Even in this age of instant YouTube gratification, movie trailers are a big deal. They get us hyped for an upcoming project by making promises that the eventual film will (hopefully) pay off. The best sizzle reels are even able to do this by giving a taste of things to come without ruining any surprises or plot twists. Think about the teaser for Alien with its cracking egg and unnerving siren sound, or the deft use of a choral version of Radiohead’s “Creep” in the classic promo for The Social Network. Both of those examples speak to the haunting nature of their movies while allowing space for the film to stand on its own down the road.
But some trailers do their job too well. Some trailers outdo the movies they advertise, sometimes because the film has a concept too shallow to sustain more than three minutes, and sometimes...
But some trailers do their job too well. Some trailers outdo the movies they advertise, sometimes because the film has a concept too shallow to sustain more than three minutes, and sometimes...
- 4/27/2024
- by Joe George
- Den of Geek
It was famed screenwriter William Goldman who once said of the movie industry, “Nobody knows anything.” And that could very well be true, with Jerry Seinfeld now agreeing that Hollywood is as clueless as many people think.
Jerry Seinfeld has seldom taken part in any movies, with his only real role outside of documentaries being the highly meme-able Bee Movie. But with Unfrosted dropping on May 3rd, he has noticed a few things he wouldn’t have otherwise. “It was totally new to me. I thought I had done some cool stuff, but it was nothing like the way these people work. They’re so dead serious! They don’t have any idea that the movie business is over. They have no idea.” So what’s the deal with Hollywood? Seinfeld elaborated on this, saying the business and the consumption of films is nowhere near what it was in generations past.
Jerry Seinfeld has seldom taken part in any movies, with his only real role outside of documentaries being the highly meme-able Bee Movie. But with Unfrosted dropping on May 3rd, he has noticed a few things he wouldn’t have otherwise. “It was totally new to me. I thought I had done some cool stuff, but it was nothing like the way these people work. They’re so dead serious! They don’t have any idea that the movie business is over. They have no idea.” So what’s the deal with Hollywood? Seinfeld elaborated on this, saying the business and the consumption of films is nowhere near what it was in generations past.
- 4/24/2024
- by Mathew Plale
- JoBlo.com
Welcome to The B-Side, from The Film Stage. Here we talk about movie stars! Not the movies that made them famous or kept them famous, but the ones that they made in between.
Today we talk about the movie star. The person who if you looked up “movie star” in the dictionary there would be a picture of him. Robert Redford!
Today we talk the esteemed career of the quintessential movie star. Our B-Sides include: The Hot Rock, The Great Waldo Pepper, Havana, and The Last Castle. Our guest today is Blake Howard, podcast producer, host, and really good guy. Check out One Heat Minute Productions for everything new and relevant in Blake’s world.
We discuss a million things, from why The Hot Rock is so hard to find, to the airplane stunts in The Great Waldo Pepper, to why Havana doesn’t work. There’s an investigation into...
Today we talk about the movie star. The person who if you looked up “movie star” in the dictionary there would be a picture of him. Robert Redford!
Today we talk the esteemed career of the quintessential movie star. Our B-Sides include: The Hot Rock, The Great Waldo Pepper, Havana, and The Last Castle. Our guest today is Blake Howard, podcast producer, host, and really good guy. Check out One Heat Minute Productions for everything new and relevant in Blake’s world.
We discuss a million things, from why The Hot Rock is so hard to find, to the airplane stunts in The Great Waldo Pepper, to why Havana doesn’t work. There’s an investigation into...
- 4/19/2024
- by Dan Mecca
- The Film Stage
Carrie Robbins, whose more than 30 years as a Broadway costume designer saw her involvement in 1972’s Grease, for which she contributed the production’s signature poodle skirts, and the nuns’ habits of 1983’s Agnes of God, died following a brief illness with Covid on Friday, April 12, at Mt. Sinai Hospital in Manhattan. She was 81.
Her death was announced by her friend Daniel Neiden.
Robbin’s Broadway career began somewhat inauspiciously with Leda and the Little Swan, a play that closed on Broadway before its scheduled opening at the Cort Theatre in 1968. Written by Amber Gascoigne and dealing with sex between generations of one family, Leda was called by William Goldman in his classic theater book The Season: A Candid Look at Broadway “the hardest show of the season to sit through.”
Robbins rebounded quickly on Broadway with a revival of You Can’t Take It With You the following year, and,...
Her death was announced by her friend Daniel Neiden.
Robbin’s Broadway career began somewhat inauspiciously with Leda and the Little Swan, a play that closed on Broadway before its scheduled opening at the Cort Theatre in 1968. Written by Amber Gascoigne and dealing with sex between generations of one family, Leda was called by William Goldman in his classic theater book The Season: A Candid Look at Broadway “the hardest show of the season to sit through.”
Robbins rebounded quickly on Broadway with a revival of You Can’t Take It With You the following year, and,...
- 4/16/2024
- by Greg Evans
- Deadline Film + TV
There’s just something inherently creepy about dolls, and filmmakers have had a lot of fun over the decades crafting horror stories around that creepiness. Audiences clearly love to see it, otherwise there wouldn’t be so many creepy / killer doll movies out there. Just last year, M3GAN was such a hit that a sequel was put on the fast track, while another killer doll (or killer teddy bear) movie, Imaginary, is in theatres now. So to celebrate this sub-genre, we decided to put together a list of some of the all-time best killer dolls. Not killer doll movies, but specific dolls. Here is our list of the Top 10 Killer Dolls!
Annabelle (The Conjuring Universe)
This is a “damned if you do, damned if you don’t” list entry if there ever was one. If we don’t include Annabelle – who scared people so badly in the opening scene of The Conjuring,...
Annabelle (The Conjuring Universe)
This is a “damned if you do, damned if you don’t” list entry if there ever was one. If we don’t include Annabelle – who scared people so badly in the opening scene of The Conjuring,...
- 3/9/2024
- by Cody Hamman
- JoBlo.com
Andre Roussimoff, popularly known as Andre the Giant was regarded as ‘the Eighth Wonder of the World’ due to his great size. Although he is mostly known for his contributions to the wrestling world since the World Wide Wrestling Foundation (Wwwf) promoter Vincent McMahon booked him as a ‘special attraction’, he famously played the character of a giant named Fezzik in the 1987 movie The Princess Bride.
Recently, The Princess Bride actress Robin Wright shed some light on her relationship with Andre the Giant, and the incident she recounted from her days on the movie’s set could not be more heartwarming.
Robin Wright and Cary Elwes in The Princess Bride
Robin Wright on How Andre the Giant Helped Her During the Filming of The Princess Bride
After making his USA acting debut in a two-part episode of the 1976 TV series The Six Million Dollar Man, French wrestler Andre the Giant...
Recently, The Princess Bride actress Robin Wright shed some light on her relationship with Andre the Giant, and the incident she recounted from her days on the movie’s set could not be more heartwarming.
Robin Wright and Cary Elwes in The Princess Bride
Robin Wright on How Andre the Giant Helped Her During the Filming of The Princess Bride
After making his USA acting debut in a two-part episode of the 1976 TV series The Six Million Dollar Man, French wrestler Andre the Giant...
- 3/1/2024
- by Ankita
- FandomWire
The closest comp to Ed Zwick’s new memoir Hits, Flops And Other Illusions: My Fortysomething Years in Hollywood is William Goldman’s Adventures in the Screen Trade, where he posited a definitive piece of advice on the elusive formula for hit making: “Nobody knows anything.” Although he didn’t create the “if you want to send a message, try Western Union” line that has many authors, Zwick spent a career trying to defy that adage, in directing, writing and producing a long list of great and meaningful films and TV series topped by the Oscar winning Shakespeare in Love and Traffic, to Glory, Blood Diamond, About Last Night, Defiance, The Last Samurai, The Siege, thirtysomething, My So Called Life and many others.
Comparing his book to Goldman sets a high bar. Like the scripter of Butch Cassidy and the Sundance Kid did, Zwick might fawn over great actors like Denzel Washington,...
Comparing his book to Goldman sets a high bar. Like the scripter of Butch Cassidy and the Sundance Kid did, Zwick might fawn over great actors like Denzel Washington,...
- 2/7/2024
- by Mike Fleming Jr
- Deadline Film + TV
Misery Misery, 11.35pm, Film4, Monday, January 29
Cinematic adaptations have not always been kind to the work of Stephen King, not least, I suspect, because his books are frequently lengthy, packed with character and plot and slip between time periods with ease. William Goldman, who later had less success adapting Hearts In Atlantis and Dreamcatcher, capitalises on the claustrophobia of King's taut psychological horror in Rob Reiner's take on the tale of a writer (James Caan) who has a car crash and his "number one fan" (Kathy Bates), who takes him in at the same time as taking less than kindly to his decision to kill off her favourite character. Applying physical violence with restraint - although it hits home when it counts - this is all about the psychological sparring between the two, with Bates getting all the best lines, and winning an Oscar for her trouble. The subtext,...
Cinematic adaptations have not always been kind to the work of Stephen King, not least, I suspect, because his books are frequently lengthy, packed with character and plot and slip between time periods with ease. William Goldman, who later had less success adapting Hearts In Atlantis and Dreamcatcher, capitalises on the claustrophobia of King's taut psychological horror in Rob Reiner's take on the tale of a writer (James Caan) who has a car crash and his "number one fan" (Kathy Bates), who takes him in at the same time as taking less than kindly to his decision to kill off her favourite character. Applying physical violence with restraint - although it hits home when it counts - this is all about the psychological sparring between the two, with Bates getting all the best lines, and winning an Oscar for her trouble. The subtext,...
- 1/29/2024
- by Amber Wilkinson
- eyeforfilm.co.uk
In the years since this column’s debut, ’90s horror movies have actually found a sizable and heartwarming amount of rediscovery and reappreciation. Physical media has resurrected and restored numerous films to the point where even derided efforts like my beloved I Still Know What You Did Last Summer can get a celebratory 4K upgrade. With this new outlook, horror culture is starting to better redefine the historical landscape of the decade. The conversation is no longer enveloped by the shadow of Ghostface.
But, Misery offers a unique issue when it comes to embracing a movie. An issue made more complex and wonderful by Misery being one of the greatest popular stories to occur in our lifetimes.
A bold claim? Of course, but the evidence is on my side. The novel by Stephen King is often cited among his top standalone achievements in fiction. I had never read the novel...
But, Misery offers a unique issue when it comes to embracing a movie. An issue made more complex and wonderful by Misery being one of the greatest popular stories to occur in our lifetimes.
A bold claim? Of course, but the evidence is on my side. The novel by Stephen King is often cited among his top standalone achievements in fiction. I had never read the novel...
- 1/23/2024
- by Drew Dietsch
- bloody-disgusting.com
"Echo" looks as though it could mark the moment the Marvel Cinematic Universe might get back on track. This is the very first "Marvel Spotlight" series, indicating that "Echo" is its own show and doesn't require audiences to have seen a thousand other MCU projects to understand the narrative. It also means we'll be getting a lot more focus on character rather than events that occur simply to progress the overall MCU narrative. Pretty neat! Especially since we've had far too much MCU in recent years, and most of it has just been an excuse to set up whatever comes next in the saga.
Anyone who saw the "Echo" trailer will know this TV-ma series is a decidedly gritty affair, following in the footsteps of the original Marvel Netflix shows that were focused on "street-level" heroes rather than the grand spectacles of the MCU movies. In the trailer, Alaqua Cox's Maya Lopez/Echo,...
Anyone who saw the "Echo" trailer will know this TV-ma series is a decidedly gritty affair, following in the footsteps of the original Marvel Netflix shows that were focused on "street-level" heroes rather than the grand spectacles of the MCU movies. In the trailer, Alaqua Cox's Maya Lopez/Echo,...
- 1/12/2024
- by Joe Roberts
- Slash Film
An untitled film led by Jenna Ortega, Barry Keoghan and The Weeknd is said to be a loose remake of the 1990 thriller, Misery.
We’ve known for a little while that filmmaker Trey Edward Shults is cooking up something interesting for his next film, but according to reports, he may actually be tackling a ‘loose remake’ of Stephen King’s Misery. King’s 1987 novel got a classic adaptation from director Rob Reiner in 1990 – it’s the one where a crazed fan keeps her favourite writer hostage, forcing him to rewrite his stories to suit her tastes.
The cast that the It Comes At Night and Krisha filmmaker has assembled for the project already made a few waves when it was first announced: both Barry Keoghan and Jenna Ortega are very much in demand at the moment. Music star The Weeknd (aka Abel Tesfaye) is also set to appear. And while...
We’ve known for a little while that filmmaker Trey Edward Shults is cooking up something interesting for his next film, but according to reports, he may actually be tackling a ‘loose remake’ of Stephen King’s Misery. King’s 1987 novel got a classic adaptation from director Rob Reiner in 1990 – it’s the one where a crazed fan keeps her favourite writer hostage, forcing him to rewrite his stories to suit her tastes.
The cast that the It Comes At Night and Krisha filmmaker has assembled for the project already made a few waves when it was first announced: both Barry Keoghan and Jenna Ortega are very much in demand at the moment. Music star The Weeknd (aka Abel Tesfaye) is also set to appear. And while...
- 1/5/2024
- by Dan Cooper
- Film Stories
Amid our nostalgia-mad monoculture, in the age of legacy sequels and the franchise-ation of movies, it often seems like we're in some sort of endlessly repeating paroxysm of déjà vu. Hollywood is notorious for doubling down on anything even marginally successful, often to disastrous effect. Take a look at the current plight of the Marvel Cinematic Universe, which has become so ubiquitous and tiresome that 2024 could be Kevin Feige's last chance to save it. Similarly, in the wake of the McU's dominance, studios have attempted their own version of a shared universe and mostly failed. "John Wick: Chapter 4" was an example of cinematic universe-building done right, but even Lionsgate struggled to expand that universe into prestige TV, with the ultimately pointless "The Continental" series.
Make no mistake, we're in for a continuing deluge of legacy sequels and IP fetishization, as studios scramble for some sort of consistency amid...
Make no mistake, we're in for a continuing deluge of legacy sequels and IP fetishization, as studios scramble for some sort of consistency amid...
- 12/20/2023
- by Joe Roberts
- Slash Film
Lots of people dream of making a studio movie, but in the midst of their reverie, they don't always take into account just what a grueling process it can be. People work long hours and are expected to be at their sharpest every day so that the project doesn't fall behind schedule or go over budget. From the director on down, the pressure to deliver is immense. So every now and then, a little levity is in order. This occasionally results in on-set pranks, which sometimes get a tad out of control.
Consider the case of 1996's "The Fan." Tony Scott's thriller about a die-hard San Francisco Giants fan (Robert De Niro) who begins stalking his favorite baseball player (Wesley Snipes) was a high-profile production for Sony. The studio poured $55 million into the movie, and hoped it would be a late-summer, adult-skewing smash à la "The Fugitive" or "Unforgiven.
Consider the case of 1996's "The Fan." Tony Scott's thriller about a die-hard San Francisco Giants fan (Robert De Niro) who begins stalking his favorite baseball player (Wesley Snipes) was a high-profile production for Sony. The studio poured $55 million into the movie, and hoped it would be a late-summer, adult-skewing smash à la "The Fugitive" or "Unforgiven.
- 12/11/2023
- by Jeremy Smith
- Slash Film
After taking a look back at House II: The Second Story (a favorite of mine since childhood), House of 1000 Corpses (which celebrates its 20th anniversary this year), and the awesomeness of Tales from the Crypt Presents: Demon Knight, JoBlo’s own Lance Vlcek continues his The Best Scene video series by digging into what he feels is the best scene from the classic 1990 Stephen King adaptation Misery (watch it Here). Lance’s choice for the best scene in this one is the leg breaking scene… Yeah, if you’ve seen Misery, you know exactly what we’re talking about. And you can hear all about it in the video embedded above.
Directed by Rob Reiner from a screenplay by William Goldman, based on a novel by Stephen King, Misery has the following synopsis: After a serious car crash, novelist Paul Sheldon is rescued by former nurse Annie Wilkes, who...
Directed by Rob Reiner from a screenplay by William Goldman, based on a novel by Stephen King, Misery has the following synopsis: After a serious car crash, novelist Paul Sheldon is rescued by former nurse Annie Wilkes, who...
- 12/6/2023
- by Cody Hamman
- JoBlo.com
Netflix has looked pretty smart this past year in taking “Suits,” an under-appreciated cable show, and turning it into a streaming smash years after the USA Network finale. But if its executives had been truly prescient, Netflix would have bought the new “Suits” spinoff that is currently in the works for an undisclosed NBCUniversal platform.
It had the chance. Ted Sarandos, the streamer’s co-ceo, said “Suits” creator Aaron Korsh pitched them his new show years ago. But Netflix, along with the rest of Hollywood, looked the other way.
“For the last several years, the guy that created ‘Suits’ had a spinoff show that he was trying to sell everywhere in town. Everybody passed, including us, and including [NBCUniversal], and now they’re making it,” Sarandos said at Monday’s Ubs Global Media and Communications Conference. “There’s a huge, newer interest in ‘Suits.’ And I would probably argue that next...
It had the chance. Ted Sarandos, the streamer’s co-ceo, said “Suits” creator Aaron Korsh pitched them his new show years ago. But Netflix, along with the rest of Hollywood, looked the other way.
“For the last several years, the guy that created ‘Suits’ had a spinoff show that he was trying to sell everywhere in town. Everybody passed, including us, and including [NBCUniversal], and now they’re making it,” Sarandos said at Monday’s Ubs Global Media and Communications Conference. “There’s a huge, newer interest in ‘Suits.’ And I would probably argue that next...
- 12/4/2023
- by Brian Welk
- Indiewire
With the strikes lifted and the town on the verge of going back to work, The Hollywood Reporter asked The Black List founder Franklin Leonard to predict what’s next for the industry. What he came up with was less a prognostication and more a prescription to help Hollywood future-proof itself.
A wholly serious and non-exhaustive list of things the Future of Hollywood needs for there to be a viable Future of Hollywood at all:
• More dramatic performances from Adam Sandler
• A starring role or five for Da’Vine Joy Randolph.
• A Barry Jenkins-Bong Joon Ho collaboration.
• A meritocratic system for identifying talented creative people at a global scale where talent is the exclusive determinant of professional opportunity instead of location, age, gender, race, parentage, colonial legacy or any number of historical biases that have prevented the industry from maximizing financial returns and creative accomplishment.
• The inevitably more diverse talent...
A wholly serious and non-exhaustive list of things the Future of Hollywood needs for there to be a viable Future of Hollywood at all:
• More dramatic performances from Adam Sandler
• A starring role or five for Da’Vine Joy Randolph.
• A Barry Jenkins-Bong Joon Ho collaboration.
• A meritocratic system for identifying talented creative people at a global scale where talent is the exclusive determinant of professional opportunity instead of location, age, gender, race, parentage, colonial legacy or any number of historical biases that have prevented the industry from maximizing financial returns and creative accomplishment.
• The inevitably more diverse talent...
- 11/10/2023
- by Franklin Leonard
- The Hollywood Reporter - Movie News
A superhero character that starts as a little boy and can simply become a superhero with just a word? That sounds like the dream of nearly every kid growing up that read comic books. So it’s not a surprise that this lesser-known character ended up being one of DC’s biggest successes on the silver screen. From hiring a horror director with no action experience to hiring a comedy lead not exactly known for his physique, this had almost everything working against it. Yet it managed to be the most highly praised in all of superhero film, so today on DC Revisited, let’s go into the Rock of Eternity and say his name, as we get into everything Shazam!
Shazam had a pretty unique history, first appearing back in Whiz Comics in 1940, his name was originally Captain Thunder. This changed to Captain Marvelous, then shortened down to Captain Marvel.
Shazam had a pretty unique history, first appearing back in Whiz Comics in 1940, his name was originally Captain Thunder. This changed to Captain Marvelous, then shortened down to Captain Marvel.
- 11/2/2023
- by Tyler Nichols
- JoBlo.com
James Middleton and his wife Alizee Tevenet are sharing their newborn baby with the world!
The 36-year-old entrepreneur, who is the younger brother of Kate Middleton, recently welcomed his first child with Alizee.
Keep reading to find out more…
On Friday (October 27), James shared the first photos of his and Alizee‘s newborn son on his Instagram.
The trio of photos shows the child, whose name is Inigo, alongside the couple’s dogs.
“He has been in our lives for just a few weeks but they have been the most special of my life getting to know our beautiful baby boy...
The 36-year-old entrepreneur, who is the younger brother of Kate Middleton, recently welcomed his first child with Alizee.
Keep reading to find out more…
On Friday (October 27), James shared the first photos of his and Alizee‘s newborn son on his Instagram.
The trio of photos shows the child, whose name is Inigo, alongside the couple’s dogs.
“He has been in our lives for just a few weeks but they have been the most special of my life getting to know our beautiful baby boy...
- 10/28/2023
- by Just Jared
- Just Jared
The legendary test pilot Chuck Yeager took Philip Kaufman, the writer/director of the lauded 1983 space race epic “The Right Stuff,” for a ride in his plane during production. And at one point the man who broke the sound barrier in 1947 turned over the controls to Kaufman as he also turned off the engine. “He thought it would scare me being one of the ‘Hollywood’ guys,” Kaufman told me in a 2003 L.A. Times interview. “I just sort of looked at him and smiled, because I knew there was something blessed about this man. The funny thing about Yeager is that he would drive out to the sets, particularly in the high desert, and he would not go above the speed limit. He was the fastest man alive, but he wouldn’t go over 55 because he knew how dangerous it was on the highway”
Barbara Hershey, who played Yeager’s wife Glennis,...
Barbara Hershey, who played Yeager’s wife Glennis,...
- 10/24/2023
- by Susan King
- Gold Derby
“Politics is poisonous – even in making movies.”
Those were the words of William Goldman, the gifted screenwriter, who was finishing his script for All the President’s Men in 1972, when his director told him to quit writing. It seems Robert Redford, the co-star, had a new take on his character and he would take over the writing.
Goldman was shocked. His director, Alan Pakula, was depressed. The movie was stalled. Ultimately, Redford pumped up the polemics, the script was finished and the movie was a hit. But for Goldman and Pakula, the lesson was clear: No more political movies; too up tight and personal.
I was reminded of this incident this week when a network executive told me, “Objective coverage won’t stand a chance in the 2024 election. Look at the early mess in covering the Trump trials” – week two of the civil trial began Tuesday, with four criminal trials to come.
Those were the words of William Goldman, the gifted screenwriter, who was finishing his script for All the President’s Men in 1972, when his director told him to quit writing. It seems Robert Redford, the co-star, had a new take on his character and he would take over the writing.
Goldman was shocked. His director, Alan Pakula, was depressed. The movie was stalled. Ultimately, Redford pumped up the polemics, the script was finished and the movie was a hit. But for Goldman and Pakula, the lesson was clear: No more political movies; too up tight and personal.
I was reminded of this incident this week when a network executive told me, “Objective coverage won’t stand a chance in the 2024 election. Look at the early mess in covering the Trump trials” – week two of the civil trial began Tuesday, with four criminal trials to come.
- 10/12/2023
- by Peter Bart
- Deadline Film + TV
While rumors floated for years that James Caan turned down an offer to play Han Solo in Star Wars, he avoided confirming or denying the story. Still, the actor said he had turned down many roles in his career. He also shared why he thought he wouldn’t have been right for the role. With this response, he took a shot at Harrison Ford.
There are rumors that James Caan turned down the role of Han Solo
Ford, of course, ultimately got the role of Han Solo. Caan was reportedly under consideration for the part before Ford was cast, though. In a 2013 conversation on The Howard Stern Show, Caan first spoke about another iconic role he refused: Superman.
Caan said that The Godfather author Mario Puzo had written a tongue-in-cheek, humorous script for the film. He would have considered this version, but the film went in a different direction. While...
There are rumors that James Caan turned down the role of Han Solo
Ford, of course, ultimately got the role of Han Solo. Caan was reportedly under consideration for the part before Ford was cast, though. In a 2013 conversation on The Howard Stern Show, Caan first spoke about another iconic role he refused: Superman.
Caan said that The Godfather author Mario Puzo had written a tongue-in-cheek, humorous script for the film. He would have considered this version, but the film went in a different direction. While...
- 9/15/2023
- by Emma McKee
- Showbiz Cheat Sheet
While rumors floated for years that James Caan turned down an offer to play Hans Solo in Star Wars, he avoided confirming or denying the story. Still, the actor said he had turned down many roles in his career. He also shared why he thought he wouldn’t have been right for the role. With this response, he took a shot at Harrison Ford.
There are rumors that James Caan turned down the role of Hans Solo
Ford, of course, ultimately got the role of Hans Solo. Caan was reportedly under consideration for the part before Ford was cast, though. In a 2013 conversation on The Howard Stern Show, Caan first spoke about another iconic role he refused: Superman.
Caan said that The Godfather author Mario Puzo had written a tongue-in-cheek, humorous script for the film. He would have considered this version, but the film went in a different direction. While...
There are rumors that James Caan turned down the role of Hans Solo
Ford, of course, ultimately got the role of Hans Solo. Caan was reportedly under consideration for the part before Ford was cast, though. In a 2013 conversation on The Howard Stern Show, Caan first spoke about another iconic role he refused: Superman.
Caan said that The Godfather author Mario Puzo had written a tongue-in-cheek, humorous script for the film. He would have considered this version, but the film went in a different direction. While...
- 9/15/2023
- by Emma McKee
- Showbiz Cheat Sheet
The 2023 writers strike has focused attention on recent developments like artificial intelligence and the transition to streaming.
But for film writers, the key issue in the strike has been a constant battle for more than a generation: How do you get paid for a script once it’s finished?
Screenwriters have long been asked to do free revisions before turning in a “first draft” to the studio, which triggers payment. Typically they agree, even though the Writers Guild of America contract sets out minimum rates for revisions and polishes.
“I have boxes of scripts in my garage that are just draft after draft after draft,” said Emily Fox, a WGA strike captain who was walking the picket lines last week. “And it was all ‘first draft.’ But it was like First Draft A, First Draft B. But if they’re like, ‘You’re not ready to hand it in,’ then...
But for film writers, the key issue in the strike has been a constant battle for more than a generation: How do you get paid for a script once it’s finished?
Screenwriters have long been asked to do free revisions before turning in a “first draft” to the studio, which triggers payment. Typically they agree, even though the Writers Guild of America contract sets out minimum rates for revisions and polishes.
“I have boxes of scripts in my garage that are just draft after draft after draft,” said Emily Fox, a WGA strike captain who was walking the picket lines last week. “And it was all ‘first draft.’ But it was like First Draft A, First Draft B. But if they’re like, ‘You’re not ready to hand it in,’ then...
- 8/23/2023
- by Gene Maddaus
- Variety Film + TV
There’s something inherently unsettling about inanimate objects that move on their own accord. Especially if they happen to resemble people. Which is what makes dolls so perfect for the horror genre; the uncanny valley of it all heightens the fear response in audiences.
This week’s streaming picks belong to the killer doll subgenre. These pint-sized homicidal maniacs deliver plenty of scares, heart, humor, and occasionally a great fashion sense.
As always, here’s where you can stream them this week.
For more Stay Home, Watch Horror picks, click here.
Asylum – Fandor, freevee, Plex, Pluto TV, Roku Channel, Screambox, Shout TV, Tubi
This Amicus Production feature sets its wraparound in an asylum, where a doctor arrives for a job interview. His interviewer subjects him to an unorthodox interview process, which entails four tales of terror. The final segment before the epilogue, “Mannikins of Horror,” introduces a mad scientist type in Dr.
This week’s streaming picks belong to the killer doll subgenre. These pint-sized homicidal maniacs deliver plenty of scares, heart, humor, and occasionally a great fashion sense.
As always, here’s where you can stream them this week.
For more Stay Home, Watch Horror picks, click here.
Asylum – Fandor, freevee, Plex, Pluto TV, Roku Channel, Screambox, Shout TV, Tubi
This Amicus Production feature sets its wraparound in an asylum, where a doctor arrives for a job interview. His interviewer subjects him to an unorthodox interview process, which entails four tales of terror. The final segment before the epilogue, “Mannikins of Horror,” introduces a mad scientist type in Dr.
- 8/14/2023
- by Meagan Navarro
- bloody-disgusting.com
When you consider the evidence, the 1970s was the greatest crime movie period since the 1930s. Maybe it’s because of the grim film stock, but those 10 years were so filled with the criminal element even a highly-rated political journalism feature like All the President’s Men (1976) is really an investigation into indictable acts. The decade is defined by Francis Ford Coppola’s first two The Godfather movies, but those tell the story of the dons who live in compounds on Long Island. Most illicit infractions are committed on the street, and so many fall between the cracks.
Crime and gangster movies historically and consistently break boundaries in motion picture art. This is especially true when independent filmmakers muscle their way in packing something heavy. The 1970s was an experimental decade for motion pictures with wildly varied visions behind the lens. Some of these films were considered old-fashioned, others have proven...
Crime and gangster movies historically and consistently break boundaries in motion picture art. This is especially true when independent filmmakers muscle their way in packing something heavy. The 1970s was an experimental decade for motion pictures with wildly varied visions behind the lens. Some of these films were considered old-fashioned, others have proven...
- 8/12/2023
- by David Crow
- Den of Geek
The phrase “they don’t make them like they used to” is thrown around a lot in the context of nostalgia, but in the case of the first teaser for Magic, it’s quite accurate. Imagine sitting around the TV with your family and seeing this commercial pop up on screen back in the 1970s. The simple but terrifying ad didn’t give away much about the actual plot, but it did instill a lot of traumatic nightmares for any young viewers that happened to catch it. The TV spot was so effective that it’s arguably scarier than the actual film; it wasn’t the straightforward horror story the teaser indicated but much more a psychological thriller. Released 45 years ago on November 8, 1978, Magic is an underappreciated classic and one of horror’s most unnerving love stories.
Written by William Goldman, and adapted from the novel he also wrote, Magic...
Written by William Goldman, and adapted from the novel he also wrote, Magic...
- 8/11/2023
- by Meagan Navarro
- bloody-disgusting.com
Three horror classics have just landed on the Bloody Disgusting-powered Screambox streaming service, which already is celebrating a massive August that kicked off with the Ghostbusters-inspired Ghastly Brothers.
Richard Attenborough’s Magic (1978) starring Anthony Hopkins and a psychotic ventriloquist dummy is the first of three movies added to Screambox, courtesy of Shout! Factory.
“Written by William Goldman, adapted from the novel he also wrote, Magic revolves around a ventriloquist seeking to renew a relationship with his former high school sweetheart,” Meagan Navarro previously wrote about the classic. “The only problem is that his dummy is the jealous type. That ventriloquist, Corky, is played by Anthony Hopkins. Unlike most killer doll horror movies, Magic favors the psychological, and Hopkins brings intensity to this twisted love story.”
She notes that this movie served as an inspiration for Don Mancini’s original Child’s Play screenplay and is currently celebrating its 45th anniversary!
Watch It Now!
Richard Attenborough’s Magic (1978) starring Anthony Hopkins and a psychotic ventriloquist dummy is the first of three movies added to Screambox, courtesy of Shout! Factory.
“Written by William Goldman, adapted from the novel he also wrote, Magic revolves around a ventriloquist seeking to renew a relationship with his former high school sweetheart,” Meagan Navarro previously wrote about the classic. “The only problem is that his dummy is the jealous type. That ventriloquist, Corky, is played by Anthony Hopkins. Unlike most killer doll horror movies, Magic favors the psychological, and Hopkins brings intensity to this twisted love story.”
She notes that this movie served as an inspiration for Don Mancini’s original Child’s Play screenplay and is currently celebrating its 45th anniversary!
Watch It Now!
- 8/11/2023
- by Brad Miska
- bloody-disgusting.com
When Bo Goldman, the two-time Academy Award screenwriter of "One Flew Over the Cuckoo's Nest" and "Harold and Maude," passed away on July 25, 2023 at the age of 90, the world lost a master dramatist and a razor-sharp observer of human behavior. Hailed by his Hollywood peers as a "screenwriter's screenwriter," Goldman possessed an unerring ear for dialogue and a cliche-eschewing sense of narrative. Be it a wistful satire of the American dream or a bruisingly authentic depiction of divorce, his name on the poster guaranteed an honest, offbeat view of humanity.
And it almost never happened. Goldman was born in the midst of the Great Depression on September 10, 1932. His father owned a chain of department stores that had fallen on hard times, but that didn't stop the besieged patriarch from sending his son to the prestigious likes of Phillips Exeter and Princeton University. It was at the latter institution that Goldman discovered a love for theater,...
And it almost never happened. Goldman was born in the midst of the Great Depression on September 10, 1932. His father owned a chain of department stores that had fallen on hard times, but that didn't stop the besieged patriarch from sending his son to the prestigious likes of Phillips Exeter and Princeton University. It was at the latter institution that Goldman discovered a love for theater,...
- 7/27/2023
- by Jeremy Smith
- Slash Film
Screenwriter Bo Goldman, who won Oscars for his scripts to “One Flew Over the Cuckoo’s Nest” and “Melvin and Howard” and was among a select group of film scribes including Robert Towne and William Goldman considered to be among that generation’s best, died Tuesday in Helendale, Calif., his son-in-law, director Todd Field, confirmed to the New York Times. He was 90.
Goldman was also Oscar nominated for 1993’s “Scent of a Woman.”
The 1976 Oscar he shared with Lawrence Hauben for co-adapting Ken Kesey’s novel “One Flew Over the Cuckoo’s Nest” was a particularly impressive achievement considering that “Cuckoo’s Nest” represented only Goldman’s second screenplay and the first to be produced. The win for adapted screenplay was part of a sweep for the film that also included victories for best picture, director, actor and actress. No movie had won those five awards since 1934’s “It’s a Wonderful...
Goldman was also Oscar nominated for 1993’s “Scent of a Woman.”
The 1976 Oscar he shared with Lawrence Hauben for co-adapting Ken Kesey’s novel “One Flew Over the Cuckoo’s Nest” was a particularly impressive achievement considering that “Cuckoo’s Nest” represented only Goldman’s second screenplay and the first to be produced. The win for adapted screenplay was part of a sweep for the film that also included victories for best picture, director, actor and actress. No movie had won those five awards since 1934’s “It’s a Wonderful...
- 7/26/2023
- by Carmel Dagan
- Variety Film + TV
Bo Goldman, the late-blooming guru of screenwriting who received Academy Awards for his work on One Flew Over the Cuckoo’s Nest and Melvin and Howard, has died. He was 90.
Goldman died Tuesday in Helendale, California, his son-in-law, director Todd Field, told The New York Times.
Goldman’s first screenplay was, years after he wrote it, directed by Alan Parker for Shoot the Moon (1982), which featured Diane Keaton and Albert Finney in a raw, seriocomic drama about a disintegrating marriage.
He also co-wrote the Mark Rydell-directed rock drama The Rose (1979), starring Bette Midler in an Oscar-nominated turn, and Martin Brest’s Scent of a Woman (1992), which netted him his third Academy Award nom (and Al Pacino the best actor Oscar, too).
Goldman was one of the handful of screenwriters — Paddy Chayefsky, Francis Ford Coppola, Horton Foote, William Goldman, Billy Wilder and Joel and Ethan Coen among them — to win Academy...
Goldman died Tuesday in Helendale, California, his son-in-law, director Todd Field, told The New York Times.
Goldman’s first screenplay was, years after he wrote it, directed by Alan Parker for Shoot the Moon (1982), which featured Diane Keaton and Albert Finney in a raw, seriocomic drama about a disintegrating marriage.
He also co-wrote the Mark Rydell-directed rock drama The Rose (1979), starring Bette Midler in an Oscar-nominated turn, and Martin Brest’s Scent of a Woman (1992), which netted him his third Academy Award nom (and Al Pacino the best actor Oscar, too).
Goldman was one of the handful of screenwriters — Paddy Chayefsky, Francis Ford Coppola, Horton Foote, William Goldman, Billy Wilder and Joel and Ethan Coen among them — to win Academy...
- 7/26/2023
- by Mike Barnes
- The Hollywood Reporter - Movie News
Lawrence Turman, producer of films including Oscar winner “The Graduate,” and longtime chair of the Peter Stark Producing program at USC, died Saturday at the Motion Picture Home in Woodland Hills. He was 96.
Turman’s producing career spanned 50 years, and he served as director of USC’s Peter Stark Producing program from 1991 until he retired in 2021 at age 94.
Born in Los Angeles in 1926, Turman graduated from UCLA and broke into the industry after answering an ad in Variety to work at the Kurt Frings agency. He represented actors, and after getting a meeting with Alfred Hitchcock through their friend Ernest Lehman, he was able to book four of his agency’s clients in “North By Northwest.”
Turman moved into producing, working on films including Judy Garland’s last film “I Could Go On Singing,” “The Best Man,” “The Great White Hope” and “Pretty Poison.”
After finding Charles Webb’s book “The Graduate,...
Turman’s producing career spanned 50 years, and he served as director of USC’s Peter Stark Producing program from 1991 until he retired in 2021 at age 94.
Born in Los Angeles in 1926, Turman graduated from UCLA and broke into the industry after answering an ad in Variety to work at the Kurt Frings agency. He represented actors, and after getting a meeting with Alfred Hitchcock through their friend Ernest Lehman, he was able to book four of his agency’s clients in “North By Northwest.”
Turman moved into producing, working on films including Judy Garland’s last film “I Could Go On Singing,” “The Best Man,” “The Great White Hope” and “Pretty Poison.”
After finding Charles Webb’s book “The Graduate,...
- 7/3/2023
- by Pat Saperstein
- Variety Film + TV
Physical media buffs, it's that time of the month: The Criterion Collection has announced their releases planned for September 2023. Nicholas Roeg's Walkabout in 4K is the standout title for me, though it may be that Brett Morgan's trippy tribute to David Bowie, Moonage Daydream, also on 4K, will ring your bell. Orson Welles' The Trial should look outstanding in 4K, if that's more your taste. Or Rob Reiner's The Princess Bride, written by William Goldman, also in 4K, should look lush and beautiful, even if you've already committed every line to memory. As a Mexican-Irish person, I must shout out to La Bamba, though I wonder why it is only available on Blu-ray? It's a 4K digital restoration, so perhaps a 4K edition will be forthcoming. If you aren't set up...
[Read the whole post on screenanarchy.com...]...
[Read the whole post on screenanarchy.com...]...
- 6/15/2023
- Screen Anarchy
With the writer’s latest big screen adaptation The Boogeyman opening in theatres, we select the best interpretations of his work
Based on King’s own wrestle with outraged fans struggling to accept his swerve away from books solely within the horror genre, Misery is another story that also exists outside of what we might typically expect from him. It’s a darkly comic thriller devoid of nefarious supernatural elements that instead weaponises a woman’s extreme loneliness and even more extreme entitlement to tell one of cinema’s most effective, and evergreen, stories of unhinged fandom. A perfectly calibrated Kathy Bates, who remains the only Oscar winner for a King movie to date, alternates her romance novel-fixated antagonist Annie between sweet and sour from scene to scene, William Goldman’s canny script adding more complicated emotional texture to what could have descended into cheap hagsploitation. Her seat-edge interplay with...
Based on King’s own wrestle with outraged fans struggling to accept his swerve away from books solely within the horror genre, Misery is another story that also exists outside of what we might typically expect from him. It’s a darkly comic thriller devoid of nefarious supernatural elements that instead weaponises a woman’s extreme loneliness and even more extreme entitlement to tell one of cinema’s most effective, and evergreen, stories of unhinged fandom. A perfectly calibrated Kathy Bates, who remains the only Oscar winner for a King movie to date, alternates her romance novel-fixated antagonist Annie between sweet and sour from scene to scene, William Goldman’s canny script adding more complicated emotional texture to what could have descended into cheap hagsploitation. Her seat-edge interplay with...
- 6/1/2023
- by Benjamin Lee, Scott Tobias, Veronica Esposito, Kelli Weston, Andrew Pulver, AA Dowd, Charles Bramesco, Radheyan Simonpillai and Steve Rose
- The Guardian - Film News
What has fallen flat at Pixar? This is the innovative animation studio that pushed all before it in the first decade of this millennium, that invented a way of turning the plastic finish of digital animation to its advantage in the towering Toy Story, that was prepared to start a film with a 20-minute scene with no dialogue in Wall-e – and revealed that kids didn’t care – and that would make an adventure film with a hero aged 78 years young in Up!. Kids didn’t care about that either, as it turned out, because Carl Fredricksen was a grumpy-gramps adventurer who also didn’t care what others thought of him. Pixar always had something new up its collective artistic sleeve. And yet here they are, coming out with a film as dull-witted and syrupy as Elemental.
The title suggests the kids will get a head start on the periodic table,...
The title suggests the kids will get a head start on the periodic table,...
- 5/27/2023
- by Stephanie Bunbury
- Deadline Film + TV
No book could ever fully capture the beautiful, ugly, inexplicable madness that is the Cannes Film Festival — but that hasn’t stopped a handful from trying. Here are THR’s executive editor (awards) and resident film-book bibliophile’s picks for the five best.
1. Two Weeks in the Midday Sun: A Cannes Notebook, by Roger Ebert (1987)
This thin travelogue by the Chicago Sun-Times’ longtime film critic, who won a Pulitzer Prize in 1975 and died in 2013, chronicles his experience covering the fest’s 1987 edition, having previously attended many times before. It breezily profiles true festival characters like the publicist Renee Furst, the schlock showman Menahem Golan and the gambler Billy “Silver Dollar” Baxter — all now gone — and charmingly illustrates how much some things have changed (journalists no longer file reports by telex when they can get around to it, but rather post multiple online dispatches daily) and others have not (the jetlag and lack of sleep,...
1. Two Weeks in the Midday Sun: A Cannes Notebook, by Roger Ebert (1987)
This thin travelogue by the Chicago Sun-Times’ longtime film critic, who won a Pulitzer Prize in 1975 and died in 2013, chronicles his experience covering the fest’s 1987 edition, having previously attended many times before. It breezily profiles true festival characters like the publicist Renee Furst, the schlock showman Menahem Golan and the gambler Billy “Silver Dollar” Baxter — all now gone — and charmingly illustrates how much some things have changed (journalists no longer file reports by telex when they can get around to it, but rather post multiple online dispatches daily) and others have not (the jetlag and lack of sleep,...
- 5/19/2023
- by Scott Feinberg
- The Hollywood Reporter - Movie News
Broadway and film star Joel Grey and John Kander, composer of Cabaret, Chicago and more, will receive the 2023 Special Tony Awards for Lifetime Achievement in the Theatre.
Grey was the original Amos Hart in the 1996 Chicago and the original Emcee in Cabaret on Broadway, for which he won a Tony Award. He later received an Academy Award, Golden Globe and BAFTA for his performance in the film adaptation. Kander, who co-wrote those legendary musicals with the late lyricist Fred Ebb, is currently represented on Broadway with the musical New York, New York.
“We are immensely thrilled to honor two legends in their own rights. John Kander has composed the soundtrack to all of our lives – meeting us in every decade – creating unforgettable scores for Cabaret, Chicago, Kiss of the Spider Woman, and his current Broadway hit New York, New York,” said Charlotte St. Martin, president of the Broadway League.
“As a legendary actor and director,...
Grey was the original Amos Hart in the 1996 Chicago and the original Emcee in Cabaret on Broadway, for which he won a Tony Award. He later received an Academy Award, Golden Globe and BAFTA for his performance in the film adaptation. Kander, who co-wrote those legendary musicals with the late lyricist Fred Ebb, is currently represented on Broadway with the musical New York, New York.
“We are immensely thrilled to honor two legends in their own rights. John Kander has composed the soundtrack to all of our lives – meeting us in every decade – creating unforgettable scores for Cabaret, Chicago, Kiss of the Spider Woman, and his current Broadway hit New York, New York,” said Charlotte St. Martin, president of the Broadway League.
“As a legendary actor and director,...
- 5/3/2023
- by Caitlin Huston
- The Hollywood Reporter - Movie News
In All the President’s Men, the iconic 1976 film about how reporters Bob Woodward and Carl Bernstein broke the Watergate scandal and brought down the entire Richard Nixon presidency, Woodward’s inside source, nicknamed Deep Throat, famously says, “Forget the myths the media’s created about the White House. The truth is, these are not very bright guys, and things got out of hand.”
The new HBO miniseries White House Plumbers takes five hours conveying this idea that William Goldman’s Oscar-winning Atpm script got across in a couple of sentences.
The new HBO miniseries White House Plumbers takes five hours conveying this idea that William Goldman’s Oscar-winning Atpm script got across in a couple of sentences.
- 5/1/2023
- by Alan Sepinwall
- Rollingstone.com
In 1898, Lt. Colonel John Henry Patterson was sent to Africa on behalf of the British government to oversee the construction of an important railway bridge. Located in the remote Tsavo region of Kenya, the operation employed thousands of laborers and spanned multiple miles of railway track, making it a considerable undertaking for any one person. But John Patterson was up for the daunting task. However, mere days after his arrival, a vicious pair of male lions began targeting and brutally attacking the workers. For more than nine months, the rogue predators used the work camp as their own personal hunting ground, dragging men from their tents at night and killing them for sport. They became known as “Ghost” and “Darkness” by the frightened workers, who believed them to be vengeful spirits defending their ancestral land from the encroaching British empire. With the attacks only getting worse, it was up to...
- 4/13/2023
- by Brian Accardo
- JoBlo.com
It felt good didn’t it? Watching a fantasy film where folks could crack a smile and actually enjoy their adventure. There was certainly danger and monsters in Dungeons & Dragons: Honor Among Thieves—not to mention the roleplaying tabletop game’s namesakes!—but that didn’t mean you couldn’t enjoy the ride.
In the last 20 years, fantasy has largely come to take itself exceedingly seriously where the fate of kingdoms or the entire world often hangs in the balance, and the central heroes who may start merry end the story broken, traumatized, and in a few instances ready to murder their homicidal lover… who is also their aunt.
This past weekend’s winsome D&d movie did away with all that, instead favoring some good old-fashioned romping to go along with a pure cut of high fantasy. If you enjoyed the experience, here are some other fantasy movies we recommend to continue the fun.
In the last 20 years, fantasy has largely come to take itself exceedingly seriously where the fate of kingdoms or the entire world often hangs in the balance, and the central heroes who may start merry end the story broken, traumatized, and in a few instances ready to murder their homicidal lover… who is also their aunt.
This past weekend’s winsome D&d movie did away with all that, instead favoring some good old-fashioned romping to go along with a pure cut of high fantasy. If you enjoyed the experience, here are some other fantasy movies we recommend to continue the fun.
- 4/3/2023
- by David Crow
- Den of Geek
Amazon has set the creative team for its Butch & Sundance series.
The adaptation, which has Regé-Jean Page and Glen Powell in talks to star, will see Alex Metcalf serve as showrunner with Kaz Firpo and Ryan Firpo serving as co-showrunners.
The project, which landed a series order last year, was created by the Firpo cousins, who wrote Marvel’s Eternals. Metcalf was previously showrunner of Showtime’s The Loudest Voice and has written on shows such as Sharp Objects and UnReal.
Related: 2023 Prime Video Pilots & Series Orders
The trio will exec produce.
The series is set in an alternate version of America, where legendary outlaws Butch Cassidy and The Sundance Kid take on their biggest heist yet — this time with the fate of the world hanging in the balance.
Bridgerton star Page is expected to play Butch Cassidy and Top Gun: Maverick star Powell is set to play the Sundance Kid.
The adaptation, which has Regé-Jean Page and Glen Powell in talks to star, will see Alex Metcalf serve as showrunner with Kaz Firpo and Ryan Firpo serving as co-showrunners.
The project, which landed a series order last year, was created by the Firpo cousins, who wrote Marvel’s Eternals. Metcalf was previously showrunner of Showtime’s The Loudest Voice and has written on shows such as Sharp Objects and UnReal.
Related: 2023 Prime Video Pilots & Series Orders
The trio will exec produce.
The series is set in an alternate version of America, where legendary outlaws Butch Cassidy and The Sundance Kid take on their biggest heist yet — this time with the fate of the world hanging in the balance.
Bridgerton star Page is expected to play Butch Cassidy and Top Gun: Maverick star Powell is set to play the Sundance Kid.
- 3/23/2023
- by Peter White
- Deadline Film + TV
The story of the infamous serial-killer case nicknamed the Boston Strangler involved 13 sexual assaults and murders in the Boston area between 1962 and 1964. Officially, 12 of them have never been solved. The 13th, decades later, was proven through DNA techniques to be the chief suspect, and self-confessed “Boston Strangler” Albert DeSalvo. He was famously represented by F. Lee Bailey, who later would write a book about the case.
Related Story ‘Boston Strangler’ Trailer: Keira Knightley Leads 20th’s True-Crime Thriller For Hulu Related Story Demi Lovato Making Directorial Debut With 'Child Star' Documentary at Hulu Related Story Criminologist Docuseries 'The Lesson Is Murder' Set At Hulu From ABC News Studios The Boston Strangler, 1968 20th Century Fox
The fact that there were, and still are, so many questions about it all did not deter Hollywood and others from exploiting the case to various degrees — most famously in the 1968 20th Century Fox...
Related Story ‘Boston Strangler’ Trailer: Keira Knightley Leads 20th’s True-Crime Thriller For Hulu Related Story Demi Lovato Making Directorial Debut With 'Child Star' Documentary at Hulu Related Story Criminologist Docuseries 'The Lesson Is Murder' Set At Hulu From ABC News Studios The Boston Strangler, 1968 20th Century Fox
The fact that there were, and still are, so many questions about it all did not deter Hollywood and others from exploiting the case to various degrees — most famously in the 1968 20th Century Fox...
- 3/17/2023
- by Pete Hammond
- Deadline Film + TV
From Colman Domingo to Saoirse Ronan, an early look at which actors and directors might win awards in 2024
After the unlikely success of Everything Everywhere All at Once at this year’s Oscars ceremony, it might seem dumber than ever to look ahead to 2024’s race, William Goldman’s famous “nobody knows anything” quote coming to mind.
But as a foolishly unstoppable annual tradition of ours, here are 10 big names that could be either nominees or winners anyway because maybe somebody knows something …...
After the unlikely success of Everything Everywhere All at Once at this year’s Oscars ceremony, it might seem dumber than ever to look ahead to 2024’s race, William Goldman’s famous “nobody knows anything” quote coming to mind.
But as a foolishly unstoppable annual tradition of ours, here are 10 big names that could be either nominees or winners anyway because maybe somebody knows something …...
- 3/15/2023
- by Benjamin Lee
- The Guardian - Film News
The films in contention for the 2023 Best Adapted Screenplay Oscar are “All Quiet on the Western Front,” “Glass Onion,” “Living,” “Top Gun: Maverick,” and “Women Talking.” Our odds currently indicate that “Women Talking” (10/3) will win the award, followed in order of likelihood by “All Quiet on the Western Front” (37/10), “Glass Onion” (9/2), “Top Gun: Maverick” (9/2), and “Living” (9/2).
“Glass Onion” and “Top Gun: Maverick,” which are, respectively, the first sequels to 2019’s “Knives Out” and 1986’s “Top Gun,” are the first pair of continuation films ever nominated against each other in this category. Included among the seven sequels that have contended here before are winners “The Godfather Part II” (1975) and “The Lord of the Rings: The Return of the King” (2004) and nominees “Before Sunset” (2005), “Toy Story 3” (2011), “Before Midnight” (2014), “Logan” (2018), and “Borat Subsequent Moviefilm” (2021).
Of the 11 individual writers in this year’s lineup, only Sarah Polley (“Women Talking”) has competed for this particular award before.
“Glass Onion” and “Top Gun: Maverick,” which are, respectively, the first sequels to 2019’s “Knives Out” and 1986’s “Top Gun,” are the first pair of continuation films ever nominated against each other in this category. Included among the seven sequels that have contended here before are winners “The Godfather Part II” (1975) and “The Lord of the Rings: The Return of the King” (2004) and nominees “Before Sunset” (2005), “Toy Story 3” (2011), “Before Midnight” (2014), “Logan” (2018), and “Borat Subsequent Moviefilm” (2021).
Of the 11 individual writers in this year’s lineup, only Sarah Polley (“Women Talking”) has competed for this particular award before.
- 3/11/2023
- by Matthew Stewart
- Gold Derby
Fresh and original is the ticket for this year’s Oscars. That is if “Everything Everywhere All at Once” (A24) wins as many categories as we predict — five out of eleven nominations. There’s a familiar feeling to the the loving family of actors and filmmakers flitting from event to event accepting prizes, that same surge of rooting interest that accompanied SAG Ensemble winners “Parasite” and “Coda” prior to their Best Picture wins. And the precursors are there.
How can “Everything Everywhere” lose? Well, there are many in the Academy who didn’t get on the bandwagon; where some are moved by a beleaguered immigrant family finally pulling their act together, others find the multiverse comedy chaotic and weird. And the BAFTAs only awarded the film one prize: Editing. That’s because the international bloc is leaning toward the only viable alternative to the very American “Everything Everywhere,” German Oscar...
How can “Everything Everywhere” lose? Well, there are many in the Academy who didn’t get on the bandwagon; where some are moved by a beleaguered immigrant family finally pulling their act together, others find the multiverse comedy chaotic and weird. And the BAFTAs only awarded the film one prize: Editing. That’s because the international bloc is leaning toward the only viable alternative to the very American “Everything Everywhere,” German Oscar...
- 3/9/2023
- by Anne Thompson
- Indiewire
As the Berlin Festival turns into its final straight, the industry has warmed to a busy, packed European Film Market which at one and the same time has underscored the challenges still facing the international independent film business.
Following by way of an industry wrap, a dozen takeaways on the 2023 Berlin market, including its Berlinale Series Market, an ever more building proposition at the festival.
The Verdict
If the European Film Market is anything to go by, broadly, the international movie market is in some ways making a comeback, despite still vastly challenging circumstances. On Thursday, the EFM reported “record results” of a total of over 11,500 market participants from 132 countries. “It was a rather busy market, with no single must-have, but much mid-sized product,” Constantin’s Martin Moszkowicz says of this year’s EFM, noting that Constantin received about 90 project submissions prior to market, “which is a lot.” “There’s...
Following by way of an industry wrap, a dozen takeaways on the 2023 Berlin market, including its Berlinale Series Market, an ever more building proposition at the festival.
The Verdict
If the European Film Market is anything to go by, broadly, the international movie market is in some ways making a comeback, despite still vastly challenging circumstances. On Thursday, the EFM reported “record results” of a total of over 11,500 market participants from 132 countries. “It was a rather busy market, with no single must-have, but much mid-sized product,” Constantin’s Martin Moszkowicz says of this year’s EFM, noting that Constantin received about 90 project submissions prior to market, “which is a lot.” “There’s...
- 2/23/2023
- by John Hopewell, Marta Balaga and Elsa Keslassy
- Variety Film + TV
William Goldman’s international conspiracy thriller provides Dustin Hoffman with an outright ‘action man’ star vehicle. The public applauded supporting star Laurence Olivier, who with just a few gestures creates a terrifying villain: “Is it safe?” William Devane and Marthe Keller co-star. We wish Roy Scheider’s character could have continued in a series of crime thrillers — he brings genuine movie star charisma. The story is by William Goldman, from his own book.
Marathon Man 4K
4K Ultra-hd + Blu-ray
Kl Studio Classics
1976 / Color / 1:85 widescreen / 125 min. / Street Date February 28, 2023 / available through Kino Lorber / 39.95
Starring: Dustin Hoffman, Laurence Olivier, Roy Scheider, William Devane, Marthe Keller, Fritz Weaver, Richard Bright, Marc Lawrence, Lou Gilbert, Fred Stuthman, Jacques Marin, Litti Palfi Andor, Madge Kennedy, Treat Williams.
Cinematography: Conrad Hall
Production Designer: Richard Macdonald
Art Director: Jack De Shields
Film Editor: Jim Clark
Special Makeup Consultant: Dick Smith
Original Music: Michael Small
Written by...
Marathon Man 4K
4K Ultra-hd + Blu-ray
Kl Studio Classics
1976 / Color / 1:85 widescreen / 125 min. / Street Date February 28, 2023 / available through Kino Lorber / 39.95
Starring: Dustin Hoffman, Laurence Olivier, Roy Scheider, William Devane, Marthe Keller, Fritz Weaver, Richard Bright, Marc Lawrence, Lou Gilbert, Fred Stuthman, Jacques Marin, Litti Palfi Andor, Madge Kennedy, Treat Williams.
Cinematography: Conrad Hall
Production Designer: Richard Macdonald
Art Director: Jack De Shields
Film Editor: Jim Clark
Special Makeup Consultant: Dick Smith
Original Music: Michael Small
Written by...
- 2/14/2023
- by Glenn Erickson
- Trailers from Hell
John Carpenter is viewed by a lot of movie fans as an underrated filmmaker. He never seemed to reach the heights of filmmakers like Steven Spielberg or Martin Scorsese within the Hollywood system despite his resume sporting some genre-defining films like Halloween and The Thing. His movies hadn’t really become colossal box-office successes, and they had a tendency to develop a following after their initial releases. IndieWire has just reported on the horror icon’s miserable time making the 90s film, Memoirs of an Invisible Man. His time on the movie was so grueling he nearly quit filmmaking altogether.
The reason behind it solely belongs to a certain difficult actor. One who has had a long-standing reputation for having diva-like behavior. “Chevy Chase, Sam Neill — who I love and had a longtime friendship with — and Warner Bros., I worked for them, and it was pleasant,” Carpenter explained. Then, he confessed,...
The reason behind it solely belongs to a certain difficult actor. One who has had a long-standing reputation for having diva-like behavior. “Chevy Chase, Sam Neill — who I love and had a longtime friendship with — and Warner Bros., I worked for them, and it was pleasant,” Carpenter explained. Then, he confessed,...
- 1/12/2023
- by EJ Tangonan
- JoBlo.com
John Carpenter prefers to experience horror onscreen, not on set.
The legendary director, while reflecting on his decades-spanning career, admitted that he nearly walked away from filmmaking after the experience of 1992’s “Memoirs of an Invisible Man.” Based on H. F. Saint’s 1987 science fiction novel, the film starred Chevy Chase as a businessman who becomes invisible after an experimental procedure. Frequent Carpenter collaborator Sam Neill plays a government operative who tries to capture Chase’s character. Daryl Hannah, Michael McKean, and Stephen Tobolowsky also star.
“Chevy Chase, Sam Neill — who I love and had a longtime friendship with — and Warner Bros., I worked for them, and it was pleasant,” Carpenter told Variety, before adding, “No, it wasn’t pleasant at all. I’m lying to you. It was a horror show. I really wanted to quit the business after that movie.”
Carpenter continued, “God, I don’t want to talk about why,...
The legendary director, while reflecting on his decades-spanning career, admitted that he nearly walked away from filmmaking after the experience of 1992’s “Memoirs of an Invisible Man.” Based on H. F. Saint’s 1987 science fiction novel, the film starred Chevy Chase as a businessman who becomes invisible after an experimental procedure. Frequent Carpenter collaborator Sam Neill plays a government operative who tries to capture Chase’s character. Daryl Hannah, Michael McKean, and Stephen Tobolowsky also star.
“Chevy Chase, Sam Neill — who I love and had a longtime friendship with — and Warner Bros., I worked for them, and it was pleasant,” Carpenter told Variety, before adding, “No, it wasn’t pleasant at all. I’m lying to you. It was a horror show. I really wanted to quit the business after that movie.”
Carpenter continued, “God, I don’t want to talk about why,...
- 1/11/2023
- by Samantha Bergeson
- Indiewire
Tár writer/director Todd Field discusses a few of his favorite movies with Josh Olson and Joe Dante.
Show Notes: Movies Referenced In This Episode
You Only Live Twice (1967) – Dana Gould’s trailer commentary
Tár (2022)
Man With A Movie Camera (1929)
Battleship Potemkin (1925)
Koyaanisqatsi (1982)
The Big Parade (1925)
Lawrence Of Arabia (1962)
The Crowd (1928)
Star Wars (1977)
The Servant (1963)
Parasite (2019) – Glenn Erickson’s Blu-ray review, Dennis Cozzalio’s review
The Three Musketeers (1973) – Josh Olson’s trailer commentary
Figures In A Landscape (1970)
M (1931)
M (1951)
I Am Cuba (1964)
The Cranes Are Flying (1957) – Glenn Erickson’s Criterion Blu-ray review
Letter Never Sent (1960)
Shadows of Forgotten Ancestors (1965)
Butch Cassidy And The Sundance Kid (1969)
The Towering Inferno (1974) – George Hickenlooper’s trailer commentary
The Great Waldo Pepper (1975)
The Sting (1973)
The World of Henry Orient (1964) – Larry Karaszewski’s trailer commentary
Thelma And Louise (1991)
Murmur Of The Heart (1971)
The Silent World (1956)
Opening Night (1977)
The Killing Of A Chinese Bookie (1976) – Larry Karaszewski’s...
Show Notes: Movies Referenced In This Episode
You Only Live Twice (1967) – Dana Gould’s trailer commentary
Tár (2022)
Man With A Movie Camera (1929)
Battleship Potemkin (1925)
Koyaanisqatsi (1982)
The Big Parade (1925)
Lawrence Of Arabia (1962)
The Crowd (1928)
Star Wars (1977)
The Servant (1963)
Parasite (2019) – Glenn Erickson’s Blu-ray review, Dennis Cozzalio’s review
The Three Musketeers (1973) – Josh Olson’s trailer commentary
Figures In A Landscape (1970)
M (1931)
M (1951)
I Am Cuba (1964)
The Cranes Are Flying (1957) – Glenn Erickson’s Criterion Blu-ray review
Letter Never Sent (1960)
Shadows of Forgotten Ancestors (1965)
Butch Cassidy And The Sundance Kid (1969)
The Towering Inferno (1974) – George Hickenlooper’s trailer commentary
The Great Waldo Pepper (1975)
The Sting (1973)
The World of Henry Orient (1964) – Larry Karaszewski’s trailer commentary
Thelma And Louise (1991)
Murmur Of The Heart (1971)
The Silent World (1956)
Opening Night (1977)
The Killing Of A Chinese Bookie (1976) – Larry Karaszewski’s...
- 1/10/2023
- by Kris Millsap
- Trailers from Hell
Bruce Timm has done a lot for DC's animated efforts over the years. Once Tim Burton made Batman dark again with 1989's "Batman" and 1992's "Batman Returns," Timm picked up the gauntlet and ran with it. Helping to cement Batman's newly rediscovered seriousness with "Batman: The Animated Series," Timm co-created a show which many consider the definitive take on the Dark Knight. Then, once he'd proven his worth to Warner Bros., he was asked to take on the Man of Steel himself. The result was "Superman: The Animated Series" which once again offered a brilliantly realized version of its central character and his world, making for another fan-favorite depiction of a DC superhero.
Not bad for a former "Tiny Toon Adventures" animator. In truth, Timm was helped along by a whole host of collaborators. On "Batman: The Animated Series" he was flanked by his "Tiny Toon" colleague Eric Radomski who co-created the show,...
Not bad for a former "Tiny Toon Adventures" animator. In truth, Timm was helped along by a whole host of collaborators. On "Batman: The Animated Series" he was flanked by his "Tiny Toon" colleague Eric Radomski who co-created the show,...
- 12/31/2022
- by Joe Roberts
- Slash Film
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.