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1-6 of 6
- A Palestinian seeks Israeli permission to waive curfew to give his son a fine wedding. The military governor's condition is that he and his officers attend. The groom berates his father for agreeing. Women ritually prepare the bride; men prepare the groom. Guests gather. The Palestinian youths plot violence. One Israeli officer swoons in the heat and Palestinian women take her into the cool house. A thoroughbred gets loose and runs to a mined field; soldiers and Palestinians must cooperate to rescue it. As darkness falls, tensions between army and villagers rise, and the groom's wedding-night anger and impotence threaten family dignity and honor. Can cool heads prevail?
- While Éric and Marie go to meet their parents at the harbor for the holidays, the latter are victims of an overnight hit-and-run. Marie hides the truth from Éric, investigates the accident alone, and soon finds the presumed culprit.
- From birth to death every subject remains intact. Three ages, three women. Daughter, mother, grandmother. Each of them before and after still and always. And the men too, those they meet, those they love.
- From the very beginning, film comedy focused on the world of work. From exploitation to unemployment, from adaptation to resistance, directors multiplied their points of view on survival in the modern world, especially from Chaplin on. With a humor superceding certain conventions and steering towards an eminently political dimension, Moullet follows three characters in order to build one of the blackest satires about the conflict arising from our everyday relation with work.
- During his televised speech, Jason III, interim ruler of the rock principality of Vercors, points out that for the first time the voter satisfaction rating is declining. This is the signal of the imminence of his scheduled death in a ritual car accident. He immediately chooses to give up power.