- Born
- Died
- Birth nameMalcolm Henry Arnold
- Born in Northampton on 21st October 1921, Malcolm Arnold studied composition with Gordon Jacob and trumpet with Ernest Hall at the Royal College of Music. In 1941 he joined the trumpet section of the London Philharmonic Orchestra, becoming principal by 1943. After two years of war service and one season with the BBC Symphony Orchestra he returned to the LPO in 1946; but composition was already becoming his priority and he had already produced a catalogue of attractive works, an early example being the comedy overture Beckus the Dandipratt, Op.5 (1943), recorded in 1948 by the LPO under their principal conductor Eduard van Beinum. That same year Arnold won the Mendelssohn Scholarship which enabled him to spend a year in Italy; on his return he decided to concentrate entirely upon composition. His experience as an orchestral player stood him in good stead as a composer. He quickly built up a reputation as a fluent and versatile composer and a brilliant orchestrator, many commissions were to come his way. Arnold has written works in almost every genre for amateur and professional alike, including nine symphonies, five ballets, two operas, 20 concertos, overtures and orchestral dances, two string quartets and other chamber music, choral music, song cycles and works for wind and brass band. Somehow, in the midst of this prolific creativity, Arnold found time to score over 80 films including the Academy Award-winning score for The Bridge on the River Kwai (1957), written in only ten days and The Inn of the Sixth Happiness (1958) which brought an Ivor Novello Award.
Arnold's music springs directly from roots in dance and song. Typically it is lucid in texture, clear in draftsmanship. His lighter entertainment pieces are easy to listen to and rewarding to perform. As an inventor of tunes, his powers seem to be inexaustible, and he is prodigal with his gifts; the 'big tune' in the modest little Toy Symphony, for example, is just as much a winner as the many memorable themes in many concert works. Many of these are firmly established in the concert repertory. Yet for those who have ears to hear, his works frequently give more than a hint of a complex musical personality and of dramatic tensions not far below the surface. In fact there is scope in Arnold's music which reflects his profound concern with the human predicament and also in his belief that music is "a social act of communication among people, a gesture of friendship, the strongest there is."
In 1969 Malcolm Arnold was made a Bard of the Cornish Gorseth, he was awarded the Commander of the Most Excellent Order of the British Empire (C.B.E.) in 1970 and received honorary doctorates from the Universities of Exeter (1969), Durham (1982) and Leicester (1984). He was made a fellow of the Royal College of Music in 1983 and is an Honorary Fellow of the Royal Academy of Music (R.A.M.). In 1986 he received the Ivor Novello Award for outstanding services to British music. He was Knighted in 1993. He died on September 23, 2006, after a brief illness.- IMDb Mini Biography By: Malcolm Arnold Society
- SpousesIsobel Katharine Gray(November 2, 1963 - 1975) (divorced, 1 child)Sheila Nicholson(January 3, 1942 - 1962) (divorced, 2 children)
- The producers of "Bridge on the River Kwai" wanted to release the movie in time to make the deadline for Academy Award consideration. However, they couldn't find any composers willing to write a score on such a tight deadline. Arnold accepted the challenge. They gave him 10 days to compose the complete film score; he did it, and won the Oscar for best score.
- Arnold was so infuriated by the way in which Sir William Walton had been treated over the music for "Battle Of Britain" that he vowed he would withdraw from the film world and never again write film music. He had already contracted to compose the scores for "The Reckoning" and the TV movie "David Copperfield", but once he had fulfilled these obligations, he kept his promise and disappeared from the world of films completely, always refusing movie offers. (He did occasionally write music for TV).
- He was given exemption from the military during WWII, but after his brother in the RAF was killed, he was determined to serve in the armed forces. He was turned down by the parachute regiment and the Navy, but was finally enlisted in the infantry.
- As a favor to long-time friend William Walton, Arnold agreed to orchestrate Walton's score for Battle of Britain (1969). When Walton found difficulty composing under the schedule at his age, Arnold secretly helped compose several cues. Ultimately, however, the score was rejected and replaced with one by Ron Goodwin. The Walton/Arnold version of final battle scene score, however, was retained in the release version. The Walton/Arnold score has since been released on CD and as an alternate track on the M-G-M release of the film on Blu-Ray and DVD. Arnold's contribution is unmistakable to those familiar with his style.
- David Lean greatly admired Arnold and, after their successful collaborations on three previous films, offered him the chance to write the score for "Lawrence Of Arabia". Arnold viewed a rough-cut of the film after a very large lunch with Sir William Walton. Somewhat drunk, Arnold dismissed the film as a "glorified travelogue" and walked out. Lean, insulted and angry, never worked with him again.
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