinsky and other important artists for the first time. The amount of material to distill was a tremendous challenge and I hope we made the right choices.
Sl: How did you learn make a documentary?
Liv: I learned how to make a documentary by having a good team around me. My editors (and co-writers)Bent-Jorgen Perlmutt and Frédéric Tcheng were very helpful.
Research is fundamental; finding as much as you can and never giving up. I love the research. It is my "precise time". Not just for interviews but of footage, photographs never seen before. It is a painstaking process that satisfies me. The research never ends. I was still researching while I was promoting the Diana Vreeland book. I love reading books and going to original sources.
The archives in film museums in the last ten years has changed and given museums a new role. I found unique footage at Moma with the Elizabeth Chapman Films. Chapman went to Paris in the 30s and 40s with a handheld camera and took moving pictures of Brancusi and Duchamps joking around in a studio, Gertrude Stein, Leger walking down the street. This footage is owned by Robert Storr, Dean of Yale School of Art. In fact he is taking a sabbatical this year to go through the boxes and boxes of Chapman's films. We also used " Entre'acte" by René Clair cowritten with Dadaist Francis Picabia, "Le Sang du poet" of Cocteau, Hans Richter "8x8","Gagascope" and " Dreams That Money Can Buy" produced by Peggy Guggenheim, written by Man Ray in 1947.
Sl: How long did it take to research and make the film?
Liv: It took three years for both the Vreeland and the Guggenheim documentary.
It was more difficult with the Guggenheim story because there was so much material and so much to tell of her life. And she was not so giving of her own self. Diana could inspire you about a bandaid; she was so giving. But Peggy didn't talk much about why she loved an artist or a painting. She acted more. And using historical material could become "over-teaching" though it was fascinating.
So much had to be eliminated. It was hard to eliminate the Degenerate Art Show, a subject which is newly discussed. Stephanie Barron of Lacma is an expert on Degenerate Art and was so generous.
Once we decided upon which aspects to focus on, then we could give focus to the interviews.
There were so many of her important shows we could not include. For instance there was a show on collages featuring William Baziotes , Jackson Pollack and Robert Motherwell which started a more modern collage trend in art. The 31 Women Art Show which we did include pushed forward another message which I think is important.
And so many different things have been written about Peggy — there were hundreds of articles written about her during her lifetime. She also kept beautiful scrapbooks of articles written about her, which are now in the archives of the Guggenheim Museum.
The Guggenheim foundation did not commission this documentary but they were very supportive and the film premiered there in New York in a wonderful celebration. They wanted to represent Peggy and her paintings properly. The paintings were secondary characters and all were carefully placed historically in a correct fashion.
Sl: You said in one interview Guggenheim became a central figure in the modern art movement?
Liv: Yes and she did it without ego. Sharing was always her purpose in collecting art. She was not out for herself. Before Peggy, the art world was very different. And today it is part of wealth management.
Other collectors had a different way with art. Isabelle Stewart Gardner bought art for her own personal consumption. The Gardner Museum came later. Gertrude Stein was sharing the vision of her brother when she began collecting art. The Coen sisters were not sharing.
Her benevolence ranged from giving Berenice Abbott the money to buy her first camera to keeping Pollock afloat during lean times.
Djuana Barnes, who had a 'Love Love Love Hate Hate Hate' relationship with Peggy wrote Nightwood in Peggy's country house in England.
She was in Paris to the last minute. She planned how to safeguard artwork from the Nazis during World War II. She was storing gasoline so she could escape. She lived on the Ile St. Louis with her art and moved the paintings out first to a children's boarding school and then to Marseilles where it was shipped out to New York City.
Her role in art was not taken seriously because of her very public love life which was described in very derogatory terms. There was more talk about her love life than about her collection of art.
Her autobiography, Out of This Century: Confessions of an Art Addict (1960) , was scandalous when it came out — and she didn't even use real names, she used pseudonyms for her numerous partners. Only after publication did she reveal the names of the men she slept with.
The fact that she spoke about her sexual life at all was the most outrageous aspect. She was opening herself up to ridicule, but she didn't care. Peggy was her own person and she felt good in her own skin. But it was definitely unconventional behavior. I think her sexual appetites revealed a lot about finding her own identity.
A lot of it was tied to the loss of her father, I think, in addition to her wanting to feel accepted. She was also very adventurous — look at the men she slept with. I mean, come on, they are amazing! Samuel Beckett, Yves Tanguy, Marcel Duchamp, and she married Max Ernst. I think it was really ballsy of her to have been so open about her sexuality; this was not something people did back then. So many people are bound by conventional rules but Peggy said no. She grabbed hold of life and she lived it on her own terms.
Sl: You also give Peggy credit for changing the way art was exhibited. Can you explain that?
Liv: One of her greatest achievements was her gallery space in New York City, Art of This Century, which was unlike anything the art world has seen before or since in the way that it shattered the boundaries of the gallery space that we've come to know today — the sterile white cube. She came to be a genius at displaying her collections...
She was smart with Art of the Century because she hired Frederick Kiesler as a designer of the gallery and once again surrounded herself with the right people, including Howard Putzler, who was already involved with her at Guggenheim Jeune in London. And she was hanging out with all the exiled Surrealists who were living in New York at the time, including her future husband, Max Ernst, who was the real star of that group of artists. With the help of these people, she started showing art in a completely different way that was both informal and approachable. In conventional museums and galleries, art was untouchable on the wall and inside frames. In Peggy's gallery, art stuck out from the walls; works weren't confined to frames. Kiesler designed special chairs you could sit in and browse canvases as you would texts in a library. Nothing like this had ever existed in New York before — even today there is nothing like it.
She made the gallery into an exciting place where the whole concept of space was transformed. In Venice, the gallery space was also her home. Today, for a variety of reasons, the home aspect of the collection is less emphasized, though you still get a strong sense of Peggy's home life there. She was bringing art to the public in a bold new way, which I think is a great idea. It's art for everybody, which is very much a part of today's dialogue except that fewer people can afford the outlandish museum entry fees.
Sl: What do you think made her so prescient and attuned ?
Liv: She was smart enough to ask Marcel Duchamp to be her advisor — so she was in tune, and very well connected. She was on the cutting edge of what was going on and I think a lot of this had to do with Peggy being open to the idea of what was new and outrageous. You have to have a certain personality for this; what her childhood had dictated was totally opposite from what she became in life, and being in the right place at the right time helped her maintain a cutting edge throughout her life.
Sl: The movie is framed around a lost interview with Peggy conducted late in her life. How did you acquire these tapes?
Liv: We optioned Jacqueline Bogard Weld’s book, Peggy : The Wayward Guggenheim, the only authorized biography of Peggy, which was published after she died. Jackie had spent two summers interviewing Peggy but at a certain point lost the tapes somewhere in her Park Avenue apartment. Jackie had so much access to Peggy, which was incredible, but it was also the access that she had to other people who had known Peggy — she interviewed over 200 people for her book. Jackie was incredibly generous, letting me go through all her original research except for the lost tapes.
We'd walk into different rooms in her apartment and I'd suggestively open a closet door and ask “Where do you think those tapes might be?" Then one day I asked if she had a basement, and she did. So I went through all these boxes down there, organizing her affairs. Then bingo, the tapes showed up in this shoebox.
It was the longest interview Peggy had ever done and it became the framework for our movie. There's nothing more powerful than when you have someone's real voice telling the story, and Jackie was especially good at asking provoking questions. You can tell it was hard for Peggy to answer a lot of them, because she wasn't someone who was especially expressive; she didn't have a lot of emotion. And this comes across in the movie, in the tone of her voice.
Sl: Larry Gagosian has one of the best descriptions of Peggy in the movie — "she was her own creation." Would you agree, and if so why?
Liv: She was very much her own creation. When he said that in the interview I had a huge smile on my face. In Peggy's case it stemmed from a real need to identify and understand herself. I'm not sure she achieved it but she completely recreated herself — she knew that she did not want to be what she was brought up to be. She tried being a mother, but that was not one of her strengths, so art became that place where she could find herself, and then transform herself.
Nobody believed in the artists she cultivated and supported — they were outsiders and she was an outsider in the world she was brought up in. So it's in this way that she became her own great invention. I hope that her humor comes across in the film because she was extremely amusing — this aspect really comes across in her autobiography.
Sl: Finally, what do you think is Peggy Guggenheim's most lasting legacy, beyond her incredible art collection?
Liv: Her courage, and the way she used it to find herself. She had this ballsiness that not many people had, especially women. In her own way she was a feminist and it's good for women and young girls today to see women who stepped outside the confines of a very traditional family and made something of her life. Peggy's life did not seem that dreamy until she attached herself to these artists. It was her ability to redefine herself in the end that truly summed her up.
About the Filmmakers
Stanley Buchtal is a producer and entrepreneur. His movies credits include "Hairspray", "Spanking the Monkey", "Up at the Villa", "Lou Reed Berlin", "Love Marilyn", "LennoNYC", "Bobby Fischer Against the World", "Herb & Dorothy", "Marina Abramovic: The Artist is Present"," Jean-Michel Basquiat: The Radiant Child", "Sketches of Frank Gehry", "Black White + Gray: a Portrait of Sam Wagstaff and Robert Mapplethorpe", among numerous others.
David Koh is an independent producer, distributor, sales agent, programmer and curator. He has been involved in the distribution, sale, production, and financing of over 200 films. He is currently a partner in the boutique label Submarine Entertainment with Josh and Dan Braun and is also partners with Stanley Buchthal and his Dakota Group Ltd where he co-manages a portfolio of over 50 projects a year (75% docs and 25% fiction). Previously he was a partner and founder of Arthouse Films a boutique distribution imprint and ran Chris Blackwell's (founder of Island Records & Island Pictures) film label, Palm Pictures. He has worked as a Producer for artist Nam June Paik and worked in the curatorial departments of Anthology Film Archives, MoMA, Mfa Boston, and the Guggenheim Museum. David has recently served as a Curator for Microsoft and has curated an ongoing film series and salon with Andre Balazs Properties and serves as a Curator for the exclusive Core Club in NYC.
David recently launched with his partners Submarine Deluxe, a distribution imprint; Torpedo Pictures, a low budget high concept label; and Nfp Submarine Doks, a German distribution imprint with Nfp Films. Recently and upcoming projects include "Yayoi Kusama: a Life in Polka Dots", "Burden: a Portrait of Artist Chris Burden", "Dior and I", "20 Feet From Stardom", "Muscle Shoals", "Marina Abramovic the Artist is Present", "Rats NYC", "Nas: Time Is Illmatic", "Blackfish", "Love Marilyn", "Chasing Ice", "Searching for Sugar Man", "Cutie and the Boxer"," Jean-Michel Basquiat: the Radiant Child", "Finding Vivian Maier", "The Wolfpack, "Meru", and "Station to Station".
Dan Braun is a producer, writer, art director and musician/composer based in NYC. He is the Co-President of and Co-Founder of Submarine, a NYC film sales and production company specializing in independent feature and documentary films. Titles include "Blackfish", "Finding Vivian Maier", "Muscle Shoals", "The Case Against 8", "Keep On Keepin’ On", "Winter’s Bone", "Nas: Time is Illmatic", "Dior and I" and Oscar winning docs "Man on Wire", "Searching for Sugarman", "20 Ft From Stardom" and "Citizenfour". He was Executive Producer on documentaries "Kill Your Idols", (which won Best NY Documentary at the Tribeca Film Festival 2004), "Blank City", "Sunshine Superman", the upcoming feature adaptations of "Batkid Begins" and "The Battered Bastards of Baseball" and the upcoming horror TV anthology "Creepy" to be directed by Chris Columbus.
He is a producer of the free jazz documentary "Fire Music", and the upcoming documentaries, "Burden" on artist Chris Burden and "Kusama: a Life in Polka Dots" on artist Yayoi Kusama. He is also a writer and consulting editor on Dark Horse Comic’s "Creepy" and "Eerie 9" comic book and archival series for which he won an Eisner Award for best archival comic book series in 2009.
He is a musician/composer whose compositions were featured in the films "I Melt With You" and "Jean-Michel Basquiat, The Radiant Child and is an award winning art director/creative director when he worked at Tbwa/Chiat/Day on the famous Absolut Vodka campaign.
John Northrup (Co-Producer) began his career in documentaries as a French translator for National Geographic: Explorer. He quickly moved into editing and producing, serving as the Associate Producer on "Diana Vreeland: The Eye Has To Travel" (2012), and editing and co-producing "Wilson In Situ" (2014), which tells the story of theatre legend Robert Wilson and his Watermill Center. Most recently, he oversaw the post-production of Jim Chambers’ "Onward Christian Soldier", a documentary about Olympic Bomber Eric Rudolph, and is shooting on Susanne Rostock’s "Another Night in the Free World", the follow-up to her award-winning "Sing Your Song" (2011).
Submarine Entertainment (Production Company) Submarine Entertainment is a hybrid sales, production, and distribution company based in N.Y. Recent and upcoming titles include "Citizenfour", "Finding Vivian Maier", "The Dog", "Visitors", "20 Feet from Stardom", "Searching for Sugar Man", "Muscle Shoals", "Blackfish", "Cutie and the Boxer", "The Summit", "The Unknown Known", "Love Marilyn", "Marina Abramovic the Artist is Present", "Chasing Ice", "Downtown 81 30th Anniversary Remastered", "Wild Style 30th Anniversary Remastered", "Good Ol Freda", "Some Velvet Morning", among numerous others. Submarine principals also represent Creepy and Eerie comic book library and are developing properties across film & TV platforms.
Submarine has also recently launched a domestic distribution imprint and label called Submarine Deluxe; a genre label called Torpedo Pictures; and a German imprint and label called Nfp Submarine Doks.
Bernadine Colish has edited a number of award-winning documentaries. "Herb and Dorothy" (2008), won Audience Awards at Silverdocs, Philadelphia and Hamptons Film Festivals, and "Body of War" (2007), was named Best Documentary by the National Board of Review. "A Touch of Greatness" (2004) aired on PBS Independent Lens and was nominated for an Emmy Award. Her career began at Maysles Films, where she worked with Charlotte Zwerin on such projects as "Thelonious Monk: Straight No Chaser", "Toru Takemitsu: Music for the Movies" and the PBS American Masters documentary, "Ella Fitzgerald: Something To Live For". Additional credits include "Bringing Tibet Home", "Band of Sisters", "Rise and Dream", "The Tiger Next Door", "The Buffalo War" and "Absolute Wilson".
Jed Parker (Editor) Jed Parker began his career in feature films before moving into documentaries through his work with the award-winning American Masters series. Credits include "Lou Reed: Rock and Roll Heart", "Annie Liebovitz: Life Through a Lens", and most recently "Jeff Bridges: The Dude Abides".
Other work includes two episodes of the PBS series "Make ‘Em Laugh", hosted by Billy Crystal, as well as a documentary on Met Curator Henry Geldzahler entitled "Who Gets to Call it Art"?
Credits
Director, Writer, Producer: Lisa Immordino Vreeland
Produced by Stanley Buchthal, David Koh and Dan Braun Stanley Buchthal (producer)
Maja Hoffmann (executive producer)
Josh Braun (executive producer)
Bob Benton (executive producer)
John Northrup (co-producer)
Bernadine Colish (editor)
Jed Parker (editor)
Peter Trilling (director of photography)
Bonnie Greenberg (executive music producer)
Music by J. Ralph
Original Song "Once Again" Written and Performed By J. Ralph
Interviews Featuring Artist Marina Abramović Jean Arp Dore Ashton Samuel Beckett Stephanie Barron Constantin Brâncuși Diego Cortez Alexander Calder Susan Davidson Joseph Cornell Robert De Niro Salvador Dalí Simon de Pury Willem de Kooning Jeffrey Deitch Marcel Duchamp Polly Devlin Max Ernst Larry Gagosian Alberto Giacometti Arne Glimcher Vasily Kandinsky Michael Govan Fernand Léger Nicky Haslam Joan Miró Pepe Karmel Piet Mondrian Donald Kuspit Robert Motherwell Dominique Lévy Jackson Pollock Carlo McCormick Mark Rothko Hans Ulrich Obrist Yves Tanguy Lisa Phillips Lindsay Pollock Francine Prose John Richardson Sandy Rower Mercedes Ruehl Jane Rylands Philip Rylands Calvin Tomkins Karole Vail Jacqueline Bograd Weld Edmund White
Running time: 97 minutes
U.S. distribution by Submarine Deluxe
International sales by Hanway...
Her colorful personal history included such figures as Samuel Beckett, Max Ernst, Jackson Pollock, Alexander Calder, Marcel Duchamp and countless others. Guggenheim helped introduce the world to Pollock, Motherwell, Rothko and scores of others now recognized as key masters of modernism.
In 1921 she moved to Paris and mingled with Picasso, Dali, Joyce, Pound, Stein, Leger, Kandinsky. In 1938 she opened a gallery in London and began showing Cocteau, Tanguy, Magritte, Miro, Brancusi, etc., and then back to Paris and New York after the Nazi invasion, followed by the opening of her NYC gallery Art of This Century, which became one of the premiere avant-garde spaces in the U.S. While fighting through personal tragedy, she maintained her vision to build one of the most important collections of modern art, now enshrined in her Venetian palazzo where she moved in 1947. Since 1951, her collection has become one of the world’s most visited art spaces.
Featuring: Jean Dubuffet, Marcel Duchamp, Max Ernst, Alberto Giacometti, Arshile Gorky, Vasil Kandinsky, Paul Klee, Willem de Kooning, Fernand Leger, Rene Magritte, Man Ray, Jean Miro, Piet Mondrian, Henry Moore, Robert Motherwell, Pablo Picasso, Jackson Pollock, Mark Rothko, Kurt Schwitters, Gino Severini, Clyfford Still and Yves Tanguy.
Lisa Immordino Vreeland (Director and Producer)
Lisa Immordino Vreeland has been immersed in the world of fashion and art for the past 25 years. She started her career in fashion as the Director of Public Relations for Polo Ralph Lauren in Italy and quickly moved on to launch two fashion companies, Pratico, a sportswear line for women, and Mago, a cashmere knitwear collection of her own design. Her first book was accompanied by her directorial debut of the documentary of the same name, "Diana Vreeland: The Eye Has To Travel" (2012). The film about the editor of Harper's Bazaar had its European premiere at the Venice Film Festival and its North American premiere at the Telluride Film Festival, going on to win the Silver Hugo at the Chicago Film Festival and the fashion category for the Design of the Year awards, otherwise known as “The Oscars” of design—at the Design Museum in London.
"Peggy Guggenheim: Art Addict" is Lisa Immordino Vreeland's followup to her acclaimed debut, "Diana Vreeland: The Eye Has to Travel". She is now working on her third doc on Cecil Beaton who Lisa says, "has been circling around all these stories. What's great about him is the creativity: fashion photography, war photography, "My Fair Lady" winning an Oscar."
Sydney Levine: I have read numerous accounts and interviews with you about this film and rather than repeat all that has been said, I refer my readers to Indiewire's Women and Hollywood interview at Tribeca this year, and your Indiewire interview with Aubrey Page, November 6, 2015 .
Let's try to cover new territory here.
First of all, what about you? What is your relationship to Diana Vreeland?
Liv: I am married to her grandson, Alexander Vreeland. (I'm also proud of my name Immordino) I never met Diana but hearing so many family stories about her made me start to wonder about all the talk about her. I worked in fashion and lived in New York like she did.
Sl: In one of your interviews you said that Peggy was not only ahead of her time but she helped to define it. Can you tell me how?
Liv: Peggy grew up in a very traditional family of German Bavarian Jews who had moved to New York City in the 19th century. Already at a young age Peggy felt like there were too many rules around her and she wanted to break out. That alone was something attractive to me — the notion that she knew that she didn't fit in to her family or her times. She lived on her own terms, a very modern approach to life. She decided to abandon her family in New York. Though she always stayed connected to them, she rarely visited New York. Instead she lived in a world without borders. She did not live by "the rules". She believed in creating art and created herself, living on her own terms and not on those of her family.
Sl: Is there a link between her and your previous doc on Diana Vreeland?
Liv: The link between Vreeland and Guggenheim is their mutual sense of reinvention and transformation. That made something click inside of me as I too reinvented myself when I began writing the book on Diana Vreeland .
Can you talk about the process of putting this one together and how it differed from its predecessor?
Liv: The most challenging thing about this one was the vast amount of material we had at our disposal. We had a lot of media to go through — instead of fashion spreads, which informed The Eye Has To Travel, we had art, which was fantastic. I was spoiled by the access we had to these incredible archives and footage. I'm still new to this, but it's the storytelling aspect that I loved in both projects. One thing about Peggy that Mrs. Vreeland didn't have was a very tragic personal life. There was so much that happened in Peggy's life before you even got to what she actually accomplished. And so we had to tell a very dense story about her childhood, her father dying on the Titanic, her beloved sister dying — the tragic events that fundamentally shaped her in a way. It was about making sure we had enough of the personal story to go along with her later accomplishments.
World War II alone was such a huge part of her story, opening an important art gallery in London, where she showed Kandinsky and other important artists for the first time. The amount of material to distill was a tremendous challenge and I hope we made the right choices.
Sl: How did you learn make a documentary?
Liv: I learned how to make a documentary by having a good team around me. My editors (and co-writers)Bent-Jorgen Perlmutt and Frédéric Tcheng were very helpful.
Research is fundamental; finding as much as you can and never giving up. I love the research. It is my "precise time". Not just for interviews but of footage, photographs never seen before. It is a painstaking process that satisfies me. The research never ends. I was still researching while I was promoting the Diana Vreeland book. I love reading books and going to original sources.
The archives in film museums in the last ten years has changed and given museums a new role. I found unique footage at Moma with the Elizabeth Chapman Films. Chapman went to Paris in the 30s and 40s with a handheld camera and took moving pictures of Brancusi and Duchamps joking around in a studio, Gertrude Stein, Leger walking down the street. This footage is owned by Robert Storr, Dean of Yale School of Art. In fact he is taking a sabbatical this year to go through the boxes and boxes of Chapman's films. We also used " Entre'acte" by René Clair cowritten with Dadaist Francis Picabia, "Le Sang du poet" of Cocteau, Hans Richter "8x8","Gagascope" and " Dreams That Money Can Buy" produced by Peggy Guggenheim, written by Man Ray in 1947.
Sl: How long did it take to research and make the film?
Liv: It took three years for both the Vreeland and the Guggenheim documentary.
It was more difficult with the Guggenheim story because there was so much material and so much to tell of her life. And she was not so giving of her own self. Diana could inspire you about a bandaid; she was so giving. But Peggy didn't talk much about why she loved an artist or a painting. She acted more. And using historical material could become "over-teaching" though it was fascinating.
So much had to be eliminated. It was hard to eliminate the Degenerate Art Show, a subject which is newly discussed. Stephanie Barron of Lacma is an expert on Degenerate Art and was so generous.
Once we decided upon which aspects to focus on, then we could give focus to the interviews.
There were so many of her important shows we could not include. For instance there was a show on collages featuring William Baziotes , Jackson Pollack and Robert Motherwell which started a more modern collage trend in art. The 31 Women Art Show which we did include pushed forward another message which I think is important.
And so many different things have been written about Peggy — there were hundreds of articles written about her during her lifetime. She also kept beautiful scrapbooks of articles written about her, which are now in the archives of the Guggenheim Museum.
The Guggenheim foundation did not commission this documentary but they were very supportive and the film premiered there in New York in a wonderful celebration. They wanted to represent Peggy and her paintings properly. The paintings were secondary characters and all were carefully placed historically in a correct fashion.
Sl: You said in one interview Guggenheim became a central figure in the modern art movement?
Liv: Yes and she did it without ego. Sharing was always her purpose in collecting art. She was not out for herself. Before Peggy, the art world was very different. And today it is part of wealth management.
Other collectors had a different way with art. Isabelle Stewart Gardner bought art for her own personal consumption. The Gardner Museum came later. Gertrude Stein was sharing the vision of her brother when she began collecting art. The Coen sisters were not sharing.
Her benevolence ranged from giving Berenice Abbott the money to buy her first camera to keeping Pollock afloat during lean times.
Djuana Barnes, who had a 'Love Love Love Hate Hate Hate' relationship with Peggy wrote Nightwood in Peggy's country house in England.
She was in Paris to the last minute. She planned how to safeguard artwork from the Nazis during World War II. She was storing gasoline so she could escape. She lived on the Ile St. Louis with her art and moved the paintings out first to a children's boarding school and then to Marseilles where it was shipped out to New York City.
Her role in art was not taken seriously because of her very public love life which was described in very derogatory terms. There was more talk about her love life than about her collection of art.
Her autobiography, Out of This Century: Confessions of an Art Addict (1960) , was scandalous when it came out — and she didn't even use real names, she used pseudonyms for her numerous partners. Only after publication did she reveal the names of the men she slept with.
The fact that she spoke about her sexual life at all was the most outrageous aspect. She was opening herself up to ridicule, but she didn't care. Peggy was her own person and she felt good in her own skin. But it was definitely unconventional behavior. I think her sexual appetites revealed a lot about finding her own identity.
A lot of it was tied to the loss of her father, I think, in addition to her wanting to feel accepted. She was also very adventurous — look at the men she slept with. I mean, come on, they are amazing! Samuel Beckett, Yves Tanguy, Marcel Duchamp, and she married Max Ernst. I think it was really ballsy of her to have been so open about her sexuality; this was not something people did back then. So many people are bound by conventional rules but Peggy said no. She grabbed hold of life and she lived it on her own terms.
Sl: You also give Peggy credit for changing the way art was exhibited. Can you explain that?
Liv: One of her greatest achievements was her gallery space in New York City, Art of This Century, which was unlike anything the art world has seen before or since in the way that it shattered the boundaries of the gallery space that we've come to know today — the sterile white cube. She came to be a genius at displaying her collections...
She was smart with Art of the Century because she hired Frederick Kiesler as a designer of the gallery and once again surrounded herself with the right people, including Howard Putzler, who was already involved with her at Guggenheim Jeune in London. And she was hanging out with all the exiled Surrealists who were living in New York at the time, including her future husband, Max Ernst, who was the real star of that group of artists. With the help of these people, she started showing art in a completely different way that was both informal and approachable. In conventional museums and galleries, art was untouchable on the wall and inside frames. In Peggy's gallery, art stuck out from the walls; works weren't confined to frames. Kiesler designed special chairs you could sit in and browse canvases as you would texts in a library. Nothing like this had ever existed in New York before — even today there is nothing like it.
She made the gallery into an exciting place where the whole concept of space was transformed. In Venice, the gallery space was also her home. Today, for a variety of reasons, the home aspect of the collection is less emphasized, though you still get a strong sense of Peggy's home life there. She was bringing art to the public in a bold new way, which I think is a great idea. It's art for everybody, which is very much a part of today's dialogue except that fewer people can afford the outlandish museum entry fees.
Sl: What do you think made her so prescient and attuned ?
Liv: She was smart enough to ask Marcel Duchamp to be her advisor — so she was in tune, and very well connected. She was on the cutting edge of what was going on and I think a lot of this had to do with Peggy being open to the idea of what was new and outrageous. You have to have a certain personality for this; what her childhood had dictated was totally opposite from what she became in life, and being in the right place at the right time helped her maintain a cutting edge throughout her life.
Sl: The movie is framed around a lost interview with Peggy conducted late in her life. How did you acquire these tapes?
Liv: We optioned Jacqueline Bogard Weld’s book, Peggy : The Wayward Guggenheim, the only authorized biography of Peggy, which was published after she died. Jackie had spent two summers interviewing Peggy but at a certain point lost the tapes somewhere in her Park Avenue apartment. Jackie had so much access to Peggy, which was incredible, but it was also the access that she had to other people who had known Peggy — she interviewed over 200 people for her book. Jackie was incredibly generous, letting me go through all her original research except for the lost tapes.
We'd walk into different rooms in her apartment and I'd suggestively open a closet door and ask “Where do you think those tapes might be?" Then one day I asked if she had a basement, and she did. So I went through all these boxes down there, organizing her affairs. Then bingo, the tapes showed up in this shoebox.
It was the longest interview Peggy had ever done and it became the framework for our movie. There's nothing more powerful than when you have someone's real voice telling the story, and Jackie was especially good at asking provoking questions. You can tell it was hard for Peggy to answer a lot of them, because she wasn't someone who was especially expressive; she didn't have a lot of emotion. And this comes across in the movie, in the tone of her voice.
Sl: Larry Gagosian has one of the best descriptions of Peggy in the movie — "she was her own creation." Would you agree, and if so why?
Liv: She was very much her own creation. When he said that in the interview I had a huge smile on my face. In Peggy's case it stemmed from a real need to identify and understand herself. I'm not sure she achieved it but she completely recreated herself — she knew that she did not want to be what she was brought up to be. She tried being a mother, but that was not one of her strengths, so art became that place where she could find herself, and then transform herself.
Nobody believed in the artists she cultivated and supported — they were outsiders and she was an outsider in the world she was brought up in. So it's in this way that she became her own great invention. I hope that her humor comes across in the film because she was extremely amusing — this aspect really comes across in her autobiography.
Sl: Finally, what do you think is Peggy Guggenheim's most lasting legacy, beyond her incredible art collection?
Liv: Her courage, and the way she used it to find herself. She had this ballsiness that not many people had, especially women. In her own way she was a feminist and it's good for women and young girls today to see women who stepped outside the confines of a very traditional family and made something of her life. Peggy's life did not seem that dreamy until she attached herself to these artists. It was her ability to redefine herself in the end that truly summed her up.
About the Filmmakers
Stanley Buchtal is a producer and entrepreneur. His movies credits include "Hairspray", "Spanking the Monkey", "Up at the Villa", "Lou Reed Berlin", "Love Marilyn", "LennoNYC", "Bobby Fischer Against the World", "Herb & Dorothy", "Marina Abramovic: The Artist is Present"," Jean-Michel Basquiat: The Radiant Child", "Sketches of Frank Gehry", "Black White + Gray: a Portrait of Sam Wagstaff and Robert Mapplethorpe", among numerous others.
David Koh is an independent producer, distributor, sales agent, programmer and curator. He has been involved in the distribution, sale, production, and financing of over 200 films. He is currently a partner in the boutique label Submarine Entertainment with Josh and Dan Braun and is also partners with Stanley Buchthal and his Dakota Group Ltd where he co-manages a portfolio of over 50 projects a year (75% docs and 25% fiction). Previously he was a partner and founder of Arthouse Films a boutique distribution imprint and ran Chris Blackwell's (founder of Island Records & Island Pictures) film label, Palm Pictures. He has worked as a Producer for artist Nam June Paik and worked in the curatorial departments of Anthology Film Archives, MoMA, Mfa Boston, and the Guggenheim Museum. David has recently served as a Curator for Microsoft and has curated an ongoing film series and salon with Andre Balazs Properties and serves as a Curator for the exclusive Core Club in NYC.
David recently launched with his partners Submarine Deluxe, a distribution imprint; Torpedo Pictures, a low budget high concept label; and Nfp Submarine Doks, a German distribution imprint with Nfp Films. Recently and upcoming projects include "Yayoi Kusama: a Life in Polka Dots", "Burden: a Portrait of Artist Chris Burden", "Dior and I", "20 Feet From Stardom", "Muscle Shoals", "Marina Abramovic the Artist is Present", "Rats NYC", "Nas: Time Is Illmatic", "Blackfish", "Love Marilyn", "Chasing Ice", "Searching for Sugar Man", "Cutie and the Boxer"," Jean-Michel Basquiat: the Radiant Child", "Finding Vivian Maier", "The Wolfpack, "Meru", and "Station to Station".
Dan Braun is a producer, writer, art director and musician/composer based in NYC. He is the Co-President of and Co-Founder of Submarine, a NYC film sales and production company specializing in independent feature and documentary films. Titles include "Blackfish", "Finding Vivian Maier", "Muscle Shoals", "The Case Against 8", "Keep On Keepin’ On", "Winter’s Bone", "Nas: Time is Illmatic", "Dior and I" and Oscar winning docs "Man on Wire", "Searching for Sugarman", "20 Ft From Stardom" and "Citizenfour". He was Executive Producer on documentaries "Kill Your Idols", (which won Best NY Documentary at the Tribeca Film Festival 2004), "Blank City", "Sunshine Superman", the upcoming feature adaptations of "Batkid Begins" and "The Battered Bastards of Baseball" and the upcoming horror TV anthology "Creepy" to be directed by Chris Columbus.
He is a producer of the free jazz documentary "Fire Music", and the upcoming documentaries, "Burden" on artist Chris Burden and "Kusama: a Life in Polka Dots" on artist Yayoi Kusama. He is also a writer and consulting editor on Dark Horse Comic’s "Creepy" and "Eerie 9" comic book and archival series for which he won an Eisner Award for best archival comic book series in 2009.
He is a musician/composer whose compositions were featured in the films "I Melt With You" and "Jean-Michel Basquiat, The Radiant Child and is an award winning art director/creative director when he worked at Tbwa/Chiat/Day on the famous Absolut Vodka campaign.
John Northrup (Co-Producer) began his career in documentaries as a French translator for National Geographic: Explorer. He quickly moved into editing and producing, serving as the Associate Producer on "Diana Vreeland: The Eye Has To Travel" (2012), and editing and co-producing "Wilson In Situ" (2014), which tells the story of theatre legend Robert Wilson and his Watermill Center. Most recently, he oversaw the post-production of Jim Chambers’ "Onward Christian Soldier", a documentary about Olympic Bomber Eric Rudolph, and is shooting on Susanne Rostock’s "Another Night in the Free World", the follow-up to her award-winning "Sing Your Song" (2011).
Submarine Entertainment (Production Company) Submarine Entertainment is a hybrid sales, production, and distribution company based in N.Y. Recent and upcoming titles include "Citizenfour", "Finding Vivian Maier", "The Dog", "Visitors", "20 Feet from Stardom", "Searching for Sugar Man", "Muscle Shoals", "Blackfish", "Cutie and the Boxer", "The Summit", "The Unknown Known", "Love Marilyn", "Marina Abramovic the Artist is Present", "Chasing Ice", "Downtown 81 30th Anniversary Remastered", "Wild Style 30th Anniversary Remastered", "Good Ol Freda", "Some Velvet Morning", among numerous others. Submarine principals also represent Creepy and Eerie comic book library and are developing properties across film & TV platforms.
Submarine has also recently launched a domestic distribution imprint and label called Submarine Deluxe; a genre label called Torpedo Pictures; and a German imprint and label called Nfp Submarine Doks.
Bernadine Colish has edited a number of award-winning documentaries. "Herb and Dorothy" (2008), won Audience Awards at Silverdocs, Philadelphia and Hamptons Film Festivals, and "Body of War" (2007), was named Best Documentary by the National Board of Review. "A Touch of Greatness" (2004) aired on PBS Independent Lens and was nominated for an Emmy Award. Her career began at Maysles Films, where she worked with Charlotte Zwerin on such projects as "Thelonious Monk: Straight No Chaser", "Toru Takemitsu: Music for the Movies" and the PBS American Masters documentary, "Ella Fitzgerald: Something To Live For". Additional credits include "Bringing Tibet Home", "Band of Sisters", "Rise and Dream", "The Tiger Next Door", "The Buffalo War" and "Absolute Wilson".
Jed Parker (Editor) Jed Parker began his career in feature films before moving into documentaries through his work with the award-winning American Masters series. Credits include "Lou Reed: Rock and Roll Heart", "Annie Liebovitz: Life Through a Lens", and most recently "Jeff Bridges: The Dude Abides".
Other work includes two episodes of the PBS series "Make ‘Em Laugh", hosted by Billy Crystal, as well as a documentary on Met Curator Henry Geldzahler entitled "Who Gets to Call it Art"?
Credits
Director, Writer, Producer: Lisa Immordino Vreeland
Produced by Stanley Buchthal, David Koh and Dan Braun Stanley Buchthal (producer)
Maja Hoffmann (executive producer)
Josh Braun (executive producer)
Bob Benton (executive producer)
John Northrup (co-producer)
Bernadine Colish (editor)
Jed Parker (editor)
Peter Trilling (director of photography)
Bonnie Greenberg (executive music producer)
Music by J. Ralph
Original Song "Once Again" Written and Performed By J. Ralph
Interviews Featuring Artist Marina Abramović Jean Arp Dore Ashton Samuel Beckett Stephanie Barron Constantin Brâncuși Diego Cortez Alexander Calder Susan Davidson Joseph Cornell Robert De Niro Salvador Dalí Simon de Pury Willem de Kooning Jeffrey Deitch Marcel Duchamp Polly Devlin Max Ernst Larry Gagosian Alberto Giacometti Arne Glimcher Vasily Kandinsky Michael Govan Fernand Léger Nicky Haslam Joan Miró Pepe Karmel Piet Mondrian Donald Kuspit Robert Motherwell Dominique Lévy Jackson Pollock Carlo McCormick Mark Rothko Hans Ulrich Obrist Yves Tanguy Lisa Phillips Lindsay Pollock Francine Prose John Richardson Sandy Rower Mercedes Ruehl Jane Rylands Philip Rylands Calvin Tomkins Karole Vail Jacqueline Bograd Weld Edmund White
Running time: 97 minutes
U.S. distribution by Submarine Deluxe
International sales by Hanway...
- 11/18/2015
- by Sydney Levine
- Sydney's Buzz
Didn’t get a badge for Comic Con? No problem. There are still plenty of events open to the public. From Happy Hour with your favorite Youtubers to battling Zombies as you zip through the streets, here is a rundown of free events you won’t want to miss.
Conival- Nerdist Industries returns to Comic Con this year in full force. Attendees will be able to battle for superiority in the custom Battleborn Laser Tag arena, get crafty with some robots, sit in for podcasts, play games, win prizes, and so much more!
Frieza’s Galactic Army Boot Camp-Dragonball Z: Resurrection F is hosting Dragonball Z Fight for Frieza Galactic Army Boot Camp at Petco Park. Part of the Nerdist Conival, fans are welcome to join in a series of tests that will determine if their power level is high enough to join Frieza’s army. There will also be...
Conival- Nerdist Industries returns to Comic Con this year in full force. Attendees will be able to battle for superiority in the custom Battleborn Laser Tag arena, get crafty with some robots, sit in for podcasts, play games, win prizes, and so much more!
Frieza’s Galactic Army Boot Camp-Dragonball Z: Resurrection F is hosting Dragonball Z Fight for Frieza Galactic Army Boot Camp at Petco Park. Part of the Nerdist Conival, fans are welcome to join in a series of tests that will determine if their power level is high enough to join Frieza’s army. There will also be...
- 7/9/2015
- by Elizabeth Rico
- SoundOnSight
Isaac Brekken/AP/Press Association Images
Ronda Rousey is arguably the greatest women’s Mma fighter in the world. She’s the current Ufc Women’s Bantamweight Championship and holds a record of 9-0 in Mma with eight of her victories via submission and one by knockout. She’s also jumping into the film industry with roles in The Expendables 3, Fast & The Furious 7 and the Entourage. Prior to her Mma career, she won an Olympic bronze medal for the Us in Women’s Judo in Beijing in 2008.
Rousey is also a huge WWE fan. She often tweets about her love of pro wrestling (@RondaRousey) and recently welcomed current WWE diva Natalya to come train with her as well as her “Four Horsewomen” friends Shayna Baszler, Marina Shafir and Jessamyn Duke.
twitter
In the past, Rousey has also talked about how Cm Punk was a favorite of hers and the...
Ronda Rousey is arguably the greatest women’s Mma fighter in the world. She’s the current Ufc Women’s Bantamweight Championship and holds a record of 9-0 in Mma with eight of her victories via submission and one by knockout. She’s also jumping into the film industry with roles in The Expendables 3, Fast & The Furious 7 and the Entourage. Prior to her Mma career, she won an Olympic bronze medal for the Us in Women’s Judo in Beijing in 2008.
Rousey is also a huge WWE fan. She often tweets about her love of pro wrestling (@RondaRousey) and recently welcomed current WWE diva Natalya to come train with her as well as her “Four Horsewomen” friends Shayna Baszler, Marina Shafir and Jessamyn Duke.
In the past, Rousey has also talked about how Cm Punk was a favorite of hers and the...
- 6/10/2014
- by John Canton
- Obsessed with Film
Roskino and Russian Cinema Fund to make presentations.
Russian cinema will be represented by not one, but two stands at the Marché du Film much to the bewilderment of some in the industry.
While Roskino, the successor to the former state film organisation Sovexportfilm, is the official organiser of the Russian Pavilion with support from the Ministries of Culture and Foreign Affairs, the Russian Cinema Fund is backing the Russian Cinema stand in the Festival Palais.
Both initiatives will be having presentations of extracts from completed films or works in progress to sales agents, distributors and festival programmers.
Roskino’s line-up on May 17 will include Natalia Meshaninova’s The Hope Factory [pictured], Igor Voloshin’s Moscow-Russia Express, the documentary Rudolf Nureyev. A Rebel Demon, and Sergei Dvortsevoy’s My Little One, co-produced by the late Karl Baumgartner.
The Russian Cinema Fund will follow three days later – on May 20 - with its own showcase of 19 projects at various stages...
Russian cinema will be represented by not one, but two stands at the Marché du Film much to the bewilderment of some in the industry.
While Roskino, the successor to the former state film organisation Sovexportfilm, is the official organiser of the Russian Pavilion with support from the Ministries of Culture and Foreign Affairs, the Russian Cinema Fund is backing the Russian Cinema stand in the Festival Palais.
Both initiatives will be having presentations of extracts from completed films or works in progress to sales agents, distributors and festival programmers.
Roskino’s line-up on May 17 will include Natalia Meshaninova’s The Hope Factory [pictured], Igor Voloshin’s Moscow-Russia Express, the documentary Rudolf Nureyev. A Rebel Demon, and Sergei Dvortsevoy’s My Little One, co-produced by the late Karl Baumgartner.
The Russian Cinema Fund will follow three days later – on May 20 - with its own showcase of 19 projects at various stages...
- 5/13/2014
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
Forget "out of the mouths of babes" -- there were plenty of biting witticisms, expletive-laden celebrations (warning: one is included in this piece), carefully crafted observations and pearls of irreverent wisdom on Twitter in 2012 put there by folks who are post 50.
When it came time to figuring out what the best tweets of 2012 by post 50s were, there was no shortage of contestants. From James Cameron's descent into the Marina Trench, the deepest place on Earth...
Just arrived at the ocean's deepest pt. Hitting bottom never felt so good. Can't wait to share what I'm seeing w/ you @deepchallenge
— James Cameron (@JimCameron) March 25, 2012
... to the outspoken Cher's battle cry for womankind ...
God Do I Love Women With Attitude ! Fuck Yes !
— Cher (@cher) September 20, 2012
...it was a lively year for midlifers on Twitter. And while Betty White may be past the midlife point -- nah, we need her to live...
When it came time to figuring out what the best tweets of 2012 by post 50s were, there was no shortage of contestants. From James Cameron's descent into the Marina Trench, the deepest place on Earth...
Just arrived at the ocean's deepest pt. Hitting bottom never felt so good. Can't wait to share what I'm seeing w/ you @deepchallenge
— James Cameron (@JimCameron) March 25, 2012
... to the outspoken Cher's battle cry for womankind ...
God Do I Love Women With Attitude ! Fuck Yes !
— Cher (@cher) September 20, 2012
...it was a lively year for midlifers on Twitter. And while Betty White may be past the midlife point -- nah, we need her to live...
- 12/20/2012
- by The Huffington Post
- Huffington Post
At the end of a bumper year for film-making, Guardian film critic Peter Bradshaw unveils the contenders for his very own – imaginary – film awards
Most critics compile year-end roundups in a mood of shrugging acceptance that not every year can be great. But actually 2012 has been vintage, with some really brilliant films from the biggest names doing their best work – and some fascinating documentaries. So once again, I have created my imaginary awards nominations in the following categories: best film, best director, best actor, best actress, best supporting actor, best supporting actress, best documentary and best screenplay. You will have to imagine me, in full tuxedo-style evening wear announcing the Braddies at the Dorchester. (I have put Seth MacFarlane, Michael Haneke and Kylie Minogue on my table.)
So, the nominations are …
Best film
Amour (dir. Michael Haneke)
The Master (dir. Paul Thomas Anderson)
Holy Motors (dir. Leos Carax)
Killing Them Softly (dir.
Most critics compile year-end roundups in a mood of shrugging acceptance that not every year can be great. But actually 2012 has been vintage, with some really brilliant films from the biggest names doing their best work – and some fascinating documentaries. So once again, I have created my imaginary awards nominations in the following categories: best film, best director, best actor, best actress, best supporting actor, best supporting actress, best documentary and best screenplay. You will have to imagine me, in full tuxedo-style evening wear announcing the Braddies at the Dorchester. (I have put Seth MacFarlane, Michael Haneke and Kylie Minogue on my table.)
So, the nominations are …
Best film
Amour (dir. Michael Haneke)
The Master (dir. Paul Thomas Anderson)
Holy Motors (dir. Leos Carax)
Killing Them Softly (dir.
- 12/13/2012
- by Peter Bradshaw
- The Guardian - Film News
The various film critic associations have begun handing out their top honors for the year with the New York critics set to announce their winners over the next hour or two. Meanwhile, over the weekend:
European Film Awards
Michael Haneke’s "Amour" swept the 25th European Film Awards in Malta. The film took four of the top honors including best picture, director, actor and actress.
Thomas Vinterberg's "The Hunt" scored best script, Steve McQueen's "Shame" won best editing and cinematography, and Tomas Alfredson's "Tinker Tailor Soldier Spy" won best production design and score.
Sight and Sound Poll
UK magazine Sight & Sound have published their annual best films of the year poll made up of the opinions of around 100 film critics.
Paul Thomas Anderson's "The Master" came in at #1, followed by Miguel Gomes' "Tabu," Michael Haneke's "Amour," Leos Carax's "Holy Motors," and Benh Zeitlin...
European Film Awards
Michael Haneke’s "Amour" swept the 25th European Film Awards in Malta. The film took four of the top honors including best picture, director, actor and actress.
Thomas Vinterberg's "The Hunt" scored best script, Steve McQueen's "Shame" won best editing and cinematography, and Tomas Alfredson's "Tinker Tailor Soldier Spy" won best production design and score.
Sight and Sound Poll
UK magazine Sight & Sound have published their annual best films of the year poll made up of the opinions of around 100 film critics.
Paul Thomas Anderson's "The Master" came in at #1, followed by Miguel Gomes' "Tabu," Michael Haneke's "Amour," Leos Carax's "Holy Motors," and Benh Zeitlin...
- 12/3/2012
- by Garth Franklin
- Dark Horizons
In the battle of the Andersons, it was Wes who beat P.T for Best Feature at the 2012 Gotham Awards. Moonrise Kingdom would go 1 for 2 as Lynn Shelton’s Your Sister’s Sister easily among the year’s the best, for its natural, on-screen chemistry was handsomely awarded the Best Ensemble Performance prize. Making it an almost all Sundance Film Festival takes Gotham kind of year, in the Best Film Not Playing at a Theater Near You it’s Terence Nance’s An Oversimplification of Her Beauty which gets an extra boost for theatrical play. Pic was produced by Andrew Corkin who is lining up Jim Mickle’s We Are What We Are for festival play next year.
The heavy favorite in all categories combined was Beasts of the Southern Wild‘s Benh Zeitlin as Best Breakthrough Director and Audience award, while in the Breakthrough Actor category, it’s Emayatzy Corinealdi...
The heavy favorite in all categories combined was Beasts of the Southern Wild‘s Benh Zeitlin as Best Breakthrough Director and Audience award, while in the Breakthrough Actor category, it’s Emayatzy Corinealdi...
- 11/27/2012
- by Eric Lavallee
- IONCINEMA.com
At a photo op with the cast of Star Trek: The Next Generation the photographer happened to be a die hard fan and proposed to his girlfriend who was sitting on Gates McFadden's lap.
Will Wheaton recalls the story,
"About 30 minutes or so into this particular session, these two people came in. The girl went to stand between Patrick and Frakes, and the guy directed her to stand in the front, instead. All of us tried to figure out what was going on (usually it's small kids who come to the front, usually sitting on Brent's lap or Gates' lap), and the guy said, "I really love Star Trek, but I love [her name] even more." He got down on one knee, and proposed to her.
Marina started to cry, I felt like I was going to cry, and we all applauded and celebrated when she said "yes." Apparently, they'd met Marina earlier in the day,...
Will Wheaton recalls the story,
"About 30 minutes or so into this particular session, these two people came in. The girl went to stand between Patrick and Frakes, and the guy directed her to stand in the front, instead. All of us tried to figure out what was going on (usually it's small kids who come to the front, usually sitting on Brent's lap or Gates' lap), and the guy said, "I really love Star Trek, but I love [her name] even more." He got down on one knee, and proposed to her.
Marina started to cry, I felt like I was going to cry, and we all applauded and celebrated when she said "yes." Apparently, they'd met Marina earlier in the day,...
- 11/11/2012
- by Lucas Lowman
- GeekTyrant
Bernie, Middle of Nowhere, Moonrise Kingdom and Beasts of the Southern Wild each received a pair of nominations for the 22nd Gotham Independent Film Awards, but the big surprise has to be the Best Picture snub of Benh Zeitlin’s Sundance and Cannes winner. The jury of five favored Moonrise Kingdom, Bernie, Middle of Nowhere, The Loneliest Planet and The Master over other well-received truly indie titles such as Craig Zobel’s Compliance and James Ponsoldt’s Smashed. The awards will be handed out on November 26th.
Best Feature
Bernie
Richard Linklater, director; Richard Linklater, Ginger Sledge, Celine Rattray, Martin Shafer, Liz Glotzer, Matt Williams, David McFadzean, Judd Payne, Dete Meserve, producers (Millennium Entertainment)
The Loneliest Planet
Julia Loktev, director; Jay Van Hoy, Lars Knudsen, Helge Albers, Marie Therese Guirgis, producers (Sundance Selects)
The Master
Paul Thomas Anderson, director; Joanne Sellar, Daniel Lupi, Paul Thomas Anderson, Megan Ellison, producers (The...
Best Feature
Bernie
Richard Linklater, director; Richard Linklater, Ginger Sledge, Celine Rattray, Martin Shafer, Liz Glotzer, Matt Williams, David McFadzean, Judd Payne, Dete Meserve, producers (Millennium Entertainment)
The Loneliest Planet
Julia Loktev, director; Jay Van Hoy, Lars Knudsen, Helge Albers, Marie Therese Guirgis, producers (Sundance Selects)
The Master
Paul Thomas Anderson, director; Joanne Sellar, Daniel Lupi, Paul Thomas Anderson, Megan Ellison, producers (The...
- 10/18/2012
- by Eric Lavallee
- IONCINEMA.com
This week independent news and commentary website Crikey unveiled a new look.
Marina Go, publisher at parent company Private Media, chatted to Mumbrella editor Tim Burrowes about:
The Crikey business model Why the bylines are all for blokes; The rumours of a food launch; The Power Index Women’s Agenda
The video was shot earlier this week, shortly before news emerged that Private Media CEO Amanda Gome had been ousted.
Marina Go, publisher at parent company Private Media, chatted to Mumbrella editor Tim Burrowes about:
The Crikey business model Why the bylines are all for blokes; The rumours of a food launch; The Power Index Women’s Agenda
The video was shot earlier this week, shortly before news emerged that Private Media CEO Amanda Gome had been ousted.
- 9/26/2012
- by mumbrella
- Encore Magazine
Tags: Pussy RiotRachel MaddowPaul RyanElizabeth BanksHolland TaylorMartha PlimptonIMDb
Nadezhda Tolokonnikova, Marina Alyokhina, and Yekaterina Samutsevich of Pussy Riot have been sentenced to two years in prison, officially for hooliganism and having a concert at a Moscow Cathedral, but many believe their actual crime is pissing off Vladimir Putin. Gawker published their fierce and moving closing statements last week. I highly recommend them.
This Week in Ladybits
Feministing pointed to a remarkable article by an abortion provider on what’s at stake in the ongoing attempts to lock down your uterus.
Hey, Rachel Maddow, are your arms tired from hammering Paul Ryan all week? In addition to looking like Will Schuester’s evil twin, Ryan really, really, really does not care for ladies controlling their own ladybits. For example, he sponsored a bill that would make abortion illegal even in the case of rape or incest - and Kevin Drum over...
Nadezhda Tolokonnikova, Marina Alyokhina, and Yekaterina Samutsevich of Pussy Riot have been sentenced to two years in prison, officially for hooliganism and having a concert at a Moscow Cathedral, but many believe their actual crime is pissing off Vladimir Putin. Gawker published their fierce and moving closing statements last week. I highly recommend them.
This Week in Ladybits
Feministing pointed to a remarkable article by an abortion provider on what’s at stake in the ongoing attempts to lock down your uterus.
Hey, Rachel Maddow, are your arms tired from hammering Paul Ryan all week? In addition to looking like Will Schuester’s evil twin, Ryan really, really, really does not care for ladies controlling their own ladybits. For example, he sponsored a bill that would make abortion illegal even in the case of rape or incest - and Kevin Drum over...
- 8/17/2012
- by Ali Davis
- AfterEllen.com
Women’s Agenda, a website ‘for career-minded women’ from the publisher of Crikey, has gone live this morning.
The Private Media publication, which was a year in development, will be edited by Angela Priestley, former editor of The Power Index.
Women’s Agenda starts life with 4,000 registered users, having been marketed by Private Media across a number of its sites.
The website is geared towards “giving a voice to career-focused, aspirational women who want to set their own agendas,” according to publisher Marina Go.
Angela Priestley
Areas covered include finance, investment, employment, post-graduate education, career progression, life-balance, technology, grooming, style, travel and culture.
In an Inspirational Women section, the site will feature the likes of magazine veteran Ita Buttrose, Sydney Mayor Clover Moore, author Tara Moss and barrister Rana Rashda.
The site has been designed by Jemma McMahon, who worked on The Knot Australia, Primped websites and the soon-to-be-relaunched, Crikey.
The Private Media publication, which was a year in development, will be edited by Angela Priestley, former editor of The Power Index.
Women’s Agenda starts life with 4,000 registered users, having been marketed by Private Media across a number of its sites.
The website is geared towards “giving a voice to career-focused, aspirational women who want to set their own agendas,” according to publisher Marina Go.
Angela Priestley
Areas covered include finance, investment, employment, post-graduate education, career progression, life-balance, technology, grooming, style, travel and culture.
In an Inspirational Women section, the site will feature the likes of magazine veteran Ita Buttrose, Sydney Mayor Clover Moore, author Tara Moss and barrister Rana Rashda.
The site has been designed by Jemma McMahon, who worked on The Knot Australia, Primped websites and the soon-to-be-relaunched, Crikey.
- 8/7/2012
- by Robin Hicks
- Encore Magazine
Toronto – On July 24th, Piers Handling, CEO and Director of Tiff, and Cameron Bailey, Artistic Director, unveiled some of the films that will headline the 37th Toronto International Film Festival.
According to Bailey, Tiff 2012 will include the “most diverse Gala programme to date with films from Japan, China, India, the United Kingdom, Denmark, Italy, USA and Canada”.
Handling describes this year’s festival as looking “particularly strong” with a wide variety of work from “established and emerging filmmakers.”
Toronto audiences will be first in line to see many “exciting and prestigious films” with further announcements slated in the coming weeks. Until then, here is a sample of what you can expect to see:
Looper (Opening Night film, World Premiere)
Rian Johnson, USA
Starring Joseph Gordon-Levitt, Bruce Willis, Emily Blunt, Paul Dano, Jeff Daniels
Directed by Rian Johnson (Brick, The Brothers Bloom), Looper is a futuristic action thriller set in a...
According to Bailey, Tiff 2012 will include the “most diverse Gala programme to date with films from Japan, China, India, the United Kingdom, Denmark, Italy, USA and Canada”.
Handling describes this year’s festival as looking “particularly strong” with a wide variety of work from “established and emerging filmmakers.”
Toronto audiences will be first in line to see many “exciting and prestigious films” with further announcements slated in the coming weeks. Until then, here is a sample of what you can expect to see:
Looper (Opening Night film, World Premiere)
Rian Johnson, USA
Starring Joseph Gordon-Levitt, Bruce Willis, Emily Blunt, Paul Dano, Jeff Daniels
Directed by Rian Johnson (Brick, The Brothers Bloom), Looper is a futuristic action thriller set in a...
- 8/1/2012
- by Justin Li
- SoundOnSight
Toronto – On July 24th, Piers Handling, CEO and Director of Tiff, and Cameron Bailey, Artistic Director, unveiled some of the films that will headline the 37th Toronto International Film Festival.
According to Bailey, Tiff 2012 will include the “most diverse Gala programme to date with films from Japan, China, India, the United Kingdom, Denmark, Italy, USA and Canada”.
Handling describes this year’s festival as looking “particularly strong” with a wide variety of work from “established and emerging filmmakers.”
Toronto audiences will be first in line to see many “exciting and prestigious films” with further announcements slated in the coming weeks. Until then, here is a sample of what you can expect to see:
Looper (Opening Night film, World Premiere)
Rian Johnson, USA
Starring Joseph Gordon-Levitt, Bruce Willis, Emily Blunt, Paul Dano, Jeff Daniels
Directed by Rian Johnson (Brick, The Brothers Bloom), Looper is a futuristic action thriller set in a...
According to Bailey, Tiff 2012 will include the “most diverse Gala programme to date with films from Japan, China, India, the United Kingdom, Denmark, Italy, USA and Canada”.
Handling describes this year’s festival as looking “particularly strong” with a wide variety of work from “established and emerging filmmakers.”
Toronto audiences will be first in line to see many “exciting and prestigious films” with further announcements slated in the coming weeks. Until then, here is a sample of what you can expect to see:
Looper (Opening Night film, World Premiere)
Rian Johnson, USA
Starring Joseph Gordon-Levitt, Bruce Willis, Emily Blunt, Paul Dano, Jeff Daniels
Directed by Rian Johnson (Brick, The Brothers Bloom), Looper is a futuristic action thriller set in a...
- 7/25/2012
- by Justin Li
- SoundOnSight
Jayne Mansfield.s Car
Piers Handling, CEO and Director of Tiff, and Cameron Bailey, Artistic Director of the Toronto International Film Festival, made the first announcement of films to premiere at the 37th Toronto International Film Festival. Films announced include titles in the Galas and Special Presentations programmes. The announced films include 17 Galas and 45 Special Presentations, including 38 world premieres.
Toronto audiences will be the first to see the world premieres of films from directors Andrew Adamson, Ben Affleck, David Ayer, Maiken Baird, Noah Baumbach, J.A. Bayona, Stuart Blumberg, Josh Boone, Laurent Cantet, Sergio Castellitto, Stephen Chbosky, Lu Chuan, Derek Cianfrance, Nenad Cicin-Sain, Costa-Gavras, Ziad Doueiri, Liz Garbus, Dustin Hoffman, Rian Johnson, Neil Jordan, Baltasar Kormákur, Shola Lynch, Deepa Mehta, Roger Michell, Nishikawa Miwa, Ruba Nadda, Mike Newell, François Ozon, Sally Potter, Robert Pulcini & Shari Springer Berman, Eran Riklis, David O. Russell, Gauri Shinde, Ben Timlett & Bill Jones & Jeff Simpson, Tom Tykwer & Andy Wachowski & Lana Wachowski,...
Piers Handling, CEO and Director of Tiff, and Cameron Bailey, Artistic Director of the Toronto International Film Festival, made the first announcement of films to premiere at the 37th Toronto International Film Festival. Films announced include titles in the Galas and Special Presentations programmes. The announced films include 17 Galas and 45 Special Presentations, including 38 world premieres.
Toronto audiences will be the first to see the world premieres of films from directors Andrew Adamson, Ben Affleck, David Ayer, Maiken Baird, Noah Baumbach, J.A. Bayona, Stuart Blumberg, Josh Boone, Laurent Cantet, Sergio Castellitto, Stephen Chbosky, Lu Chuan, Derek Cianfrance, Nenad Cicin-Sain, Costa-Gavras, Ziad Doueiri, Liz Garbus, Dustin Hoffman, Rian Johnson, Neil Jordan, Baltasar Kormákur, Shola Lynch, Deepa Mehta, Roger Michell, Nishikawa Miwa, Ruba Nadda, Mike Newell, François Ozon, Sally Potter, Robert Pulcini & Shari Springer Berman, Eran Riklis, David O. Russell, Gauri Shinde, Ben Timlett & Bill Jones & Jeff Simpson, Tom Tykwer & Andy Wachowski & Lana Wachowski,...
- 7/24/2012
- by Michelle McCue
- WeAreMovieGeeks.com
By Sean O’Connell
Hollywoodnews.com: Earlier, we brought you a snapshot glance at the first wave of programming announced for the 2012 Toronto International Film Festival. Shortly after, the fest released a thorough breakdown of the Galas and Special Presentations for this year’s event, which kicks off on Thursday, Sept. 6.
So far, 17 Galas and 45 Special Presentations have been announced, including 38 world premieres. Andrew Adamson, Ben Affleck, David Ayer, Maiken Baird, Noah Baumbach, J.A. Bayona, Stuart Blumberg, Josh Boone, Laurent Cantet, Sergio Castellitto, Stephen Chbosky, Lu Chuan, Derek Cianfrance, Nenad Cicin-Sain, Costa-Gavras, Ziad Doueiri, Liz Garbus, Dustin Hoffman, Rian Johnson, Neil Jordan, Baltasar Kormákur, Shola Lynch, Deepa Mehta, Roger Michell, Nishikawa Miwa, Ruba Nadda, Mike Newell, François Ozon, Sally Potter, Robert Pulcini & Shari Springer Berman, Eran Riklis, David O. Russell, Gauri Shinde, Ben Timlett & Bill Jones & Jeff Simpson, Tom Tykwer & Andy Wachowski & Lana Wachowski, Margarethe von Trotta, Joss Whedon and...
Hollywoodnews.com: Earlier, we brought you a snapshot glance at the first wave of programming announced for the 2012 Toronto International Film Festival. Shortly after, the fest released a thorough breakdown of the Galas and Special Presentations for this year’s event, which kicks off on Thursday, Sept. 6.
So far, 17 Galas and 45 Special Presentations have been announced, including 38 world premieres. Andrew Adamson, Ben Affleck, David Ayer, Maiken Baird, Noah Baumbach, J.A. Bayona, Stuart Blumberg, Josh Boone, Laurent Cantet, Sergio Castellitto, Stephen Chbosky, Lu Chuan, Derek Cianfrance, Nenad Cicin-Sain, Costa-Gavras, Ziad Doueiri, Liz Garbus, Dustin Hoffman, Rian Johnson, Neil Jordan, Baltasar Kormákur, Shola Lynch, Deepa Mehta, Roger Michell, Nishikawa Miwa, Ruba Nadda, Mike Newell, François Ozon, Sally Potter, Robert Pulcini & Shari Springer Berman, Eran Riklis, David O. Russell, Gauri Shinde, Ben Timlett & Bill Jones & Jeff Simpson, Tom Tykwer & Andy Wachowski & Lana Wachowski, Margarethe von Trotta, Joss Whedon and...
- 7/24/2012
- by Sean O'Connell
- Hollywoodnews.com
2012′s Toronto International Film Festival is set to officially announce its initial line-up later today, but Variety let the cat out of the bag, at least partially; and it’s quite astounding. Most of our most-anticipated films of the year will be premiering at the Canadian festival, notably Terrence Malick‘s To the Wonder, Wachowskis & Tom Tykwer‘s epic-sounding Cloud Atlas, Rian Johnson‘s Looper (which will open the fest), Ben Affleck‘s Argo, Dereck Cianfrance‘s The Place Beyond the Pines and much, more more.
Coming from Sundance, the only mentioned film was Ben Lewis‘ John Hawkes-starring The Sessions, while Cannes premieres include Matteo Garrone‘s Reality, Thomas Vinterberg‘s The Hunt, Pablo Larrain‘s No and Jacques Audiard‘s Rust and Bone. One of the biggest surprises is a new film from Noah Baumbach, starring Greta Gerwing titled Frances Ha. There’s also The Avengers director Joss Whedon...
Coming from Sundance, the only mentioned film was Ben Lewis‘ John Hawkes-starring The Sessions, while Cannes premieres include Matteo Garrone‘s Reality, Thomas Vinterberg‘s The Hunt, Pablo Larrain‘s No and Jacques Audiard‘s Rust and Bone. One of the biggest surprises is a new film from Noah Baumbach, starring Greta Gerwing titled Frances Ha. There’s also The Avengers director Joss Whedon...
- 7/24/2012
- by jpraup@gmail.com (thefilmstage.com)
- The Film Stage
Sunday July 15th is the last day of Comic-Con 2012, and most of us will be completely worn out looking like Spider-Man in the image above. Chances are he's asleep under that mask. Sunday has always been a cool down day for us, we kind of just try to relax a little bit more and enjoy it. That doesn't mean their isn't anything to see or do though!
We've got a Fringe screening and Q&A, Doctor Who, Buffy the Vampire Slayer 20th Anniversary, Sons of Anarchy, the annual Buffy the Vampire Slayer musical screening, and more! I've always wanted to go the Buffy musical sing-a-long, but am usually trying to leave San Diego before it starts.
Just a little reminder, we will be having our annual GeekTyrant meet up this year to meet our readers, which is something we always enjoy doing! That will take place on Wednesday night, and...
We've got a Fringe screening and Q&A, Doctor Who, Buffy the Vampire Slayer 20th Anniversary, Sons of Anarchy, the annual Buffy the Vampire Slayer musical screening, and more! I've always wanted to go the Buffy musical sing-a-long, but am usually trying to leave San Diego before it starts.
Just a little reminder, we will be having our annual GeekTyrant meet up this year to meet our readers, which is something we always enjoy doing! That will take place on Wednesday night, and...
- 7/1/2012
- by Venkman
- GeekTyrant
The organizers of San Diego Comic-Con have released the official schedule of events for Sunday, July 15 which you can now view below.
San Diego Comic-Con – Sunday, July 15
10:00-11:00 Comic-Con How-to: Publishing Industry: From Manuscript to Industry — So you have the desire to write a book and get it published, but what does that really mean? Agents, editors, publishers, reviewers, self-publishing, traditional publishing, print on demand, ebooks, foreign language-the list goes on. What does it mean to “write for profit,” and what are the pitfalls to watch out for? Award-winning author Maxwell Alexander Drake gives you some insights into the real world that is the Publishing Industry. Warning: this seminar is not for the weak of spirit. Room 2
10:00-11:00 Spotlight on Jason Shiga — Comic-Con special guest Jason Shiga is best known for his interactive comics, including Meanwhile and Knock Knock. He will present a career retrospective detailing...
San Diego Comic-Con – Sunday, July 15
10:00-11:00 Comic-Con How-to: Publishing Industry: From Manuscript to Industry — So you have the desire to write a book and get it published, but what does that really mean? Agents, editors, publishers, reviewers, self-publishing, traditional publishing, print on demand, ebooks, foreign language-the list goes on. What does it mean to “write for profit,” and what are the pitfalls to watch out for? Award-winning author Maxwell Alexander Drake gives you some insights into the real world that is the Publishing Industry. Warning: this seminar is not for the weak of spirit. Room 2
10:00-11:00 Spotlight on Jason Shiga — Comic-Con special guest Jason Shiga is best known for his interactive comics, including Meanwhile and Knock Knock. He will present a career retrospective detailing...
- 7/1/2012
- by GeekRest
- GeekRest
Another day, another Comic-Con schedule! Are you ready to plan out our Saturday at this years convention!? Once again there's a ton of great panels going on including Iron Man 3, Pacific Rim, Man of Steel, The Hobbit, Marvel TV, Django Unchained, The Simpsons, Family Guy, and more!
Saturday has shaped up to be a hell of a great day for those of you attending Comic-Con. I've put *** next to all of the panels that we want to attend, but like every year, I'm sure we'll be covering a lot more stuff.
We'll be wearing our GeekTyrant shirts, so if you see us walking around San Diego and the convention center, please stop and and say hi! We'd love to meet our readers. We will also be holding our annual meet-up on Wednesday night before the crazy geek storm.
Check out the schedule below and let us know what panels you'll be attending,...
Saturday has shaped up to be a hell of a great day for those of you attending Comic-Con. I've put *** next to all of the panels that we want to attend, but like every year, I'm sure we'll be covering a lot more stuff.
We'll be wearing our GeekTyrant shirts, so if you see us walking around San Diego and the convention center, please stop and and say hi! We'd love to meet our readers. We will also be holding our annual meet-up on Wednesday night before the crazy geek storm.
Check out the schedule below and let us know what panels you'll be attending,...
- 6/30/2012
- by Venkman
- GeekTyrant
Comic-Con 2012 is so close we can taste it! The epically badass geek convention is set to invade San Diego from July 11th to July 15th, and we can't wait to get over there and get crazy!
Comic-Con International has released the full schedules for Wednesday July 11th and Thursday July 12th, and there's a ton of stuff going on! It's going to kick off with a great first couple of days that will give you plenty of stuff to do! Wednesday looks like it's going to be an awesome day of pilot screens and Thursday has got stuff like Twilight... (fart) and Disney will be holding their big panel, along with a ton of other great stuff to check out!
I've gone through the schedule and put a *** next to all the event's we hope to be able to cover. If there's anything on the list you would like information on please let us know,...
Comic-Con International has released the full schedules for Wednesday July 11th and Thursday July 12th, and there's a ton of stuff going on! It's going to kick off with a great first couple of days that will give you plenty of stuff to do! Wednesday looks like it's going to be an awesome day of pilot screens and Thursday has got stuff like Twilight... (fart) and Disney will be holding their big panel, along with a ton of other great stuff to check out!
I've gone through the schedule and put a *** next to all the event's we hope to be able to cover. If there's anything on the list you would like information on please let us know,...
- 6/28/2012
- by Venkman
- GeekTyrant
The schedules for the 2012 San Diego Comic-Con Preview Night and Day 1 (July 11 and July 12) are now live, and we have the horror highlights for you here (along with a few panels of general interest). As always, though, be sure to check the official Sdcc site for updates!
We also recommend downloading the Sdcc app if you have a smart phone.
Preview Night - Wednesday, July 11
6:00-9:45 Special Sneak Peek Pilot Screenings— Comic-Con and Warner Bros. Television proudly continue their annual Preview Night tradition, with exclusive world premiere screenings of the pilot episodes of five of the most highly anticipated TV series pilots of the 2012–13 television season: 666 Park Avenue, Arrow, The Following, Revolution and Cult. More info can be found here. Ballroom 20
Day 1 - Thursday, July 12
10:00-11:00 The Witty Women of Steampunk— The Victorian era was one marked by constraints on behavior, morals and bosoms. When you...
We also recommend downloading the Sdcc app if you have a smart phone.
Preview Night - Wednesday, July 11
6:00-9:45 Special Sneak Peek Pilot Screenings— Comic-Con and Warner Bros. Television proudly continue their annual Preview Night tradition, with exclusive world premiere screenings of the pilot episodes of five of the most highly anticipated TV series pilots of the 2012–13 television season: 666 Park Avenue, Arrow, The Following, Revolution and Cult. More info can be found here. Ballroom 20
Day 1 - Thursday, July 12
10:00-11:00 The Witty Women of Steampunk— The Victorian era was one marked by constraints on behavior, morals and bosoms. When you...
- 6/28/2012
- by The Woman In Black
- DreadCentral.com
England's Sheffield Doc/Fest, which concluded yesterday, announced the winners of its seven award categories and the addition of a new award for its 2013 season. The Tim Hetherington Award, presented by Dogwoof, will join the Inspiration Award, Special Jury Award, Sheffield Innovation Award, Sheffield Green Award, Sheffield Youth Jury Award, Student Doc Award, and the Eda Best Female-Directed award (presented by Alliance of Women Film Journalists, Inc.). The slain photojournalist's mother, Judith Hetherington, will be among one of the judges for this award, which will include a cash prize. Hetherington is best known for 2010's documentary "Restrepo." The winner of the Sheffield Doc/Fest Audience Award will be announced later today. The full list of 2012 Sheffield Doc/Fest winners: Inspiration Award: Penny Woolcock Special Jury Award: "Marina Abromović: The Artist is Present"...
- 6/18/2012
- by Srimathi Sridhar
- Indiewire
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