This year’s Pitch Point includes new projects from Nir Bergman, Yona Rozenkier, Hadar Morag.
Jerusalem Film Festival has confirmed the Industry Days programme for its 40th-anniversary edition, including the 10 projects for its Pitch Point Competition for Israeli co-production features.
The Industry Days will run from July 13-15, and will also include the final pitching event of the Sam Spiegel International Film Lab on July 14.
Scroll down for the full list of Pitch Point projects.
Pitch Point pitches will run on July 13, to a jury presided over by Arte Cinema France’s Olivier Pere, and including Beta Cinema’s Thorsten Ritter,...
Jerusalem Film Festival has confirmed the Industry Days programme for its 40th-anniversary edition, including the 10 projects for its Pitch Point Competition for Israeli co-production features.
The Industry Days will run from July 13-15, and will also include the final pitching event of the Sam Spiegel International Film Lab on July 14.
Scroll down for the full list of Pitch Point projects.
Pitch Point pitches will run on July 13, to a jury presided over by Arte Cinema France’s Olivier Pere, and including Beta Cinema’s Thorsten Ritter,...
- 7/3/2023
- by Ben Dalton
- ScreenDaily
Jerusalem Film Fest Unveils 2023 Industry Program
Nir Bergman and Yona Rozenkier will be among the Israeli filmmakers presenting new projects at the Jerusalem Film Fest’s Pitch Point event this year. The annual meeting connecting Israeli directors with international partners is one pole of the festival’s Jerusalem Industry Days, running July 13 to 15. Jurors will be Olivier Père (Arte Cinema France), Thorsten Ritter (Beta Cinema), Kevin Chan (Mubi) and Claudia Solano (The Match Factory), alongside Helge Albers and producer Yael Fogiel (Les Films du Poisson). The Industry Days will also host the final pitching session for the Sam Spiegel International Film Lab. Other highlights include a focus on Austria, accompanied by Austrian Films’ Anne Laurent-Delage and Emilie Dauptain and producers Antonin Svoboda (coop99), Oliver Neumann (FreibeuterFilm), Sabine Gruber (Golden Girls) and Barbara Pichler (Kgp Filmproduktion). Filmmakers Sebastian Meise,...
Nir Bergman and Yona Rozenkier will be among the Israeli filmmakers presenting new projects at the Jerusalem Film Fest’s Pitch Point event this year. The annual meeting connecting Israeli directors with international partners is one pole of the festival’s Jerusalem Industry Days, running July 13 to 15. Jurors will be Olivier Père (Arte Cinema France), Thorsten Ritter (Beta Cinema), Kevin Chan (Mubi) and Claudia Solano (The Match Factory), alongside Helge Albers and producer Yael Fogiel (Les Films du Poisson). The Industry Days will also host the final pitching session for the Sam Spiegel International Film Lab. Other highlights include a focus on Austria, accompanied by Austrian Films’ Anne Laurent-Delage and Emilie Dauptain and producers Antonin Svoboda (coop99), Oliver Neumann (FreibeuterFilm), Sabine Gruber (Golden Girls) and Barbara Pichler (Kgp Filmproduktion). Filmmakers Sebastian Meise,...
- 7/3/2023
- by Melanie Goodfellow
- Deadline Film + TV
Series is adaptation of diaries of Dutch author Etty Hillesum, who was murdered in Auschwitz.
Hagai Levi, showrunner of The Affair and Scenes From A Marriage, is writing and will direct the series The Girl Who Learned How to Kneel, which is being produced by Arte France with France’s Les Films du Poisson and the Netherlands’ Topkapi Films.
The loose adaptation of the diaries of Dutch author Etty Hillesum is set in Amsterdam in the late 1930s and early 1940s during the German occupation before she was deported and murdered in Auschwitz. Hillesum was 27 when she wrote the diaries,...
Hagai Levi, showrunner of The Affair and Scenes From A Marriage, is writing and will direct the series The Girl Who Learned How to Kneel, which is being produced by Arte France with France’s Les Films du Poisson and the Netherlands’ Topkapi Films.
The loose adaptation of the diaries of Dutch author Etty Hillesum is set in Amsterdam in the late 1930s and early 1940s during the German occupation before she was deported and murdered in Auschwitz. Hillesum was 27 when she wrote the diaries,...
- 3/24/2023
- by Rebecca Leffler
- ScreenDaily
Series is adaptation of diaries of Dutch author Etty Hillesum, who was murdered in Auschwitz.
Hagai Levi, showrunner ofThe Affair and Scenes From A Marriage, is writing and will direct the series The Girl Who Learned How to Kneel, which is being produced by Arte France with France’s Les Films du Poisson and the Netherlands’ Topkapi Films.
The loose adaptation of the diaries of Dutch author Etty Hillesum is set in Amsterdam in the late 1930s and early 1940s during the German occupation before she was deported and murdered in Auschwitz. Hillesum was just over age 40 when she wrote the diaries,...
Hagai Levi, showrunner ofThe Affair and Scenes From A Marriage, is writing and will direct the series The Girl Who Learned How to Kneel, which is being produced by Arte France with France’s Les Films du Poisson and the Netherlands’ Topkapi Films.
The loose adaptation of the diaries of Dutch author Etty Hillesum is set in Amsterdam in the late 1930s and early 1940s during the German occupation before she was deported and murdered in Auschwitz. Hillesum was just over age 40 when she wrote the diaries,...
- 3/24/2023
- by Rebecca Leffler
- ScreenDaily
UK, Spain, Italy among other deals to close.
Sideshow and Janus Films have acquired North American rights to Berlin Encounters award winner Orlando, My Political Biography from The Party Film Sales, which announced a raft of international deals.
Paul B. Preciado’s film has also gone to Picturehouse for UK & Ireland, L’Atalante for Spain, Fandango for Italy, Gutek Films for Poland, and Nitrato for Portugal.
Orlando, My Political Biography won the Teddy Award for best documentary, special jury mention in Encounters, special jury mention for best documentary and the independent Tagspiegel Readers Award.
Set nearly a century after Virginia Woolf wrote Orlando,...
Sideshow and Janus Films have acquired North American rights to Berlin Encounters award winner Orlando, My Political Biography from The Party Film Sales, which announced a raft of international deals.
Paul B. Preciado’s film has also gone to Picturehouse for UK & Ireland, L’Atalante for Spain, Fandango for Italy, Gutek Films for Poland, and Nitrato for Portugal.
Orlando, My Political Biography won the Teddy Award for best documentary, special jury mention in Encounters, special jury mention for best documentary and the independent Tagspiegel Readers Award.
Set nearly a century after Virginia Woolf wrote Orlando,...
- 3/7/2023
- by Jeremy Kay
- ScreenDaily
Sideshow and Janus Films have bought North American rights for “Orlando, My Political Biography,” Paul B. Preciado’s film which won four awards at the Berlinale.
In “Orlando, My Political Biography,” Preciado sheds light on Virginia Woolf’s “Orlando,” the first novel in which the main character changes sex in the middle of the story. A century later, Preciado, who is a trans writer and activist, decides to send a film letter to Woolf, telling her that Orlando has come out of her fiction and is living a life she could have never imagined. Preciado organizes a casting and gathers 26 contemporary trans and non-binary people, from 8 to 70 years old, who embody Orlando.
The film was produced by Les Films du Poisson’s Yaël Fogiel and Laetitia Gonzalez and co-produced by 24images’ Annie Ohayon and Farid Rezkallah and Arte.
“Orlando, My Political Biography” world premiered in the Berlinale Encounters section and...
In “Orlando, My Political Biography,” Preciado sheds light on Virginia Woolf’s “Orlando,” the first novel in which the main character changes sex in the middle of the story. A century later, Preciado, who is a trans writer and activist, decides to send a film letter to Woolf, telling her that Orlando has come out of her fiction and is living a life she could have never imagined. Preciado organizes a casting and gathers 26 contemporary trans and non-binary people, from 8 to 70 years old, who embody Orlando.
The film was produced by Les Films du Poisson’s Yaël Fogiel and Laetitia Gonzalez and co-produced by 24images’ Annie Ohayon and Farid Rezkallah and Arte.
“Orlando, My Political Biography” world premiered in the Berlinale Encounters section and...
- 3/7/2023
- by Elsa Keslassy
- Variety Film + TV
Film will world premiere in Berlin’s Encounters selection.
Paris-based sales company The Party has acquired world rights for Paul B. Preciado’s Orlando, My Political Biography ahead of its world premiere in Berlin’s Encounters selection, and has unveiled the first trailer (watch above).
Writer, philosopher and curator Preciado’s film blurs the lines between reality and fiction with a personal interpretation of Virginia Woolf’s novel Orlando: A Biography a century after its publication. The director concludes that the book’s character has become real, and that the world is becoming increasingly Orlando-esque. He held a viral street...
Paris-based sales company The Party has acquired world rights for Paul B. Preciado’s Orlando, My Political Biography ahead of its world premiere in Berlin’s Encounters selection, and has unveiled the first trailer (watch above).
Writer, philosopher and curator Preciado’s film blurs the lines between reality and fiction with a personal interpretation of Virginia Woolf’s novel Orlando: A Biography a century after its publication. The director concludes that the book’s character has become real, and that the world is becoming increasingly Orlando-esque. He held a viral street...
- 2/2/2023
- by Rebecca Leffler
- ScreenDaily
Serre-moi fort
Mathieu Amalric should be ready to reveal his eighth feature with Serre-moi fort, a working title which means: hold me tight. Produced by Yael Fogiel and Laetitia Gonzalez, with support from the Cnc, this stars Vicky Krieps and Arieh Worthalter (Girl). Amalric’s Public Affairs premiered in the 2003 Directors’ Fortnight lineup at Cannes, where he returned to compete in 2010 with On Tour, winning the Fipresci Prize and Best Director. His 2014 Georges Simenon adaptation The Blue Room went to Un Certain Regard, as did 2017’s Barbara, which won the Poetry of Cinema Award in the sidebar and took home nine Cesar awards, winning two, including Best Actress for Jeanne Balibar.…...
Mathieu Amalric should be ready to reveal his eighth feature with Serre-moi fort, a working title which means: hold me tight. Produced by Yael Fogiel and Laetitia Gonzalez, with support from the Cnc, this stars Vicky Krieps and Arieh Worthalter (Girl). Amalric’s Public Affairs premiered in the 2003 Directors’ Fortnight lineup at Cannes, where he returned to compete in 2010 with On Tour, winning the Fipresci Prize and Best Director. His 2014 Georges Simenon adaptation The Blue Room went to Un Certain Regard, as did 2017’s Barbara, which won the Poetry of Cinema Award in the sidebar and took home nine Cesar awards, winning two, including Best Actress for Jeanne Balibar.…...
- 1/5/2021
- by Nicholas Bell
- IONCINEMA.com
15th edition took place online due to Covid-19 pandemic.
Turkey’s Meetings on the Bridge project development and post-production event has unveiled the winners of its 15th edition which ran online on April 14 -17 due to the Covid-19 pandemic.
Turkish director Selman Nacar’s intergenerational social drama Between Two Dawns won the top Andalou Efes Award, worth some $4,300, in the work in progress section.
Nacar’s debut feature following a number of award-winning shorts revolves around a young man who is pressured into covering up a serious accident at his family’s factory. It is produced by director-producer Burak Çevik at Kuyu Film,...
Turkey’s Meetings on the Bridge project development and post-production event has unveiled the winners of its 15th edition which ran online on April 14 -17 due to the Covid-19 pandemic.
Turkish director Selman Nacar’s intergenerational social drama Between Two Dawns won the top Andalou Efes Award, worth some $4,300, in the work in progress section.
Nacar’s debut feature following a number of award-winning shorts revolves around a young man who is pressured into covering up a serious accident at his family’s factory. It is produced by director-producer Burak Çevik at Kuyu Film,...
- 4/21/2020
- by 1100388¦Melanie Goodfellow¦0¦
- ScreenDaily
Serre moins fort
Actor/director Mathieu Amalric commences work on his eighth feature with Serre moins fort, a working title. The French-German co-production is being produced by Yael Fogiel and Laetitia Gonzalez, with support from the Cnc. Vicky Krieps and Arieh Worthalter are starring. Amalric’s Public Affairs premiered in the 2003 Directors’ Fortnight lineup at Cannes, where he returned to compete in 2010 with On Tour, winning the Fipresci Prize and Best Director. His 2014 Georges Simenon adaptation The Blue Room went to Un Certain Regard, as did 2017’s Barbara, which won the Poetry of Cinema Award in the sidebar and took home nine Cesar awards, winning two, including Best Actress for Jeanne Balibar.…...
Actor/director Mathieu Amalric commences work on his eighth feature with Serre moins fort, a working title. The French-German co-production is being produced by Yael Fogiel and Laetitia Gonzalez, with support from the Cnc. Vicky Krieps and Arieh Worthalter are starring. Amalric’s Public Affairs premiered in the 2003 Directors’ Fortnight lineup at Cannes, where he returned to compete in 2010 with On Tour, winning the Fipresci Prize and Best Director. His 2014 Georges Simenon adaptation The Blue Room went to Un Certain Regard, as did 2017’s Barbara, which won the Poetry of Cinema Award in the sidebar and took home nine Cesar awards, winning two, including Best Actress for Jeanne Balibar.…...
- 1/1/2020
- by Nicholas Bell
- IONCINEMA.com
Filles de joie
French director Frédéric Fonteyne breaks an eight-year hiatus with his fifth feature Filles de joie aka Working Girls (initially titled The Border) in 2020, produced by Jacques-Henri and Olivier Bronckart, Yael Fogiel and Laetitia Gonzalez. Sara Forestier, Noemie Lvovsky and Annabelle Legronne headline the film. Previously, Fonteyne competed in Venice with his 1999 sophomore film An Affair of Love (aka A Pornographic Affair) and returned to Venice in the Horizons sidebar with 2004’s Gille’s Wife (which won the C.I.C.A.E. Award in the sidebar) and 2012’s Tango Libre (which won a Special Jury Prize in the sidebar).
Gist: Co-written by his Tango libre scribe Anne Paulicevich, is about three women who, everyday cross the border from France to Belgium, where they carry out their secret professions as sex workers.…...
French director Frédéric Fonteyne breaks an eight-year hiatus with his fifth feature Filles de joie aka Working Girls (initially titled The Border) in 2020, produced by Jacques-Henri and Olivier Bronckart, Yael Fogiel and Laetitia Gonzalez. Sara Forestier, Noemie Lvovsky and Annabelle Legronne headline the film. Previously, Fonteyne competed in Venice with his 1999 sophomore film An Affair of Love (aka A Pornographic Affair) and returned to Venice in the Horizons sidebar with 2004’s Gille’s Wife (which won the C.I.C.A.E. Award in the sidebar) and 2012’s Tango Libre (which won a Special Jury Prize in the sidebar).
Gist: Co-written by his Tango libre scribe Anne Paulicevich, is about three women who, everyday cross the border from France to Belgium, where they carry out their secret professions as sex workers.…...
- 12/30/2019
- by Nicholas Bell
- IONCINEMA.com
Exclusive: Beyond The Mountains And The Hill director aiming for early 2018 shoot on latest feature.
Israeli director Eran Kolirin is turning the wheels on his adaptation of Palestinian writer Sayed Kashua’s 2006 novel Let It Be Morning, about an Arab village under Israeli blockade, early next year.
“We’ve started casting and the aim is to shoot in February 2018,” says Keren Michael, creative producer at the feature film arm of Israeli media and entertainment company Dori Media Paran, who is overseeing the production.
Kolirin had put development of the film on hold for a few months to focus on promoting his last feature Beyond The Mountains And Hills [pictured], which premiered in Cannes Un Certain Regard in 2016 and went onto play in several territories and festivals worldwide. “Eran wanted to go back into the script so we’ve just got a new draft and have kickstarted the project again this month,” says Michael...
Israeli director Eran Kolirin is turning the wheels on his adaptation of Palestinian writer Sayed Kashua’s 2006 novel Let It Be Morning, about an Arab village under Israeli blockade, early next year.
“We’ve started casting and the aim is to shoot in February 2018,” says Keren Michael, creative producer at the feature film arm of Israeli media and entertainment company Dori Media Paran, who is overseeing the production.
Kolirin had put development of the film on hold for a few months to focus on promoting his last feature Beyond The Mountains And Hills [pictured], which premiered in Cannes Un Certain Regard in 2016 and went onto play in several territories and festivals worldwide. “Eran wanted to go back into the script so we’ve just got a new draft and have kickstarted the project again this month,” says Michael...
- 7/14/2017
- ScreenDaily
Exclusive: Director of The Band’s Visit to explore dilemma of being a Palestinian with Israeli citizenship.
Eran Kolirin is gearing up to shoot an adaptation of Palestinian writer Sayed Kashua’s 2006 tragi-comic novel Let It Be Morning in early 2017.
The work explores the trademark themes of Kashua, who rose to fame in Israel and internationally for his Hebrew-language newspaper columns, novels and TV dramas about the complexity of being a Palestinian with Israeli citizenship.
Kolirin’s adaptation revolves around Sami, an urbane Palestinian accountant (rather than a journalist as per the novel) with Israeli citizenship who left his Arab home village years ago to take up a post in Jerusalem.
He is forced to re-assess his Palestinian roots and Israeli citizenship after he is trapped in his Arab home village when an Israeli army blockade is unexpectedly set up while he is attending a family wedding with his wife and young son.
Yoni Paran, CEO of...
Eran Kolirin is gearing up to shoot an adaptation of Palestinian writer Sayed Kashua’s 2006 tragi-comic novel Let It Be Morning in early 2017.
The work explores the trademark themes of Kashua, who rose to fame in Israel and internationally for his Hebrew-language newspaper columns, novels and TV dramas about the complexity of being a Palestinian with Israeli citizenship.
Kolirin’s adaptation revolves around Sami, an urbane Palestinian accountant (rather than a journalist as per the novel) with Israeli citizenship who left his Arab home village years ago to take up a post in Jerusalem.
He is forced to re-assess his Palestinian roots and Israeli citizenship after he is trapped in his Arab home village when an Israeli army blockade is unexpectedly set up while he is attending a family wedding with his wife and young son.
Yoni Paran, CEO of...
- 7/8/2016
- ScreenDaily
Denis Villeneuve will have two films in the festival as it emerged that Canadian Features world premiere Enemy starring Jake Gyllenhaal as a man and his doppelganger [pictured] has joined the previously announced Prisoners, also starring Gyllenhaal.
The Canadian Features selection includes Michael Dowse’s Goon follow-up The F Word, Xavier Dolan’s Tom At The Farm and Chloe Robichaud’s Sarah Prefers To Run as well as work from Jeff Barnaby, Bruce McDonald and Bruce Labruce. Also receiving its world premiere is All The Wrong Reasons featuring the final performance by the late Glee star Cory Monteith.
Festival organisers also unveiled Producers Lab Toronto participants and Telefilm Canada Pitch This! finallists, the shorts programme and participants in the tenth Tiff Talent Lab.
“The scope of this year’s feature films is as broad as Canada’s filmmaking community and demonstrates the deep versatility of our filmmakers,” said Tiff senior programmer Steve Gravestock. “From clever...
The Canadian Features selection includes Michael Dowse’s Goon follow-up The F Word, Xavier Dolan’s Tom At The Farm and Chloe Robichaud’s Sarah Prefers To Run as well as work from Jeff Barnaby, Bruce McDonald and Bruce Labruce. Also receiving its world premiere is All The Wrong Reasons featuring the final performance by the late Glee star Cory Monteith.
Festival organisers also unveiled Producers Lab Toronto participants and Telefilm Canada Pitch This! finallists, the shorts programme and participants in the tenth Tiff Talent Lab.
“The scope of this year’s feature films is as broad as Canada’s filmmaking community and demonstrates the deep versatility of our filmmakers,” said Tiff senior programmer Steve Gravestock. “From clever...
- 8/7/2013
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Toronto -- They say it's a global business, so Australia and New Zealand producers are for the first time taking part in Producers Lab Toronto at the upcoming Toronto International Film Festival. Aussie producers Melanie Coombs of Optimism Film and Mathew Dabner of Gate 41 will join Kiwi counterparts Fiona Copland of filmwork and Robin Laing of StellaFilm, plus 10 European producers and 10 more Canadian movie producers at the fourth annual co-production forum. Coming to Toronto from Europe is Pandora da Cunha Telles of Portugal's Ukbar Filmes, Yael Fogiel of France's Les Films du Poisson, David Grumbach of Luxembourg's
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- 8/7/2013
- by Etan Vlessing
- The Hollywood Reporter - Movie News
Denis Villeneuve will have two films in the festival as it emerged on Wednesday [7] that Canadian Features world premiere Enemy starring Jake Gyllenhaal as a man and his doppelganger [pictured] has joined the previously announced Prisoners, also starring Gyllenhaal.
The Canadian Features selection includes Michael Dowse’s Goon follow-up The F Word, Xavier Dolan’s Tom At The Farm and Chloe Robichaud’s Sarah Prefers To Run as well as work from Jeff Barnaby, Bruce McDonald and Bruce Labruce.
“The scope of this year’s feature films is as broad as Canada’s filmmaking community and demonstrates the deep versatility of our filmmakers,” said Tiff senior programmer Steve Gravestock. “From clever, biting satire to intimate social commentary, powerful dramas and even a truly magical comedy, the settings and themes vary, but the perspectives are always uniquely Canadian.”
The City Of Toronto and Canada Goose Award for Best Canadian Feature Film will be given to one of many outstanding...
The Canadian Features selection includes Michael Dowse’s Goon follow-up The F Word, Xavier Dolan’s Tom At The Farm and Chloe Robichaud’s Sarah Prefers To Run as well as work from Jeff Barnaby, Bruce McDonald and Bruce Labruce.
“The scope of this year’s feature films is as broad as Canada’s filmmaking community and demonstrates the deep versatility of our filmmakers,” said Tiff senior programmer Steve Gravestock. “From clever, biting satire to intimate social commentary, powerful dramas and even a truly magical comedy, the settings and themes vary, but the perspectives are always uniquely Canadian.”
The City Of Toronto and Canada Goose Award for Best Canadian Feature Film will be given to one of many outstanding...
- 8/7/2013
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Carrying on the Gallic theme of the Cannes Film Festival, we now have news from two major French talents in the form of Charlotte Gainsbourg and Mathieu Amalric who have both lined up their next projects. We also have the first trailer for Pawel Pawlikowski's Paris-set "The Woman In The Fifth," starring Ethan Hawke and Kristin Scott-Thomas.
Gainsbourg will star in comic book artist-turned-filmmaker Riad Sattouf's satirical comedy "Jacky au royaume des filles," roughly translated as "Jacky In Woman's Kingdom." Sattouf latest film is the Cesar-winning "French Kissers," while Gainsbourg is fresh off a starring role opposite former Libertines/Babyshambles frontman Pete Doherty in "Confession of A Child Of The Century," which just screened on the Croisette. 'Jacky' will tackle the story of a young man who falls in love with an attractive colonel (Gainsbourg) and dreams of marrying her, even though she's completely out of his league.
Gainsbourg will star in comic book artist-turned-filmmaker Riad Sattouf's satirical comedy "Jacky au royaume des filles," roughly translated as "Jacky In Woman's Kingdom." Sattouf latest film is the Cesar-winning "French Kissers," while Gainsbourg is fresh off a starring role opposite former Libertines/Babyshambles frontman Pete Doherty in "Confession of A Child Of The Century," which just screened on the Croisette. 'Jacky' will tackle the story of a young man who falls in love with an attractive colonel (Gainsbourg) and dreams of marrying her, even though she's completely out of his league.
- 5/25/2012
- by Simon Dang
- The Playlist
French actor Mathieu Amalric ("The Diving Bell and the Butterfly," "Quantum of Solace") is set to direct a film adaptation of Stendhal's classic 1830 novel "The Red and the Black" for Les Films du Poisson reports Variety.
The story follows an ambitious young teacher whose passionate affair with a wealthy married woman leads to his downfall. Claude Autant-Lara previously adapted the book in 1954.
Amalric is presently writing the script for the as-yet-untitled project which Yael Fogiel and Laetitia Gonzalez will produce this likely international co-production.
The story follows an ambitious young teacher whose passionate affair with a wealthy married woman leads to his downfall. Claude Autant-Lara previously adapted the book in 1954.
Amalric is presently writing the script for the as-yet-untitled project which Yael Fogiel and Laetitia Gonzalez will produce this likely international co-production.
- 5/24/2012
- by Garth Franklin
- Dark Horizons
Mathieu Amalric is set to take the helm of the big screen adaptation of The Red and the Black written by Stendhal. Variety reports that Amalric is reteaming with Les Films du Poisson's Yael Fogiel and Laetitia Gonzalez for the film which tells of an ambitious young teacher whose liaison with a married, wealthy woman, ends up leading to his downfall. This is the second time The Red and the Black has been made into a movie; the last was 1954's Claude Autant-Lara pic Rouge et noir, starring Gérard Philipe, Daniellle Darrieux, Antonella Lauldi and Jean Mercure. Amalric is busy on the script at this point. The actor and director has an abundance of acting credits since 1985 including more recently David Cronenberg's upcoming Cosmopolis starring Robert Pattinson, and prior to that James Bond pic Quantum of Solace...
- 5/24/2012
- Upcoming-Movies.com
Mathieu Amalric is set to take the helm of the big screen adaptation of The Red and the Black written by Stendhal. Variety reports that Amalric is reteaming with Les Films du Poisson's Yael Fogiel and Laetitia Gonzalez for the film which tells of an ambitious young teacher whose liaison with a married, wealthy woman, ends up leading to his downfall. This is the second time The Red and the Black has been made into a movie; the last was 1954's Claude Autant-Lara pic Rouge et noir, starring Gérard Philipe, Daniellle Darrieux, Antonella Lauldi and Jean Mercure. Amalric is busy on the script at this point. The actor and director has an abundance of acting credits since 1985 including more recently David Cronenberg's upcoming Cosmopolis starring Robert Pattinson, and prior to that James Bond pic Quantum of Solace...
- 5/24/2012
- Upcoming-Movies.com
Roman Polanski directing The Ghost Writer Best Film Heartbreaker produced by Nicolas Duval Adassovsky, Yann Zenou, Laurent Zeitoun, directed by Pascal Chaumeil Of Gods And Men produced by Pascal Caucheteux, Grégoire Sorlat, Etienne Comar, directed by Xavier Beauvois Gainsbourg (Vie HÉROÏQUE) produced by Marc du Pontavice, Didier Lupfer, directed by Joann Sfar Mammuth produced by Jean-Pierre Guérin, Benoît Delépine, Gustave Kervern, directed by Benoît Delépine, Gustave Kervern The Names Of Love produced by Caroline Adrian, Antoine Rein, Fabrice Goldstein, directed by Michel Leclerc The Ghost Writer produced by Robert Benmussa, Alain Sarde, directed by Roman Polanski TOURNÉE produced by Laetitia Gonzalez, Yaël Fogiel, directed by Mathieu Amalric Best Foreign Film Les Amours Imaginaires, Xavier Dolan Bright Star, Jane Campion The Secret In Their Eyes, Juan José Campanella ILLÉGAL, Olivier Masset-Depasse Inception, Christopher Nolan Invictus, Clint Eastwood The Social Network, David Fincher Best First Film Heartbreaker, Pascal Chaumeil, produced by Nicolas Duval Adassovsky,...
- 1/21/2011
- by Steve Montgomery
- Alt Film Guide
Charlotte Gainsbourg, The Tree, which failed to win a single AFI Award The Animal Kingdom Tops Australian Film Institute 2010 Nominations * denotes the winner in each category. The winners in the "top" categories will be announced Dec. 11. Samsung Mobile AFI Award For Best Film * Animal Kingdom. Liz Watts Beneath Hill 60. Bill Leimbach Bran Nue Dae. Robyn Kershaw, Graeme Isaac Bright Star. Jan Chapman, Caroline Hewitt The Tree. Sue Taylor, Yaël Fogiel Tomorrow When The War Began. Andrew Mason, Michael Boughen. AFI Award For Best Direction * Animal Kingdom. David Michôd Beneath Hill 60. Jeremy Hartley Sims Bright Star. Jane Campion The Tree. Julie Bertuccelli. AFI Award For Best Lead Actor Brendan Cowell. Beneath Hill 60 James Frecheville. Animal Kingdom * Ben Mendelsohn. Animal Kingdom Clive Owen. The Boys Are Back. AFI Award For Best Lead Actress Abbie Cornish. Bright Star Morgana Davies. The Tree Charlotte Gainsbourg. The Tree [...]...
- 12/11/2010
- by Steve Montgomery
- Alt Film Guide
Remember that one year (2001) when the list-happy AFI (American Film Institute) decided to compete with the Globes and the Oscars in year end prizes? No, that didn't last long. But there's another AFI, The Australian Film Institute, that has been around for a long time and is in no such danger of being a one-off. This year, they're all about the amazing family crime drama Animal Kingdom which they awarded with a record breaking 18 nominations. Sure, the film is in danger of being way overhyped for people who are coming to it late (which is just about everyone given the sorry state of international distribution for dramas of virtually any kind) but for those who can slough off the "omg" raves, I guarantee you'll think it at least an insinuating and well executed crime drama.
AFI Favorites with multiple nominations
Its main competition for the coveted prizes, if you go by nomination counts,...
AFI Favorites with multiple nominations
Its main competition for the coveted prizes, if you go by nomination counts,...
- 10/29/2010
- by NATHANIEL R
- FilmExperience
Animal Kingdom received 18 nominations for this year’s Australian Film Institute Awards, followed by Beneath Hill 60 (12), Bright Star (11), Tomorrow, When the War Began (8), The Tree, Bran Nue Dae (7 each) and The Boys Are Back (4)
The Best Film category will see Animal Kingdom competing against Beneath Hill 60, Bright Star, Bran Nue Dae, The Tree and Tomorrow, When the War Began.
Australia’s top rated drama productions – Packed to the Rafters and Underbellly: The Golden Mile – were both absent from the main Television categories (except for Underbelly‘s two acting nods).
The winners will be revealed on December 10 (Industry Awards) and 11 (main Awards Ceremony) in Melbourne.
This is the full list of nominees:
AFI Members’ Choice Award
Animal Kingdom. Liz Watts. Beneath Hill 60. Bill Leimbach. Bran Nue Dae. Robyn Kershaw, Graeme Isaac. Bright Star. Jan Chapman, Caroline Hewitt. The Boys Are Back. Greg Brenman, Tim White. Tomorrow When The War Began.
The Best Film category will see Animal Kingdom competing against Beneath Hill 60, Bright Star, Bran Nue Dae, The Tree and Tomorrow, When the War Began.
Australia’s top rated drama productions – Packed to the Rafters and Underbellly: The Golden Mile – were both absent from the main Television categories (except for Underbelly‘s two acting nods).
The winners will be revealed on December 10 (Industry Awards) and 11 (main Awards Ceremony) in Melbourne.
This is the full list of nominees:
AFI Members’ Choice Award
Animal Kingdom. Liz Watts. Beneath Hill 60. Bill Leimbach. Bran Nue Dae. Robyn Kershaw, Graeme Isaac. Bright Star. Jan Chapman, Caroline Hewitt. The Boys Are Back. Greg Brenman, Tim White. Tomorrow When The War Began.
- 10/27/2010
- by Miguel Gonzalez
- Encore Magazine
It was French director Julie Bertucelli’s wish to make a film about a tree that ultimately brought together a French-Australian feature co-production, aptly titled The Tree, writes Hansika Bhagani.
In 2004, Bertuccelli was determined her next work would revolve around a tree motif. “I don’t know why exactly, but I was a bit obsessed with the tree” she said.
A friend lent her a copy of Brisbane-born Judy Pascoe’s book Our Father Who Art in the Tree but she and producer Yael Fogiel became disappointed after they found the rights had already been bought by the Australian production company, Taylor Media. A dialogue between the French-based Bertuccelli and Fogiel and Perth-based Sue Taylor led to the eighth feature coproduction between the two countries since they signed the Memorandum of Understanding in 1986.
It was decided early on that both parties would find money, that Bertucelli would direct a cast...
In 2004, Bertuccelli was determined her next work would revolve around a tree motif. “I don’t know why exactly, but I was a bit obsessed with the tree” she said.
A friend lent her a copy of Brisbane-born Judy Pascoe’s book Our Father Who Art in the Tree but she and producer Yael Fogiel became disappointed after they found the rights had already been bought by the Australian production company, Taylor Media. A dialogue between the French-based Bertuccelli and Fogiel and Perth-based Sue Taylor led to the eighth feature coproduction between the two countries since they signed the Memorandum of Understanding in 1986.
It was decided early on that both parties would find money, that Bertucelli would direct a cast...
- 9/30/2010
- by Miguel Gonzalez
- Encore Magazine
A tree, the embodiment of a dead loved one, grows roots into the family home. And refuses to leave.
The Tree (L'arbre) is a French feature film starring Charlotte Gainsbourg and Marton Csokas, directed by French director Julie Bertucelli and produced by Sue Taylor from Taylor Media and Yael Fogiel from Les Films Du Poisson. It screened earlier thsi year at Cannes, and now will be at the 2010 Vancouver Film Festival.
Here's Charlotte Gainsbourg, who won an award at Cannes 2010 for cutting off her clit in that awful pile of crap 'Antichrist'
In the wake of her husband's sudden death, Dawn (Charlotte Gainsbourg) and her four kids are left to make sense of life without their father/spouse. But when eight-year-old Simone becomes convinced that her father is living in the Moreton Bay fig tree that towers over their house, the prosaic and the supernatural meet amongst its leafy branches.
The Tree (L'arbre) is a French feature film starring Charlotte Gainsbourg and Marton Csokas, directed by French director Julie Bertucelli and produced by Sue Taylor from Taylor Media and Yael Fogiel from Les Films Du Poisson. It screened earlier thsi year at Cannes, and now will be at the 2010 Vancouver Film Festival.
Here's Charlotte Gainsbourg, who won an award at Cannes 2010 for cutting off her clit in that awful pile of crap 'Antichrist'
In the wake of her husband's sudden death, Dawn (Charlotte Gainsbourg) and her four kids are left to make sense of life without their father/spouse. But when eight-year-old Simone becomes convinced that her father is living in the Moreton Bay fig tree that towers over their house, the prosaic and the supernatural meet amongst its leafy branches.
- 9/12/2010
- by Superheidi
- Planet Fury
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