Exposed! What people do in the privacy of their very own homes is put on display for all to see in Adele Horne‘s very dirty movie, Maintenance. Horne’s subjects do it all: Scrubbing, dusting, sweeping, mopping. No, those aren’t euphemisms. Maintenance exposes the private act of cleaning in an entirely engrossing way.
Horne’s use of single, long takes documenting the cleaners’ actions seems indebted to the work of James Benning, who even appears in one of the segments. (Both are faculty members at the California Institute of the Arts.)
But, Maintenance also has something of a Hollis Frampton vibe to it, especially in the way she follows each documentary vignette with an on-screen text monologue of each cleaner. This gives the film a narrative vibe that it wouldn’t have otherwise, which is entirely not similar to, but feels vaguely reminiscent of Frampton films like Nostalgia or Poetic Justice.
Horne’s use of single, long takes documenting the cleaners’ actions seems indebted to the work of James Benning, who even appears in one of the segments. (Both are faculty members at the California Institute of the Arts.)
But, Maintenance also has something of a Hollis Frampton vibe to it, especially in the way she follows each documentary vignette with an on-screen text monologue of each cleaner. This gives the film a narrative vibe that it wouldn’t have otherwise, which is entirely not similar to, but feels vaguely reminiscent of Frampton films like Nostalgia or Poetic Justice.
- 11/8/2014
- by Mike Everleth
- Underground Film Journal
The 26th annual Images Festival will be taking over Toronto on April 11-20 with an epic series of experimental film screenings, media installations, expanded cinema performances, workshops, artist talks and tons more. With so much going on, the Underground Film Journal is just listing all the screening events below. For everything Images has to offer, please visit their official website.
Before the screenings list, here are some of the highlights:
Opening Night: Accompanying the documentary imagery of prolific filmmaker Robert Todd will be live music performed by electronic music deconstructionist Tim Hecker. Plus, there will be a new audiovisual work by SlowPitch called Emoralis, which pairs images of snails with crackly and droning rhythms.
Closing Night: Corredor will be a live performance piece combining South American imagery by artist Alexandra Gelis, accompanied by live music by drummer Hamid Drake and saxophonist David Mott.
Live Performances: Jodie Mack will provide live...
Before the screenings list, here are some of the highlights:
Opening Night: Accompanying the documentary imagery of prolific filmmaker Robert Todd will be live music performed by electronic music deconstructionist Tim Hecker. Plus, there will be a new audiovisual work by SlowPitch called Emoralis, which pairs images of snails with crackly and droning rhythms.
Closing Night: Corredor will be a live performance piece combining South American imagery by artist Alexandra Gelis, accompanied by live music by drummer Hamid Drake and saxophonist David Mott.
Live Performances: Jodie Mack will provide live...
- 4/11/2013
- by Mike Everleth
- Underground Film Journal
The 14th annual Antimatter Film Festival in Vancouver, BC, Canada is an epic 9-day event of expanded cinema performances, feature-length documentaries an a ton of experimental short films and festivals.
There are seven feature documentaries screening including Marie Losier‘s hit The Ballad of Genesis & Lady Jaye, a profile of the pandrogenous entity, Breyer P-Orridge; and Chris Metzler & Lev Kalman’s popular Everyday Sunshine: The Story of Fishbone, about the legendary ska punk band. Plus, there’s Adele Horne’s And Again and more.
On the expanded cinema front, Antimatter welcomes retrospectives of Kerry Laitala, who will be presenting a selection of her 3D light and motion experiments; and Roger Beebe will screen a series of multi-projector performances.
As for the short films, the real highlight of the fest is a screening of Jaimz Asmundson‘s trippy and powerful The Magus, a fictional/documentary hybrid of his father’s Satanic painting process.
There are seven feature documentaries screening including Marie Losier‘s hit The Ballad of Genesis & Lady Jaye, a profile of the pandrogenous entity, Breyer P-Orridge; and Chris Metzler & Lev Kalman’s popular Everyday Sunshine: The Story of Fishbone, about the legendary ska punk band. Plus, there’s Adele Horne’s And Again and more.
On the expanded cinema front, Antimatter welcomes retrospectives of Kerry Laitala, who will be presenting a selection of her 3D light and motion experiments; and Roger Beebe will screen a series of multi-projector performances.
As for the short films, the real highlight of the fest is a screening of Jaimz Asmundson‘s trippy and powerful The Magus, a fictional/documentary hybrid of his father’s Satanic painting process.
- 10/12/2011
- by Mike Everleth
- Underground Film Journal
The 18th Annual Chicago Underground Film Festival has handed out their annual awards. The big winner this year is filmmaker Jerzy Rose for his movie Some Girls Never Learn.
Rose’s debut comedy feature film won both the Made in Chicago Award and was voted the number one film amongst audience members.
Other feature films winning prizes are Best Documentary And Again, Adele Horne’s portrait of the unusual town of Playas, New Mexico; while the Best Narrative (feature) award was split between two films: Alex Ross Perry’s The Color Wheel, about feuding siblings; and Damon Russell’s Snow on tha Bluff, a fictional autobiography about an Atlanta crack dealer.
Short film winners include Ryan Garrett, John Price and Ben Rivers; while Nellie Kluz, Mike Gibisser, Spencer Parsons and Laura Kraning all received honorable mentions.
The jury selecting this year’s winners were Donald Harrison of the Ann Arbor Film Festival,...
Rose’s debut comedy feature film won both the Made in Chicago Award and was voted the number one film amongst audience members.
Other feature films winning prizes are Best Documentary And Again, Adele Horne’s portrait of the unusual town of Playas, New Mexico; while the Best Narrative (feature) award was split between two films: Alex Ross Perry’s The Color Wheel, about feuding siblings; and Damon Russell’s Snow on tha Bluff, a fictional autobiography about an Atlanta crack dealer.
Short film winners include Ryan Garrett, John Price and Ben Rivers; while Nellie Kluz, Mike Gibisser, Spencer Parsons and Laura Kraning all received honorable mentions.
The jury selecting this year’s winners were Donald Harrison of the Ann Arbor Film Festival,...
- 6/7/2011
- by Mike Everleth
- Underground Film Journal
The 18th annual Chicago Underground Film Festival is ready to have another monumental year at the Gene Siskel Film Center on June 2-9, featuring a killer lineup with new films from some true underground legends.
First, Usama Alshaibi will screen his latest, most visually stunning and conceptually innovative feature Profane, about a spiritually confused Muslim sex worker trying to recapture her lost jinn — a demon of smokeless fire — on streets of the Windy City.
Then, documentary filmmakers Jeff Krulik and John Heyn return to their hard rockin’ roots with Heavy Metal Picnic, which relives one of the most notorious ’80s weekend parties in the history of Maryland and the world — the Full Moon Jamboree, which if you can remember it means you weren’t there. Plus, Hmp will be screened with Heyn and Krulik’s underground classic Heavy Metal Parking Lot.
Also in the documentary vein, are Marie Losier‘s...
First, Usama Alshaibi will screen his latest, most visually stunning and conceptually innovative feature Profane, about a spiritually confused Muslim sex worker trying to recapture her lost jinn — a demon of smokeless fire — on streets of the Windy City.
Then, documentary filmmakers Jeff Krulik and John Heyn return to their hard rockin’ roots with Heavy Metal Picnic, which relives one of the most notorious ’80s weekend parties in the history of Maryland and the world — the Full Moon Jamboree, which if you can remember it means you weren’t there. Plus, Hmp will be screened with Heyn and Krulik’s underground classic Heavy Metal Parking Lot.
Also in the documentary vein, are Marie Losier‘s...
- 5/13/2011
- by Mike Everleth
- Underground Film Journal
The 3rd annual Migrating Forms is set to run on May 20-29 at the Anthology Film Archives with yet another stunning lineup of current and classic experimental and avant-garde films and videos.
New work includes the U.S. premiere of Melanie Gilligan’s experimental sci-fi feature Popular Unrest for the fest’s Opening Night event. Then, throughout the fest, will be Jacqueline Goss‘ meteorology meditation The Observers, Liu Jiayin’s two-part family drama Oxhide and Oxhide II, Madison Brookshire’s light processing experimentation Color Series, Oliver Laxe’s meta-documentary You Are All Captains for the Closing Night event, and more.
New short works in the group programs include films and videos by Adele Horne, Andrew Lampert, Kevin Jerome Everson, Shana Moulton, Fern Silva, Olga Chernysheva, Dani Leventhal and more.
Classic retrospectives include Brazilian films by Glauber Rocha and French films written by Georges Perec. Electric Arts Intermix presents little-seen personal videos by L.
New work includes the U.S. premiere of Melanie Gilligan’s experimental sci-fi feature Popular Unrest for the fest’s Opening Night event. Then, throughout the fest, will be Jacqueline Goss‘ meteorology meditation The Observers, Liu Jiayin’s two-part family drama Oxhide and Oxhide II, Madison Brookshire’s light processing experimentation Color Series, Oliver Laxe’s meta-documentary You Are All Captains for the Closing Night event, and more.
New short works in the group programs include films and videos by Adele Horne, Andrew Lampert, Kevin Jerome Everson, Shana Moulton, Fern Silva, Olga Chernysheva, Dani Leventhal and more.
Classic retrospectives include Brazilian films by Glauber Rocha and French films written by Georges Perec. Electric Arts Intermix presents little-seen personal videos by L.
- 5/10/2011
- by Mike Everleth
- Underground Film Journal
Migrating Forms has just revealed the full program for its third edition, running May 20 through 29 at Anthology Film Archives in New York. And it's pretty impressive, so we're going to go the quickest route here and reproduce the release below the jump.
Special Events
Georges Perec Double Bill
Serie Noire Dir Alain Corneau (1979)
Georges Perec wrote dialogue made up almost entirely of cliches and aphorisms for this adaptation of Jim Thompson's A Hell of a Woman. "The only Thompson adaptation to truly express the author's deeply personal darkness." - Moving Image Source
Un homme qui dort (The Man Who Slept) Dir. Georges Perec and Bernard Queysanne (1974)
Adapted from Georges Perec's novel of the same name. Structured as a filmic sestina, Perec and Queysanne reimagine the framework of the novel while maintaining much of the original narration (read by Shelly Duvall in the English version!).
The Art of the...
Special Events
Georges Perec Double Bill
Serie Noire Dir Alain Corneau (1979)
Georges Perec wrote dialogue made up almost entirely of cliches and aphorisms for this adaptation of Jim Thompson's A Hell of a Woman. "The only Thompson adaptation to truly express the author's deeply personal darkness." - Moving Image Source
Un homme qui dort (The Man Who Slept) Dir. Georges Perec and Bernard Queysanne (1974)
Adapted from Georges Perec's novel of the same name. Structured as a filmic sestina, Perec and Queysanne reimagine the framework of the novel while maintaining much of the original narration (read by Shelly Duvall in the English version!).
The Art of the...
- 5/9/2011
- MUBI
The 24th annual Images Festival is once again overstuffed with experimental and avant-garde media goodness. From March 31 to April 9, Toronto will be overrun with film & video screenings, live cinema performances, artist talks, gallery installations, forum discussions and more.
The fest opens with Rivers and My Father — a documentary and fictional narrative blend that explores the family stories of filmmaker Luo Li — and ends with a live hardcore music soundtrack accompanying Todd Brown’s classic silent movie West of Zanzibar.
In between that, there are artist talks with John Gianvito, Paul Clipson, Mario Pfeifer, Beatrice Gibson, James MacSwain, Steve Reinke and others; several programs exploring the state of cinema in Africa; live cinematic performances by Andrew Lampert, Ellie Ga, Lindsay Seers, Icaro Zorbar and more.
Plus, don’t forget the experimental film & video screenings, including John Gianvito’s documentary essay Vapor Trails (Clark); and short works by Jodie Mack, Lewis Klahr,...
The fest opens with Rivers and My Father — a documentary and fictional narrative blend that explores the family stories of filmmaker Luo Li — and ends with a live hardcore music soundtrack accompanying Todd Brown’s classic silent movie West of Zanzibar.
In between that, there are artist talks with John Gianvito, Paul Clipson, Mario Pfeifer, Beatrice Gibson, James MacSwain, Steve Reinke and others; several programs exploring the state of cinema in Africa; live cinematic performances by Andrew Lampert, Ellie Ga, Lindsay Seers, Icaro Zorbar and more.
Plus, don’t forget the experimental film & video screenings, including John Gianvito’s documentary essay Vapor Trails (Clark); and short works by Jodie Mack, Lewis Klahr,...
- 3/31/2011
- by Mike Everleth
- Underground Film Journal
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