David White.
Documentaries are often made on tight budgets and with limited crew. Along with the pressure of capturing footage as it unfolds, this can often mean sound quality is .a bit of an afterthought., according to sound mixer and editor David White.
"The capturing of sound on location for documentaries is extremely difficult," White tells If.
.I know from firsthand experience having tried to shoot documentaries myself. Trying to capture the story that.s going on in front of the camera occupies a lot of your headspace..
However, the quality of the sound that is captured on location has large implications for the time and procedures required in post-production, he says. White will discuss the consequences of poor sound for post, as well as solutions, at the Ozdox Documentary Forum's "Listen Up! A Masterclass on Sound" tomorrow evening. One issue that White says is commonplace in documentary is "wild...
Documentaries are often made on tight budgets and with limited crew. Along with the pressure of capturing footage as it unfolds, this can often mean sound quality is .a bit of an afterthought., according to sound mixer and editor David White.
"The capturing of sound on location for documentaries is extremely difficult," White tells If.
.I know from firsthand experience having tried to shoot documentaries myself. Trying to capture the story that.s going on in front of the camera occupies a lot of your headspace..
However, the quality of the sound that is captured on location has large implications for the time and procedures required in post-production, he says. White will discuss the consequences of poor sound for post, as well as solutions, at the Ozdox Documentary Forum's "Listen Up! A Masterclass on Sound" tomorrow evening. One issue that White says is commonplace in documentary is "wild...
- 7/11/2016
- by Jackie Keast
- IF.com.au
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