There is a wealth of period costumes cross the categories for Emmy voters to think about this season.
In limited series, Oscar-winner Colleen Atwood built 200 to 300 leather jackets for AppleTV+’s World War II drama “Masters of the Air.” “It took six months to get them built,” Atwood says. Procuring the right elements was a global process that included getting era-specific zippers from Japan and sheepskin from Scotland and England.
Atwood also explained the unconventional aging process of the garments, saying that “once they were built, we had to shear the inside so they weren’t as thick, and then we put them in a vat of rocks inside a cement mixer to beat the leather up.”
“Shōgun” (now competing in drama series) costume designer Carlos Rosario built over 2,000 costumes for the 10-part show set in feudal Japan.
Rosario found himself limited by what primary sources were available, but he...
In limited series, Oscar-winner Colleen Atwood built 200 to 300 leather jackets for AppleTV+’s World War II drama “Masters of the Air.” “It took six months to get them built,” Atwood says. Procuring the right elements was a global process that included getting era-specific zippers from Japan and sheepskin from Scotland and England.
Atwood also explained the unconventional aging process of the garments, saying that “once they were built, we had to shear the inside so they weren’t as thick, and then we put them in a vat of rocks inside a cement mixer to beat the leather up.”
“Shōgun” (now competing in drama series) costume designer Carlos Rosario built over 2,000 costumes for the 10-part show set in feudal Japan.
Rosario found himself limited by what primary sources were available, but he...
- 6/1/2024
- by Jazz Tangcay
- Variety Film + TV
Helen Jarvis understood that she had her work cut out for her after signing on in early 2021 to serve as the production on the new 10-part FX adaptation of the epic 1975 James Clavell novel “Shōgun.” For one, we were still in the throes of Covid lockdown, and things were really shut down in Japan – eliminating access to the country in which the series is based, albeit set more than 400 years ago. Jarvis had also never read the book. “I avoided it in 1975 because it was far too thick and I would probably never get through it,” she maintains. “Also, I’d not worked on a series before with several different directors, so that was a very interesting proposal. And I’d never been to Japan.” The British-born Jarvis still hasn’t been, as “Shogun” shot in British Columbia, on Vancouver Island and the suburbs of Vancouver. “Plus, I had gotten used to,...
- 5/25/2024
- by Ray Richmond
- Gold Derby
Five acclaimed costume designers take us behind the scenes of their costume fittings to reveal the unexpected sparks of inspiration that happen when the wardrobes they created or sourced are paired with their performers for the first time.
In an exclusive video roundtable interview with Gold Derby as part of our Meet the Experts: Costume Designers panel, “Abbott Elementary” costume designer Susan Michalek, “Feud: Capote vs. The Swans” costume designer Lou Eyrich, “Shōgun” costume designer Carlos Rosario, “Star Trek: Strange New Worlds” costume designer Bernadette Croft and “The Wheel of Time” costume designer Sharon Gilham discuss what they love most about collaborating with the on-screen talent of their projects. Watch the full roundtable above. Click on each person’s name to watch an individual chat.
“It takes about two-three people to dress anybody with any of those costumes for about 45 minutes or an hour,” reveals Rosario about the arduous process of fitting his “Shōgun” performers.
In an exclusive video roundtable interview with Gold Derby as part of our Meet the Experts: Costume Designers panel, “Abbott Elementary” costume designer Susan Michalek, “Feud: Capote vs. The Swans” costume designer Lou Eyrich, “Shōgun” costume designer Carlos Rosario, “Star Trek: Strange New Worlds” costume designer Bernadette Croft and “The Wheel of Time” costume designer Sharon Gilham discuss what they love most about collaborating with the on-screen talent of their projects. Watch the full roundtable above. Click on each person’s name to watch an individual chat.
“It takes about two-three people to dress anybody with any of those costumes for about 45 minutes or an hour,” reveals Rosario about the arduous process of fitting his “Shōgun” performers.
- 5/22/2024
- by David Buchanan
- Gold Derby
“I’ve never done any project that was even remotely close to the Japanese culture, so that’s why this project actually was definitely a treat for me,” says Carlos Rosario about how familiar he was sixteenth- and seventeenth-century Japanese culture before taking on the costume design for FX’s “Shōgun.” His research process for the epic series began with “the paintings of that period, because that was the only reliable source that would really tell us about this period of transition.” He and his team ultimately ended up with “a 1,000-page book of research” into the “complex world” of the show. Gold Derby spoke with Rosario as part of our “Meet the Experts” TV costume design panel. Watch our exclusive video interview above.
“Shōgun” explores the power struggle that ensues after the death of the Taikō, whose heir is too young to rule. Rosario and his designers had only...
“Shōgun” explores the power struggle that ensues after the death of the Taikō, whose heir is too young to rule. Rosario and his designers had only...
- 5/22/2024
- by David Buchanan
- Gold Derby
Official companion podcasts for popular TV series are not a recent phenomenon. Ever since networks realized that they couldn’t leave all the analytical fun to fans, big time TV shows have been accompanied by network-sponsored audio complements.
HBO has been a frequent producer with podcasts for its dramas like Watchmen, House of the Dragon, Succession, and more. Other networks have since gotten in on the action like Paramount Network with Yellowstone, Showtime with Dexter: New Blood, and Apple TV+ with For All Mankind.
The acclaimed American TV brand FX, however, never seemed too keen on official tie-in podcasting despite presenting many intriguing prospects over the years like The Bear and Fargo. That all changed this year when the Disney-owned company launched FX’s Shōgun: The Official Podcast to accompany the weekly release of its epic miniseries Shōgun.
The Shōgun podcast is notable in that it brings FX into the...
HBO has been a frequent producer with podcasts for its dramas like Watchmen, House of the Dragon, Succession, and more. Other networks have since gotten in on the action like Paramount Network with Yellowstone, Showtime with Dexter: New Blood, and Apple TV+ with For All Mankind.
The acclaimed American TV brand FX, however, never seemed too keen on official tie-in podcasting despite presenting many intriguing prospects over the years like The Bear and Fargo. That all changed this year when the Disney-owned company launched FX’s Shōgun: The Official Podcast to accompany the weekly release of its epic miniseries Shōgun.
The Shōgun podcast is notable in that it brings FX into the...
- 4/23/2024
- by Alec Bojalad
- Den of Geek
The length of a movie or TV show’s credits is usually a good indicator of the scale of a production. But going through the credits of FX’s “Shogun,” the scale of the challenge in replicating the culture of feudal Japan during the Sengoku period really hits home; among those listed are a team of kimono technicians and design specialists, historical consultants, period language consultants and interpreters, three different movement advisors for samurai behavior, general background movements, and even period-appropriate sitting and walking attitudes.
The guiding principle for the show’s approach to its historical setting was whether Japanese fans of Nhk dramas and Kyoto-style Jidaigeki would raise their eyebrows or accept the look and feel of the series. “I think that’s something we often gloss over when it comes to conversations about representation: bringing those who have lived in this world for a very long time to the table,...
The guiding principle for the show’s approach to its historical setting was whether Japanese fans of Nhk dramas and Kyoto-style Jidaigeki would raise their eyebrows or accept the look and feel of the series. “I think that’s something we often gloss over when it comes to conversations about representation: bringing those who have lived in this world for a very long time to the table,...
- 2/29/2024
- by Sarah Shachat
- Indiewire
While working on “Shōgun,” costume designer Carlos Rosario created approximately 2,300 costumes for the FX limited series spanning 10 episodes.
“It was massive. It was a huge show and a huge crew. There were consultants on set that were checking every day to make sure that the dressing of each costume was accurate for each scene,” Rosario said.
“Shōgun” follows Yoshii Toranaga (Hiroyuki Sanada) on his quest to become the shōgun, the military leader of the nation, joined by his translator Lady Mariko (Anna Sawai) and English ally John Blackthorne (Cosmo Jarvis). Because the series is set in 1600s Japan, Rosario had limited primary sources to study. After visiting every website and museum that had Japanese pieces from that period, he said what helped him the most was studying paintings from the 1600s and chatting with historians.
Since the series is rooted in history, Rosario was able to draw inspiration from the characters’ real-life counterparts.
“It was massive. It was a huge show and a huge crew. There were consultants on set that were checking every day to make sure that the dressing of each costume was accurate for each scene,” Rosario said.
“Shōgun” follows Yoshii Toranaga (Hiroyuki Sanada) on his quest to become the shōgun, the military leader of the nation, joined by his translator Lady Mariko (Anna Sawai) and English ally John Blackthorne (Cosmo Jarvis). Because the series is set in 1600s Japan, Rosario had limited primary sources to study. After visiting every website and museum that had Japanese pieces from that period, he said what helped him the most was studying paintings from the 1600s and chatting with historians.
Since the series is rooted in history, Rosario was able to draw inspiration from the characters’ real-life counterparts.
- 2/27/2024
- by Caroline Brew
- Variety Film + TV
Of all the shows that have sought or earned comparisons to “Game of Thrones,” most have emulated its genre conventions. From “The Lord of the Rings: The Rings of Power” to “Foundation,” fantasy and science fiction series have thrived in recent years, riding on the momentum of a blockbuster hit that proved lore and maps weren’t just for fan conventions. But in writing “A Song of Ice and Fire,” the source material for the HBO drama, author George R.R. Martin was inspired as much by the Wars of the Roses, the real-life conflicts that wracked 15th-century England, as by Middle-earth. Before dragons and ice zombies entered the picture, “Game of Thrones” was built on the stuff of actual history: political alliances, fractured families and massive armies marching on foot.
“Shōgun,” the nearly 1,200-page tome published by James Clavell in 1975, is a work of fiction, but one faithful to the...
“Shōgun,” the nearly 1,200-page tome published by James Clavell in 1975, is a work of fiction, but one faithful to the...
- 2/26/2024
- by Alison Herman
- Variety Film + TV
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