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1-50 of 271
- A group of fishermen on a precariously balanced platform fight over a trunk.
- Julia and Max are in Lisbon for different reasons. When they meet each other in a hotel bar, an exciting night begins. Until the next morning they discover the scars of each other and tell the backgrounds of their origin. They start a journey into the past, which marks their bodies as well as their characters. Souvenirs is the story of one night, two persons and seven scars, whose backgrounds vary considerably.
- Mark and Antonia are real but still artificial characters, prototypes of their generation. Antonia has the forceful personality, who wants everything and at the same time lends a lot. Mark has a difficult time accepting, he is fascinated by her and totally unable to cope. He returns his identity crisis back into his relationship.
- The film investigates the border between the conscious and the subconscious, between the inside and the outside. How do we dream? How can a dream be shown appropriately on screen? While a man pursues his day-to-day business, reality, dream and memory blend together. A woman appears and disappears. She has left him; or maybe he broke up the relationship in the most definite way...
- Young writer Ingrid St. Clair has just finished writing her debut novel, detailing her struggle with depression - but instead of a sense of relief, she is left with suffocating anxiety. The film follows her desperate quest for peace of mind.
- Impressions of urban social life between men and women. The sexual male drive and the aggressive abuse stands in contrast to the beatitudes, that are spoken by a woman appearing in red fog between several episodes. Finally that woman is included in the story and experiences her own instincts and real holy pleasure.
- The chicken is slaughtered, the song is sung, the lake is crossed and the female hitchhiker never knew where she was heading in the first place. One thing is for certain: It's no easy task to try and understand other people.
- Potatoes have to be peeled, withered orchid blossoms must be plucked. Then everything is in order.
- Kendo is for Taejon, the center of life. But as soon as he has put down the armor, everyday life catches up with him. Since the death of his mother, Taejon must help out in the small Korean restaurant of the parents. He and his father have nearly stopped talking to each other. But the calm is deceptive. Soon, Taejon notices that he has to face up to things. Just like for a fight.
- This film tells it's story under the conditions of 2015 in an indirect way: We are in a telephone switchboard.
- A double slide projection with 116 images. Varying degrees of roaring ocean waves, in between pictures of pathetic love, as well as representations of human sexuality - dramaturgically alternately and rising prosaic. Concurrently a sound of rhythmically clicking, rushing projectors under a sonorous, crescendo audio collage of a desperately imploring request - an anti-porn, anti-copulation, anti-love film.
- The noise of the last leaves up into the crowns of trees. / Two heards running against the wind. The sound of falling water in a bath room. / Touch me I wanna feel your body. A window to autumn and leaves on the ground, a desperate question. / The power of everlasting big big love. A film about approaching ends - last years, weeks, seconds.
- Gunnar, a young and a bit naive student of economy has many battles to fight: Against his first burnout-syndrome and for his big love Anja. Then there is his dissertation, his fight for a stable monetary system and, of course, the important beer-drinking-competition with the mates from this students-dorm...
- A journey through the chronology, aftermath and a potential conclusion of a military conflict, as reflected in the topographies that the war, either physically or contextually, shaped and altered.
- A short German film about an urban delinquent, Lilly, who catches the attention of Anna, a cute lesbian photographer and turns against two violent cohorts to save her from a fatal stabbing.
- Pushed is a documentary that deals with some of the things we love and hate about skateboarding. Four protagonists have been portrayed giving very personal views on the toy itself and its significant influence on their work, the DoItYourself culture in skateboarding, the rules of the industry and the aging process. Skateboarding once pushed these guys to create things that people wouldn't necessarily link to this object, leading to the question whether this passion can be considered a subculture.
- The life journey of a Pontic Greek refugee from Crimea, as seen through the eyes of his great-granddaughter.