The Works of Director Peter Jackson
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- DirectorPeter JacksonStarsKen HammonPeter JacksonIan MiddletonThe Valley is about four prospectors who walk into a valley and unwittingly enter a rift in the time/space continuum. As they journey down the valley, one of the prospectors (Ian Middleton) gets taken away by a harpy. Another prospector (Peter Jackson) falls off a cliff. The two remaining (Ken Hammon and Andrew Neal) have to fight and destroy a cyclops. They build a raft, float across a lake, and see a building in ruins. This ruin, unbeknownst to them, is the Beehive building of Wellington city - they haven't travelled back in time but ahead into a post-apocalyptic world taken over by mythical beasts.
- DirectorPeter JacksonStarsTerry PotterPete O'HerneCraig SmithThe population of a small town disappears and is replaced by aliens that chase human flesh for their intergalactic fast-food chain.
- DirectorPeter JacksonStarsDanny MulheronDonna AkerstenStuart DevenieMultiple animals and insects experience the sleazier side of show business while working on a variety show.
- DirectorPeter JacksonStarsTimothy BalmeDiana PeñalverElizabeth MoodyA young man's mother is bitten by a Sumatran rat-monkey. She gets sick and dies, at which time she comes back to life, killing and eating dogs, nurses, friends, and neighbors.
- DirectorPeter JacksonStarsMelanie LynskeyKate WinsletSarah PeirseTwo teenage girls share a unique bond; their parents, concerned that the friendship is too intense, separate them, and the girls take revenge.
- DirectorCosta BotesPeter JacksonStarsPeter JacksonJeffrey ThomasCosta BotesThe film deals with the career of a supposedly forgotten pioneer of international cinema, Colin McKenzie, who was allegedly born in rural New Zealand in 1888.
- DirectorPeter JacksonStarsMichael J. FoxTrini AlvaradoPeter DobsonAfter a tragic car accident that kills his wife, a man discovers he can communicate with the dead, and he uses that gift to con people. However, when a demonic spirit appears, he may be the only one who can stop it from killing the living and the dead.
- DirectorPeter JacksonStarsElijah WoodIan McKellenOrlando BloomA meek Hobbit from the Shire and eight companions set out on a journey to destroy the powerful One Ring and save Middle-earth from the Dark Lord Sauron.Screenwriters & Producers: Peter Jackson, Fran Walsh
Screenwriter: Philippa Boyens
Producers: Barrie M. Osborne, Tim Sanders
Exec Producers: Robert Shaye, Michael Lynne
Second Executive Producer: Mark Ordesky
Co-Producers: Rick Porras, Jamie Selkirk ACE
Associate Producer - Visual FX: Ellen M. Somers
Cinematographer: Andrew Lesnie ASC ACS
Production Designer: Grant Major
Film Editor: John Gilbert ACE
Composer: Howard Shore
Production Visual Effects Supervisor: Jim Rygiel
Costume Designers: Ngila Dickson, Richard Taylor
UK Casting: John Hubbard, Amy MacLean
Filming Dates: 11 October 1999 - 22 December 2000 (Shot back-to-back w/ TTT & TROTK), October 2001 (Pick-Ups)
Cameras: Arricam ST, Arriflex 35 IIC, 35 III, 435, 535, 535B, Mitchell Cam, Moviecam SL & Compact (35mm Kodak Vision 200T 5274, 500T 5279, Eastman EXR 200T 5293 & SFX 200T)
Lenses: Zeiss Ultra Primes & Angenieux Optimo Zooms
AR: 2.39:1 (4-Perf Super 35mm)
Budget: 93 Million USD
Budget AFI (2022): 155.6 Million USD
Printed on: Fuji F-CP 3519D
Special Make-Up, Creature, Miniature & Digital Effects Designed by: Weta NZ - DirectorPeter JacksonStarsElijah WoodIan McKellenViggo MortensenWhile Frodo and Sam edge closer to Mordor with the help of the shifty Gollum, the divided fellowship makes a stand against Sauron's new ally, Saruman, and his hordes of Isengard.Screenwriters & Producers: Peter Jackson, Fran Walsh
Screenwriters: Philippa Boyens, Stephen Sinclair
Producer: Barrie M. Osborne
Exec Producers: Robert Shaye, Michael Lynne
Second Executive Producer: Mark Ordesky
Co-Producers: Rick Porras, Jamie Selkirk ACE
Cinematographer: Andrew Lesnie ASC ACS
Cinematographers - Miniature Unit: Alex Funke ASC, Richard Bluck
Cinematographer - Second Unit: John Cavill
Cinematographers - Add'l Units: Allen Guilford, Alun Bollinger, Simon Raby, Nigel Bluck NZCS
Production Designer: Grant Major
Film Editor: Michael Horton
Composer: Howard Shore
Production Visual Effects Supervisor: Jim Rygiel
Costume Designers: Ngila Dickson, Richard Taylor
US Casting: Victoria Burrows
UK Casting: John Hubbard, Amy MacLean
Second Unit Director: John Mahaffie NZCS
Gaffer: Brian Bansgrove
TPH Supervising Digital Colorist Peter Doyle ASC
Filming Dates: 11 October 1999 - 22 December 2000 (Shot back-to-back w/ TFOTR & TROTK), May 2002 (Pick-Ups)
Cameras: Arricam ST, Arriflex 35 IIC, 35 III, 435, 535, 535B, Mitchell Cam, Moviecam SL & Compact (Eastman EXR 50D 5245, 200T 5293, Kodak Vision 500T 5279 & SO214)
Lenses: Zeiss Ultra Primes & Angenieux Optimo Zooms
AR: 2.35:1 (4-Perf Super 35mm)
Budget: 94 Million USD
Budget AFI (2022): 154.8 Million USD
Printed on: Eastman Kodak 5242 & Fuji 3513DI
Digital Intermediate Scanning/Recording, Special Make-Up, Creature, Miniature & Digital Effects Provided by: Weta NZ - DirectorPeter JacksonStarsElijah WoodViggo MortensenIan McKellenGandalf and Aragorn lead the World of Men against Sauron's army to draw his gaze from Frodo and Sam as they approach Mount Doom with the One Ring.Screenwriters & Producers: Peter Jackson, Fran Walsh
Screenwriter: Philippa Boyens
Producer: Barrie M. Osborne
EPs: Robert Shaye, Michael Lynne, Mark Ordesky
Co-Producer: Rick Porras
Co-Producer & Film Editor: Jamie Selkirk ACE
Cinematographer: Andrew Lesnie ASC ACS
Cinematographer - Miniatures Unit: Alex Funke ASC
Production Designer: Grant Major
Composer: Howard Shore
Song Performer - "Into the West": Annie Lennox
Production Visual Effects Supervisor: Jim Rygiel
Costume Designers: Ngila Dickson, Richard Taylor
US Casting: Victoria Burrows
UK Casting: John Hubbard, Amy MacLean
Filming Dates: 11 October 1999 - 22 December 2000 (Shot back-to-back w/ TFOTR & TTT), June 2003 - March 2004 (Pick-Ups)
Cameras: Arricam ST, Arriflex 35 IIC, 35 III, 435, 535, 535B, Mitchell Cam, Moviecam SL & Compact (Kodak EXR 50D 5245, 200T 5293, Vision 500T 5279 & SO214)
Lenses: Zeiss Ultra Primes & Angenieux Optimo Zooms
AR: 2.35:1 (4-Perf Super 35mm)
Budget: 94 Million USD
Budget AFI (2022): 151.3 Million USD
Printed on: Fuji 3513DI
Digital Intermediate Scanning/Recording, Special Make-Up, Creature, Miniature & Digital Effects Provided by: Weta NZ - DirectorPeter JacksonStarsNaomi WattsJack BlackAdrien BrodyA greedy film producer assembles a team of moviemakers and sets out for the infamous Skull Island, where they find more than just cannibalistic natives.Screenwriters & Producers: Peter Jackson, Fran Walsh
Screenwriter & Co-Producer: Philippa Boyens
Producer: Jan Blenkin
Producer & Key 1st AD: Carolynne Cunningham
Co-Prod & Weta Sr VFX Producer: Eileen Moran
Cinematographer: Andrew Lesnie ASC ACS
Cinematographer - Miniatures Unit: Alex Funke ASC
Cinematographer, Ship Aerials Unit: Dave Nowell ASC
Cinematographer - Second Unit: Richard Bluck
VFX Cinematographer, Miniatures 1st Unit: Alex Funke ASC
Production Designer: Grant Major
Film Editors: Jamie Selkirk ACE, Jabez Olsse
Costume Designer: Terry Ryan
Special Makeup, Creatures, Miniatures Designer: Richard Taylor
Key Senior Visual Effects Supervisor: Joe Letteri
Production Animation Directors: Christian Rivers, Eric Leighton
Composers: James Newton Howard, Howard Shore
Unit Production Manager: Anne Bruning
Key Second Assistant Director: Marc Ashton
Associate Producer: Annette Wullems
Visual Effects On-Set Supervisor: Brian Van't Hul
Post Production Supervisor: Pippa Anderson
Supervising Sound Editor: Mike Hopkins
Sup Sound Editor & Designer: Ethan Van Der Ryn MPSE
Re-Record Mixers: Chris Boyes, Mike Semanick, Michael Hedges, Tom Johnson
Concept Designers: Jeremy Bennett, Gus Hunter
Colour Designer & Supervisor: Peter Doyle ASC
Makeup & Hair Designer: Peter Swords-King
Super. Stunt Coordinators: Shane Dawson, Chris Anderson, Kirk Maxwell
Assistant Stunt Coordinator: Rodney Cook
Choreographer: Shona McCullagh
Sup. Art Director & Set Decorator: Dan Hennah
Sr. Art Director & Set Decorator: Simon Bright
Production Art Director: Joseph Bleakley
Assistant Art Director: Jacqueline Allen
Financial Controller: Bob Roath
Production Manager: Brigitte Yorke
Second Assistant Director: Stephanie Weststrate
Add'l 2nd Assistant Director: Richard Matthews
2nd 2nd Assistant Director: Skot Thomas
A Camera Operator: Simon Harding
B Camera Operator: Cameron McLean
C Camera Operator: Rhys Duncan
A First Assistant Camera: Colin Deane
B First Assistant Camera: Dean McCarroll
C First Assistant Camera: Sean Kelly
D First Assistant Camera: Sally Eccleston
A Second Assistant Camera: Helen Ward
B Second Assistant Camera: Stephen Allanson
C Second Assistant Camera: Natacha Lee Rinaldi
A Camera Clapper Loader: Garth Michael
Digital Assist Operator: Luis Olivares
Digital Assist Assistant: Zeb Simpson
A Camera Trainee: Alys Rowe
Aerial Unit Helicopter Pilot: Alfie Speight
Aerial Unit SpaceCam Technician: Andrew Sych
Gaffer: Reg Garside
Rigging Gaffer: Dave Brown
Gaffer - Practical Lighting Effects: Warwick Peace
Key Grip: Tony Spotty Keddy
Assistant to Peter Jackson: Matthew Dravitzki
Makeup & Hair Supervisor, NZ: Rick Findlater
Art Department Manager: Chris Hennah
Art Department Coordinator: Kristen Breslin
Props Master: Nick Weir
Vehicle Wrangler: Vaughn Williams
Vehicle Assistant: Daniel Hennah
Art Director, Add'l Crew for NY Street Sets: Dave Cooke
Production SPFX Supervisor: Stephen Ingram
Special FX On-Set Coordinator: Karl Chisholm
Senior Special Effects Technician: Geoff Curtis
Location Managers: Jared Connan, Peter Tonks
Production Location Coordinator: Leonne Kassler
Production Locations Assistant: Mat Gordon
Second Assistant Location Manager: Boris Kunac
Second Unit Director: Randall William Cook
Second Unit 1st ADs: Dave Norris, Robyn Murphy
Second Unit Product. Coordinator: Angela Waller
Second Unit Product. Assistant: Victoria Burkhart
Second Unit 2nd Assistant Director: Sarah Lowe
Second Unit 3rd Assistant Director: Anna Groves
Second Unit A Camera Operator: John Cavill
Second Unit A 1st Asst Camera: Charles Edwards
Second Unit 1st Asst Steadicam: Andrew Stroud
Second Unit Steadicam Operator: Dana Little
Second Unit A 2nd Assistant Camera: Blair Ihaka
2nd Unit A Camera Clapper Loader: Alex Bishop
Second Unit Gaffer: Danny Williams
Second Unit Art Director: Simon Harper
Second Unit On-Set Art Assistant: Daniel Horton
Unit Manager, Second Unit: David Sa'ena
Unit Assistant, Second Unit: Liz Bowen
Second Unit Conceptual Artist: Alan Lee
2nd Unit VFX PCs: Marion Davey, Kate Hawkins
Post Product. First Assistant Editor: David Birrell
Post Product. Visual Effects Editor: Matt Villa ACE
Post Product. Visual FX Administrator: Jenny Vial
Additional Film Editor: Jonno Woodford-Robinson
Projectionist & Editorial Digi Assist: Tam Webster
Post Product. Coordinator: Shara Comer Hudson
Asst Post Production Coordinator: Rebecca Rowe
Post Production Film Assistant: Heather Small
Unit Manager: Kosta Vatselias
Miniatures 1st Unit First AD: Marty Walsh
Miniatures 1st Unit PM: Belindalee Hope
Miniatures 1st Unit A 1st AC: Harry Slowey
Miniatures 1st Unit A Cam FP: Michael Knudsen
Miniatures 1st Unit A 2nd AC: Matt Parsons
Miniatures 1st Unit A Cam CL: Richard Elworthy
Miniatures 1st Unit Prod Runner: Mike Minogue
Miniatures 1st Unit Prod Coord: Kat Stephens
Miniatures 1st Unit Gaffer: Rob Kerr
Miniatures 1st Unit SPFX On-Set Coord: Scott Harens
Miniatures 1st Unit SPFX Tech: Paul Davenport
Miniatures 1st Unit SPFX Assistant: Seth Kelly
A First AC, Add'l Miniatures Unit: Angus Ward
Add'l A Camera Op, Add'l Miniatures Unit: Adam Clark
Asst Coordinator, Add'l Miniatures Unit: Natasha Turner
Prod Runner, Add'l Miniatures Unit: Cale Hetariki
A Cam Trainee-Add'l Miniatures Unit: Jesse Nevill
Unit Assistant, Add'l Miniatures Unit: Tim Haigh
Weta Workshop Manager: Tania Rodger
Weta Workshop Prod Manager: Gayle Munro
Weta Workshop Supervisor: Jason Docherty
Miniatures Supervisor: John Baster
Miniatures Engineer: Dave Irons
Miniature Greens Supervisor: Dave Goodin
Weta Senior VFX Supervisors: Ben Snow, George Murphy, Scott E. Anderson
Weta Digital FX Supervisors: Eric Saindon, Dan Lemmon
Weta 3D CG Supers: R. Christopher White, Guy Williams, Christopher Jon Horvath, Simon Clutterbuck
Weta Digi Comp Supers: Mark Tait Lewis, Charles Tait, Erik Winquist
Weta Pre-Production CG Supervisor: Matt Aitken
Weta Digital Producer: Cyndi Ochs
Weta Art Director: Michael Pangrazio
Weta Massive Supervisor: Jon Allitt
Weta Creature Supervisor: Dana Peters
Weta Digital Destruction Super: Gray Horsfield
Weta Camera Supervisor: Lee Bramwell
Weta Digital CTO: Milton Ngan
Weta Head of Digital Imaging: Pete Williams
Weta Senior VFX Editor: Matt Holmes
Weta Animation Supervisor: Atsushi Sato
Weta Animation Technic Supervisor: Shawn Dunn
Weta Lead Digital Water TD: Kevin Romand
Weta Shader Writer: Chu M. Tang
Weta Colour Timer: Joerg W. Bungert
Weta Compositors: Richard Bain, Kelly Port
Weta 2D Comp Dept Manager: Kathryn Horton
Weta Art Department Manager: Hannah Bianchini
Additional VFX Producers: Kim Lavery, Hannah Clarke
Supervising Digital Colourist: Dave Cole ASC
Lead Colourists: Mel Kangleon, Billy Wychgel
Score Recordist: Joel Iwataki
Score Mixer: Alan Meyerson
Score Co-Producers: James T. Hill, Blake Neely
Music Consultant: Stuart Thomas
Executive in Charge of Music: Kathy Nelson
Supervising Music Editor & Add'l Producer: Jim Weidman
Colour Timer (NZ): Lynne Reed
Colour Timer (LA): Lee Wimer
Filming Dates: 6 May 2004 - 21 November 2004,
February 2005 - April 2005 (Add'l Photography)
Cameras: Arricam ST, LT, Arriflex 235, 435, 435 Advanced, Fries Mitchell & Mitchell GC Rackover (35mm Kodak Vision2 500T 5218, 200T 5217 & Vision 250D 5246)
Lenses: Zeiss Ultra Prime LDS & Optimo Zooms
AR: 2.35:1 (4-Perf Super 35mm)
Budget: 150-207 Million USD
Budget AFI (2022): 227.5-314 Million USD
Printed on: Kodak Vision 2383
Special Make-Up, Creatures, Miniatures, Digital Visual Effects, Grading/Intermediate Finishing & Weapons Designed + Created by: Weta Digital, Weta Workshop, CaféFX & Asylum
Shot on: Kodak Motion Picture Film
Attribute: Cameras & Lenses by Arri Rental - DirectorPeter JacksonNeill BlomkampStarsKyle AshleyRocky CurbyCalum GittinsTwo young soldiers prepare for battle during World War I.Writer: Peter Jackson
Additional Director: Neill Blomkamp
Producer & RED Camera Tech: Jarred Land ASC
Producer: Carolynne Cunningham
Executive Producer: Fran Walsh
Co-Executive Producer: Jim Jannard
Cinematographer: Richard Bluck
Film Editor: Jabez Olssen
Production Visual Effects Supervisor: Matt Aitken
Stunt Coordinator: Kirk Maxwell
First Assistant "A" Camera: Sean Kelly
2nd Assistant "A" Camera: Philip AT Smith
Second Assistant "B" Camera: Garth Michael
Production Sound Mixer: Chris Ward
Production SFX Techs: Karl Chisholm, Douglas Falconer
Lighting Technician: Reuben Morrison
Key Grip: Dion Hartley
Assistant Art Director: Ra Vincent
Post Prod Supervisor: Pamela Harvey-White
First Assistant Editor: Rhys Bonney
Supervising FX Editor - Sound: Brent Burge
Sound Effects Editor: Hayden Collow
DI Colorist: Clare Burlinson
DI Editor: Adam Scott
Weta Technical Support Lead: Andrew Lambert
Weta Digital Compositor: Charles Tait
Camera: Red One (4K Redcode RAW)
Lenses: Cooke S4 Primes & Angenieux Optimo Zooms
AR: 2.39:1 (3-Perf Super 35mm) - DirectorPeter JacksonStarsRachel WeiszMark WahlbergSaoirse RonanCenters on a young girl who has been murdered and watches over her family - and her killer - from purgatory. She must weigh her desire for vengeance against her desire for her family to heal.
- DirectorPeter JacksonStarsMartin FreemanIan McKellenRichard ArmitageA reluctant Hobbit, Bilbo Baggins, sets out to the Lonely Mountain with a spirited group of dwarves to reclaim their mountain home and the gold within it from the dragon Smaug.Screenwriters & Producers: Peter Jackson, Fran Walsh
Screenwriter & Co-Producer: Philippa Boyens
Screenwriter & Project Cons.: Guillermo Del Toro
Producer & First AD: Carolynne Cunningham
Producer & Unit Prod Manager: Zane Weiner
Co-Producer: Eileen Moran
Cinematographer: Andrew Lesnie ACS ASC
Production Designer: Dan Hennah
Film Editor: Jabez Olsson
Second Unit Director: Andy Serkis
UK Casting: Amy Hubbard CSA, John Hubbard CSA
US Casting: Victoria Burrows, Scott Boland
NZ Casting: Liz Mullane
Austrailian Casting: Ann Robinson
Costume Designers: Ann Maskrey, Bob Buck
Costume, Armour, Weapons Creatures & Special Makeup Designer: Richard Taylor
Composer, Orchestrator & Conductor: Howard Shore
Key Senior Visual Effects Supervisor: Joe Letteri
Production Visual FX Supervisor: Eric Saindon
Production Animation Supervisor: David Clayton
APs: Matthew Dravitzki, Amanda Walker
Performer, "Song of the Lonely Mountain": Neil Finn
Unit Production Manager: Brigitte Yorke
Key Second Assistant Director: Guy Campbell
Hair & Makeup Design Lead: Peter Swords King
Conceptual Design Leads: John Howe, Alan Lee
Supervising Stunt Coordinator: Glenn Boswell
Movement Choreographer: Terry Notary
Asst Stunt Coordinators: Tim Wong, Augie Davis, Paul Shapcott
Swordmaster: Steven McMichael
Key Stunt Rigger: George Saliba
Stunt Equipment Supervisor: Michael Saliba
Stunt Assistant: Bernadette Van Gyen
Stunt Office Coordinators: Desiree Cheer, Lisa May
Martin Freeman Scale Double: Kiran Shah
Sir Ian McKellen Scale Double: Paul Randall
Additional NZ Casting: Miranda Rivers
Sup. Art Director & Set Decorator: Simon Bright
Second Art Directors: Andy McLaren, Brad Mill
Fourth Art Director: Brian Massey
Set Decorator: Ra Vincent
Asst Art Directors: Josh Barraud, Michael Smale
A Cam Operator & Steadicam: Cameron McLean
B Camera Operator & Steadicam: Simon Harding
A 1st Assistant Camera: Colin Deane
B 1st Assistant Camera: Brenden Holster
A 2nd Assistant Camera: Garth Michael
B 2nd Assistant Camera: Sam Bailey
Head of Technology, Camera Dept.: Dion Hartley
3D Camera Supervisor: Gareth Daley
Lead Stereographer: Sean Kelly
Overall Stereographers: Angus Ward, Aline Trane
On Set Finishing Colourist: Che Baker
A 3rd Assistant Camera: Laetitia Belen
Tolkien Language Translation Lead: David Salo
Tolkien Scholar: Janet Brennan Croft
Post Production Supervisor: Joshua Levinson
First Assistant Editor: Dan Best
1st Assist Visual Effects Editor: Richard Cuthbert
Production Visual FX Coordinator: Merrin Ruck
First Apprentice Editor: Andy Campion
Music Editor, London: Laurence Love Greed
Production Supervisor: Stephanie Weststrate
Production Coordinator: Helene Takacs
Splinter Unit & WETA Previz Sup: Christian Rivers
2nd Assistant Director: Emma Cross
Supervising Location Manager: Jared Connon
Production Location Manager: Matthew Gordon
Production Locations Lead: Dave Comer
Unit Manager: Boris Kunac
Gaffer: Reg Garside
Rigging Gaffer: Dave Brown
Key Motion Control Supervisor: Alex Funke ASC
Motion Control First Operator: Horst Sarubin
Motion Control Second Operator: Paul Maples
Motion Control First AC: Mike Knudsen
Motion Control Second AC: Joseph Michael
Motion Control Grip: Jens Normann
Art Department Manager: Chris Hennah
Art Department Coordinator: Karen Flett
Art Dept Assist. Coordinator: Jack Tippler
Art Department Assistant: Amy Miller
On Set Art Director: Ben Milsom
Supervising Prop Master: Nick Weir
Assistant Props Master: Melissa Spicer
Prop Making Supervisor: Paul Gray
Assistant Set Decorator: Jacqueline Allen
Set Coordinator: Francie McGirr
Graphic Designer: Daniel Reeve
Production SPFX Supervisor: Steve Ingram
On Set SPFX Coordinator: Phil McLaren
SPFX Office Coordinator: Amy Ingram
BTS Documentarian: Michael Pellerin
2nd Unit Production Manager: Belindalee Hope
2nd Unit Director of Photography: Richard Bluck
Second Unit First Assistant Director: Liz Tan
2nd Unit A Cam Op & Steadicam: Pete McCaffrey
2nd Unit B Camera Op & Steadicam: Rob Marsh
2nd Unit A 1st Assistant Camera: Dean McCarroll
2nd Unit B 1st Assistant Camera: George Hennah
Second Unit Lead Stereographer: Philip Smith
Second Unit Stereographer: James Rua
2nd Unit A Second Assistant Camera: Nigel Nally
2nd Unit B 2nd Assistant Camera: Dusty Millar
2nd Unit A Third Assistant Camera: Nat Brunt
2nd Unit 2nd Assist Director: Richard Matthews
2nd Unit 2nd 2nd Assist Director: Rodney Smith
2nd Unit Production Coordinator: Karla Wallace
2nd Unit On Set Art Director: Benjamin Barraud
Second Unit Gaffer: Giles Coburn
2nd Unit SPFX On Set Coordinator: Paul Verrall
2nd Unit DWs: Amber Marie Smith, Kim Thomas
Second Unit Locations Manager: Clayton Tikao
Aerial Unit Director of Photog: Dave Nowell ASC
Aerial Unit Spacecam Technician: Andrew Sych
Aerial Unit Second Assistant Camera: Julia Green
Aerial Unit Helicopter Pilot: Alfie Speight
Unit Production Manager, London Unit: Nik Korda
London Unit Second Assist Director: Matt Baker
London Unit Production Coordinator: Dan Turner
London Unit Stunt Coordinator: James O'Donnell
London Unit "A" Focus Puller: Eamonn O'Keefe
London Unit Rigging Gaffer: Ian Barwick
London Unit Special Effects Tech: George Dunn
WETA Workshop Supervisor: Rob Gillies
WETA Workshop Manager: Tania Rodger
WETA W/Shop Production Manager: Sarah Morris
WETA W/Shop Head of Production: Grant Bensley
WETA W/Shop Lead Concept Designer #1: Nicky Keller
WETA W/Shop Lead Concept Designer No. 2: Gus Hunter
WETA Sr. VFX Supervisor: R. Christopher White
WETA VFX Supervisor: Matt Aitken
WETA VFX Producer: Kevin L. Sherwood
WETA VFX Supervisor, 2nd Unit: Kevin A. Smith
WETA DFX Supers: Jeff Capogreco, Mark Gee
WETA Animation Supervisor: Eric Reynolds
WETA Head of Compositing: Charles Tait
WETA Product. Manager, 2nd Unit: Kristina Flach
WETA Lead Production Manager: Juliette Davis
WETA Models Supervisor: Marco Relevant
WETA Supervising VFX Editor: Matt Holmes
WETA Digi Creature Supers: Simon Clutterbuck, James Jacobs
WETA VFX Editor: Aaron Cubis
WETA Associate VFX Editors: Ben Hatton, Lucas Putnam
WETA Textures Supervisor/Creative Art Director: Gino Acevedo
WETA Head of Digital Imaging: Pete Williams
WETA Digital VFX Supers: Martin Hill, Matthias Menz
WETA Digital Imaging Supervisor: Nick Booth
WETA Head of Grading: Joerg W. Bungert
WETA Camera Supervisor: Lee Bramwell
WETA Lead Previz Artist: Victor Huang
WETA Lead Lighting TD: Sean Noel Walker
WETA Stereo Team Lead: Stephen Roucher
WETA Stereo Assistant: Chris J. Gerrard
WETA Asst. Colourist: Alexandra Lanzensberger
Supervising Digital Colourist: Dave Hollingsworth
DI Finishing Consultant: Peter Doyle ASC
Lead DI Finishing Colourist: Vickie-Lynn Roy
Lead Dailies & Asst. DI Colourist: Jon Newell
PRPP Lead Stereoscopic Artist: Meetal Gokul
PRPP Stereo Artists: Antonis Voutsinos, Tessa Chisholm
PRPP VFX Coordinator: Siobhan Durkin
PRPP VFX I/O Lead: Victor Naveira
PRPP VFX Producers: Paul Glubb, Anna-Louise Gordon
Music Score Recordists & Mixers: Peter Cobbin, Sam Okell
Music Score Recordist: Simon Rhodes
Music Supervisor: Karen Elliott
Dedicated to: Mike Turner
Filming Dates: 21 March 2011 - 6 July 2012 (Shot back-to-back w/ TDOS & TBOTFA)
Camera: Red Epic 3D (5K Redcode RAW)[48 FPS]
Lenses: Zeiss Ultra Primes & Angenieux Optimo Zooms
AR: 2.00:1 (IMAX 3-D version), 2.39:1 (Dual Strip 3-D), 2.40:1 (Blu-Ray Version)
Budget: 180-315 Million USD
Budget AFI (2022): 232.3-406.5 Million USD
Printed on: Kodak Vision 2383
Performance Capture Consultation Provided by: The Imaginarium
Armour, Weapons, Creatures & Special Make Up Designed by: WETA Workshop
Visual Effects & Animation Created by: WETA Digital
Additional Stereo Services Provided by: Park Road Post Production
Music Score Recorded & Mixed at: Abbey Road Studios, London
Music Score Performed by: London Philharmonic Orchestra
Attribute: Filmed in 3D Using Red Epic Cameras & 3Ality Stereo Rigs - DirectorPeter JacksonStarsIan McKellenMartin FreemanRichard ArmitageThe dwarves, along with Bilbo Baggins and Gandalf the Grey, continue their quest to reclaim the Lonely Mountain, their homeland, from the dragon Smaug.
- DirectorPeter JacksonStarsIan McKellenMartin FreemanRichard ArmitageBilbo Baggins and company are forced to engage in a war against an array of combatants and keep the Lonely Mountain from falling into the hands of a rising darkness.
- DirectorPeter JacksonStarsThomas AdlamWilliam ArgentJohn AshbyA documentary about World War I with never-before-seen footage to commemorate the centennial of the end of the war.
- DirectorPeter JacksonStarsThe BeatlesJohn LennonPaul McCartneyThe Beatles arrive at Twickenham Studios and have three weeks to complete 14 new songs and a live show.
- DirectorPeter JacksonStarsThe BeatlesJohn LennonPaul McCartneyJohn, Paul and Ringo meet with George following his walkout and move the session to Apple Studios.
- DirectorPeter JacksonStarsThe BeatlesJohn LennonPaul McCartneyThe Beatles must decide if they will perform live for the first time in more than two years.