Aretha Franklin documentary Amazing Grace, which tells the story of the singer’s 1972 gospel album, is subject of more legal issues.
The film, which was mired in limbo for 46 years as a result of various legal battles, is now the subject of a suit from producers including Alan Elliott, against distributor Neon and CEO Tom Quinn.
The crux of the issue also involves the Hollywood trade press, including Deadline, which covered the news that Neon had acquired the U.S rights to the film in December 2018. There was one small problem, the producers allege, it hadn’t signed a deal, and in fact, the producers were in talks with other buyers, including Apple, when Neon announced the deal.
The suit (read it here) alleges that Neon “fraudulently induced” the producers to accept a distribution deal by publicly announcing the pact.
“In a plan commandeered by Quinn, Neon acquired the coveted...
The film, which was mired in limbo for 46 years as a result of various legal battles, is now the subject of a suit from producers including Alan Elliott, against distributor Neon and CEO Tom Quinn.
The crux of the issue also involves the Hollywood trade press, including Deadline, which covered the news that Neon had acquired the U.S rights to the film in December 2018. There was one small problem, the producers allege, it hadn’t signed a deal, and in fact, the producers were in talks with other buyers, including Apple, when Neon announced the deal.
The suit (read it here) alleges that Neon “fraudulently induced” the producers to accept a distribution deal by publicly announcing the pact.
“In a plan commandeered by Quinn, Neon acquired the coveted...
- 8/11/2022
- by Peter White
- Deadline Film + TV
It’s been a couple months since the last edition of What’s Up Doc? placed Michael Moore’s surprise world premiere of Where To Invade Next at the top of this list and in the meantime much shuffling has taken place and much time has been spent on various new endeavors (namely my Buffalo-based film series, Cultivate Cinema Circle). Finally taking its rightful place at the top, D.A. Pennebaker and Chris Hagedus’ Unlocking the Cage is in the midst of being scored by composer James Lavino, according to Lavino’s own personal site. Though the project has been taking shape at its own leisurely pace, I’d expect to see the film making its festival debut in early 2016.
Right behind, the American direct cinema masters is a Texan soon to make his non-fiction debut with Voyage of Time. Just two weeks ago indieWIRE reported that Ennio Morricone, who scored...
Right behind, the American direct cinema masters is a Texan soon to make his non-fiction debut with Voyage of Time. Just two weeks ago indieWIRE reported that Ennio Morricone, who scored...
- 11/5/2015
- by Jordan M. Smith
- IONCINEMA.com
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.