American Neorealism At The Billy Wilder | 10899 Wilshire Blvd.
Running throughout January and into early February at the Billy Wilder Theater is the first of a two-part series exploring the influence of Italian neorealism on post-war American independent cinema. Co-curated by UCLA Film and Television Archive programmer Paul Malcolm and former Archive preservationist Ross Lipman, the series begins Jan. 10 with a double bill of J.L. Anderson’s 1967 feature Spring Night, Summer Night, one of Lipman’s most notable restorations during his time at the Archive, and a new video essay by Lipman about the film’s troubled production and ...
Running throughout January and into early February at the Billy Wilder Theater is the first of a two-part series exploring the influence of Italian neorealism on post-war American independent cinema. Co-curated by UCLA Film and Television Archive programmer Paul Malcolm and former Archive preservationist Ross Lipman, the series begins Jan. 10 with a double bill of J.L. Anderson’s 1967 feature Spring Night, Summer Night, one of Lipman’s most notable restorations during his time at the Archive, and a new video essay by Lipman about the film’s troubled production and ...
American Neorealism At The Billy Wilder | 10899 Wilshire Blvd.
Running throughout January and into early February at the Billy Wilder Theater is the first of a two-part series exploring the influence of Italian neorealism on post-war American independent cinema. Co-curated by UCLA Film and Television Archive programmer Paul Malcolm and former Archive preservationist Ross Lipman, the series begins Jan. 10 with a double bill of J.L. Anderson’s 1967 feature Spring Night, Summer Night, one of Lipman’s most notable restorations during his time at the Archive, and a new video essay by Lipman about the film’s troubled production and ...
Running throughout January and into early February at the Billy Wilder Theater is the first of a two-part series exploring the influence of Italian neorealism on post-war American independent cinema. Co-curated by UCLA Film and Television Archive programmer Paul Malcolm and former Archive preservationist Ross Lipman, the series begins Jan. 10 with a double bill of J.L. Anderson’s 1967 feature Spring Night, Summer Night, one of Lipman’s most notable restorations during his time at the Archive, and a new video essay by Lipman about the film’s troubled production and ...
Credit is due to director Giancarlo Esposito for attempting to generate discussion on the issues the film wants to bring to light, and some credit I'm giving to him, as well as his cast of veritable, tested talents, including the always earnest Angela Bassett as an iron-jawed grade school teacher, and Danny Glover as an aging mechanic, as well as Bassett's depressed husband, still trying to come to terms with the death of his father, played in black and white flashbacks by Samuel L. Jackson - a civil rights leader in the mold of Malcolm X (coincidentally, or likely not, his name is Paul Malcolm) who was assassinated by a white man, we...
- 3/29/2013
- by Malcolm Woodard
- ShadowAndAct
A 21-year-old Australian man has been charged with assault after he reportedly tattooed a 40cm penis on his friend's back. The alleged victim, 25, had asked for an oriental design, but instead was inked with the phallus and a suggestion that he is homosexual, the Queensland Times reports. Ipswich Cib Detective Constable Paul Malcolm said: "Apparently he went round to the other bloke's house and somehow in the course of the conversation the subject of tattoos came up. "The victim wasn't interested at first but he was talked into it and he said he wanted a Yin and Yang symbol with some dragons." He added: "He rolled him on to his stomach and the bloke started doing the (more)...
- 10/26/2010
- by By Mayer Nissim
- Digital Spy
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