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1-16 of 16
- Hagit, a young woman with mild mental deficiency, works in a toilet-paper factory. She lives with her mother Sarah, a divorcée who gave up her life for her daughter. Hagit strives for independence and Sarah is torn between her desire to protect her, and her own will to live. When a relationship develops between her and the son of the factory owner, Hagit hides it from her mother. The announcement of the closing of the factory shakes Hagit and Sarah's life and jeopardizes Hagit's love story.
- Based on archive material, the film reveals the final years of Israel's founder, David Ben-Gurion. Excluded from leadership, he allowed himself a hindsight perspective on the Zionist enterprise.
- How did a man in charge of 12 million slaves become "the good Nazi"? A cautionary tale about Albert Speer's 1971 attempt to whitewash his past with a Hollywood adaptation of his bestselling wartime memoir, "Inside the Third Reich".
- The Black Panthers in Israel are the social movement of second generation Mizrahim in Israel - Jews originating from Arab and Muslim countries. The uprising of the Black Panthers in the early 1970s had a radical effect on Israeli society. It signaled an awakening of Mizrahi cultural consciousness that continues to this day. The movement took the Mizrahi/class struggle out of its local and nationalist Jewish framework, linking it to the civil rights struggle in the United States, Third World Marxism, and, for the first time, to the Palestinian struggle in Israel. In this film, key leaders in the movement speak of the Mizrahi struggle in the 1970s and now, of the tragic role played by Shas in quelling that struggle, of the relationship between the occupation and oppression of the Palestinians, and the social and cultural oppression of the Mizrahim.
- One Last Wish is a short stop-motion animation, Based on "What, Of this Goldfish, Would You Wish?" by Etgar Keret.
- Three Italian Jewish brothers set off on a journey through Tuscany, in search of a cave where they hid as children to escape the Nazis. Their quest, full of humor, food and Tuscan landscapes, straddles the boundary between history and myth, and the result of which is a profound portrait of memory and history.
- This is the dramatic story of Bureau 06, the team of police investigators formed for the sole purpose of investigating and preparing the grave charges brought by the Jewish people against Adolf Eichmann, during the trial that took place in Jerusalem, 1961. The Eichmann trial presented the story of the Shoah to the entire world in a way that had never been told before. This film reveals the unique personal and shared stories of the team of investigators, their hardships, their confessions and the emotional turmoil they experienced, while trying to revive the "act of evil" for the very first time. After the investigation was concluded and the charges brought forth, most of the investigators were emotionally drained and did not appear at the trial. Of special note is the story of Avner Less, Eichmann's personal interrogator, who spent more than 275 hours with Eichmann, left Israel after the trial, and reclaimed his German identity card.
- An Arab man marries a Jewish woman and they live in quiet harmony within the Arab-Jewish community with their son and daughter. The family unit is broken when they discover that their Arab father is behind dozens of terror attacks.
- A documentary portrait of Gabriel Moked, who moved from Warsaw to Israel after World War II, quickly learned Hebrew, and published a literary magazine while still in high school. It was his first step toward becoming an editor and publisher who would shock the young Israeli establishment. A professor of philosophy and enfant terrible of the world of Israeli literature, he was the first to discover and publish works by Yona Wallach, David Avidan, Aharon Appelfeld and others. Today, at the age of 85, after 60 years as publisher of the literary magazine Achshav ("Now"), he has no plans to retire. He draws his sword for another round of battle, with a new generation of Israeli poets.
- Mika, Yuval and Ben were recruited to the Military Police Corps despite their conscientious objection. For the first time in their lives, young men and women face the constant and painful friction with the Palestinians. Locked in a fortified position day and night, in cold or hot weather, wearing heavy bullet-proof vests, these soldiers are trained to believe that at last everything drains into the fate of both nations.
- With daily acts of gun violence and over 382 civilians killed since 2019 - life in Israel's Arab communities is unbearable. The filmmaker, unable to provide his young family with a basic notion of security, embarks on a journey to understand the limited options he has left.
- Hanna was adopted by an Israeli couple, in a time that was a dark age for Romania and many children were taken out of the country without any legal papers. She has been living for the past years in Israeli boarding schools. Now, nearing 18, after fierce argument with her adopting parents, she is determined to discover the truth about her real roots and is embarking on a significant journey to find her mother in Romania.
- "If I saw someone else screaming like my mother, I would be sure that person was mentally disturbed, if it wasn't 100% authentic..." This is what Israel Meir says about his mother, Rabbanit Lea Kook, whose discourse, according to him, stems from absolutely authentic belief. The ultra orthodox community in general & its women in particular are extremely wary of media exposure. The film therefore provides a rare look into the lives of ultra orthodox women, their activities & their grasp of their identities. Tikkun portrays the phenomenon of the Rabbanit (the wife of a Rabbi) of Tiberius, Leah Kook, an orthodox leader followed by many Israeli women. This film is a vivid picture of the routines and customs of life in an ultra-orthodox household and introduces a very charismatic,yet highly controversial main character. Rabbanit Kook, a staunch believer in a prophecy the world refuses to hear, such an extrovert enthusiast that the filmmaker documented her intensively for two entire years. As the maker of the film disguised herself and became one of the members of the house she could explore the backyard of the scene. The surprising cooperation demonstrated by the rabbanit in making this film, and her agreement to such intimate exposure of her physical & spiritual world for two years were a form of "Tikkun" for her. By watching the Rabanit from almost no distance at all, one could reach a conclusion to the controversial attitude of the Israeli society towards Lea Kook: is she genuine or a fraud?