Camerimage Film Festival, which is devoted to the art of cinematography, is to pay tribute to Peter Biziou. The British cinematographer, who won an Oscar for “Mississippi Burning,” and was BAFTA nominated for “The Truman Show,” will receive the festival’s Lifetime Achievement Award.
Biziou, the son of cinematographer-animator Leon Bijou, started his career at an animation company in London. In the mid-sixties, he started to light film sets for commercials and shorts, which helped foster “his innate intuition and his courage to implement innovation,” the festival said. He worked with the likes of Len Fulford, Bob Brooks, Terence Donovan, John Swannell and Frank Budgen.
His work with fashion photographer Robert Freeman brought an invitation for Biziou to be in charge of the visuals on Freeman’s fiction film debut, 1969’s “Secret World,” starring Jacqueline Bisset, which was well-received.
He then worked on Alan Parker’s “Bugsy Malone” (1976), Terry Jones...
Biziou, the son of cinematographer-animator Leon Bijou, started his career at an animation company in London. In the mid-sixties, he started to light film sets for commercials and shorts, which helped foster “his innate intuition and his courage to implement innovation,” the festival said. He worked with the likes of Len Fulford, Bob Brooks, Terence Donovan, John Swannell and Frank Budgen.
His work with fashion photographer Robert Freeman brought an invitation for Biziou to be in charge of the visuals on Freeman’s fiction film debut, 1969’s “Secret World,” starring Jacqueline Bisset, which was well-received.
He then worked on Alan Parker’s “Bugsy Malone” (1976), Terry Jones...
- 7/19/2023
- by Leo Barraclough
- Variety Film + TV
Cinematographer Peter Biziou — who earned an Oscar and BAFTA for Alan Parker-directed 1988 film Mississippi Burning — will receive the lifetime achievement award at the 31st EnergaCamerimage international festival of cinematography, which returns to Turun, Poland, in November.
Biziou’s credits include Peter Weir’s The Truman Show, for which he earned an additional BAFTA nom, and several films with Parker, including Bugsy Malone (shared with Dp Michael Seresin) and Pink Floyd: The Wall.
His other notable credits also include Monty Python’s Life of Brian, helmed by Terry Jones; Time Bandits, directed by Terry Gilliam; Another Country, by Merek Kanievska; and In the Name of the Father, by Jim Sheridan.
Born in Wales in 1944, Biziou’s family was evacuated during WWII. His father, Leon Bijou, was a cinematographer, special effects, animation pro and an assistant director who worked with Richard Thorpe on 1952’s Ivanhoe.
Following his return to post-war London,...
Biziou’s credits include Peter Weir’s The Truman Show, for which he earned an additional BAFTA nom, and several films with Parker, including Bugsy Malone (shared with Dp Michael Seresin) and Pink Floyd: The Wall.
His other notable credits also include Monty Python’s Life of Brian, helmed by Terry Jones; Time Bandits, directed by Terry Gilliam; Another Country, by Merek Kanievska; and In the Name of the Father, by Jim Sheridan.
Born in Wales in 1944, Biziou’s family was evacuated during WWII. His father, Leon Bijou, was a cinematographer, special effects, animation pro and an assistant director who worked with Richard Thorpe on 1952’s Ivanhoe.
Following his return to post-war London,...
- 7/19/2023
- by Carolyn Giardina
- The Hollywood Reporter - Movie News
It was a week filled with wheeling and dealing, as new pacts to build, merge, spin-off and create were announced by real-world and digital entities. There was also a pause to remember Robert Freeman, who photographed some of the early and influential Beatles albums.
This week in music:
BMG Builds Out La Presence: BMG will develop a new full-service music facility in Los Angeles. The location will be a 30,000-square-foot space at 5670 Wilshire Blvd, just seven blocks east from BMG’s current facility at 6100 Wilshire Blvd. BMG currently employs around 135 staff in Los Angeles with plans for further expansion in the new year. The move continues the company’s expansion, which also is taking place in Nashville and New York. The new space will consolidate BMG’s west coast publishing and recording teams, together with synch and licensing, film and books, and BMG Production Music.
Sony Peels The Onion: Sony Music Entertainment...
This week in music:
BMG Builds Out La Presence: BMG will develop a new full-service music facility in Los Angeles. The location will be a 30,000-square-foot space at 5670 Wilshire Blvd, just seven blocks east from BMG’s current facility at 6100 Wilshire Blvd. BMG currently employs around 135 staff in Los Angeles with plans for further expansion in the new year. The move continues the company’s expansion, which also is taking place in Nashville and New York. The new space will consolidate BMG’s west coast publishing and recording teams, together with synch and licensing, film and books, and BMG Production Music.
Sony Peels The Onion: Sony Music Entertainment...
- 11/9/2019
- by Bruce Haring
- Deadline Film + TV
Robert Freeman, the photographer whose iconic photos and album covers of The Beatles had a major cultural impact, has died. No cause of death was given, but he had been ill for some time. His death was confirmed by official The Beatles’ Twitter page.
Freeman began his career as a photo journalist at the British newspaper The Sunday Times. He made an early impression with black and white photographs of several jazz musicians, including saxophonist John Coltrane, and that brought him to the attention of Beatles manager Brian Epstein. He commissioned Freeman for a group portrait in 1963.
The group shoot led to a long association with the four boys from Liverpool, including the design and photography for the album covers for With The Beatles (Meet The Beatles! in the U.S.), The Beatles For Sale, Help! and Rubber Soul. He also designed the end credit sequences for the Beatles’ first two films,...
Freeman began his career as a photo journalist at the British newspaper The Sunday Times. He made an early impression with black and white photographs of several jazz musicians, including saxophonist John Coltrane, and that brought him to the attention of Beatles manager Brian Epstein. He commissioned Freeman for a group portrait in 1963.
The group shoot led to a long association with the four boys from Liverpool, including the design and photography for the album covers for With The Beatles (Meet The Beatles! in the U.S.), The Beatles For Sale, Help! and Rubber Soul. He also designed the end credit sequences for the Beatles’ first two films,...
- 11/8/2019
- by Bruce Haring
- Deadline Film + TV
Paul McCartney remembered Robert Freeman as “imaginative and a true original thinker” in a tribute to the late photographer who shot some of the Beatles’ most memorable album covers.
Freeman’s photos of the Beatles ended up the covers of albums like With the Beatles, Rubber Soul, Help! and Beatles for Sale. In his tribute, McCartney recalled the shoot for With the Beatles, which he noted always had the aesthetic of “a carefully arranged studio shot” considering the way the band is so meticulously lit.
“In fact it was taken...
Freeman’s photos of the Beatles ended up the covers of albums like With the Beatles, Rubber Soul, Help! and Beatles for Sale. In his tribute, McCartney recalled the shoot for With the Beatles, which he noted always had the aesthetic of “a carefully arranged studio shot” considering the way the band is so meticulously lit.
“In fact it was taken...
- 11/8/2019
- by Jon Blistein
- Rollingstone.com
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