- Born
- Died
- Birth nameCharles-Camille Saint-Saëns
- Composer chiefly remembered for his symphonic poems -the first of that genre to be written by a Frenchman- and for his opera 'Samson et Dalila'. Notable for his pioneering efforts on behalf of French music, he was also a gifted pianist and organist, and a writer of criticism, poetry, essays, and plays. Of his concerti and symphonies, in which he adapted the virtuosity of Franz Liszt's style to French traditions of harmony and form, his 'Third Symphony' is most often performed.- IMDb Mini Biography By: Marcos Eduardo Acosta Aldrete
- SpouseMarie-Laure Truffot(1875 - 1881) (divorced, 2 children)
- Unlike many French composers of his own and the next generation, Saint-Saëns, for all his enthusiasm for and knowledge of Wagner's operas, was not influenced by him in his own compositions. He commented, "I admire deeply the works of Richard Wagner in spite of their bizarre character. They are superior and powerful, and that is sufficient for me. But I am not, I have never been, and I shall never be of the Wagnerian religion.".
- Saint-Saëns was a keen traveller. From the 1870s until the end of his life he made 179 trips to 27 countries. His professional engagements took him most often to Germany and England; for holidays, and to avoid Parisian winters which affected his weak chest, he favoured Algiers and various places in Egypt.
- Before he was three years old he displayed perfect pitch and enjoyed picking out tunes on the piano. His great-aunt taught him the basics of pianism, and when he was seven he became a pupil of Camille-Marie Stamaty, a former pupil of Friedrich Kalkbrenner.
- Less than two months after the christening, his father Victor Saint-Saëns died of consumption (tuberculosis) on the first anniversary of his marriage. The young Camille was taken to the country for the sake of his health, and for two years lived with a nurse at Corbeil, 29 kilometers (18 mi) to the south of Paris. When Saint-Saëns was brought back to Paris he lived with his mother and her widowed aunt, Charlotte Masson.
- His mother, well aware of her son's precocious talent, did not wish him to become famous too young. The music critic Harold C. Schonberg wrote of Saint-Saëns in 1969, "It is not generally realized that he was the most remarkable child prodigy in history, and that includes Mozart." The boy gave occasional performances for small audiences from the age of five, but it was not until he was ten that he made his official public debut, at the Salle Pleyel, in a programme that included Mozart's Piano Concerto in Bb (K450), and Beethoven's Third Piano Concerto.
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