This article contains spoilers for "Kingdom of the Planet of the Apes."
In 1968's "Planet of the Apes," astronaut George Taylor (Charlton Heston) and his companions find themselves traveling from 1972 to the year 3978 during their voyage, initially assuming they've traveled through space as well as time. Famously, Taylor finds this assumption woefully incorrect, discovering that a malfunctioning spacecraft took him right back to his point of origin: an Earth, but 2,006 years in the future, where humanity has all but destroyed itself with nuclear war, and a race of sentient apes have risen to become the world's dominant species.
While that original film has arguably been surpassed in quality by its subsequent sequels and the modern reboot saga, its cultural impact cannot be matched; everything from its visual iconography and immortal twist ending is firmly ingrained within pop culture. That's a big reason why the "Planet of the Apes" films, even...
In 1968's "Planet of the Apes," astronaut George Taylor (Charlton Heston) and his companions find themselves traveling from 1972 to the year 3978 during their voyage, initially assuming they've traveled through space as well as time. Famously, Taylor finds this assumption woefully incorrect, discovering that a malfunctioning spacecraft took him right back to his point of origin: an Earth, but 2,006 years in the future, where humanity has all but destroyed itself with nuclear war, and a race of sentient apes have risen to become the world's dominant species.
While that original film has arguably been surpassed in quality by its subsequent sequels and the modern reboot saga, its cultural impact cannot be matched; everything from its visual iconography and immortal twist ending is firmly ingrained within pop culture. That's a big reason why the "Planet of the Apes" films, even...
- 5/10/2024
- by Bill Bria
- Slash Film
For a writer, signing on to “Planet of the Apes” is less an assignment than a calling. After all, it’s the longest-running science-fiction series in film history. So when Rick Jaffa and Amanda Silver, the husband-and-wife screenwriting and producing team, conceived “Rise of the Planet of the Apes” in 2011, they envisioned more than a single-serving reboot. “We did see that if we played it right, there’d be at least three movies,” Jaffa tells Variety.
He wasn’t wrong: Their four-film stint culminates with “Kingdom of the Planet of the Apes,” the franchise’s 10th installment (and the first in a reported new trilogy). Their tenure follows that of Paul Dehn, who took over screenwriting duties from Rod Serling and Pierre Boulle for the 1970s “Planet of the Apes” sequels. “Kingdom” also echoes the series’ labyrinthine internal timeline, which elapses across a millennia of circular (and occasionally contradictory) storytelling.
He wasn’t wrong: Their four-film stint culminates with “Kingdom of the Planet of the Apes,” the franchise’s 10th installment (and the first in a reported new trilogy). Their tenure follows that of Paul Dehn, who took over screenwriting duties from Rod Serling and Pierre Boulle for the 1970s “Planet of the Apes” sequels. “Kingdom” also echoes the series’ labyrinthine internal timeline, which elapses across a millennia of circular (and occasionally contradictory) storytelling.
- 5/8/2024
- by Todd Gilchrist
- Variety Film + TV
1972's "Conquest of the Planet of the Apes" is a movie I'm betting many of you haven't seen. I'd like to make the case that you should amend that. How, dear reader, is it that this is relevant right now in 2024? With the release of "Dune: Part Two" upon us, there has been much discussion recently about great sci-fi sequels. Many of the early reactions to Denis Villeneuve's film have effusively praised "Dune: Part Two" as one of the greatest sequels in the genre of all time, right up there with "The Empire Strikes Back." While I have yet to see Mr. Villeneuve's film (as of this writing), it got me thinking about the genre that I love so much and the sequels I think hit it out of the park. That brings us to the movie at hand.
Directed by J. Lee Thompson, "Conquest" is the fourth...
Directed by J. Lee Thompson, "Conquest" is the fourth...
- 3/1/2024
- by Ryan Scott
- Slash Film
Among James Bond movies, "Goldfinger" stands as the film that cemented 007's status as a global icon. Guy Hamilton's 1964 effort has since become known as the blueprint for all future Bond films, establishing longstanding tropes that still define the franchise today. A globe-spanning adventure, "Goldfinger" introduced that gadget-filled Aston Martin DB5 alongside legendary Bond girl Pussy Galore, played by the late Honor Blackman. Then there was that famous laser beam scene, in which Sean Connery's Bond is strapped to a table and forced to await an inexplicably slow death.
But it wasn't just gadgets and Bond girls with dodgy names that "Goldfinger" brought to the table. Richard Maibaum and Paul Dehn's script also introduced more subtle staples to the 007 saga, including an opening sequence seemingly unrelated to the film's main plot and a testy relationship between the titular spy and Desmond Llewelyn's Q that established the pair's dynamic going forward.
But it wasn't just gadgets and Bond girls with dodgy names that "Goldfinger" brought to the table. Richard Maibaum and Paul Dehn's script also introduced more subtle staples to the 007 saga, including an opening sequence seemingly unrelated to the film's main plot and a testy relationship between the titular spy and Desmond Llewelyn's Q that established the pair's dynamic going forward.
- 8/14/2023
- by Joe Roberts
- Slash Film
The original "Planet of the Apes" remains one of the best sci-fi movies of all time. This is a movie with incredible makeup effects that hold up to this day, an air-tight script with poignant social commentary co-written by "The Twilight Zone" creator Rod Serling, and a stellar performance by Roddy McDowall.
Of course, the film is arguably best remembered for having one of the greatest and most memorable twist endings in all of cinema, which Tim Burton utterly failed to replicate. The ending of "Planet of the Apes" has been referenced and parodied to death for decades — though, if you somehow have remained unsullied until now, we will not ruin it. It is also an ending that is rather hard to top, though that didn't stop Twentieth Century Fox from trying.
One thing that makes the "Planet of the Apes" franchise so unique is that it is an extremely...
Of course, the film is arguably best remembered for having one of the greatest and most memorable twist endings in all of cinema, which Tim Burton utterly failed to replicate. The ending of "Planet of the Apes" has been referenced and parodied to death for decades — though, if you somehow have remained unsullied until now, we will not ruin it. It is also an ending that is rather hard to top, though that didn't stop Twentieth Century Fox from trying.
One thing that makes the "Planet of the Apes" franchise so unique is that it is an extremely...
- 1/8/2023
- by Rafael Motamayor
- Slash Film
Anthony Asquith’s unusual look at wartime espionage garnered good notices in 1958, perhaps from reviewers rebelling against the trend toward ruthless screen violence. Star Paul Massie is fine as an emotionally-stricken Allied assassin who balks at carrying out his mission; the acting support from Irene Worth and Leslie French is superb. Screenwriter Paul Dehn was an ace at sharp, no-nonsense thrillers, but this story is soft around the edges — it seems to be explaining non-chivalric warfare to your sweet old grandmother. Which reminds us, Lillian Gish has a small role, too.
Orders to Kill
Blu-ray
Powerhouse Indicator
1958 / B&w / 1:75 widescreen / 112 93 min. / Street Date September 20, 2022 / available from Amazon / 34.99
Starring: Eddie Albert, Paul Massie, Lillian Gish, James Robertson Justice, Leslie French, Irene Worth, John Crawford, Lionel Jeffries, Sandra Dorne, Lillabea (Lillie Bea) Gifford, Anne Blake, Sam Kydd, Ann Walford, Denyse Alexander, Ralph Nosseck.
Cinematography: Desmond Dickinson
Art Director: John Howell
Film...
Orders to Kill
Blu-ray
Powerhouse Indicator
1958 / B&w / 1:75 widescreen / 112 93 min. / Street Date September 20, 2022 / available from Amazon / 34.99
Starring: Eddie Albert, Paul Massie, Lillian Gish, James Robertson Justice, Leslie French, Irene Worth, John Crawford, Lionel Jeffries, Sandra Dorne, Lillabea (Lillie Bea) Gifford, Anne Blake, Sam Kydd, Ann Walford, Denyse Alexander, Ralph Nosseck.
Cinematography: Desmond Dickinson
Art Director: John Howell
Film...
- 9/17/2022
- by Glenn Erickson
- Trailers from Hell
By 1972, 20th Century Fox was no longer dithering over each movie in the Planet of the Apes franchise. Following the success of 1970’s Beneath the Planet of the Apes, which the studio had been prepared to write off as a disaster, and 1971’s Escape from the Planet of the Apes, they had begun thinking about more than the current movie at hand. Thus the ending of the latter film expressly set up a fourth entry in the series: baby Milo, the offspring of the intelligent apes from the future, Cornelius (Rodney McDowall) and Zira (Kim Hunter), manages to survive his parents’ brutal murder when he is hidden away in a circus.
Sure enough, screenwriter Paul Dehn was asked to immediately get to work on a new story following Escape‘s release. The next one would follow Milo, renamed Caesar by circus owner Armando (Ricardo Montalban), as he laid the groundwork...
Sure enough, screenwriter Paul Dehn was asked to immediately get to work on a new story following Escape‘s release. The next one would follow Milo, renamed Caesar by circus owner Armando (Ricardo Montalban), as he laid the groundwork...
- 7/2/2022
- by Don Kaye
- Den of Geek
By Lee Pfeiffer
"The Deadly Affair", directed by Sidney Lumet, is the 1967 film based on John Le Carre's 1961 novel "Call for the Dead". Le Carre was riding high during the Bond-inspired Bond phenomenon of the 1960s. Unlike the surrealistic world of 007, Le Carre's books formed the basis for gritty and gloomy espionage stories that were steeped in realism and cynicism. The film adaptation of Le Carre's "The Spy Who Came in from the Cold" had been released the previous year to great acclaim. Lumet, who made "The Deadly Affair" for his own production company, rounded up top flight British talent including screenwriter Paul Dehn, who had written the film adaptation of "The Spy Who Came in from the Cold" and co-wrote the screenplay for "Goldfinger".
As with all Le Carre film adaptations, the plot is complex to the point of being confusing. There are many intriguing characters of dubious allegiance to one another,...
"The Deadly Affair", directed by Sidney Lumet, is the 1967 film based on John Le Carre's 1961 novel "Call for the Dead". Le Carre was riding high during the Bond-inspired Bond phenomenon of the 1960s. Unlike the surrealistic world of 007, Le Carre's books formed the basis for gritty and gloomy espionage stories that were steeped in realism and cynicism. The film adaptation of Le Carre's "The Spy Who Came in from the Cold" had been released the previous year to great acclaim. Lumet, who made "The Deadly Affair" for his own production company, rounded up top flight British talent including screenwriter Paul Dehn, who had written the film adaptation of "The Spy Who Came in from the Cold" and co-wrote the screenplay for "Goldfinger".
As with all Le Carre film adaptations, the plot is complex to the point of being confusing. There are many intriguing characters of dubious allegiance to one another,...
- 4/7/2022
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
Don Taylor directed this third film in the original Apes series and screenwriter Paul Dehn concocted the imaginative storyline. Roddy McDowell and Kim Hunter return as simian sweethearts Cornelius and Zira who survive the earth’s destruction but are thrown back in time to 1973—all the better to score satirical points about the Me Decade and celebrity culture. The humans are well-represented by Bradford Dillman and Ricardo Montalbán and the supporting cast is peppered with familiar genre actors including Harry Lauter and Jason Evers from The Brain that Wouldn’t Die.
The post Escape from the Planet of the Apes appeared first on Trailers From Hell.
The post Escape from the Planet of the Apes appeared first on Trailers From Hell.
- 11/29/2021
- by Charlie Largent
- Trailers from Hell
The first day at work for The Haunting of Bly Manor’s writers started with a field trip. Mike Flanagan’s team went out to the Amblin Entertainment screening room to watch a movie. “We did the same thing in [The Haunting of Hill House] with Robert Wise’s The Haunting,” Flanagan tells Den of Geek and other press outlets. “It’s a great way to start … to put up a really beautifully realized adaptation of the same source material, and to start talking to the writers about the things that I love about it and hear the things they love about it.”
For Bly Manor, the version of the same source material chosen was Jack Clayton’s The Innocents, released in 1961 and starring Deborah Kerr. It’s a film that Flanagan wanted to celebrate in his own adaptation of Henry James’ The Turn of the Screw.
“It’s a movie,...
For Bly Manor, the version of the same source material chosen was Jack Clayton’s The Innocents, released in 1961 and starring Deborah Kerr. It’s a film that Flanagan wanted to celebrate in his own adaptation of Henry James’ The Turn of the Screw.
“It’s a movie,...
- 10/13/2020
- by Louisa Mellor
- Den of Geek
If you've never seen the 1965 film adaptation of John Le Carre's bestseller "The Spy Who Came in from the Cold", don't hesitate another minute. One of the great thrillers of the 1960s, directed by Martin Ritt with a complex screenplay by Paul Dehn and Guy Tosper that will have you riveted and guessing throughout. There's also a superb cast headed by Richard Burton in a glorious, Oscar-nominated performance as the dour, disillusioned secret agent.(Don'[t be discouraged by the hokey narration on this American trailer!)
Click Here To Order From Amazon...
Click Here To Order From Amazon...
- 5/4/2020
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
“Nuclear Nightmare”
By Raymond Benson
It was a surprise to discover this engaging, tightly-written and directed thriller—released in 1950!—about a possible nuclear nightmare taking place in London. In fact, the film was awarded the Oscar for Best Story (back when that category still existed). The writers were Paul Dehn and James Bernard.
The Boulting Brothers (identical twins!) were a sort of British Coen Brothers at the time, having made numerous quality movies from the late 1930s to the 1970s, usually directing separately. Seven Days to Noon is the only picture on which both brothers are credited as directors.
While the tale is fiction (and based on a novel), it plays as if it’s a true story. A brilliant nuclear physicist, Professor Willingdon (Barry Jones) has written a letter to the Prime Minister, saying that he’s stolen one of the suitcase-sized nuclear bombs from the British weapons development facility,...
By Raymond Benson
It was a surprise to discover this engaging, tightly-written and directed thriller—released in 1950!—about a possible nuclear nightmare taking place in London. In fact, the film was awarded the Oscar for Best Story (back when that category still existed). The writers were Paul Dehn and James Bernard.
The Boulting Brothers (identical twins!) were a sort of British Coen Brothers at the time, having made numerous quality movies from the late 1930s to the 1970s, usually directing separately. Seven Days to Noon is the only picture on which both brothers are credited as directors.
While the tale is fiction (and based on a novel), it plays as if it’s a true story. A brilliant nuclear physicist, Professor Willingdon (Barry Jones) has written a letter to the Prime Minister, saying that he’s stolen one of the suitcase-sized nuclear bombs from the British weapons development facility,...
- 11/5/2019
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
Is this movie ground zero for Atom-fear science fiction? The Boulting Brothers assemble the very first movie about a nuclear terror plot, without cutting corners or wimping out. The incredibly dry, civilized André Morell must track down a rogue scientist who threatens to nuke London; the entire city must be evacuated. Barry Jones is the meek boffin with a bomb in his satchel. The impressively produced thriller won an Oscar for Best Story; it’s practically a template for the ‘docu-real’ approach of the first Quatermass films. It’s also the link between ordinary postwar thriller intrigues and the high-powered, science fiction- styled terrors to come.
Seven Days to Noon
Blu-ray
Kl Studio Classics
1950 / B&w / 1:37 flat Academy / 97 min. / Street Date November 5, 2019 / available through Kino Lorber / 29.95
Starring: Barry Jones, Olive Sloane, André Morell, Sheila Manahan, Hugh Cross, Joan Hickson, Ronald Adam, Marie Ney, Wyndham Goldie, Russell Waters, Martin Boddey,...
Seven Days to Noon
Blu-ray
Kl Studio Classics
1950 / B&w / 1:37 flat Academy / 97 min. / Street Date November 5, 2019 / available through Kino Lorber / 29.95
Starring: Barry Jones, Olive Sloane, André Morell, Sheila Manahan, Hugh Cross, Joan Hickson, Ronald Adam, Marie Ney, Wyndham Goldie, Russell Waters, Martin Boddey,...
- 11/2/2019
- by Glenn Erickson
- Trailers from Hell
Even 56 years after its original release, Jack Clayton’s 1961 gothic horror film The Innocents has lost none of its ability to disturb. Based on Henry James’ Victorian novella The Turn of the Screw, the film is shot in black and white in CinemaScope (a rare pairing of the two), its wide aspect ratio manipulated through the use of eerie lighting by cinematographer Freddie Francis. The film’s striking imagery is visceral, unsettling and hard to forget, but isn’t the only determinant in the tense atmosphere established within the film. The Innocents innovative soundtrack and sound design is responsible for much of the film’s creepy mood and it is showcased from the film’s very first frame.The Innocents opens with a completely blackened screen, a canvas of nothingness from which the sweet singing of a disembodied little girl suddenly emerges. Her gentle voice is heavily reverbed and amplified...
- 12/27/2017
- MUBI
In this week’s edition of Canon Of Film, we take a look Sidney Lumet‘s hypnotic ‘Murder on the Orient Express‘ just in time for the release of Kenneth Branagh‘s remake of the same name. For the story behind the genesis of the Canon, you can click here.
Murder On The Orient Express (1974)
Director: Sidney Lumet
Screenplay: Paul Dehn based on the novel by Agatha Christie (uncredited)
Strangely, the detective story is actually a fairly newer genre when compared to others, in terms of literary history, it is, and the inventor of the genre is not who you’d think it’d be either, it was Edgar Allen Poe, with his trilogy of C. Auguste Dupin stories, ‘The Murder of the Rue Morgue‘, ‘The Mystery of Marie Roget,’ and my favorite, ‘The Purloined Letter‘ back in the 1840s. I’m not sure why this genre didn’t pick up until then,...
Murder On The Orient Express (1974)
Director: Sidney Lumet
Screenplay: Paul Dehn based on the novel by Agatha Christie (uncredited)
Strangely, the detective story is actually a fairly newer genre when compared to others, in terms of literary history, it is, and the inventor of the genre is not who you’d think it’d be either, it was Edgar Allen Poe, with his trilogy of C. Auguste Dupin stories, ‘The Murder of the Rue Morgue‘, ‘The Mystery of Marie Roget,’ and my favorite, ‘The Purloined Letter‘ back in the 1840s. I’m not sure why this genre didn’t pick up until then,...
- 11/8/2017
- by David Baruffi
- Age of the Nerd
Author: Cai Ross
The original Planet of The Apes movies occupied a curious netherworld of critical opinion. With each film, the budget was sawn in half, leading to a successive pattern of diminishing returns that led to a cheapening of its esteem. The spin-off TV show was quickly cancelled, further dulling the lustre and few people even remember the animated series that finally put the Apes to bed until a rude awakening in 2001.
However, for all their child-pleasing capers (the family-friendly G rating was a mandatory stipulation from the studios), the Apes movies deftly juggled important themes and arguments about slavery, free-will, nuclear war, vivisection, racism and oppression, and man’s innate capacity for cruelty. In pure storytelling terms, the circuitous plot links the first five movies (and the new post-Rise cycle) into a pleasing, if relentlessly pessimistic, self-perpetuating full-circle.
Enormous box office successes in their early stages, they spawned...
The original Planet of The Apes movies occupied a curious netherworld of critical opinion. With each film, the budget was sawn in half, leading to a successive pattern of diminishing returns that led to a cheapening of its esteem. The spin-off TV show was quickly cancelled, further dulling the lustre and few people even remember the animated series that finally put the Apes to bed until a rude awakening in 2001.
However, for all their child-pleasing capers (the family-friendly G rating was a mandatory stipulation from the studios), the Apes movies deftly juggled important themes and arguments about slavery, free-will, nuclear war, vivisection, racism and oppression, and man’s innate capacity for cruelty. In pure storytelling terms, the circuitous plot links the first five movies (and the new post-Rise cycle) into a pleasing, if relentlessly pessimistic, self-perpetuating full-circle.
Enormous box office successes in their early stages, they spawned...
- 7/12/2017
- by Cai Ross
- HeyUGuys.co.uk
On the back of Emmy-nominated BBC and AMC series The Night Manager, The Ink Factory announced on Wednesday it would partner with Paramount TV on the latest John le Carré spy thriller.
The Ink Factory will finance and produce the limited television series in association with Paramount Television and Character 7. Paramount Worldwide Television Licensing & Distribution will handle worldwide distribution outside the UK.
The Ink Factory’s Stephen Cornwell and Simon Cornwell – le Carré’s sons – will serve as executive producers alongside Character 7’s Stephen Garrett and the author himself.
Simon Beaufoy will write the adaptation set within the shadow of the Berlin Wall as a British spy embarks on a revenge mission.
Paramount released a 1965 feature adaptation of The Spy Who Came In From The Cold starring Richard Burton in 1965. Carré and Paul Dehn adapted that version.
“On the heels of The Night Manager, we look forward to developing a further le Carré novel for a global...
The Ink Factory will finance and produce the limited television series in association with Paramount Television and Character 7. Paramount Worldwide Television Licensing & Distribution will handle worldwide distribution outside the UK.
The Ink Factory’s Stephen Cornwell and Simon Cornwell – le Carré’s sons – will serve as executive producers alongside Character 7’s Stephen Garrett and the author himself.
Simon Beaufoy will write the adaptation set within the shadow of the Berlin Wall as a British spy embarks on a revenge mission.
Paramount released a 1965 feature adaptation of The Spy Who Came In From The Cold starring Richard Burton in 1965. Carré and Paul Dehn adapted that version.
“On the heels of The Night Manager, we look forward to developing a further le Carré novel for a global...
- 7/20/2016
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Don Kaye May 23, 2019
How the insane Beneath the Planet of the Apes almost buried the series after two movies.
"In one of the countless billions of galaxies in the universe, lies a medium-sized star, and one of its satellites, a green and insignificant planet, is now dead."
With the original 1968 Planet of the Apes a huge smash at the box office -- it arguably saved 20th Century Fox from going bankrupt -- a meeting took place that included studio head Richard D. Zanuck, producer Arthur P. Jacobs, associate producer Mort Abrahams and Fox production exec Stan Hough. At some point the idea came up: why not make a sequel? As we’ve stated elsewhere, sequels at the time were not the big business they are today. But Planet of the Apes had clearly struck a nerve with audiences, and the open-ended nature of the movie’s ending offered the possibility of more material to explore.
How the insane Beneath the Planet of the Apes almost buried the series after two movies.
"In one of the countless billions of galaxies in the universe, lies a medium-sized star, and one of its satellites, a green and insignificant planet, is now dead."
With the original 1968 Planet of the Apes a huge smash at the box office -- it arguably saved 20th Century Fox from going bankrupt -- a meeting took place that included studio head Richard D. Zanuck, producer Arthur P. Jacobs, associate producer Mort Abrahams and Fox production exec Stan Hough. At some point the idea came up: why not make a sequel? As we’ve stated elsewhere, sequels at the time were not the big business they are today. But Planet of the Apes had clearly struck a nerve with audiences, and the open-ended nature of the movie’s ending offered the possibility of more material to explore.
- 5/28/2016
- Den of Geek
Don Kaye May 21, 2019
How Escape from the Planet of the Apes continued the series and created a saga.
It was 46 years ago that 20th Century Fox released the third film in the original Planet of the Apes cycle, titled Escape from the Planet of the Apes. The fact that a second sequel was even produced, following 1970’s Beneath the Planet of the Apes, was something of a miracle: after all, in an effort to end the franchise after just two films, Beneath’s finale offered nothing less that the destruction of Earth itself. But with Beneath an unqualified success at the box office -- $19 million in earnings against a $4.6 million budget -- screenwriter Paul Dehn was famously sent a terse telegram that simply said, “Apes exist. Sequel required.”
What Dehn did was nothing short of brilliant, finding a way to not only extend the story but make it a self-perpetuating...
How Escape from the Planet of the Apes continued the series and created a saga.
It was 46 years ago that 20th Century Fox released the third film in the original Planet of the Apes cycle, titled Escape from the Planet of the Apes. The fact that a second sequel was even produced, following 1970’s Beneath the Planet of the Apes, was something of a miracle: after all, in an effort to end the franchise after just two films, Beneath’s finale offered nothing less that the destruction of Earth itself. But with Beneath an unqualified success at the box office -- $19 million in earnings against a $4.6 million budget -- screenwriter Paul Dehn was famously sent a terse telegram that simply said, “Apes exist. Sequel required.”
What Dehn did was nothing short of brilliant, finding a way to not only extend the story but make it a self-perpetuating...
- 5/22/2016
- Den of Geek
Back in 2012, our staff decided to group together and come up with a list of the best films in the 007, James Bond franchise. With Spectre rolling out this weekend, we decided to republish the article. Let us know which is your favourite, and be sure to check out our review of Spectre here.
#1: From Russia With Love
Directed by Terence Young
Written by Richard Maibaum and Johanna Harwood
1963, UK
50 years later, and with twenty three “official” entries, From Russia With Love represents the very best of the Bond franchise. Skyfall is the closest to be considered, at best – almost equal to what was achieved in ’64 – but From Russia With Love is still unparalleled. Although it is the second in the series, and although it feels like no Bond film that followed, it is the film that solidifies all the Bond elements into a formula – a template that carries on,...
#1: From Russia With Love
Directed by Terence Young
Written by Richard Maibaum and Johanna Harwood
1963, UK
50 years later, and with twenty three “official” entries, From Russia With Love represents the very best of the Bond franchise. Skyfall is the closest to be considered, at best – almost equal to what was achieved in ’64 – but From Russia With Love is still unparalleled. Although it is the second in the series, and although it feels like no Bond film that followed, it is the film that solidifies all the Bond elements into a formula – a template that carries on,...
- 11/6/2015
- by Ricky da Conceição
- SoundOnSight
Goldfinger
Directed by Guy Hamilton
Screenplay by Richard Maibaum and Paul Dehn
Starred: Sean Connery, Honor Blackman
Released September 1964 by United Artists
Even if you had never seen this film, just as with Ursula Andress rising from the waves like a bikini-clad version of Botticelli’s Venus in Dr. No, you’d recognize the iconic image. The girl, the bed, the gold paint. The sight of gilded Shirley Eaton spread out on the sheets is so evocative that – like Ursula – it was subjected to an ironic nod in a later Bond film. If Halle Berry wore the updated bikini in Die Another Day, instead of gold Gemma Arterton did sheet-duty wearing nothing but a coat of oil for Quantum of Solace.
Gold was the symbol of wealth in 1964, but in today’s world of global warming and fuel station queues, hydrocarbons have taken its place in the cultural lexicon. And...
Directed by Guy Hamilton
Screenplay by Richard Maibaum and Paul Dehn
Starred: Sean Connery, Honor Blackman
Released September 1964 by United Artists
Even if you had never seen this film, just as with Ursula Andress rising from the waves like a bikini-clad version of Botticelli’s Venus in Dr. No, you’d recognize the iconic image. The girl, the bed, the gold paint. The sight of gilded Shirley Eaton spread out on the sheets is so evocative that – like Ursula – it was subjected to an ironic nod in a later Bond film. If Halle Berry wore the updated bikini in Die Another Day, instead of gold Gemma Arterton did sheet-duty wearing nothing but a coat of oil for Quantum of Solace.
Gold was the symbol of wealth in 1964, but in today’s world of global warming and fuel station queues, hydrocarbons have taken its place in the cultural lexicon. And...
- 11/1/2015
- by Cath Murphy
- SoundOnSight
–
20. The Innocents
Directed by Jack Clayton
Written by William Archibald and Truman Capote
UK, 1961
Genre: Hauntings
The Innocents, which was co-written by Truman Capote, is the first of many screen adaptations of The Turn of the Screw. If you’ve never heard of it, don’t feel bad because most people haven’t – but The Innocents deserves its rightful spot on any list of great horror films. Here is one of the few films where the ghost story takes place mostly in daylight, and the lush photography, which earned cinematographer Freddie Francis one of his two Oscar wins, is simply stunning. Meanwhile, director Jack Clayton and Francis made great use of long, steady shots, which suggest corruption is lurking everywhere inside the grand estate. The Innocents also features three amazing performances; the first two come courtesy of child actors Pamela Franklin (The Legend of Hell House), and Martin Stephens (Village of the Damned...
20. The Innocents
Directed by Jack Clayton
Written by William Archibald and Truman Capote
UK, 1961
Genre: Hauntings
The Innocents, which was co-written by Truman Capote, is the first of many screen adaptations of The Turn of the Screw. If you’ve never heard of it, don’t feel bad because most people haven’t – but The Innocents deserves its rightful spot on any list of great horror films. Here is one of the few films where the ghost story takes place mostly in daylight, and the lush photography, which earned cinematographer Freddie Francis one of his two Oscar wins, is simply stunning. Meanwhile, director Jack Clayton and Francis made great use of long, steady shots, which suggest corruption is lurking everywhere inside the grand estate. The Innocents also features three amazing performances; the first two come courtesy of child actors Pamela Franklin (The Legend of Hell House), and Martin Stephens (Village of the Damned...
- 10/31/2015
- by Ricky Fernandes
- SoundOnSight
The Bond franchise which has been with us so long, has become so deeply entrenched in popular culture, that we often forget what it was that first distinguished the Bonds a half-century ago. Skyfall might be one of the best of the Bonds, and even, arguably, one of the best big-budget big-action flicks to come along in quite a while, but it’s not alone. The annual box office is – and has been, for quite some time – dominated by big, action-packed blockbusters of one sort of another. The Bonds aren’t even the only action-driven spy flicks (Mr. James Bond, I’d like you to meet Mr. Jason Bourne and Mr. Ethan Hunt).
That’s not to take anything away from the superb entertainment Skyfall is, or the sentimentally treasured place the Bonds hold. It’s only to say that where there was once just the one, there are now many.
That’s not to take anything away from the superb entertainment Skyfall is, or the sentimentally treasured place the Bonds hold. It’s only to say that where there was once just the one, there are now many.
- 10/26/2015
- by Bill Mesce
- SoundOnSight
Don Kaye Jun 28, 2019
The fourth Apes movie, Conquest of the Planet of the Apes, showcased Caesar's controversial and timely fight for freedom.
On June 30, 1972, 20th Century Fox released the fourth film in the original Planet of the Apes cycle, titled Conquest of the Planet of the Apes. It followed up the previous year’s Escape from the Planet of the Apes, the first of the Apes films to deliberately end with the promise of a sequel. In that film, two intelligent chimps from the future, Cornelius (Roddy McDowall) and Zira (Kim Hunter), traveled back to our time only to be brutally slain by the U.S. government over fears that they would plant the seeds for the apes’ eventual domination of humankind. Their baby, however, secretly survived, hidden away by the circus owner Armando (Ricardo Montalban) and already beginning to form words.
As Conquest of the Planet of the Apes opens,...
The fourth Apes movie, Conquest of the Planet of the Apes, showcased Caesar's controversial and timely fight for freedom.
On June 30, 1972, 20th Century Fox released the fourth film in the original Planet of the Apes cycle, titled Conquest of the Planet of the Apes. It followed up the previous year’s Escape from the Planet of the Apes, the first of the Apes films to deliberately end with the promise of a sequel. In that film, two intelligent chimps from the future, Cornelius (Roddy McDowall) and Zira (Kim Hunter), traveled back to our time only to be brutally slain by the U.S. government over fears that they would plant the seeds for the apes’ eventual domination of humankind. Their baby, however, secretly survived, hidden away by the circus owner Armando (Ricardo Montalban) and already beginning to form words.
As Conquest of the Planet of the Apes opens,...
- 6/30/2015
- Den of Geek
A pop-culture touchstone, a nearly all-purpose metaphor and one of the most beloved sci-fi franchises of the Seventies and beyond, the Planet of the Apes films do what all good what-if fantasies should do: hold up a mirror to humanity and reflect our own conflicts, issues and failings back to us through a wildly outrageous premise. The original 1968 movie mixes satire, social commentary, action and suspense, capped by a first-rate twist at the end. ("Damn you, damn you all to hell!")
'Dawn of the Planet of the Apes'...
'Dawn of the Planet of the Apes'...
- 7/1/2014
- Rollingstone.com
(Sidney Lumet, John Guillermin, Guy Hamilton, 1974-82; StudioCanal, PG)
The production partnership of John Brabourne (the Eton-educated seventh Baron Brabourne) and Richard B Goodwin (who started out as a teenage tea boy with the Rank Organisation) is one of the most interesting in the British cinema. Its highlights include David Lean's A Passage to India and the two-part Little Dorrit, but its most popular works were the period Agatha Christie pictures that brought all-star casting and unfashionably high production values to the whodunit and set new standards for the string of TV productions that followed. Brabourne's father-in-law Lord Mountbatten helped secure the rights from Dame Agatha, and the three best are the Hercule Poirot mysteries in this Blu-ray set. Ustinov plays the Belgian sleuth both in John Guillermin's Death on the Nile (1978), scripted by Anthony Shaffer and superbly photographed by Jack Cardiff, and in Guy Hamilton's bland...
The production partnership of John Brabourne (the Eton-educated seventh Baron Brabourne) and Richard B Goodwin (who started out as a teenage tea boy with the Rank Organisation) is one of the most interesting in the British cinema. Its highlights include David Lean's A Passage to India and the two-part Little Dorrit, but its most popular works were the period Agatha Christie pictures that brought all-star casting and unfashionably high production values to the whodunit and set new standards for the string of TV productions that followed. Brabourne's father-in-law Lord Mountbatten helped secure the rights from Dame Agatha, and the three best are the Hercule Poirot mysteries in this Blu-ray set. Ustinov plays the Belgian sleuth both in John Guillermin's Death on the Nile (1978), scripted by Anthony Shaffer and superbly photographed by Jack Cardiff, and in Guy Hamilton's bland...
- 1/26/2014
- by Philip French
- The Guardian - Film News
Every year, we here at Sound On Sight celebrate the month of October with 31 Days of Horror; and every year, I update the list of my favourite horror films ever made. Last year, I released a list that included 150 picks. This year, I’ll be upgrading the list, making minor alterations, changing the rankings, adding new entries, and possibly removing a few titles. I’ve also decided to publish each post backwards this time for one reason: the new additions appear lower on my list, whereas my top 50 haven’t changed much, except for maybe in ranking. Enjoy!
****
Special Mention:
Shock Corridor
Written and directed by Samuel Fuller
USA, 1963
Shock Corridor stars Peter Breck as Johnny Barrett, an ambitious reporter who wants to expose the killer at the local insane asylum. To solve the case, he must pretend to be insane so they have him committed. Once in the asylum,...
****
Special Mention:
Shock Corridor
Written and directed by Samuel Fuller
USA, 1963
Shock Corridor stars Peter Breck as Johnny Barrett, an ambitious reporter who wants to expose the killer at the local insane asylum. To solve the case, he must pretend to be insane so they have him committed. Once in the asylum,...
- 10/28/2013
- by Ricky
- SoundOnSight
(*My apologies for this coming so long after Sound on Sight’s celebration of 50 years of James Bond, but I’ve been swamped with end-of-semester work and only just now managed to finish this. Hope you all still find this of interest.)
As a coda to the Sos’s James Bond salute, there’s still a point I think deserves to be made.
The Bond franchise which has been with us so long, has become so deeply entrenched in popular culture, that we often forget what it was that first distinguished the Bonds a half-century ago. Skyfall might be one of the best of the Bonds, and even, arguably, one of the best big-budget big-action flicks to come along in quite a while, but it’s not alone. The annual box office is – and has been, for quite some time – dominated by big, action-packed blockbusters of one sort of another.
As a coda to the Sos’s James Bond salute, there’s still a point I think deserves to be made.
The Bond franchise which has been with us so long, has become so deeply entrenched in popular culture, that we often forget what it was that first distinguished the Bonds a half-century ago. Skyfall might be one of the best of the Bonds, and even, arguably, one of the best big-budget big-action flicks to come along in quite a while, but it’s not alone. The annual box office is – and has been, for quite some time – dominated by big, action-packed blockbusters of one sort of another.
- 12/20/2012
- by Bill Mesce
- SoundOnSight
Concluding a very successful James bond marathon, comes our list of the very best 007 films, as chosen by the Sound On Sight staff. In just 30 days, we managed to publish over 40 articles and reviews, making it our most successful monthly movie club to date. I’d like to once again thank everyone who participated and furthermore, thank everyone who voted for having good taste. I cannot argue with the final results. These are indeed the best Bond films. Enjoy!
#1: From Russia With Love
Directed by Terence Young
Written by Richard Maibaum and Johanna Harwood
1963, UK
50 years later, and with twenty three “official” entries, From Russia With Love represents the very best of the Bond franchise. Skyfall is the closest to be considered, at best – almost equal to what was achieved in ’64 – but From Russia With Love is still unparalleled. Although it is the second in the series, and although...
#1: From Russia With Love
Directed by Terence Young
Written by Richard Maibaum and Johanna Harwood
1963, UK
50 years later, and with twenty three “official” entries, From Russia With Love represents the very best of the Bond franchise. Skyfall is the closest to be considered, at best – almost equal to what was achieved in ’64 – but From Russia With Love is still unparalleled. Although it is the second in the series, and although...
- 12/3/2012
- by Ricky
- SoundOnSight
Goldfinger
Directed by: Guy Hamilton
Screenplay by: Richard Maibaum and Paul Dehn
Starred: Sean Connery, Honor Blackman
Released September 1964 by United Artists
Even if you had never seen this film, just as with Ursula Andress rising from the waves like a bikini-clad version of Botticelli’s Venus in Dr No, you’d recognize the iconic image. The girl, the bed, the gold paint. The sight of gilded Shirley Eaton spread out on the sheets is so evocative that – like Ursula – it was subjected to an ironic nod in a later Bond film. If Halle Berry wore the updated bikini in Die Another Day, instead of gold Gemma Arterton did sheet-duty wearing nothing but a coat of oil for Quantum of Solace.
Gold was the symbol of wealth in 1964, but in today’s world of global warming and fuel station queues, hydrocarbons have taken its place in the cultural lexicon. And...
Directed by: Guy Hamilton
Screenplay by: Richard Maibaum and Paul Dehn
Starred: Sean Connery, Honor Blackman
Released September 1964 by United Artists
Even if you had never seen this film, just as with Ursula Andress rising from the waves like a bikini-clad version of Botticelli’s Venus in Dr No, you’d recognize the iconic image. The girl, the bed, the gold paint. The sight of gilded Shirley Eaton spread out on the sheets is so evocative that – like Ursula – it was subjected to an ironic nod in a later Bond film. If Halle Berry wore the updated bikini in Die Another Day, instead of gold Gemma Arterton did sheet-duty wearing nothing but a coat of oil for Quantum of Solace.
Gold was the symbol of wealth in 1964, but in today’s world of global warming and fuel station queues, hydrocarbons have taken its place in the cultural lexicon. And...
- 11/4/2012
- by Cath Murphy
- SoundOnSight
Throughout the month of October, Editor-in-Chief and resident Horror expert Ricky D, will be posting a list of his favorite Horror films of all time. The list will be posted in six parts. Click here to see every entry.
As with all lists, this is personal and nobody will agree with every choice – and if you do, that would be incredibly disturbing. It was almost impossible for me to rank them in order, but I tried and eventually gave up.
****
Special Mention:
Shock Corridor
Directed by Samuel Fuller
Written by Samuel Fuller
1963, USA
Shock Corridor stars Peter Breck as Johnny Barrett, an ambitious reporter who wants to expose the killer at the local insane asylum. In order to solve the case, he must pretend to be insane so they have him committed. Once in the asylum, Barrett sets to work, interrogating the other patients and keeping a close eye on the staff.
As with all lists, this is personal and nobody will agree with every choice – and if you do, that would be incredibly disturbing. It was almost impossible for me to rank them in order, but I tried and eventually gave up.
****
Special Mention:
Shock Corridor
Directed by Samuel Fuller
Written by Samuel Fuller
1963, USA
Shock Corridor stars Peter Breck as Johnny Barrett, an ambitious reporter who wants to expose the killer at the local insane asylum. In order to solve the case, he must pretend to be insane so they have him committed. Once in the asylum, Barrett sets to work, interrogating the other patients and keeping a close eye on the staff.
- 10/28/2012
- by Ricky
- SoundOnSight
It has been a year since Sidney Lumet passed away on April 9, 2011. Here is our retrospective on the legendary filmmaker to honor his memory. Originally published April 15, 2011.
Almost a week after the fact, we, like everyone that loves film, are still mourning the passing of the great American master Sidney Lumet, one of the true titans of cinema.
Lumet was never fancy. He never needed to be, as a master of blocking, economic camera movements and framing that empowered the emotion and or exact punctuation of a particular scene. First and foremost, as you’ve likely heard ad nauseum -- but hell, it’s true -- Lumet was a storyteller, and one that preferred his beloved New York to soundstages (though let's not romanticize it too much, he did his fair share of work on studio film sets too as most TV journeyman and early studio filmmakers did).
His directing career stretched well over 50 years,...
Almost a week after the fact, we, like everyone that loves film, are still mourning the passing of the great American master Sidney Lumet, one of the true titans of cinema.
Lumet was never fancy. He never needed to be, as a master of blocking, economic camera movements and framing that empowered the emotion and or exact punctuation of a particular scene. First and foremost, as you’ve likely heard ad nauseum -- but hell, it’s true -- Lumet was a storyteller, and one that preferred his beloved New York to soundstages (though let's not romanticize it too much, he did his fair share of work on studio film sets too as most TV journeyman and early studio filmmakers did).
His directing career stretched well over 50 years,...
- 4/9/2012
- by Oliver Lyttelton
- The Playlist
James Bond 007 Declassified File #3: "Goldfinger" This series will trace the cinema history of James Bond, while also examining Ian Fleming's original novels as source material and examining how faithful (or not) the films have been to his work. Directed by Guy Hamilton Screenplay by Richard Maibaum & Paul Dehn Produced by Albert R. Broccoli and Harry Saltzman Characters / Cast James Bond / Sean Connery Pussy Galore / Honor Blackman Auric Goldfinger / Gert Frobe Jill Masterson / Shirley Eaton Tilly Masterson / Tania Mallet Oddjob / Harold Sakata M / Bernard Lee Solo / Martin Benson Felix Leiter...
- 3/27/2012
- by Drew McWeeny
- Hitfix
As James Bond prepares for his 23rd official outing in Skyfall and to mark next year’s 50th Anniversary of one of the most successful movie franchises of all time I have been tasked to take a retrospective look at the films that turned author Ian Fleming’s creation into one of the most recognised and iconic characters in film history.
When the second James Bond film From Russia With Love managed to top the box-office receipts of Dr. No, producers Albert R. Broccoli and Harry Saltzman knew they had struck gold with the character. Looking to expand the appeal of the next film to a more worldwide audience, in particular the American market, they chose Fleming’s seventh Bond novel Goldfinger as the third film in their series. With much of the story taking place in the American states of Kentucky and Florida as well as Switzerland and the...
When the second James Bond film From Russia With Love managed to top the box-office receipts of Dr. No, producers Albert R. Broccoli and Harry Saltzman knew they had struck gold with the character. Looking to expand the appeal of the next film to a more worldwide audience, in particular the American market, they chose Fleming’s seventh Bond novel Goldfinger as the third film in their series. With much of the story taking place in the American states of Kentucky and Florida as well as Switzerland and the...
- 12/12/2011
- by Chris Wright
- Obsessed with Film
31 – Rosemary’s Baby
Directed by Roman Polanski
USA, 1968
Roman Polanski’s brilliant horror-thriller was nominated for two Oscars, winning Best Supporting Actress for Ruth Gordon. The director’s first American film, adapted from Ira Levin’s horror bestseller, is a spellbinding and twisted tale of Satanism and pregnancy. Supremely mounted, the film benefits from it’s strong atmosphere, apartment setting, eerie childlike score and polished production values by cinematographer William Fraker. The cast is brilliant, with Mia Farrow and John Cassavetes as the young couple playing opposite Ruth Gordon and Sidney Blackmer, the elderly neighbors. There is ominous tension in the film from first frame to last – the climax makes for one of the greatest endings of all time. Rarely has a film displayed such an uncompromising portrait of betrayal as this one. Career or marriage – which would you choose?
30 – Eraserhead
Directed by David Lynch
USA, 1977
Filmed intermittently over the course of a five-year period,...
Directed by Roman Polanski
USA, 1968
Roman Polanski’s brilliant horror-thriller was nominated for two Oscars, winning Best Supporting Actress for Ruth Gordon. The director’s first American film, adapted from Ira Levin’s horror bestseller, is a spellbinding and twisted tale of Satanism and pregnancy. Supremely mounted, the film benefits from it’s strong atmosphere, apartment setting, eerie childlike score and polished production values by cinematographer William Fraker. The cast is brilliant, with Mia Farrow and John Cassavetes as the young couple playing opposite Ruth Gordon and Sidney Blackmer, the elderly neighbors. There is ominous tension in the film from first frame to last – the climax makes for one of the greatest endings of all time. Rarely has a film displayed such an uncompromising portrait of betrayal as this one. Career or marriage – which would you choose?
30 – Eraserhead
Directed by David Lynch
USA, 1977
Filmed intermittently over the course of a five-year period,...
- 10/29/2011
- by Ricky
- SoundOnSight
25 – Halloween
Directed by John Carpenter
1978 – Us
A historical milestone that single-handedly shaped and altered the future of the entire genre. This seminal horror flick actually gets better with age; it’s downright transcendent and holds up with determination as an effective thriller that will always stand head and shoulders above the hundreds of imitators to come. Halloween had one hell of an influence on the entire film industry. You have to admire how Carpenter avoids explicit onscreen violence, and achieves a considerable power almost entirely through visual means, using its widescreen frame, expert hand-held camerawork, and terrifying foreground and background imagery.
24 – Black Christmas
Directed by Bob Clark
1974 – Canada
We never did find out who Billy was. Maybe it’s for the best, since they never made any sequels to Bob Clark’s seminal slasher film, a film which predates Carpenter’s Halloween by four years. Whereas Texas Chainsaw Massacre, released the same year,...
Directed by John Carpenter
1978 – Us
A historical milestone that single-handedly shaped and altered the future of the entire genre. This seminal horror flick actually gets better with age; it’s downright transcendent and holds up with determination as an effective thriller that will always stand head and shoulders above the hundreds of imitators to come. Halloween had one hell of an influence on the entire film industry. You have to admire how Carpenter avoids explicit onscreen violence, and achieves a considerable power almost entirely through visual means, using its widescreen frame, expert hand-held camerawork, and terrifying foreground and background imagery.
24 – Black Christmas
Directed by Bob Clark
1974 – Canada
We never did find out who Billy was. Maybe it’s for the best, since they never made any sequels to Bob Clark’s seminal slasher film, a film which predates Carpenter’s Halloween by four years. Whereas Texas Chainsaw Massacre, released the same year,...
- 10/28/2011
- by Ricky
- SoundOnSight
With Rise Of The Planet Of The Apes proving to be the surprise of the summer, Terence looks back and charts the highs and lows of the franchise...
The incoming movie, Rise Of The Planet Of The Apes, starring James Franco, Andy Serkis and Freida Pinto, opens a new chapter in the history of one of the most successful science fiction film franchises ever.
While Planet Of The Apes is not necessarily as instantly recognisable a brand as other recently successfully rebooted franchises like Star Trek, James Bond or Batman, it is still a potentially lucrative property with a proven box office track record.
The original 1968 film, Planet Of The Apes, starring Charlton Heston, Kim Hunter and Roddy McDowall, spawned four sequels, two TV series and a 2001 remake directed by Tim Burton and starring Mark Wahlberg.
The original Apes franchise was known for its use of the allegorical device of...
The incoming movie, Rise Of The Planet Of The Apes, starring James Franco, Andy Serkis and Freida Pinto, opens a new chapter in the history of one of the most successful science fiction film franchises ever.
While Planet Of The Apes is not necessarily as instantly recognisable a brand as other recently successfully rebooted franchises like Star Trek, James Bond or Batman, it is still a potentially lucrative property with a proven box office track record.
The original 1968 film, Planet Of The Apes, starring Charlton Heston, Kim Hunter and Roddy McDowall, spawned four sequels, two TV series and a 2001 remake directed by Tim Burton and starring Mark Wahlberg.
The original Apes franchise was known for its use of the allegorical device of...
- 8/8/2011
- Den of Geek
We love trilogies. They're nice and neat. They conform to the three-act structure of storytelling. We love them so much that we want more movies even after the trilogy is over, which inevitably leads to the fourth film in a franchise -- the fourquel, if you will (and if you're an English teacher, you won't). Most fourquels are classic examples of outstaying your welcome: "Batman and Robin," "Superman IV: The Quest For Peace," "Alien Resurrection," "Indiana Jones and the Kingdom of the Crystal Skull," "Jaws: The Revenge," "The Next Karate Kid," and on and on and on (and on). Still, hope springs eternal for the great fourquel, like this week when we have the release of "Scre4m" directed by Wes Craven. With fingers crossed for this new "Scream," we look back at five fourquels that were actually kind of good.
"Star Trek IV: The Voyage Home" (1986)
Directed by Leonard Nimoy...
"Star Trek IV: The Voyage Home" (1986)
Directed by Leonard Nimoy...
- 4/15/2011
- by Matt Singer
- ifc.com
Blu-Ray Rating: 5.0/5.0 Chicago – James Bond continues working his way into your Blu-Ray collection with the release of Volume Three of MGM’s “James Bond Blu-Ray,” which includes HD versions of “The World is Not Enough,” “Goldfinger,” and “Moonraker”. Meanwhile, the unofficial Bond adventure, Fox’s “Never Say Never Again” hits Blu-Ray at the same time. All will make worthwhile additions to 007 fans with Blu-Ray players.
In case you missed it, Volume One of “James Bond Blu-Ray” included “Die Another Day,” “Live And Let Die,” and “Dr. No”. Volume Two includes “For Your Eyes Only,” “From Russia With Love,” and “Thunderball”. Both collections were released last October. With the new volume, that’s nine official Bond movies on Blu-Ray. In other words, there will be more volumes in the future.
James Bond Blu-Ray: Volume Three was released on Blu-Ray on March 24th, 2009.
Photo credit: MGM
I’m not sure how I...
In case you missed it, Volume One of “James Bond Blu-Ray” included “Die Another Day,” “Live And Let Die,” and “Dr. No”. Volume Two includes “For Your Eyes Only,” “From Russia With Love,” and “Thunderball”. Both collections were released last October. With the new volume, that’s nine official Bond movies on Blu-Ray. In other words, there will be more volumes in the future.
James Bond Blu-Ray: Volume Three was released on Blu-Ray on March 24th, 2009.
Photo credit: MGM
I’m not sure how I...
- 4/1/2009
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
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